The Rock 'n' Roll Era: 1955-1956

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

There's another issue with complementary cat# 845 788-2.

Annotation last modified on 2013-02-25 19:50 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Rock Around the Clock
double bass:
Marshall Lytle (on 1954-04-12)
drums (drum set):
Billy Gussak (on 1954-04-12)
electric guitar:
Danny Cedrone (on 1954-04-12)
guitar:
Bill Haley (on 1954-04-12)
piano:
Johnny Grande (on 1954-04-12)
steel guitar:
William F. ‘Billy’ Williamson (on 1954-04-12)
tenor saxophone:
Joey D'Ambrosio (on 1954-04-12)
vocals:
Bill Haley (on 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (on 1954-04-12)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets42:13
2Long Tall Sally
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-02-07)
bass guitar:
Frank Fields (on 1956-02-07)
drums (drum set):
Earl Palmer (on 1956-02-07)
guitar:
Edgar Blanchard (on 1956-02-07)
piano and lead vocals:
Little Richard (on 1956-02-07)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-02-07)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-02-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 13) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 56)
recording of:
Long Tall Sally (on 1956-02-07)
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
Little Richard42:10
3Blue Suede Shoes
double bass:
Clayton Perkins (in 1955-12)
drums (drum set):
W.S. Holland (in 1955-12)
guitar:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) and Jay Perkins (in 1955-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
phonographic copyright (℗) by:
Sun (US label founded in 1952) (in 1955, from 1956 to present)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 5) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 95)
recording of:
Blue Suede Shoes (in 1955-12)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:16
4Ain't That a Shame
producer:
Randy Wood (producer)
vocals:
Pat Boone (in 1955-05)
conductor:
Billy Vaughn (in 1955-05)
arranger:
Billy Vaughn
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (in 1955-05)
cover recording of:
Ain’t That a Shame (in 1955-05)
writer:
Antoine Domino (Fats Domino) and Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) and United Artists Music Ltd. (from 1977 to present)
Pat Boone2:26
5The Great Pretender
recorded in:
Chicago, Illinois, United States (in 1955-09)
lead vocals:
Tony Williams (lead singer for The Platters)
phonographic copyright (℗) by:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 352)
recording of:
The Great Pretender (in 1955-09)
lyricist and composer:
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) and Southern Music Publishing Company Limited
The Platters52:40
6Shake, Rattle and Roll
double bass:
Marshall Lytle (on 1954-06-07)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1954-06-07)
electric guitar:
Danny Cedrone (on 1954-06-07)
guitar:
Bill Haley (on 1954-06-07)
piano:
Johnny Grande (on 1954-06-07)
steel guitar:
William F. ‘Billy’ Williamson (on 1954-06-07)
tenor saxophone:
Joey D'Ambrosio (on 1954-06-07)
vocals:
Bill Haley (on 1954-06-07)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1954-06-07)
cover recording of:
Shake, Rattle and Roll (on 1954-06-07)
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
Bill Haley & His Comets42:32
7Be Bop a Lula
double bass [upright bass]:
Jack Neal (on 1956-05-04)
drums (drum set) [drums]:
Dickie Harrell (on 1956-05-04)
guitar [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (on 1956-05-04)
guitar [rhythm guitar]:
Willie Williams (50s rock guitarist) (on 1956-05-04)
vocals:
Gene Vincent (on 1956-05-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1956 to present)
recorded at:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-05-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 9) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 102)
recording of:
Be‐Bop‐a‐Lula (on 1956-05-04)
writer:
Bill “Tex” Davis and Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:36
8Only You
piano:
Buck Ram (on 1955-04-26)
lead vocals:
Tony Williams (lead singer for The Platters) (on 1955-04-26)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey) (on 1955-04-26)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1957)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 10)
recording of:
Only You (on 1955-04-26)
