Pavarotti: The 50 Greatest Tracks

~ Veröffentlichung von Luciano Pavarotti (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

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Nr.TitelBewertungLänge
1Nessun dorma
Chorgesang:
The John Alldis Choir (von 1972-08-10 bis 1972-08-25) und Wandsworth School Boys’ Choir (von 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Calaf]:
Luciano Pavarotti (tenor) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (for copyrights use only!) (in 1973)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
53:02
2Che gelida manina
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (for copyrights use only!) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:43
3Questa o quella
Tenor-Gesang [Duca]:
Luciano Pavarotti (tenor) (in 1971-06)
Orchester:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1971-06)
Bearbeitung von:
Rigoletto: Atto I. "Questa o quella per me pari sono" (Duca) von John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Ricardo Cassinelli (Argentine operatic tenor), Sherrill Milnes (baritone), Luciano Pavarotti (tenor), Kiri Te Kanawa (soprano), London Symphony Orchestra, Richard Bonynge (conductor and pianist)
teilweise recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (in 1971-06)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1850 bis 1851-03-11)
Librettist:
Francesco Maria Piave (von 1850 bis 1851-03-11)
Teil von:
Rigoletto: Atto I
1:49
4Parmi veder le lagrime
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Edward Downes (conductor)
teilweise recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto II
2:37
5La donna è mobile
Sound-Engineering:
Stanley Goodall (engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
David Harvey (producer) und Michael Woolcock (producer)
Tenor-Gesang [Duca]:
Luciano Pavarotti (tenor) (am 1971-06-28)
Orchester:
London Symphony Orchestra (am 1971-06-28)
conductor:
Richard Bonynge (conductor and pianist) (am 1971-06-28)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1971-06-28)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (am 1971-06-28)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
2:24
6Una furtiva lagrima
Techniker(in):
James Lock (James Locke, engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Christopher Raeburn (producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (von 1971-06-28 bis 1971-07-16)
Orchester:
English Chamber Orchestra (von 1971-06-28 bis 1971-07-16)
conductor:
Richard Bonynge (conductor and pianist) (von 1971-06-28 bis 1971-07-16)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1971-06-28 bis 1971-07-16)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (von 1971-06-28 bis 1971-07-16)
Komponist(in):
Gaetano Donizetti (Italian opera composer) (in 1832)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Teil von:
L’elisir d’amore: Atto II
4:48
7La fleur que tu m'avais jetée
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Wiener Volksopernorchester
conductor:
Leone Magiera (conductor, pianist)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
Komponist(in):
Georges Bizet (French composer) (in 1875)
Librettist:
Ludovic Halévy (French librettist) (in 1875) und Henri Meilhac (in 1875)
Teil von:
Carmen : Acte II
4:30
8Au fond du temple saint
recording engineer:
Kenneth Wilkinson (engineer)
Produzent(in):
James Mallinson (producer)
Bass-Gesang:
Nicolaï Ghiaurov (operatic bass) (in 1977-04)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1977-04)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1977-04)
conductor:
Robin Stapleton (conductor) (in 1977-04)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1977-04)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir)
Komponist(in):
Georges Bizet (French composer) (von 1863-04 bis 1863-08)
Librettist:
Michel Carré (librettist) und Eugène Cormon
Teil von:
Les Pêcheurs de perles : Acte I
5:25
9Vesti la giubba
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Wiener Volksopernorchester
conductor:
Leone Magiera (conductor, pianist)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
Komponist(in) und Librettist:
Ruggero Leoncavallo (composer) (in 1892)
Teil von:
For the First Time (1959 film)
Teil von:
Pagliacci: Atto I (Pagliacci: Act I)
2:50
10Recondita armonia
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Nicola Rescigno (conductor)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto I (Tosca: Act 1)
3:00
11E lucevan le stelle
Techniker(in):
Colin Moorfoot (engineer) und Kenneth Wilkinson (engineer)
assistierende(r) Produzent(in):
Richard Beswick
Produzent(in):
James Mallinson (producer)
Tenor-Gesang [Cavaradossi]:
Luciano Pavarotti (tenor) (von 1978-05-31 bis 1978-08-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (von 1978-05-31 bis 1978-08-01)
conductor:
Nicola Rescigno (conductor) (von 1978-05-31 bis 1978-08-01)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (von 1978-05-31 bis 1978-08-01) und Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1978-05-31 bis 1978-08-01)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (von 1978-05-31 bis 1978-08-01)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
3:01
12Di quella pira
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Wiener Opernorchester (Vienna State Opera Orchestra)
conductor:
Nicola Rescigno (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1853)
Librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
2:13
13Celeste aida
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Wiener Volksopernorchester
conductor:
Leone Magiera (conductor, pianist)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Librettist:
Antonio Ghislanzoni (in 1870)
Teil von:
Aida: Atto I
3:32
14Pourquoi me réveiller, ô souffle du printemps?
