101 Love Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼CD: CD / ONE
#TitoloArtistaValutazioneDurata
1What a Wonderful World
tecnico:
Steve Sale
tecnico aggiunto:
Rupert James Coulson e Brian Masterson (audio engineer)
produttore:
Mike Batt e Chris Biondo (guitarist, producer with Eva Cassidy Band)
basso :
Tim Harries
batteria [drums] :
Henry Spinetti
chitarra :
Jim Cregan (producer & member of Family), Steve Donnelly, John Parricelli, Luke Potashnick (British guitarist) e Chris Spedding
percussione :
Ray Cooper (percussionist) e Rob Farrer (percussionist)
pianoforte :
Mike Batt
strumenti:
The Irish Film Orchestra
tromba :
Dominic Glover (composer, writer, trumpet, flugelhorn and brass)
violino :
Mike Darcy
voce:
Eva Cassidy e Katie Melua
direttore d'orchestra:
Mike Batt
arrangiatore:
Mike Batt e Chris Biondo (guitarist, producer with Eva Cassidy Band)
diritti fonografici (℗) detenuti da:
Blix Street Records Inc. (not release label) (nel 2007), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (nel 2007) e Dramatico Entertainment Ltd. (not release label) (nel 2007)
registrazione cover di:
What a Wonderful World
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
registrazione di:
What a Wonderful World
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Eva Cassidy & Katie Melua24:18
2Come Away With Me
assistente tecnico:
Dick Kondas
tecnico:
Jay Newland (producer, engineer and mixer)
produttore:
Arif Mardin
tecnico di missaggio:
Arif Mardin e Jay Newland (producer, engineer and mixer)
batteria :
Dan Rieser
chitarra acustica :
Jesse Harris
chitarra basso :
Lee Alexander (US bassist, songwriter & producer)
chitarra elettrica :
Adam Levy (jazz guitarist)
pianoforte e voce principale:
Norah Jones
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2002)
registrata presso:
Allaire Studios in Bearsville, New York, Stati Uniti e Sorcerer Sound in New York, New York, Stati Uniti
mixata presso:
Sear Sound in New York, New York, Stati Uniti
registrazione di:
Come Away With Me
paroliere e compositore:
Norah Jones
Norah Jones3.83:17
3I Can’t Make You Love Me
produttore:
George Michael
voce:
George Michael
arrangiatore:
George Michael
registrazione cover di:
I Can’t Make You Love Me
autore:
Mike Reid (US country artist & former football player) e Allen Shamblin
editore:
Universal Music–MGB Songs, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1991), Brio Blues Music (nel 1991) e Hayes Street Music, Inc. (nel 1991)
sub-editore:
環球音樂出版股份有限公司 (Universal Music Publishing Co., Ltd.)
George Michael3.355:21
4Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1986)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:58
5How Do I Live
produttore:
Mike Curb, Chuck Howard (american A&R executive, record and movie producer) e Wilbur C. Rimes
registrazione di:
How Do I Live
paroliere e compositore:
Diane Warren (US songwriter)
editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Realsongs (dal 1997 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 2)
LeAnn Rimes34:09
6One More Night
assistente tecnico:
Steve Chase
tecnico:
John Jacobs (UK producer/engineer) e Hugh Padgham
produttore:
Phil Collins (of Genesis) e Hugh Padgham
chitarra [guitars] :
Daryl Stuermer
chitarra basso [bass] :
Lee Sklar (bassist, session musician)
drum machine [Roland 808] , tastiera [keyboards] , voce di accompagnamento [backing vocals] e voce principale [vocals]:
Phil Collins (of Genesis)
sassofono [sax] solista :
Don Myrick
arrangiatore archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1985), Warner Music International Inc. (not for release label use! Warner Music Group's global recorded music division managing over 50 countries) (nel 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985) e Philip Collins Ltd. (nel 2016)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito, Old Croft in Surrey, England, Regno Unito e The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
mixata presso:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
video musicali:
One More Night di Phil Collins (of Genesis)
registrazione di:
One More Night
paroliere e compositore:
Phil Collins (of Genesis)
editore:
Hit & Run Music (Publishing) Ltd, Imagem Music, Imagem Music NL e Philip Collins Ltd.
