The Ultimate Smooth Album

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Medium
#TitleArtistRatingLength
1Don’t Know Why
assistant engineer:
Mark Birkey
engineer:
Jay Newland (producer, engineer and mixer)
additional producer:
Arif Mardin
producer:
Norah Jones and Jay Newland (producer, engineer and mixer)
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
acoustic guitar and electric guitar:
Jesse Harris (in 2000-10)
bass guitar:
Lee Alexander (US bassist, songwriter & producer) (in 2000-10)
drums (drum set):
Dan Rieser (in 2000-10)
piano and lead vocals:
Norah Jones (in 2000-10)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States (in 2000-10) and Sorcerer Sound in New York, New York, United States (in 2000-10)
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Don’t Know Why (in 2000-10)
lyricist and composer:
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Norah Jones3.453:07
2Light My Fire
cover recording of:
Light My Fire
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. and 日音 Synch事業部 (NICHION, INC. Synch Division)
Will Young3:26
3Fields of Gold
acoustic guitar:
Eva Cassidy
electric guitar:
Keith Grimes
vocals:
Eva Cassidy
remaster of:
Fields of Gold by Eva Cassidy
cover recording of:
Fields of Gold
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Music Publishing Germany (GmbH & Co. KG), EMI Music Publishing Ltd. (PRS‐affiliated) and Steerpike Ltd. (PRS-affiliated)
Eva Cassidy4.154:43
4Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) and Bill Lazarus (in 1971)
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills (in 1971)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
lead vocals:
Bill Withers (in 1971)
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.52:04
5Mad About the Boy
recorded in:
Chicago, Illinois, United States (on 1961-12-04)
piano:
Jack Wilson (jazz pianist) (on 1961-12-04)
trombone:
Billy Byers (on 1961-12-04)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-12-04)
vocals:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (on 1961-12-04)
arranger:
Quincy Jones (on 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington52:47
6The Way It Is
engineer:
Elliot Scheiner
producer:
Bruce Hornsby and Elliot Scheiner
drums (drum set) and percussion:
John Molo
piano and synthesizer:
Bruce Hornsby
vocals:
Bruce Hornsby
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Entertainment (in 1986), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
produced for:
Trackman, Inc.
recording of:
The Way It Is
lyricist and composer:
B.R. Hornsby
publisher:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Zappo Music (from 1986 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby4.054:58
7Baker Street
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
drums (drum set):
Henry Spinetti (in 1977)
guitar [lead guitar]:
Hugh Burns (in 1977)
guitar [rhythm guitar]:
Nigel Jenkins (in 1977)
keyboard:
Tommy Eyre (in 1977)
percussion:
Glen LeFleur (in 1977)
saxophone:
Raphael Ravenscroft (in 1977)
lead vocals:
Gerry Rafferty (in 1977)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
edit of:
Baker Street by Gerry Rafferty
recording of:
Baker Street (in 1977)
lyricist and composer:
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) and Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:07
8Perfect
producer:
Fairground Attraction and Kevin Moloney
assistant mixer:
Alistair Johnson (engineering)
mixer:
Kevin Moloney
lead vocals:
Eddi Reader
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (in 1988) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recorded at:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, United Kingdom
music videos:
Perfect by Fairground Attraction
recording of:
Perfect
lyricist and composer:
Mark Nevin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.353:37
9Fly Me to the Moon
vocals:
Peggy Lee (jazz vocalist) (on 1960-02-18)
cover recording of:
Fly Me to the Moon (on 1960-02-18)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Peggy Lee3:00
10Mas Que Nada
Tamba Trio2:43
11AdiaSarah McLachlan4.654:02
12Even After All
co-producer:
Kevin Bacon (Sheffield UK DJ/producer), Jonathan Quarmby (English record producer) and Finley Quaye
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1997)
recording of:
Even After All
lyricist and composer:
Finley Quaye
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Spirit Songs Ltd.
