Classic Cuts Presents: 70s Night: The Definitive DJ Collection: A to B

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Dancing Queen
recording of:
Dancing Queen
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1976 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1976 bis heute) und Universal/Union Songs Musikförlag AB (vom 1976 bis heute)
Premiere bei:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-06-18)
Teil von:
Mamma Mia! (1999 musical)
ABBA3:38
2Take a Chance on Me
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Akustikgitarre:
Björn Ulvaeus (am 1977-08-15)
Bassgitarre:
Rutger Gunnarsson (am 1977-08-15, am 1977-08-17, am 1977-10-24)
E-Gitarre [lead guitar]:
Lasse Wellander (am 1977-08-15)
Keyboard:
Benny Andersson (ABBA) (am 1977-08-15)
Schlagzeug und Tamburin:
Roger Palm (am 1977-08-17)
Schlagzeug und Tamburin:
Roger Palm (am 1977-08-15)
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1977, in 1986) und Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1978)
aufgenommen bei:
Marcus Music Ab in Stockholm, Stockholms län (Stockholm county), Schweden (am 1977-08-15, am 1977-08-17) und Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (am 1977-10-24)
mixed at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (am 1977-11-01)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 32) und The Downloader’s Music Source Book (Nummer: 62)
recording of:
Take a Chance on Me (in 1977)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group und Universal/Union Songs Musikförlag AB
Teil von:
Mamma Mia! (1999 musical)
ABBA4.154:04
3How Long
Produzent(in):
John Anthony (British producer and record executive)
phonographisches Urheberrecht (℗) von:
Anchor Records (UK 70s indie label), Cavalcade Records Ltd, Minder Records (in 1974) und Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2015)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 7), Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 31) und The Downloader’s Music Source Book (Nummer: 121)
recording of:
How Long?
Texter und Komponist(in):
Paul Carrack
publisher:
Anchor Music Ltd. und Minder Music Ltd.
Ace3.653:24
4A Horse With No Name
Techniker(in):
Robin Black (engineer) und Ken Scott (UK record producer & engineer)
Produzent(in):
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Mix:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Akustikgitarre und Sologesang:
Dewey Bunnell (in 1971)
Bassgitarre:
Dan Peek (in 1971)
Perkussion:
Ray Cooper (percussionist) (in 1971)
Schlagzeug:
Kim Haworth (in 1971)
zwölfsaitige Gitarre:
Gerry Beckley (in 1971)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1971)
recording of:
A Horse With No Name (in 1971)
Texter und Komponist(in):
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
live recording of:
A Horse With No Name
Texter und Komponist(in):
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
America4.254:10
5Hold Your Head Up
recording of:
Hold Your Head Up
Verfasser(in):
Rod Argent und Chris White (UK bassist for The Zombies)
publisher:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex (publisher), Mainstay Music, Inc., Marquis Songs USA und Verulum Music Co Ltd
sub-publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Argent3:12
6Ressurrection Shuffle
recording of:
Resurrection Shuffle
Texter und Komponist(in):
Tony Ashton (British pianist, singer, composer and producer)
publisher:
EMI Music Publishing (do not use as a release label!)
Ashton, Gardner & Dyke3:18
7Pick Up the Pieces
Produzent(in):
Arif Mardin
Horn arranger:
Roger Ball
arranger:
AWB
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974, in 1975)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Pick Up the Pieces
Verfasser(in):
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre (Scottish guitarist and vocalist) und Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
publisher:
Average Music, BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. und Joe’s Songs Inc. (publisher, ASCAP‐affiliated)
Average White Band4.054:02
8Yes Sir I Can Boogie
Produzent(in):
Rolf Soja
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1977) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
Texter:
Frank Dostal
Komponist(in):
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music und Peermusic (UK) Ltd.
Baccara4.754:37
9You Ain’t Seen Nothing Yet
Techniker(in):
Mark Smith (Canadian engineer)
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
Solo-Gitarre und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974)
recording of:
You Ain’t Seen Nothing Yet
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. und Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:35
10Can’t Get Enough
recording engineer und Mix:
Ron Nevison
Techniker(in):
Ron Fawcus (Aufgabe: tape operator)
Produzent(in):
Bad Company (British blues-rock supergroup)
Bass:
Boz Burrell (English musician) (in 1973-11)
Gitarre:
Mick Ralphs (in 1973-11)
Gitarre [second guitar] und Sologesang:
Paul Rodgers (in 1973-11)
Schlagzeug:
Simon Kirke (in 1973-11)
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1974)
aufgenommen bei:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, Vereinigtes Königreich (in 1973-11)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Can’t Get Enough (in 1973-11)
Texter und Komponist(in):
Mick Ralphs
publisher:
Badco Music, Inc.