Phil Collins3.94:52
7Amazed
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2000)
parte di:
Grammy Award: Best Country Performance by a Duo or Group nominees (numero: 2000)
registrazione di:
Amazed
autore:
Marv Green (American country singer / songwriter and composer), Chris Lindsey (Country music songwriter) e Aimee Mayo (American songwriter)
editore:
Careers–BMG Music Publishing, Inc., Chrysalis One Publishing UK Ltd., Kobalt Music Publishing Ltd. (UK), Reservoir Media Management, Inc., Round Hill Music, Silverkiss Music, Songs of Nashville DreamWorks, Universal Music Publishing MGB Ltd. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lonestar4:27
8I Want to Know What Love Is
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott "Abada" Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner44:53
9To the Moon and Back
registrazione di:
To the Moon and Back
autore:
Darren Hayes e Daniel Jones (Australian singer/producer of Savage Garden)
editore:
EMI (EMI Records, or EMI Music only if there is no other imprint)
Savage Garden4:33
10Let’s Stay Together
tecnico:
Walter Samuel (engineer) e Greg Walsh (producer and engineer)
produttore:
Greg Walsh (producer and engineer) e Martyn Ware
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1984)
registrazione cover di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
registrazione di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
Tina Turner33:36
11God Only Knows
tecnico:
Chuck Britz (il 1966-03-10) e Ralph Valentin (dal 1966-03 al 1966-04)
produttore:
Brian Wilson (Beach Boys co‐founder)
basso elettrico :
Ray Pohlman (il 1966-03-10)
batteria e campana :
Hal Blaine (U.S. studio drummer and percussionist) (il 1966-03-10)
chitarra :
Carol Kaye (il 1966-03-10)
clarinetto :
Leonard Hartman (il 1966-03-10) e Jay Migliori (il 1966-03-10)
clarinetto basso :
Leonard Hartman (il 1966-03-10)
clavicembalo :
Larry Knechtel (il 1966-03-10)
contrabbasso :
Lyle Ritz (il 1966-03-10)
corno francese :
Alan Robinson (il 1966-03-10)
fisarmonica :
Carl Fortina (il 1966-03-10) e Frank Marocco (il 1966-03-10)
flauto :
Bill Green (woodwind) (il 1966-03-10) e Jim Horn (saxophonist, hornist, flutist and oboist) (il 1966-03-10)
percussione :
Jim Gordon (US drummer with Derek and the Dominos) (il 1966-03-10)
pianoforte tack :
Don Randi (il 1966-03-10)
tamburello :
Terry Melcher (il 1966-03-10)
viola :
Darrel Terwilliger (il 1966-03-10)
violino :
Leonard Malarsky (il 1966-03-10) e Sid Sharp (il 1966-03-10)
violoncello :
Jesse Erlich (il 1966-03-10)
voce:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (dal 1966-03 al 1966-04) e Brian Wilson (Beach Boys co‐founder) (dal 1966-03 al 1966-04)
voce principale:
Carl Wilson (Beach Boys) (dal 1966-03 al 1966-04)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1966-03-10) e Columbia Studios (Hollywood, 1961-1972) in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-03 al 1966-04)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 11), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 130)
registrazione di:
God Only Knows (dal 1966-03 al 1966-04)
paroliere:
Tony Asher (US lyricist, worked on Pet Sounds)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
The Beach Boys42:49
12Make It With You
archi , chitarra , chitarra basso , voce di accompagnamento e voce principale:
David Gates (singer/songwriter, lead singer of Bread)
batteria :
Michael Botts
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1970) e Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 13)
registrazione di:
Make It With You
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:07
13Me and Mrs. Jones
registrazione di:
Me and Mrs. Jones
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Yamaha Music Entertainment (Japanese label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4:39
14You Are So Beautiful
assistente tecnico:
David Gallo (engineer) e David Roberts (engineer)
tecnico:
Guy Charbonneau
produttore:
Michael Lang (Producer)
tecnico di missaggio:
Chris Lord‐Alge
basso :
Dave McDaniel (bass)
pianoforte :
Nicky Hopkins (pianist and organist)
voce principale:
Joe Cocker
diritti fonografici (℗) detenuti da:
A&M Records (nel 1973)
registrata presso:
Memorial Auditorium in Lowell, Massachusetts, Stati Uniti (il 1989-10-05)
registrazione cover di:
You Are So Beautiful
autore:
Bruce Fisher e Billy Preston
editore:
Almo Music Corporation (USA, affiliated with ASCAP) e Preston Songs (ASCAP)
sub-editore:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker3.952:45
15My Love
assistente tecnico di registrazione:
Mark Vigars (engineer) (dal 1973-01-25 al 1973-01-27)
tecnico di registrazione:
Richard Lush (dal 1973-01-25 al 1973-01-27)
produttore:
Paul McCartney (The Beatles) (dal 1973-01-25 al 1973-01-27)
tecnico di missaggio:
Richard Lush (il 1973-01-27)
batteria :
Denny Seiwell (US drummer) (dal 1973-01-25 al 1973-01-27)
chitarra basso :
Denny Laine (dal 1973-01-25 al 1973-01-27)
chitarra elettrica :
Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (dal 1973-01-25 al 1973-01-27)
pianoforte elettrico e voce principale:
Paul McCartney (The Beatles) (dal 1973-01-25 al 1973-01-27)
voce di accompagnamento:
Denny Laine (dal 1973-01-25 al 1973-01-27) e Linda McCartney (dal 1973-01-25 al 1973-01-27)
orchestratore:
Richard Hewson
diritti fonografici (℗) detenuti da:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (nel 1993, nel 2001) e MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (nel 1993, nel 2001)
registrata in aggiunta presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1973-01-27)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1973-01-25 al 1973-01-26)
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1973-01-27)
registrazione di:
My Love (dal 1973-01-25 al 1973-01-27)
autore:
Linda McCartney e Paul McCartney (The Beatles)
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Paul McCartney & Wings44:08
16The Air That I Breathe
tecnico:
Mike Jarratt (Recording, mixing and lacquer cutting engineer) e Alan Parsons (of The Alan Parsons Project)
produttore:
The Hollies e Ron Richards
voce:
Allan Clarke (of The Hollies) (dal 1973-11-15 al 1973-11-22), Tony Hicks (dal 1973-11-15 al 1973-11-22) e Terry Sylvester (dal 1973-11-15 al 1973-11-22)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1973), The Hollies Ltd. (nel 1973, nel 1974, nel 2008) e Polydor International GmbH (not for release label use!) (nel 1974)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1973-11-15 al 1973-11-22)
registrazione cover di:
The Air That I Breathe (dal 1973-11-15 al 1973-11-22)
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies4.54:13
17You Raise Me Up
Brian Kennedy4:08
18Heaven (Candlelight mix)
produttore:
DJ Sammy e Yanou (German trance/eurodance artist Yann Peifer)
voce:
Do (Dutch singer Dominique Rijpma van Hulst)
voce principale ospite:
Do (Dutch singer Dominique Rijpma van Hulst)
remixer:
Yanou (German trance/eurodance artist Yann Peifer)
esecutore:
Yanou (German trance/eurodance artist Yann Peifer)
diritti fonografici (℗) detenuti da:
Bahia Music S.L. (nel 2002)
registrazione cover di:
Heaven
scritta a:
West Vancouver, Vancouver, British Columbia (Columbia Britannica), Canada (nel 1983)
autore:
Bryan Adams (Canadian singer/songwriter) (nel 1983) e Jim Vallance (nel 1983)
editore:
Adams Communications Inc. (nel 1983, nel 1984), Almo Music Corp. (USA, affiliated with ASCAP) (nel 1983), Irving Music, Inc. (nel 1983), Testatyme Music (nel 1983), Calypso Toonz (nel 1984) e Rondor Music (London) Ltd. (nel 1984)
DJ Sammy & Yanou feat. Do4:02
19Songbird
programmazione degli strumenti:
Chris Biondo (guitarist, producer with Eva Cassidy Band)
archi , chitarra [lead guitar] , chitarra acustica , tastiera e voce di accompagnamento:
Eva Cassidy
basso :
Chris Biondo (guitarist, producer with Eva Cassidy Band)
voce:
Eva Cassidy
diritti fonografici (℗) detenuti da:
Blix Street (nel 1992)
registrazione cover di:
Songbird
paroliere e compositore:
Christine McVie
arrangiatore:
Glyn Johns
editore:
BMG Publishing e Gentoo Music, Inc.