Finley Quaye3.53:55
13Call Me
Eliane Elias4:10
14Slip Into Something More Comfortable
recording of:
Slip Into Something More Comfortable
writer:
Mark Blackburn, Fred Karger (Frederick Maxwell Karger, Jr), Julius Waters (Production music composer) and Robert Wells (songwriter)
publisher:
Barton Music Corp. and Imagem London Ltd.
Kinobe3.84:54
15Underwater Love
assistant engineer:
Richard Flack (producer/engineer), Patrick McGovern, Kevin Vanbergen (UK sound engineer) and Richard Woodcraft
engineer:
Paul "Max" Bloom (Paul "Max" Bloom)
producer:
Michael Peden (member of The Chimes) and Smoke City
mixer:
Ben Hillier (UK Producer)
vocals:
Nina Miranda (Brazilian singer and songwriter)
mixed at:
Master Rock Studios in Kilburn, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Underwater Love
writer:
Luiz Bonfá, Marc Brown (UK electronic DJ/producer) and Nina Miranda (Brazilian singer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Westbury Music
Smoke City3.56:47
16Nobody Knows
recording of:
Nobody Knows
writer:
Don Dubosé and Joseph Richards (Joe Rich)
publisher:
Menace Music Ltd.
The Tony Rich Project44:21
17I Wish I Knew
Billy Taylor Trio3:40
18In All the Right Places
recording of:
In All the Right Places
lyricist:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) and Lisa Stansfield
composer:
John Barry (English score composer)
Lisa Stansfield6:04
19Everybody’s Talkin’
phonographic copyright (℗) by:
BMG Music (in 1967)
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
Nilsson3.92:45
20What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong's Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3.92:15
2Medium
#TitleArtistRatingLength
1The Closest Thing to Crazy
engineer:
Steve Sale
producer:
Mike Batt
lead vocals:
Katie Melua
arranger:
Mike Batt
phonographic copyright (℗) by:
Dramatico Entertainment Ltd. (not release label) (in 2003) and BMG Rights Management (UK) Limited (not for release label use! see annotation) (in 2023)
cover recording of:
The Closest Thing to Crazy
lyricist and composer:
Mike Batt
publisher:
Dramatico, Dramatico Music Publishing, Sony Music Publishing (1995–2020) and Sony/ATV Music Publishing (UK) Ltd.
recording of:
The Closest Thing to Crazy
lyricist and composer:
Mike Batt
publisher:
Dramatico, Dramatico Music Publishing, Sony Music Publishing (1995–2020) and Sony/ATV Music Publishing (UK) Ltd.
Katie Melua3.54:11
2Mad World
recording engineer and producer:
Michael Andrews (American musician and score composer)
mixer:
Gary Jules
background vocals:
Tori Haberman and Sam Shelton (backing vocals)
guest lead vocals and lead vocals:
Gary Jules
phonographic copyright (℗) by:
Michael Andrews (American musician and score composer) (in 2001)
cover recording of:
Mad World
lyricist and composer:
Roland Orzabal (UK musician, songwriter and producer)
publisher:
BMG Blue, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Publishing and Virgin Music Ltd.