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
3:07
15La rivedrà nell'estasi
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3b Sortita di Riccardo “La rivedrà nell'estasi” (Riccardo, Samuel, Tom, Coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Somma
Teil von:
Un ballo in maschera: Atto I
2:04
16Lunge da lei… De' miei bollenti spiriti
Tenor-Gesang [Alfredo]:
Luciano Pavarotti (tenor) (in 1968-06)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer) und Richard Bonynge (conductor and pianist) (in 1979-11)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1979-11)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto II (La traviata: Act II)
3:56
17Addio, fiorito asil
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
2:08
18O soave fanciulla
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Soprangesang [Mimì]:
Mirella Freni (soprano) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (for copyrights use only!) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:15
19Tra voi, belle
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer)
recording of:
Manon Lescaut: Atto I. “Tra voi, belle, brune e bionde” (Des Grieux, Edmondo, coro)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto I
1:14
20Donna non vidi mai
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang [Des Grieux]:
Luciano Pavarotti (tenor) (in 1979-06)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
aufgenommen bei:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, Vereinigtes Königreich (in 1979-06)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (in 1979-06)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1893)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto I
2:40
21Amor ti vieta
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang [Loris]:
Luciano Pavarotti (tenor) (in 1979-06)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06) und Nicola Rescigno (conductor) (in 1979-06)
aufgenommen bei:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, Vereinigtes Königreich (in 1979-06)
recording of:
Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga) (in 1979-06)
Komponist(in):
Umberto Giordano (Italian opera composer) (in 1898)
Librettist:
Arturo Colautti
Teil von:
Fedora: Atto II
1:47
22Mi batte il cor... O paradiso
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang [Vasco]:
Luciano Pavarotti (tenor) (in 1979-06)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
aufgenommen bei:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, Vereinigtes Königreich (in 1979-06)
recording of:
L’africana: Atto IV. “Mi batte il cor” … “O Paradiso” (in 1979-06)
Komponist(in):
Giacomo Meyerbeer (composer)
Librettist:
Eugène Scribe
übersetzte Version von:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis"
3:31
23M'apparì
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Wiener Philharmoniker
conductor:
Sir Georg Solti (conductor)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel)
Komponist(in):
Friedrich von Flotow (composer) (in 1849)
Librettist:
Friedrich Wilhelm Riese
übersetzte Version von:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
3:30
24Brindisi
assistierende(r) Produzent(in):
Andrew Cornall (engineer / producer) (in 1979-11)
Produzent(in):
Christopher Raeburn (producer) (in 1979-11)
Chorgesang:
London Opera Chorus (in 1979-11)
Soprangesang [Violetta Valéry]:
Dame Joan Sutherland (soprano) (in 1979-11)
Tenor-Gesang [Alfredo Germont]:
Luciano Pavarotti (tenor) (in 1979-11)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1979-11)
Tonmeister(in):
James Lock (James Locke, engineer) (in 1979-11) und Kenneth Wilkinson (engineer) (in 1979-11)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1979-11)
live recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1979-11)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
2:52
25Nessun dorma (original Three Tenors version)
Tenor-Gesang:
José Carreras (Spanish tenor), Plácido Domingo (tenor) und Luciano Pavarotti (tenor)
Orchester:
Orchestra del Maggio Musicale Fiorentino und Orchestra del Teatro dell’Opera di Roma
conductor:
Zubin Mehta (conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
3:09
26Che gelida manina (1961: first known Pavarotti recording)
Tenor-Gesang:
Luciano Pavarotti (tenor) (am 1961-04-29)
Orchester:
Orchestra Del Teatro Municipale di Reggio Emilia (am 1961-04-29)
conductor:
Francesco Molinari‐Pradelli (conductor) (am 1961-04-29)
aufgenommen bei:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Italien (am 1961-04-29)
live recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (am 1961-04-29)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:26
2▼CD
Nr.TitelKünstlerBewertungLänge
1'O sole mio
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1979-03)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-03)
conductor:
Giancarlo Chiaramello (in 1979-03)
arranger:
Giancarlo Chiaramello
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (for copyrights use only!)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1979-03)
recording of:
’O sole mio (in 1979-03)
Texter:
Giovanni Capurro (in 1898)
Komponist(in):
Eduardo Di Capua (in 1898) und Alfredo Mazzucchi (Italian composer, known for “’O sole mio”) (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) und Gennarelli Casa Editrice
Luciano Pavarotti3:24
2Funiculì, funiculà
recorded in:
Bologna, Bologna (Provinz Bologna), Emilia-Romagna, Italien (in 1977-07)
Chorgesang:
Coro del Teatro Comunale di Bologna (in 1977-07)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1977-07)
Orchester:
Orchestra del Teatro Comunale di Bologna (in 1977-07)
conductor:
Anton Guadagno (conductor) (in 1977-07)
arranger:
Giancarlo Chiaramello
recording of:
Funiculì, funiculà (in 1977-07)
komponiert in:
Castellammare di Stabia, Napoli, Campania (Kampanien), Italien (in 1880)
Texter:
Peppino Turco
Komponist(in):
Luigi Denza (composer) (in 1880)
publisher:
PolyGram Music Publishing Ltd. und Robbins Music Corp.
Luciano Pavarotti2:43
3Mattinata
recording engineer:
Kenneth Wilkinson (engineer)
Produzent(in):
James Mallinson (producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1977-04)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1977-04)
recording of:
Mattinata (in 1977-04)
Texter und Komponist(in):
Ruggero Leoncavallo (composer)
Luciano Pavarotti2:00
4Nel blu, dipinto di blu (Volare)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchestra del Teatro Comunale di Bologna
conductor:
Henry Mancini (US composer, conductor & arranger)
Luciano Pavarotti3:27
5Santa Lucia
Baritongesang:
David Romano (baritone vocalist)
Tenor-Gesang:
Luciano Pavarotti (tenor)
conductor:
Emerson Buckley (conductor)
recording of:
Santa Lucia (Italian version)
Texter und Komponist(in):
Teodoro Cottrau (composer)
Übersetzer:
Enrico Cossovich (Italian poet) (in 1849)
übersetzte Version von:
Santa Lucia (original traditional Neapolitan song)
Luciano Pavarotti1:31
6Caro mio ben
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Piero Gamba (conductor and pianist)
Luciano Pavarotti3:06
7Ave Maria
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Kurt Herbert Adler (conductor)
arranger:
Douglas Gamley (film composer)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) und Charles Gounod (French composer)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Arrangement von:
Ave Maria (Bach/Gounod)
Luciano Pavarotti0.52:57
8O Holy Night
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
recording of:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”) (in 1976-01)
Texter:
Placide Cappeau
Komponist(in):
Adolphe Adam (French composer) (in 1847)
basiert auf:
Minuit, chrétiens (Poem)
recording of:
O Holy Night
Texter:
John Sullivan Dwight (in 1855)
Komponist(in):
Adolphe Adam (French composer) (in 1847)
übersetzte Version von:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”)
recording of:
O Holy Night (catch-all for arrangements)
Komponist(in):
Adolphe Adam (French composer)
Arrangement von:
O Holy Night
Luciano Pavarotti4:14
9Ingemisco
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Wiener Philharmoniker
conductor:
Sir Georg Solti (conductor)
Luciano Pavarotti3:36
10La danza
recording engineer:
Colin Moorfoot (engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1973-07)
Orchester:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
aufgenommen bei:
Teatro Comunale di Bologna in Bologna, Bologna (Provinz Bologna), Emilia-Romagna, Italien (in 1973-07)
live recording of:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare” (in 1973-07)
Texter:
Carlo Pepoli (Italian librettist, 19th c.)