Eva Cassidy43:42
20Nine Million Bicycles
tecnico:
Steve Sale
produttore:
Mike Batt
basso :
Tim Harries
batteria [drums] :
Henry Spinetti
chitarra :
Jim Cregan (producer & member of Family), Katie Melua e Chris Spedding
flauto :
Adrian Brett
pianoforte :
Mike Batt
strumenti:
The Irish Film Orchestra
tromba :
Dominic Glover (composer, writer, trumpet, flugelhorn and brass)
violino :
Mike Darcy
voce:
Katie Melua
direttore d'orchestra:
Mike Batt
arrangiatore:
Mike Batt
diritti fonografici (℗) detenuti da:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (nel 2015)
registrazione di:
Nine Million Bicycles
paroliere e compositore:
Mike Batt
editore:
Dramatico
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Katie Melua3.23:14
2▼CD: CD / TWO
#TitoloArtistaValutazioneDurata
1Against All Odds (Take a Look at Me Now)
tecnico:
Jeremy Smith (producer/engineer) e Lewis Hahn
produttore:
Arif Mardin
batteria e voce principale:
Phil Collins (of Genesis)
tastiera :
Rob Mounsey
direttore d'orchestra:
Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1999)
registrazione di:
Against All Odds (Take a Look at Me Now)
paroliere e compositore:
Phil Collins (of Genesis)
editore:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (nel 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1984), Golden Torch Music Corp. (nel 1984) e Hit & Run Music (Publishing) Ltd (nel 1984)
sub-editore:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 57th Academy Award for Best Original Song (numero: 2)
Phil Collins3.83:25
2All Out of Love
produttore:
Robie Porter
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
assistente tecnico di missaggio:
Linda Corbin
tecnico di missaggio:
Jim Hilton
batteria :
Ralph Cooper (drummer)
chitarra [lead guitar] :
David Moyse
chitarra [rhythm guitar] :
Graham Russell (Air Supply)
chitarra basso :
Criston Barker
tastiera :
Frank Esler‐Smith e Sam McNally
voce:
Graham Russell (Air Supply)
voce di accompagnamento:
Criston Barker e David Moyse
voce principale:
Russell Hitchcock
arrangiatore:
Air Supply e Robie Porter
orchestratore:
Frank Esler‐Smith e Robie Porter
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1980), Arista Records, LLC (holding company - file NO releases here!) (nel 1980), Big Time Phonograph Recording Co. (nel 1980), Big Time Phonograph Recording Co. Pty Ltd. (nel 1980) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980)
registrata presso:
Paradise Studios (Sydney) in Sydney, New South Wales, Australia e Studios 301 (Byron Bay) in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia
mixata presso:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, Stati Uniti
parte di:
The Downloader’s Music Source Book (numero: 290)
registrazione di:
All Out of Love
autore:
Clive Davis (record producer, A&R executive and music industry chief executive) e Graham Russell (Air Supply)
editore:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply4.454:01
3It Must Have Been Love
programmazione:
Clarence Öfwerman (dal 1987 al 1990)
tecnico:
Anders Herrlin e Alar Suurna
produttore:
Clarence Öfwerman
tecnico di missaggio:
Humberto Gatica
batteria :
Pelle Alsing (dal 1987 al 1990)
chitarra elettrica [electric guitars] :
Jonas Isacsson (dal 1987 al 1990)
synclavier e tastiera [keyboards] :
Clarence Öfwerman (dal 1987 al 1990)
voce:
Marie Fredriksson (dal 1987 al 1990) e Per Gessle (Swedish singer and guitarist) (dal 1987 al 1990)
diritti fonografici (℗) detenuti da:
EMI Svenska AB (not for release label use!) (nel 1990) e Parlophone Music Sweden AB (not for release label use, for copyrights use only) (nel 1990)
registrata presso:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990) e EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990)
mixata presso:
Ground Control Studios in Santa Monica, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 466)
registrazione di:
It Must Have Been Love (dal 1987 al 1990)
paroliere e compositore:
Per Håkan Gessle (Swedish singer and guitarist)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jimmy Fun Music
Roxette3.154:19
4Nothing Compares 2 U
tecnico:
Chris Birkett
produttore:
Nellee Hooper e Sinéad O’Connor (Irish singer‐songwriter)
tecnico di missaggio:
Chris Birkett, Fachtna Ó Ceallaigh e Sinéad O’Connor (Irish singer‐songwriter)
voce:
Sinéad O’Connor (Irish singer‐songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1990) e Ensign Records Ltd. (company; do NOT use as release label) (nel 1990)
video musicali:
Nothing Compares 2 U (music video) di Sinéad O’Connor (Irish singer‐songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 184) e Indie 88: Top 500 Indie Rock Songs (numero: 413)
registrazione cover di:
Nothing Compares 2 U
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing e Warner Chappell (Warner/Chappell Music, Inc.)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:06
5Without You