Michael Andrews3.93:04
3High and Dry
cover recording of:
High and Dry
writer:
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) and Thom Yorke
publisher:
Warner Chappell Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
50/50
Jamie Cullum4:53
4I Will Always Love You
engineer:
Tom Pick
producer:
Bob Ferguson
banjo:
Bobby Thompson (guitar & banjo player) (on 1973-06-13) and Buck Trent (on 1973-06-13)
bass:
Bobby Dyson (on 1973-06-13)
drums (drum set):
Ralph Gallant (on 1973-06-13)
fiddle:
Johnny Gimble (on 1973-06-13) and Mack Magaha (Bluegrass Fiddler) (on 1973-06-13)
guitar:
Jimmy Colvard (American session guitarist) (on 1973-06-13), Dave Kirby (US country singer/songwriter) (on 1973-06-13) and Dolly Parton (on 1973-06-13)
piano:
Hargus "Pig" Robbins (on 1973-06-13)
steel guitar:
Stu Basore (on 1973-06-13)
background vocals:
Joe Babcock (on 1973-06-13), Dolores Edgin (on 1973-06-13), June Page (on 1973-06-13) and Hurshel Wiginton (on 1973-06-13)
vocals:
Dolly Parton (on 1973-06-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1973-06-13)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 34)
recording of:
I Will Always Love You (on 1973-06-13)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton3.83:05
5Feel So HighDes’ree43:55
6Unforgettable
producer:
Lee Gillette
piano:
Nat King Cole (in 1961)
vocals:
Nat King Cole (in 1961)
conductor:
Ralph Carmichael (in 1961)
recording of:
Unforgettable (in 1961)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Nat King Cole3.853:27
7Heartbreaker
engineer:
Karl Richardson
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
acoustic guitar and background vocals:
Barry Gibb (in 1982)
bass guitar:
George “Chocolate” Perry (bassist aka "Chocolate") (in 1982)
drums (drum set):
Steve Gadd (drummer) (in 1982)
electric guitar:
George Terry (guitar player with Clapton in 70's) (in 1982)
lead vocals:
Dionne Warwick (in 1982)
conductor:
Albhy Galuten (in 1982)
strings arranger:
Albhy Galuten and Barry Gibb
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982)
produced for:
Karlbhy Productions
additionally recorded at:
Mediasound Studios in New York, New York, United States (in 1982)
recorded at:
Middle Ear Studio in Miami Beach, Florida, United States (in 1982)
recording of:
Heartbreaker (Dionne Warwick song) (in 1982)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Unichappell Music, Inc. and Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick44:17
8Songbird
assistant engineer:
Kay Arbuckle, Stuart Hirotsu, Matt Rohr (Recording Engineer) and Jim Weyeneth
engineer:
Gordon Lyon
co-producer:
Kenny G (saxophonist)
executive producer:
Narada Michael Walden
producer:
Preston Glass
recorded at:
Tarpan Recording Studio in San Rafael, California, United States
recording of:
Songbird
composer:
Kenny G (saxophonist)
publisher:
EMI Blackwood Music Inc., High Tech Music, Kenny G Music and Kuzu Music (publisher)
Kenny G3.653:59
9Under My Skin
engineer:
Val Valentin (on 1956-02-09)
producer:
Norman Granz
bass trombone:
George Roberts (american bass trombone) (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (american trombone player) (on 1956-02-09) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-09)
conductor:
Buddy Bregman (on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
I’ve Got You Under My Skin (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Ella Fitzgerald2.352:43
10Moon River
producer:
Robert Mersey
conductor:
Robert Mersey (on 1962-01-04)
performer:
Andy Williams (US pop/jazz vocalist) (on 1962-01-04)
arranger:
Robert Mersey
cover recording of:
Moon River (on 1962-01-04)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 1961 winner)
Andy Williams2:45
11Over the Rainbow
recorded in:
Roma (Rome), Roma, Lazio, Italy (on 1962-01-05)
engineer:
Jean‐Pierre Chalbos (mastering engineer)
producer:
Daniel Baumgarten
double bass:
Benoît Quersin (Belgian jazz bassist) (on 1962-01-05)
drums (drum set):
Daniel Humair (on 1962-01-05)
guitar:
René Thomas (Belgian jazz guitarist) (on 1962-01-05)
piano:
Amedeo Tommasi (Italian jazz pianist) (on 1962-01-05)
reeds:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1962-01-05)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1962-01-05)
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz) (on 1962-01-05)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Chet Baker3:29
12Theme From Harry’s Game
engineer:
Richard Dodd (mastering engineer, producer and engineer) and Austin Ince (engineer)
producer:
Richard Dodd (mastering engineer, producer and engineer)
conductor:
James Horner (American score composer) (in 1992)
phonographic copyright (℗) by:
RCA Ltd. (UK arm of RCA) (in 1983)
recorded at and mixed at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Theme From Harry’s Game
lyricist and composer:
Ciarán Ó Braonáin and Pól Ó Braonáin
publisher:
Television Music Ltd.