Komponist(in):
Gioachino Rossini (composer)
Teil von:
Soirées musicales
Luciano Pavarotti3:08
11Malinconia
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Quindici composizione da camera per canto e pianoforte: No. 10. Malinconia, ninfa gentile
Texter:
Ippolito Pindemonte
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Teil von:
Quindici composizione da camera per canto e pianoforte
Luciano Pavarotti1:46
12Ma rendi pur contento
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
Luciano Pavarotti2:25
13Com'è gentil
recording engineer:
James Lock (James Locke, engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Christopher Raeburn (producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leone Magiera (conductor, pianist)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1969-09 bis 1971-01)
recording of:
Don Pasquale: Atto III. Serenata “Com’è gentil la notte a mezzo april!” (Ernesto, Coro)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Librettist:
Gaetano Donizetti (Italian opera composer) und Giovanni Ruffini (librettist)
Teil von:
Don Pasquale: Atto III
Luciano Pavarotti3:40
14Ah, mes amis... pour mon âme quel destin
Luciano Pavarotti6:54
15O figli, o figli miei... Ah, la paterna mano
recording engineer:
James Brown (Decca engineer, 1960s) und James Lock (James Locke, engineer)
Produzent(in):
Christopher Raeburn (producer)
Tenor-Gesang [Macduff]:
Luciano Pavarotti (tenor) (in 1968-06)
Orchester:
Wiener Opernorchester (Vienna State Opera Orchestra) (in 1968-06)
conductor:
Sir Edward Downes (conductor) (in 1968-06)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1968-06)
recording of:
Macbeth: Atto IV. N°13a Scena "O figli, o figli miei!" (Macduff) (in 1968-06)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
Macbeth: Atto IV
recording of:
Macbeth: Atto IV. N°13b Aria "Ah, la paterna mano" (Macduff) (in 1968-06)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
Macbeth: Atto IV
Luciano Pavarotti3:43
16Forse la soglia attinse
Tenor-Gesang:
Luciano Pavarotti (tenor)
Luciano Pavarotti2:43
17Dai campi, dai prati
Tenor-Gesang:
Luciano Pavarotti (tenor)
Luciano Pavarotti2:42
18La serenata
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
Luciano Pavarotti3:19
19Caruso
Tenor-Gesang:
Luciano Pavarotti (tenor)
Luciano Pavarotti3:57
20Buongiorno a te
Assistent recording engineer:
Gianluca "Naftalina" Camporesi
recording engineer, Programmierung, Produzent(in) und Mix:
Michele Centonze
Mastering:
Michele Centonze und Philip Siney (sound engineer)
assistierende(r) Produzent(in):
Stefano Nanni (Italian piano and accordion player)
leitende(r) Produzent(in):
Michele Centonze
Klavier:
Stefano Nanni (Italian piano and accordion player) (von 2001-09 bis 2003-07)
membranophone:
Fabio Sartoni (von 2001-09 bis 2003-07)
Soprangesang:
Antonella Pepe (von 2001-09 bis 2003-07)
Tenor-Gesang:
Luciano Pavarotti (tenor) (von 2001-09 bis 2003-07)
Orchester:
Royal Philharmonic Orchestra (von 2001-09 bis 2003-07)
conductor:
Rob Mathes (von 2001-09 bis 2003-07)
arranger:
Michele Centonze
Orchestrator(in):
Rob Mathes
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 2001-09 bis 2003-07), Bulgarian Radio Studios (Bulgarian National Radio) (von 2001-09 bis 2003-07) und Pig Sound Studio in Forlì, Forlì-Cesena, Emilia-Romagna, Italien (von 2001-09 bis 2003-07)
recording of:
Buongiorno a te (von 2001-09 bis 2003-07)
Komponist(in):
Michele Centonze, Veris Giannetti und Stefano Nanni (Italian piano and accordion player)
Luciano Pavarotti4:15
21Panis angelicus
Tenor-Gesang:
Luciano Pavarotti (tenor)
vocals:
Sting (singer, songwriter & member of The Police)
Orchester:
Orchestra da Camera Arcangelo Corelli
conductor:
Aldo Sisillo
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
Texter:
St. Thomas Aquinas
Komponist(in):
César Franck (Belgian-born French composer) (in 1860)
Teil von:
Messe solennelle en la majeur, op. 12
Luciano Pavarotti with Sting3:47
22Holy Mother
Chorgesang:
East London Gospel Choir
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchestra Filarmonica di Torino
conductor:
Marco Armiliato (conductor)
Interpret(in):
Eric Clapton
recording of:
Holy Mother
Verfasser(in):
Stephen Bishop (American singer-songwriter) und Eric Clapton
publisher:
E.C. Music (UK work publisher for Eric Clapton), Stephen Bishop Music Publishing und Unichappell Music, Inc.