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
batteria :
Jim Keltner (nel 1971-06)
chitarra acustica :
John Uribe (nel 1971-06)
chitarra basso :
Klaus Voormann (nel 1971-06)
pianoforte :
Gary Wright (US singer/keyboardist) (nel 1971-06)
voce:
Harry Nilsson (US singer-songwriter) (nel 1971-06)
direttore d'orchestra:
Paul Buckmaster (nel 1971-06)
arrangiatore ottoni e archi :
Paul Buckmaster
diritti fonografici (℗) detenuti da:
BMG Music (nel 1971, nel 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1972) e RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1989)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 496)
registrazione cover di:
Without You (nel 1971-06)
autore:
Tom Evans (UK guitarist for Badfinger) e W. Peter Ham
editore:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, dal 1970 a oggi), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:18
6My Eyes Adored You
registrazione di:
My Eyes Adored You
autore:
Bob Crewe e Kenny Nolan
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music Co., Inc., Sound of Nolan Music, Stone Diamond Music Corporation e TannyBoy Music
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Frankie Valli3:32
7Miss You Nights
produttore:
Bruce Welch (English guitarist, singer, songwriter and producer)
voce:
Cliff Richard
registrazione di:
Miss You Nights
compositore:
Dave Townsend (English songwriter, wrote “Miss You Nights”, performed with Alan Parsons Project)
editore:
Island Music (Island Music Ltd.) e Off the Wall Music
Cliff Richard3:56
8Amoureuse
registrazione di:
Amoureuse (English version)
autore:
Véronique Sanson
traduttore:
Gary Osborne
versione tradotta di:
Amoureuse
Kiki Dee4:07
9Home Thoughts From Abroad
Clifford T. Ward3:19
10Fields of Gold
chitarra acustica :
Eva Cassidy
chitarra elettrica :
Keith Grimes
voce:
Eva Cassidy
remaster di:
Fields of Gold di Eva Cassidy
registrazione cover di:
Fields of Gold
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
EMI Music Publishing Germany (GmbH & Co. KG), EMI Music Publishing Ltd. (PRS‐affiliated) e Steerpike Ltd. (PRS-affiliated)
Eva Cassidy4.154:42
11How Can You Mend a Broken Heart
produttore:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
basso elettrico :
Leroy Hodges
batteria :
Howard Grimes e Al Jackson, Jr. (Booker T & The MGs drummer)
famiglia delle chitarre :
Mabon Hodges (“Teenie”, soul guitarist)
organo e pianoforte :
Charles Hodges (soul organist)
sassofono :
James Mitchell (US saxophonist/arranger)
sassofono tenore :
Ed Logan
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
trombone :
Jack Hale (trombone)
voce di accompagnamento:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes e Sandra Rhodes
registrata presso:
Royal Studios in Memphis, Tennessee, Stati Uniti
registrazione cover di:
How Can You Mend a Broken Heart
scritta a:
Kensington, Kensington and Chelsea, London (Greater London), England, Regno Unito
autore:
Barry Gibb e Robin Gibb
editore:
Abigail Music (London) Ltd. (publisher), BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Robin Gibb Publishing Ltd., Songs of Universal, Inc. (BMI), Universal Music Careers e Universal Music Publishing International MGB Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Al Green3.76:21
12Always on My Mind
produttore:
Chips Moman
armonica (a bocca) :
Mickey Raphael (il 1981-10-11)
basso :
Mike Leech (il 1981-10-11)
batteria :
Gene Chrisman (il 1981-10-11)
chitarra :
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (il 1981-10-11), Willie Nelson (il 1981-10-11) e Reggie Young (Guitarist and songwriter) (il 1981-10-11)
tastiera :
Bobby Woods (American pianist, keyboard player and songwriter) (il 1981-10-11) e Bobby Emmons (il 1981-10-11)
voce:
Willie Nelson (il 1981-10-11)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981, nel 1982, nel 2003) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1982)
registrata presso:
Moman's Recording Studio in Nashville, Tennessee, Stati Uniti (il 1981-10-11)
registrazione di:
Always on My Mind (il 1981-10-11)
autore:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”) e Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sebanine Music
sub-editore:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) e Screen Gems–EMI Music Ltd.
Willie Nelson4.63:32
13Sometimes When We Touch
diritti fonografici (℗) detenuti da:
GRT of Canada Ltd. (nel 1977), McCauley Music Ltd. (nel 1977) e McCauley Music Masters (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 33)
registrazione di:
Sometimes When We Touch
paroliere:
Dan Hill (Canadian singer/songwriter)
compositore:
Barry Mann
editore:
Anthem Entertainment A (work publisher), Dyad Music Ltd., Mann and Weil Songs, Inc., McCauley Music Ltd., Ole Media Management LP II, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC, Sony/ATV Tunes LLC (ASCAP), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック (Fujipacific Music, Inc.)
