Arias & Duets

~ Release by Puccini; Maria Callas (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Manon Lescaut: “In quelle trine morbide”
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-15 until 1954-09-16)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-16)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon) (from 1954-09-15 until 1954-09-16)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
Giacomo Puccini2:57
2Manon Lescaut: “Sola, perduta”
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (on 1954-09-17)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1954-09-17)
conductor:
Tullio Serafin (conductor) (on 1954-09-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-17)
recording of:
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata” … “Fra le tue braccia, amore” (Manon, Des Grieux) (on 1954-09-17)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto IV
Giacomo Puccini5:53
3Madama Butterfly: “Un bel dì vedremo”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom and Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1954-09-15 until 1954-09-18)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1954-09-20 until 1954-09-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:34
4Madama Butterfly: “Con onor muore”
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (on 1954-09-17)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1954-09-17)
conductor:
Tullio Serafin (conductor) (on 1954-09-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-17)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (on 1954-09-17)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini3:45
5La bohème: “Sì. Mi chiamano Mimì”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom and Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (from 1954-09-15 until 1954-09-18)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (from 1954-09-20 until 1954-09-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:49
6La bohème: “Donde lieta uscì”
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-15 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-21)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (from 1954-09-15 until 1954-09-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:22
7Suor Angelica: “Senza mamma”
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-16 until 1954-09-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-16 until 1954-09-20)
conductor:
Tullio Serafin (conductor) (from 1954-09-16 until 1954-09-20)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-16 until 1954-09-20)
recording of:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica) (from 1954-09-16 until 1954-09-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A.
part of:
Suor Angelica
Giacomo Puccini5:35
8Gianni Schicchi: “O mio babbino caro”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-15 until 1954-09-16)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-16)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1954-09-15 until 1954-09-16)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:34
9Turandot: “Signore, ascolta!”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-15 until 1954-09-16)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-16)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (from 1954-09-15 until 1954-09-16)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:30
10Turandot: “In questa reggia”
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (on 1954-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1954-09-18)
conductor:
Tullio Serafin (conductor) (on 1954-09-18)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-18)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf) (on 1954-09-18)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini6:25
11Turandot: “Tu, che di gel sei cinta”
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-15 until 1954-09-16)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-16)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla) (from 1954-09-15 until 1954-09-16)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:53
12La bohème: “O soave fanciulla”
soprano vocals [Mimì]:
Maria Callas (soprano)
tenor vocals [Rodolfo]:
Giuseppe Di Stefano (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:11
13Tosca: “Non la sospiri”
soprano vocals [Tosca]:
Maria Callas (soprano)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Victor de Sabata (conductor and composer)
recording of:
Tosca: Atto I. “Non la sospiri la nostra casetta” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini2:28
14Tosca: “Vissi d’arte”
soprano vocals [Tosca]:
Maria Callas (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Victor de Sabata (conductor and composer)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:21
15Madama Butterfly: “Vogliatemi bene”
soprano vocals [Butterfly]:
Maria Callas (soprano)
tenor vocals [Pinkerton]:
Nicolai Gedda (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Herbert von Karajan (conductor)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini7:19