| # | Title | Rating | Length |
|---|
| 1 | Part I (Work Song)- alto saxophone:
- Bill Graham (from 1958-02-04 until 1958-02-12)
- baritone saxophone:
- Harry Carney (from 1958-02-04 until 1958-02-12)
- bass:
- Jimmy Woode (from 1958-02-04 until 1958-02-12)
- drums (drum set):
- Sam Woodyard (from 1958-02-04 until 1958-02-12)
- piano:
- Duke Ellington (from 1958-02-04 until 1958-02-12)
- tenor saxophone:
- Paul Gonsalves (from 1958-02-04 until 1958-02-12)
- trombone:
- Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
- trumpet:
- William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (from 1958-02-04 until 1958-02-12)
- valve trombone:
- John Sanders (from 1958-02-04 until 1958-02-12)
- recording of:
- Black, Brown, and Beige, Part I (on 1958-02-04)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige
- recording of:
- Black, Brown, and Beige, Part I (from 1958-02-04 until 1958-02-12)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige
| | 8:17 |
| 2 | Part II (Come Sunday)- alto saxophone:
- Bill Graham (from 1958-02-04 until 1958-02-12)
- baritone saxophone:
- Harry Carney (from 1958-02-04 until 1958-02-12)
- bass:
- Jimmy Woode (from 1958-02-04 until 1958-02-12)
- drums (drum set):
- Sam Woodyard (from 1958-02-04 until 1958-02-12)
- piano:
- Duke Ellington (from 1958-02-04 until 1958-02-12)
- tenor saxophone:
- Paul Gonsalves (from 1958-02-04 until 1958-02-12)
- trombone:
- Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
- trumpet:
- William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (from 1958-02-04 until 1958-02-12)
- valve trombone:
- John Sanders (from 1958-02-04 until 1958-02-12)
- recording of:
- Black, Brown, and Beige, Part II (from 1958-02-04 until 1958-02-12)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige
- recording of:
- Black, Brown, and Beige, Part II (in 1958-02)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige
| | 6:14 |
| 3 | Part III (Work Song & Come Sunday a.k.a. Light)- alto saxophone:
- Bill Graham (on 1958-02-12)
- baritone saxophone:
- Harry Carney (on 1958-02-12)
- double bass:
- Jimmy Woode (on 1958-02-12)
- drums (drum set):
- Sam Woodyard (on 1958-02-12)
- piano:
- Duke Ellington (on 1958-02-12)
- tenor saxophone:
- Paul Gonsalves (on 1958-02-12)
- trombone:
- Quentin Jackson (on 1958-02-12) and Britt Woodman (on 1958-02-12)
- trumpet:
- William “Cat” Anderson (on 1958-02-12), Harold “Shorty” Baker (on 1958-02-12), Ray Nance (on 1958-02-12) and Clark Terry (on 1958-02-12)
- valve trombone:
- John Sanders (on 1958-02-12)
- recording of:
- Black, Brown, and Beige, Part III (Light) (on 1958-02-04)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige
- recording of:
- Black, Brown, and Beige, Part III (Light) (on 1958-02-12)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige
| | 6:26 |
| 4 | Part IV (Come Sunday)- recorded in:
- New York, New York, United States (on 1958-02-11)
- producer:
- Irving Townsend
- alto saxophone:
- Russell Procope and Bill Graham (on 1958-02-11)
- baritone saxophone:
- Harry Carney (on 1958-02-11)
- bass:
- Jimmy Woode (on 1958-02-11)
- clarinet:
- Russell Procope and Jimmy Hamilton (on 1958-02-11)
- drums (drum set) [drums]:
- Sam Woodyard (on 1958-02-11)
- piano:
- Duke Ellington (on 1958-02-11)
- reeds:
- Russell Procope
- tenor saxophone:
- Paul Gonsalves (on 1958-02-11)
- trombone:
- Quentin Jackson (on 1958-02-11) and Britt Woodman (on 1958-02-11)
- trumpet:
- Cat Anderson (on 1958-02-11), Harold Baker (on 1958-02-11) and Clark Terry (on 1958-02-11)
- trumpet and violin:
- Ray Nance (on 1958-02-11)
- valve trombone:
- John Sanders (on 1958-02-11)
- vocals:
- Mahalia Jackson (on 1958-02-11)
- recording of:
- Come Sunday (on 1958-02-05)
- lyricist and composer:
- Duke Ellington
- version of:
- Black, Brown, and Beige: I. Black: Come Sunday
- part of:
- Black, Brown, and Beige
- recording of:
- Come Sunday (on 1958-02-11)
- lyricist and composer:
- Duke Ellington
- version of:
- Black, Brown, and Beige: I. Black: Come Sunday
- part of:
- Black, Brown, and Beige
- recording of:
- Come Sunday (in 1958-02)
- lyricist and composer:
- Duke Ellington
- version of:
- Black, Brown, and Beige: I. Black: Come Sunday
- part of:
- Black, Brown, and Beige
| | 7:58 |
| 5 | Part V (Come Sunday Interlude)- alto saxophone:
- Bill Graham (on 1958-02-12)
- baritone saxophone:
- Harry Carney (on 1958-02-12)
- double bass:
- Jimmy Woode (on 1958-02-12)
- drums (drum set):
- Sam Woodyard (on 1958-02-12)
- piano:
- Duke Ellington (on 1958-02-12)
- solo violin:
- Ray Nance (on 1958-02-12)
- tenor saxophone:
- Paul Gonsalves (on 1958-02-12)
- trombone:
- Quentin Jackson (on 1958-02-12) and Britt Woodman (on 1958-02-12)
- trumpet:
- William “Cat” Anderson (on 1958-02-12), Harold “Shorty” Baker (on 1958-02-12), Ray Nance (on 1958-02-12) and Clark Terry (on 1958-02-12)
- valve trombone:
- John Sanders (on 1958-02-12)
- recording of:
- Black, Brown, and Beige, Part V (Come Sunday Interlude) (on 1958-02-12)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige
- recording of:
- Black, Brown, and Beige, Part V (Come Sunday Interlude) (in 1958-02)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige
| | 3:46 |
| 6 | Part VI (23rd Psalm) | | 3:08 |
| 7 | Track 360 (Trains) (alternate take) | | 2:05 |
| 8 | Blues in Orbit (Tender) (alternate take) | | 2:42 |
| 9 | Part I (1958 alternate take) | | 6:49 |
| 10 | Part II (alternate take) | | 6:38 |
| 11 | Part III (Light) (alternate take) | | 3:08 |
| 12 | Part IV (Come Sunday) (alternate take) | | 2:23 |
| 13 | Part V (Come Sunday) (alternate take) | | 5:51 |
| 14 | Part VI (23rd Psalm) (alternate take) | | 1:59 |
| 15 | [studio conversation: Mahalia swears] | | 0:07 |
| 16 | Come Sunday (a cappella) | | 5:47 |
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