Dan Hill34:09
14Emotion
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
sintetizzatore [synthesizers] :
James Newton Howard (American score composer)
voce:
Samantha Sang
voce di accompagnamento:
Barry Gibb e Robin Gibb
diritti fonografici (℗) detenuti da:
Private Stock Records (not for release label use, for copyrights relationships only; “Private Stock Records™ a division of 43 North Broadway, LLC”) (nel 1977) e Private Stock Records, Ltd. (not for release label use, for company relationships only) (nel 1978)
è stato produttore per:
CAM Productions (US)
registrata presso e remixata presso:
Criteria Sound in Miami, Florida, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 14)
registrazione cover di:
Emotion
autore:
Barry Gibb e Robin Gibb
editore:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music, Unichappell Music, Universal Music Publishing MGB Australia e Warner/Chappell Music Australia Pty. Ltd.
Samantha Sang3.53:54
15If You Were Here Tonight
produttore:
Monte Moir
registrazione di:
If You Were Here Tonight
paroliere e compositore:
Monte Moir
Alexander O’Neal56:04
16Just Another Day
produttore:
Jorge Casas, Emilio Estefan, Jr. e Clay Ostwald
registrazione di:
Just Another Day
autore:
Miguel A. Morejón e Jon Secada
Jon Secada3.54:17
17Other Side of the World
tecnico di registrazione:
Baeho “Bobby” Shin (archi)
programmazione degli strumenti:
Andreas Olsson
assistente tecnico:
Graham Deas
tecnico:
Bruno Ellingham
produttore:
Steve Osborne (producer) e Martin Terefe
produttore aggiunto:
Andy Green (producer, engineer)
tecnico di missaggio:
Ren Swan
archi :
The Love Sponge Strings
basso :
Arnulf Lindner
batteria :
Luke Bullen
chitarra :
KT Tunstall
tastiera :
Martin Terefe
viola :
Kristin Wilkinson (Nashville songwriter and viola player)
violino :
David Angell (American violinist) e David Davidson (violinist)
violoncello :
John Catchings
voce:
KT Tunstall
arrangiatore archi :
David Davidson (violinist)
diritti fonografici (℗) detenuti da:
Jaydone Ltd. ("record company trading as Relentless Records") (nel 2004)
registrata presso:
Little Big Sound in Nashville, Tennessee, Stati Uniti
mixata presso:
Metrophonic in London (Greater London), England, Regno Unito
prodotta presso:
Nam Studios in Bradford on Avon, Wiltshire, England, Regno Unito
video musicali:
Other Side of the World di KT Tunstall
registrazione di:
Other Side of the World
autore:
Martin Terefe e KT Tunstall
editore:
Sony/ATV Music Publishing (UK) Ltd.
KT Tunstall3.653:33
18The Closest Thing to Crazy
tecnico:
Steve Sale
produttore:
Mike Batt
voce principale:
Katie Melua
arrangiatore:
Mike Batt
diritti fonografici (℗) detenuti da:
Dramatico Entertainment Ltd. (not release label) (nel 2003) e BMG Rights Management (UK) Limited (not for release label use! see annotation) (nel 2023)
registrazione cover di:
The Closest Thing to Crazy
paroliere e compositore:
Mike Batt
editore:
Dramatico, Dramatico Music Publishing, Sony Music Publishing (1995–2020) e Sony/ATV Music Publishing (UK) Ltd.
registrazione di:
The Closest Thing to Crazy
paroliere e compositore:
Mike Batt
editore:
Dramatico, Dramatico Music Publishing, Sony Music Publishing (1995–2020) e Sony/ATV Music Publishing (UK) Ltd.
Katie Melua3.54:12
19I Can’t Stop Loving You (Though I Try)
produttore:
Richard Perry (producer)
registrazione cover di:
I Can’t Stop Loving You (Though I Try)
paroliere e compositore:
Billy Nicholls (English singer, songwriter, composer, record producer, and musical director)
editore:
G.H. Music Ltd, PRS (rights society; do not use as a release label or work publisher!) e Warner/Chappell Music Scandinavia AB
registrazione di:
I Can’t Stop Loving You (Though I Try)
paroliere e compositore:
Billy Nicholls (English singer, songwriter, composer, record producer, and musical director)
editore:
G.H. Music Ltd, PRS (rights society; do not use as a release label or work publisher!) e Warner/Chappell Music Scandinavia AB
Leo Sayer3:33
3▼CD: CD / THREE
#TitoloArtistaValutazioneDurata
1Woman
tecnico:
Lee DeCarlo
produttore:
Jack Douglas, John Lennon (The Beatles) e Yoko Ono (Japanese‐American musician and artist)
voce principale:
John Lennon (The Beatles)
diritti fonografici (℗) detenuti da:
The David Geffen Company (legal rights relating to Geffen Records) (nel 1980) e Calderstone Productions Limited (nel 2016)
registrazione di:
Woman
paroliere e compositore:
John Lennon (The Beatles)
editore:
Geffen/Kaye Music, Lenono Music e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
John Lennon43:32
2Move Closer
produttore:
Yves Dessca e Pascal Rivaton
diritti fonografici (℗) detenuti da:
OVC Ltd., Dessca Entertainment Company (nel 1984) e Capricorn (imprint used by Carrère after 1989) (nel 1985)
registrazione di:
Move Closer
paroliere e compositore:
Phyllis Nelson (American singer)
editore:
IQ Music Ltd.