Bad Company3.554:18
11Bye Bye Baby
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1974)
cover recording of:
Bye, Bye, Baby (Baby Goodbye) (in 1974)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. und Seasons’ Four Music Inc.
Bay City Rollers42:51
12Shang-A-Lang
Produzent(in):
Phil Coulter und Bill Martin (Scottish songwriter & producer)
arranger:
Phil Coulter
recording of:
Shang‐A‐Lang
Verfasser(in):
Phil Coulter und Bill Martin (Scottish songwriter & producer)
publisher:
Martin-Coulter Music Ltd
Bay City Rollers33:07
13Let It Be
recording of:
Let It Be
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
The Beatles4:00
14Stayin’ Alive
Produzent(in):
Bee Gees, Albhy Galuten und Karl Richardson
Bass:
Maurice Gibb (in 1977)
E-Gitarre:
Alan Kendall (in 1977)
Gitarre [rhythm guitar] und Sologesang:
Barry Gibb (in 1977)
Keyboard, Klavier und Synthesizer:
Blue Weaver (in 1977)
Perkussion:
Dennis Bryon (Welsh drummer, author) (in 1977) und Joe Lala (in 1977)
Schlagzeug:
Dennis Bryon (Welsh drummer, author) (in 1977)
Hintergrundgesang und sonstiger Gesang [harmony vocals]:
Barry Gibb (in 1977), Maurice Gibb (in 1977) und Robin Gibb (in 1977)
Interpret(in):
Bee Gees (in 1977)
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1977), Maurice Gibb (in 1977) und Robin Gibb (in 1977)
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (not for release label use!) (in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1977)
Teil von:
Q50 – December 2005 (Nummer: 3), Billboard Year-End Hot 100 singles of 1978 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 32), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 66), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 99), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 189) und BILLIONS CLUB
recording of:
Stayin’ Alive (in 1977)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co Ltd., Crompton Songs, Gibb Brothers Music, R.S.O. Publishing Ltd., Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Stigwood Music, Inc. (in 1978) und Unichappell Music (in 1978)
Bee Gees3.94:45
15Night Fever
Produzent(in):
Bee Gees, Albhy Galuten und Karl Richardson
Bass:
Maurice Gibb (in 1977)
E-Gitarre:
Alan Kendall (in 1977)
Gitarre [rhythm guitar] und Sologesang:
Barry Gibb (in 1977)
Keyboard, Klavier und Synthesizer:
Blue Weaver (in 1977)
Perkussion:
Dennis Bryon (Welsh drummer, author) (in 1977) und Joe Lala (in 1977)
Schlagzeug:
Dennis Bryon (Welsh drummer, author) (in 1977)
Hintergrundgesang und sonstiger Gesang [harmony vocals]:
Barry Gibb (in 1977), Maurice Gibb (in 1977) und Robin Gibb (in 1977)
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1977), Maurice Gibb (in 1977) und Robin Gibb (in 1977)
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (not for release label use!) (in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 2) und Billboard: Greatest of All Time Hot 100 Songs (Nummer: 47)
recording of:
Night Fever (in 1977)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co Ltd., Crompton Songs, Gibb Brothers Music und R.S.O. Publishing Ltd.
Bee Gees4.13:33
16Let Your Love Flow
Produzent(in):
Phil Gernhard (songwriter and producer) (in 1975-10) und Tony Scotti (in 1975-10)
Bassgitarre:
Emory Gordy (in 1975-10)
Gitarre:
David Bellamy (Bellamy Brothers) (in 1975-10), Howard Bellamy (Bellamy Brothers) (in 1975-10), Richard Bennett (American guitarist) (in 1975-10) und Doug Rhone (American guitarist, songwriter, touring and studio musician) (in 1975-10)
Perkussion:
King Errison (conguero) (in 1975-10)
Schlagzeug:
Dennis St. John (in 1975-10)
Synthesizer:
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician) (in 1975-10)
Sologesang:
David Bellamy (Bellamy Brothers) (in 1975-10) und Howard Bellamy (Bellamy Brothers) (in 1975-10)
phonographisches Urheberrecht (℗) von:
Curb Records (in 1975) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1975-10)
recording of:
Let Your Love Flow (in 1975-10)
Texter und Komponist(in):
Lawrence Eugene Williams (songwriter, "Let Your Love Flow") (in 1975)
The Bellamy Brothers3.653:17
17Black Is Black
cover recording of:
Black Is Black
Verfasser(in):
Michelle Grainger (UK songwriter, co-wrote “Black is Black”), Tony Hayes (UK songwriter, co-wrote “Black is Black”) und Steve Wadey (UK songwriter, co-wrote “Black is Black”)
publisher:
EMI Music Publishing (do not use as a release label!), Mellin Music, Musica (Musica Schallplatten-Vertrieb Gesellschaft m.b.H.), Robert Mellin Music Publishing Corp. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Belle Epoque3:24