Luciano Pavarotti with Eric Clapton5:27
23Miss Sarajevo
assistierende(r) Techniker(in):
Rob Kirwan
Techniker(in):
Danton Supple
zusätzliche(r) Techniker(in):
Ruadhri Cushnan
Produzent(in):
Brian Eno und U2 (Irish rock band)
Mix:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Gitarre:
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
Keyboard [keyboards]:
The Edge (U2 guitarist David Evans)
Perkussion:
Larry Mullen
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1995-08)
vocals:
Bono (singer of U2)
Interpret(in):
Passengers (Eno + U2) (in 1995-08)
Saiteninstrumente [string] arranger:
Craig Armstrong (Scottish score composer)
phonographisches Urheberrecht (℗) von:
Universal Music International BV (company, do not use as label)
recording of:
Miss Sarajevo (in 1995-08)
Verfasser(in):
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans), Brian Eno und Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd., Mother Music, Opal Music, Universal Music Publishing BV (Benelux subsidiary of Universal Music Publishing Group) und Upala Music Inc.
Luciano Pavarotti with Passengers – Brian Eno – Bono – The Edge44:34
24My Way
recorded in:
Italien (am 1994-08-19)
Bass:
Chuck Berghofer (Jazz bassist) (am 1993-07-06)
Bassposaune:
George Roberts (american bass trombone) (am 1993-07-06)
Bratsche / Viola:
Denyse Buffum (am 1993-07-06), Kenneth Burward‐Hoy (am 1993-07-06) und Carole Mukogawa (am 1993-07-06)
Cello:
Anne Goodman (am 1993-07-06), Michael Mathews (am 1993-07-06) und Gloria Strassner (am 1993-07-06)
Geige / Violine:
Patricia Aiken (am 1993-07-06), Michael Ferril (am 1993-07-06), Harris Goldman (am 1993-07-06), Joseph Goodman (violin) (am 1993-07-06), Diana Halprin (am 1993-07-06), Patricia Johnson (violinist) (am 1993-07-06), Karen Jones (violinist) (am 1993-07-06), Ann Koons (am 1993-07-06), Ralph Morrison (am 1993-07-06), Donald Palmer (US violinist and concertmaster) (am 1993-07-06), Mari Tsumura (aka Mari Tsumura‐Botnick) (am 1993-07-06) und Gerald Vinci (American violinist and strings conductor) (am 1993-07-06)
Gitarre:
Ron Anthony (am 1993-07-06)
Harfe:
Gayle Levant (American studio musician, harpist) (am 1993-07-06)
Holzblasinstrumente und Saxophon:
Gene Cipriano (am 1993-07-06), Bob Cooper (US jazz saxophonist) (am 1993-07-06), Dick Mitchell (woodwind) (am 1993-07-06), Jack Nimitz (American saxophonist and clarinet player) (am 1993-07-06) und Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (am 1993-07-06)
Klavier:
Bill Miller (pianist) (am 1993-07-06)
Perkussion:
Emil Richards (am 1993-07-06) und Jerry Williams (US percussionist) (am 1993-07-06)
Posaune:
George Bohanon (am 1993-07-06), Dick Hyde (am 1993-07-06) und Dick Nash (am 1993-07-06)
Schlagzeug:
Gregg Field (drums, producer) (am 1993-07-06)
Trompete:
Oscar Brashear (am 1993-07-06), Conte Candoli (am 1993-07-06), Robert O’Donnell (am 1993-07-06) und Frank Szabo (am 1993-07-06)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1993-07-06) und Luciano Pavarotti (tenor) (am 1994-08-19)
conductor:
Patrick Williams (composer, arranger) (am 1993-07-06)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1993-07-06)
recording of:
My Way (Frank Sinatra song) (von 1993-07-06 bis 1994-08-19)
Texter:
Paul Anka
Komponist(in):
Claude François und Jacques Revaux
vorher zugeschrieben zu:
Gilles Thibaut
Übersetzer:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
übersetzte Version von:
Comme d’habitude
Luciano Pavarotti with Frank Sinatra3:31