Phyllis Nelson34:02
3Slave to Love
produttore:
Rhett Davies e Bryan Ferry
tecnico di missaggio:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1985) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985)
video musicali:
Slave to Love di Bryan Ferry
registrazione di:
Slave to Love
paroliere e compositore:
Bryan Ferry
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (nel 1985), E.G. Music Ltd. (publisher) (nel 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1985) e Virgin EG Records Ltd. (nel 1985)
Bryan Ferry34:11
4Hard to Say I’m Sorry
produttore:
David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 2010)
registrazione di:
Hard to Say I’m Sorry (Chicago song)
autore:
Peter Cetera (nel 1982) e David Foster (Canadian music producer, arranger and composer) (nel 1982)
editore:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Double Virgo Music (nel 1982) e Foster Frees Music Inc. (nel 1982)
Chicago4.653:37
5Right Here Waiting
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1989)
registrazione di:
Right Here Waiting
paroliere:
Richard Marx
compositore:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) e Richard Marx
editore:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. e EMI Songs Ltd.
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx4:05
6I Don’t Want to Lose You
tecnico:
Mike Ging e Tommy Vicari
produttore:
Roger Davies (producer), Albert Hammond e Graham Lyle
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
I Don’t Wanna Lose You
autore:
Albert Hammond e Graham Lyle
Tina Turner2.84:18
7Is This Love
produttore:
Keith Olsen (US producer and engineer) e Mike Stone (producer and engineer, 1960s–80s)
tecnico di missaggio:
Keith Olsen (US producer and engineer)
batteria e percussione :
Aynsley Dunbar
chitarra e voce di accompagnamento:
John Sykes
chitarra basso :
Neil Murray (British bass guitar player)
tastiera :
Don Airey
tastiera ospite :
Don Airey e Bill Cuomo
voce principale:
David Coverdale
diritti fonografici (℗) detenuti da:
Whitesnake Productions (Overseas) Ltd. (nel 1987, nel 2008) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2008)
mixata presso:
Goodnight LA Studios in Van Nuys, California, Stati Uniti
registrazione di:
Is This Love (Whitesnake song)
autore:
David Coverdale e John Sykes
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake4.24:44
8Missing You
produttore:
Gary Gersh, David Thoener e John Waite
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1984) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1984)
edit di:
Missing You di John Waite
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite3.653:29
9It Started With a Kiss
registrazione di:
It Started With a Kiss
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. e Universal Music Publishing MGB Australia
Hot Chocolate3:49
10Saturday Love
esecutore:
Alexander O’Neal
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 498)
registrazione di:
Saturday Love
autore:
Jimmy Jam (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Alexander O’Neal & Cherrelle5:01
11Rock Me Tonight
registrazione di:
Rock Me Tonight (For Old Times Sake)
paroliere e compositore:
Paul Laurence
Freddie Jackson4:03
12Tonight I Celebrate My Love for You
tecnico di registrazione:
Alan R. Hirshberg (nel 1983)
tecnico:
Howard Wolin e Jeremy Smith (producer/engineer)
produttore:
Michael Masser
tecnico di missaggio:
Dick Bogart (Recording and mixing engineer) e Russ Terrano
batteria :
Carlos Vega (nel 1983)
chitarra :
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (nel 1983)
chitarra basso [bass] :
Nathan East (nel 1983)
pianoforte :
Randy Kerber (nel 1983)
voce:
Peabo Bryson (nel 1983) e Roberta Flack (nel 1983)
arrangiatore:
Michael Masser e Gene Page
orchestratore:
Gene Page
diritti fonografici (℗) detenuti da:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983)
registrata presso:
A&M Records Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983) e Studio Sound in North Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
mixata presso:
Motown Hitsville in West Hollywood, California, Stati Uniti
registrazione di:
Tonight, I Celebrate My Love (nel 1983)
paroliere:
Gerry Goffin
compositore:
Michael Masser
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-editore:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:29
13Give Me a Chance
Paul Carrack4:49
14Lavender
tecnico di registrazione:
Thomas Stiehler (dal 1985-03 al 1985-05)
produttore:
Chris Kimsey
tecnico di missaggio:
Mark Freegard e Chris Kimsey
batteria e percussione :
Ian Mosley (dal 1985-03 al 1985-05)
chitarra :
Steve Rothery (dal 1985-03 al 1985-05)
chitarra basso :
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (dal 1985-03 al 1985-05)
tastiera :
Mark Kelly (Marillion keyboardist) (dal 1985-03 al 1985-05)
voce principale:
Fish (Derek William Dick, ex‐Marillion frontman) (dal 1985-03 al 1985-05)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrata presso:
Hansa Studios in Berlin, Germania (nel 1985-03)
registrazione di:
Lavender (dal 1985-03 al 1985-05)
paroliere:
Derek William Dick
compositore:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery e Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
editore:
Marillion Music e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985)
si basa su:
Lavender’s Blue (late 17th c. English folk song)
Marillion2.53:42
15Save a Prayer
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
registrazione di:
Save a Prayer (Duran Duran)
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
Gloucester Place Music Ltd.
Duran Duran4.153:45
16Mary’s Prayer
produttore:
Dave Bascombe
esecutore:
Danny Wilson (Scottish pop group) (nel 1987)
prodotta presso:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, Regno Unito e Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
registrazione di:
Mary’s Prayer (nel 1987)
paroliere e compositore:
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, nel 1988)
Danny Wilson33:50
17(I Just) Died in Your Arms
tecnico:
Terry Brown (producer)
produttore:
Terry Brown (producer), Cutting Crew e John Jansen (US recording engineer and producer)
tecnico di missaggio:
Tim Palmer (British producer/mixer)
basso :
Colin Farley
batteria , percussione e tamburello :
Martin Beedle
chitarra acustica , chitarra elettrica e sintetizzatore [E-mu Emulator] :
Kevin MacMichael
pianoforte :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce di accompagnamento:
Peter Birch
voce principale:
Nick Van Eede
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) e Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1986)
registrata presso:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
mixata presso:
Utopia Studios (London) in London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 26)
registrazione di:
(I Just) Died in Your Arms
paroliere e compositore:
Nick Van Eede
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. e Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.24:33
18It’s All Coming Back to Me Now
registrazione di:
It’s All Coming Back to Me Now
paroliere e compositore:
Jim Steinman
editore:
Lost Boys Music (BMI affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Pandora’s Box6:33
4▼CD: CD / FOUR
#TitoloArtistaValutazioneDurata
1(I Can’t Help) Falling in Love With You
registrazione cover di:
Can’t Help Falling in Love
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) e The Manor Music Co. Ltd.