18Side Show
Barry Biggs3:36
19Paranoid
Techniker(in):
Tom Allom und Brian Humphries
Produzent(in):
Rodger Bain (von 1970-06 bis 1970-07)
E-Bass:
Geezer Butler (von 1970-06-16 bis 1970-06-21)
E-Gitarre:
Tony Iommi (von 1970-06-16 bis 1970-06-21)
Perkussion und Schlagzeug:
Bill Ward (von 1970-06-16 bis 1970-06-21)
Sologesang:
Ozzy Osbourne (in 1970)
phonographisches Urheberrecht (℗) von:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970) und Icarus Music (Argentinian metal label and distributor) (in 2006)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970) und Regent Sound Studios in London (Greater London), England, Vereinigtes Königreich (von 1970-06-16 bis 1970-06-21)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 13), TV Cream: Real 100 Best Singles Ever (Nummer: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 250) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 338)
recording of:
Paranoid (von 1970-06-16 bis 1970-07-08)
Texter:
Geezer Butler
Komponist(in):
Geezer Butler, Tony Iommi, Ozzy Osbourne und Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. und Westminster Music Ltd. (in 1970)
Black Sabbath4.552:51
20Heart of Glass
assistierende(r) Techniker(in):
Grey Russell
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison
Gitarre:
Frank Infante und Chris Stein
Keyboard:
Jimmy Destri
Schlagzeug:
Clem Burke
vocals:
Deborah Harry
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978) und Chrysalis Records, Inc. (not for release label use!) (in 1979)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 2), Indie 88: Top 500 Indie Rock Songs (Nummer: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 138) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 255)
recording of:
Heart of Glass
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
Once I Had a Love
Blondie4.53:59
2▼CD
Nr.TitelKünstlerBewertungLänge
1Hanging On the Telephone
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
cover recording of:
Hanging On the Telephone (von 1978-06 bis 1978-07)
Texter und Komponist(in):
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) und Rare Blue Music Inc (in 1978)
Blondie4.32:22
2Montego Bay
recording of:
Montego Bay
Verfasser(in):
Jeff Barry und Bobby Bloom (US singer-songwriter)
publisher:
Cheezburger Music Co., EMI Unart Catalog Inc. und United Artists (publisher)
Bobby Bloom52:57
3(Dancing) On a Saturday Night
Produzent(in):
Barry Blue (singer, producer, and songwriter)
phonographisches Urheberrecht (℗) von:
Crimson Copyrights Ltd. (in 1973) und Demon Music Group (in 1973)
recording of:
Dancin’ (On a Saturday Night)
Verfasser(in):
Barry Blue (singer, producer, and songwriter) und Lynsey de Paul
publisher:
ATV Music Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing Australia Pty Ltd.
Barry Blue3:12
4Banner Man
Blue Mink3:24
5Young Gifted and Black
Produzent(in):
Harry Johnson
cover recording of:
To Be Young, Gifted and Black
Texter:
Weldon Irvine
Komponist(in):
Nina Simone
Bob & Marcia3:08
6Disco Stomp
Hamilton Bohannon4:49
7Rivers of Babylon
phonographisches Urheberrecht (℗) von:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1978)
cover recording of:
Rivers of Babylon (Boney M. version)
Texter:
Brent Dowe und Trevor McNaughton
Komponist(in):
Brent Dowe, Frank Farian, Trevor McNaughton und George Reyam
publisher:
Blue Mountain Music und FAR Music (publisher for Frank Farian)
basiert auf:
Rivers of Babylon
Boney M.3.53:59
8Brown Girl in the Ring
recording of:
Brown Girl in the Ring (Boney M.)
Texter:
[traditional] (special purpose artist) und Frank Farian
Komponist(in):
[traditional] (special purpose artist)
arranger:
Frank Farian
publisher:
ATV Music Ltd., Far Musikverlag GmbH, Far Musikverlag GmbH und Co., KG und Hansa International
Version von:
Brown Girl in the Ring (traditional)
Boney M.53:06
9Rat Trap
recording of:
Rat Trap
Texter und Komponist(in):
Bob Geldof
publisher:
Sewer Fire Hits Ltd
The Boomtown Rats4:56
10I Don’t Like Mondays
Produzent(in):
Phil Wainman
Saiteninstrumente arranger:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1979)
Musikvideos:
I Don’t Like Mondays von The Boomtown Rats
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 66)
recording of:
I Don’t Like Mondays
Texter und Komponist(in):
Johnnie Fingers und Bob Geldof
publisher:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. und Zomba Music Publishing Ltd.