is based on:
[old text from County Galway]
Clannad4.652:29
13Slow Hand
associate producer:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
Bill Schnee
bass guitar:
Nate Watts
drums (drum set):
John Robinson (session drummer)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) and Tim May (session/jazz guitarist)
organ:
William Smith (organist/keyboardist)
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Anita Pointer
vocals arranger:
The Pointer Sisters
phonographic copyright (℗) by:
BMG Entertainment (in 1981), Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981) and Planet Records Inc. (in 1981)
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Slow Hand
lyricist:
John Bettis
composer:
Michael Clark (songwriter, composer)
publisher:
Flying Dutchman Music Co., Sweet Harmony Music, Inc. (US publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Pointer Sisters53:48
14I Left My Heart in San FranciscoTony Bennett2:52
15Coming Around Again (live)
live recording of:
Coming Around Again (Carly Simon)
lyricist and composer:
Carly Simon
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Universal Music Corporation (USA, affiliated with ASCAP), C’est Music (in 1986) and Famous Music Publishing (in 1986)
Carly Simon7:02
16Promise Me
engineer:
Barry Hammond
producer:
Paul Samwell-Smith
mixer:
Frank Filipetti
guest bass guitar:
Maartin Allcock
guest drums (drum set):
Dave Mattacks
guest guitar:
Simon Nicol (singer, multi-instrumentalist and producer from England)
guest keyboard:
Bias Boshell
piano accordion, background vocals and lead vocals:
Beverley Craven
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1990)
recording of:
Promise Me
lyricist and composer:
Beverley Craven
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Beverley Craven43:37
17Natural Blues
engineer:
Moby (electronic musician Richard Melville Hall)
mixer:
I Monster
recording of:
Natural Blues
writer:
Vera Hall, Alan Lomax (US ethnomusicologist) and Moby (electronic musician Richard Melville Hall)
publisher:
Little Idiot Music, Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
is based on:
Trouble So Hard
Moby43:02
18A Taste of Honey
Paul Desmond4:29
19Midnight Train to Georgia
Gladys Knight4:43
20In the Ghetto
engineer:
Al Pachucki
producer:
Felton Jams and Chips Moman
bass:
Tommy Cogbill (on 1969-01-21) and Mike Leech (on 1969-01-21)
drums (drum set):
Gene Chrisman (on 1969-01-21)
French horn:
Tony Cason (on 1969-01-21) and Joe D'Gerolamo (on 1969-01-21)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-21) and Reggie Young (Guitarist and songwriter) (on 1969-01-21)
harmonica:
Ed Kollis (on 1969-01-21)
organ:
Bobby Emmons (on 1969-01-21)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1969-01-21)
saxophone:
J.P. Luper (saxophonist) (on 1969-01-21) and Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter) (on 1969-01-21)
steel guitar:
John Hughey (on 1969-01-21)
trombone:
Jack Hale (trombone) (on 1969-01-21), Ed Logan (on 1969-01-21) and Gerald Richardson (on 1969-01-21)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1969-01-21), Dick Steff (on 1969-01-21) and R.F. Taylor (on 1969-01-21)
vocals:
Joe Babcock (on 1969-01-21), Donna Thatcher (on 1969-01-21), Dolores Edgin (on 1969-01-21), Ginger Holladay (American singer-songwriter) (on 1969-01-21), Mary Holladay (on 1969-01-21), Millie Kirkham (on 1969-01-21), Mary (Jeannie) Green (on 1969-01-21), June Page (on 1969-01-21), Susan Pilkington (on 1969-01-21), Sandy Posey (on 1969-01-21) and Hurshel Wiginton (on 1969-01-21)
phonographic copyright (℗) by:
BMG Entertainment (in 1969), BMG Music (in 1969) and RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969)
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1969-01-21)
part of:
SWR1 Hitparade 2006 (Baden-Württemberg) (number: 10)
recording of:
In the Ghetto (on 1969-01-21)
lyricist and composer:
Mac Davis (US country singer, songwriter & actor)
publisher:
ABG Elvis Songs, B-n-B Music Inc., Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music Inc., R&H Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sony/ATV Songs LLC
Elvis Presley4.42:46