sub-editore:
日音 (NICHION INC.) (conclusa), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Plaisir d’amour (Romance du chevrier)
UB4053:20
2It Must Be Love
registrazione di:
It Must Be Love
paroliere e compositore:
Labi Siffre
editore:
Chrysalis Music (music publisher, ASCAP-affiliated)
Labi Siffre43:52
3Heaven Is a Place on Earth
tecnico di registrazione:
Steve McMillan
programmazione degli strumenti:
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
assistente tecnico:
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble e Joe Schiff
tecnico aggiunto:
Stacy Baird e Robert Feist
produttore:
Rick Nowels
produttore aggiunto:
Robert Feist (altra voce [vocal]) e Ellen Shipley (altra voce [vocal])
tecnico di missaggio:
Shelly Yakus
altri strumenti [fairlight] :
Rhett Lawrence
basso :
John Pierce (US session bassist)
batteria [drums] :
Kenny Aronoff e Curly Smith (Jo Jo Gunne musician)
chitarra [air guitar] e voce principale:
Belinda Carlisle
chitarra [guitars] aggiunto:
Michael Landau
chitarra acustica [acoustic guitars] :
Rick Nowels
chitarra aggiunto:
Tim Pierce (US session guitarist)
chitarra elettrica [electric guitars] :
Dan Huff, John McCurry e Rick Nowels
percussione aggiunto:
Jimmy Bralower e Paulinho da Costa (Brazilian percussionist)
pianoforte [acoustic piano] :
Charles Judge (American guitarist, pianist, arranger and songwriter)
tastiera [keyboards] :
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
tastiera [keyboards] aggiunto:
Thomas Dolby
voce:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips e Ellen Shipley
arrangiatore:
Rick Nowels
diritti fonografici (℗) detenuti da:
Artist Management Services Ltd. (nel 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1987) e Virgin Records Ltd (not for release label use! for company relationships only) (nel 1987)
registrata in aggiunta presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Hollywood Sound in Los Angeles, California, Stati Uniti e Music Grinder Studios in Hollywood, Los Angeles, California, Stati Uniti
registrata presso:
American Recording e Ocean Way Studio in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 400)
registrazione di:
Heaven Is a Place on Earth
autore:
Rick Nowels e Ellen Shipley
editore:
BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (nel 1987) e Shipwreck Music (publisher) (nel 1987)
sub-editore:
Fujipacific Music, Inc.
Belinda Carlisle4.053:53
4Love Is in the Air
produttore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1977, nel 1978), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records) (nel 1978) e Volcano Entertainment III, L.L.C. (nel 1998)
registrazione di:
Love Is in the Air (nel 1978)
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
John Paul Young33:24
5I Get the Sweetest Feeling
diritti fonografici (℗) detenuti da:
Brunswick Recordings (nel 1968)
registrazione di:
I Get the Sweetest Feeling (nel 1968)
autore:
Alicia Evelyn (songwriter and performer) e Van McCoy
editore:
Alley Music, TM Music Ltd., Trio Music (publisher) e Van McCoy Music
Jackie Wilson4.52:54
6More Than a Woman
produttore:
Freddie Perren
batteria :
James Gadson (American drummer)
chitarra :
Bob Bowles
percussione :
Bob Zimmitti e Paulinho da Costa (Brazilian percussionist)
pianoforte :
Sonny Burke (soul/jazz/funk keyboardist)
diritti fonografici (℗) detenuti da:
POLYGRAM International Music (not for release label use!) (nel 1977)
registrazione cover di:
More Than a Woman
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music e Stigwood Music, Inc.
registrazione di:
More Than a Woman
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music e Stigwood Music, Inc.
Tavares4.53:13
7Misty
Ray Stevens2:54
8Till I Kissed You
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1959)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 28)
registrazione di:
(’Til) I Kissed You (il 1959-07-07)
paroliere e compositore:
Don Everly
The Everly Brothers2:24
9Maybe I’m Amazed
tecnico e tecnico di missaggio:
Phil McDonald (engineer and producer)
produttore:
Paul McCartney (The Beatles)
basso elettrico , batteria , chitarra elettrica , organo , pianoforte e voce principale:
Paul McCartney (The Beatles) (il 1970-02-22)
voce di accompagnamento:
Linda McCartney (il 1970-02-22) e Paul McCartney (The Beatles) (il 1970-02-22)
diritti fonografici (℗) detenuti da:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (nel 1970, nel 2014) e MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (nel 2014)
registrata presso:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1970-02-22)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 339)
registrazione di:
Maybe I’m Amazed (il 1970-02-22)
scritta a:
London (Greater London), England, Regno Unito (nel 1969)
paroliere e compositore:
Paul McCartney (The Beatles) (nel 1969)
editore:
Northern Songs Ltd. e Sony/ATV Tunes LLC (ASCAP)
Paul McCartney & Wings4.53:51
10Darlin’
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978)
registrazione cover di:
Darlin’
paroliere e compositore:
Oscar Stewart Blandamer
editore:
Sony/ATV Music Publishing Australia Pty Ltd.