lyricist, writer and composer:
Buck Ram and Ande Rand
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music and Sherwin Music (publisher) (in 1973)
The Platters2:38
9The Saints Rock 'n' Roll
Bill Haley & His Comets3:28
10Rock With the Caveman
Tommy Steele1:56
11Tweedle Dee
Georgia Gibbs2:33
12I'll Be Home
producer:
Randy Wood (producer)
conductor:
Billy Vaughn (in 1955-12)
arranger:
Billy Vaughn
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (in 1955-12)
cover recording of:
I’ll Be Home (on 1955-12-01)
writer:
Stanley Lewis (well known 60s/70s US producer/songwriter) and Ferdinand Washington
publisher:
Arc Music (U.S. rock & blues publisher), Songs of Universal, Inc. (BMI) and Spirit One Music
Pat Boone43:01
13Why Do Fools Fall in Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
additional writer:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) and Herman Santiago (singer for Frankie Lymon & The Teenagers)
writer:
Morris Levy and Frankie Lymon
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Frankie Lymon & The Teenagers4.52:20
14See You Later Alligator
bass:
Al Rex (on 1955-12-12)
drums (drum set):
Ralph Jones (1950s drummer) (on 1955-12-12)
electric guitar:
Francis 'Franny' Beecher (on 1955-12-12)
guitar:
Bill Haley (on 1955-12-12)
piano:
Johnny Grande (on 1955-12-12)
steel guitar:
William F. ‘Billy’ Williamson (on 1955-12-12)
tenor saxophone:
Rudy Pompilli (on 1955-12-12)
vocals:
Bill Haley (on 1955-12-12)
recorded at:
Decca Studios (New York) in New York, New York, United States (on 1955-12-12)
cover recording of:
See You Later, Alligator (on 1955-12-12)
lyricist and composer:
Robert Guidry (in 1955-10)
Bill Haley & His Comets42:47
15I'm in Love Again
producer:
Dave Bartholomew
phonographic copyright (℗) by:
Everest Records (classical) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 6)
recording of:
I’m in Love Again (on 1955-10-15)
writer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
Fats Domino52:01
16Giddy-Up-A-Ding-Dong
Freddie Bell & the Bell Boys2:01
17The Green Door
recording of:
Green Door
lyricist:
Marvin Moore (songwriter, best known for “Four Walls” and “The Green Door”)
composer:
Bob Davie
Jim Lowe2:15
18Rock-A-Beatin' Boogie
Bill Haley & His Comets2:20
19Singing the Blues
phonographic copyright (℗) by:
PolyGram Special Products (for USA releases)
cover recording of:
Singing the Blues
lyricist and composer:
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) and Acuff-Rose Music Limited (UK)
Tommy Steele42:25
20I Almost Lost My Mind
recording of:
I Almost Lost My Mind
lyricist and composer:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
publisher:
Hill and Range (publisher) and St. Louis Music Corp.
Pat Boone2:39
21My Prayer
recorded in:
New York, New York, United States (in 1956-04)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1956)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 20)
cover recording of:
My Prayer (in 1956-04)
lyricist:
Jimmy Kennedy (Irish songwriter)
composer:
Georges Boulanger (Romani-Romanian violinist, conductor, composer)
publisher:
J. Albert & Son Pty. Ltd., Peter Maurice Music, Skidmore Music Co., Inc., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Avant de mourir
The Platters2:45
22Rock Island Line
recording of:
Rock Island Line
lyricist and composer:
Lead Belly
publisher:
Folkways Music Publishers Inc.
part of:
Roud Folk Song Index (number: 15211)
Lonnie Donegan2:30
23Earth Angel
cover recording of:
Earth Angel (Will You Be Mine)
writer:
Jesse Belvin, Gaynel Hodge (doo-wop singer and songwriter), Curtis Williams (1950s doo-wop singer, member of The Penguins) and Dootsie Williams (band leader, record producer and record label owne)
publisher:
Dootsie Williams Music (publisher) (in 1986)
part of:
Back to the Future: the Musical
The Crew-Cuts32:56
24Blueberry Hill
producer:
Dave Bartholomew
phonographic copyright (℗) by:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States
edit of:
Blueberry Hill (Imperial) by Fats Domino
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 81) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 147)
cover recording of:
Blueberry Hill (on 1956-06-27)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino4.652:20

Credits

Release group

part of:The Rock 'n' Roll Era (Time-Life Music) (number: TL516/07) (order: 65)
Discogs:https://www.discogs.com/master/404000 [info]