The Boomtown Rats44:18
11Beautiful Sunday
recording of:
Beautiful Sunday
Verfasser(in):
Daniel Boone und Rod McQueen
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Daniel Boone3:04
12The Jean Genie
Techniker(in):
Mike Moran (American engineer, associated with RCA) und Ken Scott (UK record producer & engineer)
Produzent(in):
David Bowie (English singer‐songwriter) und Ken Scott (UK record producer & engineer)
Mix:
Mick Ronson (British guitarist) und Ken Scott (UK record producer & engineer)
Bass:
Trevor Bolder (British bassist)
Gitarre:
David Bowie (English singer‐songwriter) und Mick Ronson (British guitarist)
Klavier:
Mike Garson (American pianist)
Saxophon:
Ken Fordham
Schlagzeug:
Mick Woodmansey (British drummer)
Sologesang:
David Bowie (English singer‐songwriter)
arranger:
David Bowie (English singer‐songwriter) und Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
Jones/Tintoretto Entertainment Co. LLC. (in 1976)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten
Musikvideos:
The Jean Genie von David Bowie (English singer‐songwriter)
recording of:
The Jean Genie
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music Pty. Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
David Bowie4.154:05
13Rebel Rebel
Techniker(in):
Keith Harwood
Produzent(in):
David Bowie (English singer‐songwriter)
Mix:
David Bowie (English singer‐songwriter) und Keith Harwood
Bass:
Herbie Flowers (von 1973-10 bis 1974-02)
Cembalo, Klavier, mellotron und Moog:
Mike Garson (American pianist) (von 1973-10 bis 1974-02)
Gitarre:
Alan Parker (guitarist & composer) (von 1973-10 bis 1974-02)
Gitarre, Keyboard und Saxophon und Sologesang:
David Bowie (English singer‐songwriter) (von 1973-10 bis 1974-02)
Schlagzeug:
Aynsley Dunbar (von 1973-10 bis 1974-02) und Tony Newman (rock drummer for Jeff Beck Group/May Blitz) (von 1973-10 bis 1974-02)
arranger:
David Bowie (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Jones/Tintoretto Entertainment Co. LLC. (in 1976) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1973-10 bis 1974-02) und Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1973-10 bis 1974-02)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 9)
recording of:
Rebel Rebel (von 1973-10 bis 1974-02)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), MainMan, Jones Music America (vom 1974 bis heute) und Tintoretto Music (vom 1997 bis heute)
David Bowie3.94:30
14I Love the Night Life (Disco Round)
recording of:
I Love the Nightlife
Verfasser(in):
Alicia Bridges und Susan Hutcheson
publisher:
Lowery Music Co. Inc., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Alicia Bridges3:28
15I Lost My Heart to a Starship Trooper
Sarah Brightman4:13
16Hang on There Baby
recording of:
Hang on in There Baby
Texter und Komponist(in):
Johnny W. Bristol
publisher:
Bushka Music (publishing) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Johnny Bristol3:50
17Save Your Kisses for Me
Brotherhood of Man3:05
18Video Killed the Radio Star
Produzent(in):
The Buggles
E-Gitarre und Sologesang:
Trevor Horn (in 1979)
Keyboard:
Geoff Downes (in 1979)
Chorgesang:
Debi Doss (photographer and singer, Kinks) (in 1979) und Linda Jardim (in 1979)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 40)
recording of:
Video Killed the Radio Star
Verfasser(in):
Geoff Downes, Trevor Horn und Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:21
19Wuthering Heights
Techniker(in):
Jon Kelly (engineer at Air London Studios)
Produzent(in):
Andrew Powell (known for contributions to Alan Parsons Project)
Klavier, Hintergrundgesang und Sologesang:
Kate Bush (von 1977-07 bis 1977-08)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel) (von 1977-07 bis 1977-08)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977, in 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (in 1977, in 1978), EMI America Records, Inc. (holding – file NO releases here!) (in 1982) und EMI France (in 1995)
aufgenommen bei:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (von 1977-07 bis 1977-08)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 18)
recording of:
Wuthering Heights (von 1977-07 bis 1977-08)
publisher:
Kate Bush (vom 1978 bis heute)
Texter und Komponist(in):
Kate Bush (am 1977-03-05)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated) (vom 1978 bis heute)
Kate Bush44:28
20Ever Fallen in Love (With Someone You Shouldn’t’ve)
Techniker(in):
Doug Bennett (producer, engineer) und Martin Rushent
Produzent(in) und Mix:
Martin Rushent
arranger:
Buzzcocks (English punk band)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
aufgenommen bei und mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 276)
recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
Texter und Komponist(in):
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
Buzzcocks4.42:42

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Veröffentlichungsgruppe

Teil von:Classic Cuts Presents: 70s Night: The Definitive DJ Collection (Nummer: 1/2) (Reihenfolge: 1)