Frankie Miller3:05
11A Little Bit More
esecutore:
Ray Sawyer
registrazione cover di:
A Little Bit More
paroliere e compositore:
Bobby Gosh (pianist, songwriter, and producer)
editore:
Bygosh Music Corp., Intersong Music Ltd., Sunbury Music Ltd., Warner Chappell e Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Dr. Hook3:15
12And I Love You So
registrazione di:
And I Love You So
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Welk Music Group, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean34:16
13Lovin’ You
voce:
Minnie Riperton
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1993)
registrazione di:
Lovin’ You
autore:
Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
editore:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-editore:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:23
14When I Need You
tecnico di registrazione:
Howard Steele (US producer, sound engineer) (nel 1976)
assistente tecnico:
Dana Latham
produttore:
Richard Perry (producer)
basso :
Willie Weeks (US bass player) (nel 1976)
batteria :
Jeff Porcaro (nel 1976)
chitarra :
Dean Parks (American session guitarist) (nel 1976)
pianoforte elettrico :
Michael Omartian (nel 1976)
sassofono :
George Palisky, Jr. (nel 1976)
sintetizzatore :
James Newton Howard (American score composer) (nel 1976)
voce:
Leo Sayer (nel 1976)
arrangiatore sintetizzatore :
James Newton Howard (American score composer)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1976), Chrysalis Records, Inc. (not for release label use!) (nel 1976), Rhino Records, Inc. (company credits only; not for release label use!) (nel 1977), Silverbird Ltd. (nel 1977) e Warner Music H.K. Ltd. (nel 1997)
registrazione cover di:
When I Need You (nel 1976)
autore:
Carole Bayer Sager e Albert Hammond
editore:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019), Windswept Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
registrazione di:
When I Need You
autore:
Carole Bayer Sager e Albert Hammond
editore:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019), Windswept Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:12
15Jealous Guy
produttore:
Rhett Davies, Bryan Ferry e Roxy Music
tecnico di missaggio:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1981), Virgin EG Records Ltd. (nel 1981) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1981, nel 2000)
registrazione cover di:
Jealous Guy
paroliere e compositore:
John Lennon (The Beatles)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-editore:
Fujipacific Music, Inc. Division 2
revisione di:
Child of Nature
Roxy Music4.54:52
16Stay With Me Till Dawn
tecnico:
Colin Fairley e Steve Nye (producer, engineer and pianist)
produttore:
John Punter
basso :
Mo Foster
batteria :
Peter Van Hooke
chitarra acustica [Solo] :
Mike Paxman (multi-instrumentalist & record producer)
tastiera :
Chris Parren
voce:
Judie Tzuke
direttore d'orchestra:
Richard Studt (violinist, conductor)
arrangiatore archi :
Paul Buckmaster
registrazione di:
Stay With Me Till Dawn
autore:
Mike Paxman (multi-instrumentalist & record producer) e Judie Tzuke
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Rocket Music Ltd.
Judie Tzuke43:53
17When You Tell Me That You Love Me
produttore:
Peter Asher
produttore esecutivo:
Diana Ross
registrazione di:
When You Tell Me That You Love Me
paroliere:
John Bettis
compositore:
Albert Hammond
editore:
Albert Hammond Music, John Bettis Music, WB Music Corp. (1929–2019) e Windswept Music Ltd.
Diana Ross14:12
18Whole Again
tecnico:
Pete Craigie e Pat O'Shaughnessy
produttore:
Engine (producer for Atomic Kitten)
produttore aggiunto:
Jeremy Godfrey e Bill Padley
voce:
Jenny Frost, Natasha Hamilton e Liz McClarnon
remixer:
Jem Godfrey e Bill Padley
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2001)
è stato produttore per:
Wise Buddah Music e Z Management
video musicali:
Whole Again (UK video with Jenny Frost) di Atomic Kitten e Whole Again (US video) di Atomic Kitten
registrazione di:
Whole Again
autore:
Jem Godfrey, Stuart Kershaw (OMD drummer), Andy McCluskey e Bill Padley
editore:
EMI Music Publishing Ltd (PRS‐affiliated), Windwept Pacific Music Ltd e Wise Buddah Music Ltd
Atomic Kitten33:04
19Especially for You
tecnico:
Karen Hewitt e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
produttore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
tecnico di missaggio:
Pete Hammond (UK producer aka “Mixmaster”)
voce:
Jason Donovan (nel 1988) e Kylie Minogue (nel 1988)
voce aggiuntiva:
Kylie Minogue (nel 1988)
esecutore:
Jason Donovan e Kylie Minogue
diritti fonografici (℗) detenuti da:
PWL Records Ltd. (not release use) (nel 1988)
registrazione di:
Especially for You (nel 1988)
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., Mike Stock Publishing Limited, Sid’s Songs Limited, Sony/ATV Songs LLC, Universal Music Careers e Universal–Songs of PolyGram International, Inc.
Kylie Minogue & Jason Donovan43:56
20Perfect Moment
registrazione cover di:
Perfect Moment
autore:
Jim Marr e Wendy Page
Martine McCutcheon23:50
21I’d Do Anything for Love (but I Won’t Do That)
produttore:
Jim Steinman
registrazione di:
I’d Do Anything for Love (but I Won’t Do That)
paroliere e compositore:
Jim Steinman
editore:
Carlin Music Corporation e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (nel 1993)
Meat Loaf35:22
5▶CD: CD / FIVE

Accreditamenti

Pubblicazione

ASIN:UK: B0012CK48I [info]