Greatest Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1986)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:54
2Light My Fire
tecnico e tecnico di missaggio:
Bruce Botnick
produttore:
Paul A. Rothchild
batteria :
John Densmore (nel 1966-09)
chitarra :
Robby Krieger (American guitarist, member of The Doors) (nel 1966-09)
tastiera :
Ray Manzarek (nel 1966-09)
voce:
Jim Morrison (lead vocalist of the Doors) (nel 1966-09)
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1967), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1967, nel 2017), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (nel 1971) e Rhino Entertainment Company (not for release label use!) (nel 2017)
lavorazione tecnica effettuata presso:
Sunset Sound Recorders in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Light My Fire di The Doors
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 35) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 310)
registrazione di:
Light My Fire (nel 1966-09)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. e 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doors4.37:09
3Orinoco Flow
tecnico:
Ross Cullum e Nicky Ryan
co-produttore:
Ross Cullum e Enya (Irish singer-songwriter)
produttore:
Nicky Ryan
tecnico di missaggio:
Jimbo Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
strumenti e voce:
Enya (Irish singer-songwriter)
arrangiatore:
Enya (Irish singer-songwriter) e Nicky Ryan
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (dal 1988 a oggi) e WEA Records Ltd. (holding company based in the UK) (nel 1988)
registrata presso:
Orinoco Studios in Southwark, London (Greater London), England, Regno Unito
mixata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
video musicali:
Orinoco Flow di Enya (Irish singer-songwriter)
registrazione di:
Orinoco Flow
paroliere:
Roma Ryan
compositore:
Enya (Irish singer-songwriter)
editore:
Aigle Music, EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Enya4.154:24
4The Best
produttore:
Dan Hartman e Tina Turner
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 4) e Cachitos Nochevieja 2022 (numero: 154)
registrazione cover di:
The Best
autore:
Holly Knight e Michael Chapman (Australian producer and songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner45:33
5Yellow
tecnico:
Ken Nelson (UK record producer)
tecnico aggiunto:
Simon “Barny” Barnicott, Jon Coles, Paul Read (UK engineer) e Andrea Wright
produttore:
Coldplay e Ken Nelson (UK record producer)
tecnico di missaggio:
Michael Brauer (engineer)
batteria e percussione :
Will Champion
chitarra acustica , pianoforte , tastiera e voce principale:
Chris Martin (lead singer of Coldplay)
chitarra basso :
Guy Berryman
chitarra elettrica :
Jonny Buckland
voce di accompagnamento:
Jonny Buckland e Will Champion
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd (not for release label use! a Warner Music Group company) (nel 2000)
video musicali:
Yellow di Coldplay
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 52) e BILLIONS CLUB
registrazione di:
Yellow
autore:
Guy Berryman, Jonny Buckland, Will Champion e Chris Martin (lead singer of Coldplay)
editore:
BMG Music Publishing Ltd. e Universal Music Publishing MGB Limited
Coldplay3.354:26
6I Say a Little Prayer
tecnico di registrazione:
Tom Dowd (il 1968-04-17)
produttore:
Jerry Wexler
basso :
Jerry Jemmott (il 1968-04-17)
batteria :
Roger Hawkins (il 1968-04-17)
chitarra :
Tommy Cogbill (il 1968-04-17)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-17)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-17)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 117)
registrazione cover di:
I Say a Little Prayer (il 1968-04-17)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:32
7Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), BILLIONS CLUB e The Downloader’s Music Source Book (numero: 284)
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.53:45
8Waiting for a Girl Like You
registrazione di:
Waiting for a Girl Like You
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Songs Publishing Inc. (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner4:49
9Please, Please, Please, Let Me Get What I Want (2011 remaster)
produttore:
John Porter (producer and musician US and UK)
batteria :
Mike Joyce (UK drummer)
chitarra e mandolino :
Johnny Marr
chitarra basso :
Andy Rourke
voce principale:
Morrissey (English singer-songwriter)
diritti fonografici (℗) detenuti da:
Sire Records Company (not for release label use!) (nel 1984) e Warner Music UK Ltd. (not for release label use!) (nel 1984)
registrazione di:
Please Please Please Let Me Get What I Want
paroliere:
Morrissey (English singer-songwriter)
compositore:
Johnny Marr
editore:
Morrissey Marr Songs Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths3.71:52
10Good Riddance (Time of Your Life)
tecnico di registrazione e tecnico:
Ken Allardyce
co-tecnico:
Tony Flores (engineer)
produttore:
Rob Cavallo e Green Day
tecnico di missaggio:
Chris Lord‐Alge
basso :
Mike Dirnt
batteria :
Tré Cool
chitarra :
Billie Joe
voce:
Billie Joe e Mike Dirnt
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1997)
video musicali:
Good Riddance (Time of Your Life) di Green Day
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 152)
registrazione di:
Good Riddance (Time of Your Life)
paroliere:
Billie Joe Armstrong
compositore:
Green Day
Green Day3.92:33
11Ironic (2015 remaster)
tecnico di registrazione:
Glen Ballard e Ted Blaisdell
produttore:
Glen Ballard
tecnico di missaggio:
Chris Fogel (engineer)
basso :
Lance Morrison
batteria e percussione :
Rob Ladd
chitarra :
Glen Ballard e Basil Fung
organo :
Michael Thompson (American arranger, keyboardist, trombonist, accordionist and drummer)
voce:
Alanis Morissette
video musicali:
Ironic di Alanis Morissette
registrazione di:
Ironic
paroliere:
Alanis Morissette
compositore:
Glen Ballard e Alanis Morissette
editore:
Aerostation Corporation, Arlovol Music e Vanhurst Place Music
parte di:
Jagged Little Pill (the musical)
Alanis Morissette43:50
12Brass in Pocket (2006 remaster)
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
Pretenders43:05
13(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:43
14Last Request
programmazione aggiuntiva:
Matt Benbrook
assistente tecnico:
Darren Simpson (engineer)
tecnico:
Mark Phythian
tecnico aggiunto:
Richard Wilkinson (production music)
produttore:
Matt Benbrook (archi) e Ken Nelson (UK record producer)
tecnico di missaggio:
Tom Elmhirst (mixing engineer)
archi :
Matt Benbrook
batteria , percussione e tastiera :
Jim Duguid
chitarra :
Eddie Harrison, Donny Little e Ken Nelson (UK record producer)
chitarra acustica e voce di accompagnamento:
Donny Little
chitarra basso :
Mike Hunter (UK producer & engineer)
voce principale:
Paolo Nutini
registrazione di:
Last Request
autore:
Matt Benbrook, Jim Duguid e Paolo Nutini
Paolo Nutini3.353:40
15Move On Up
edit di:
Move On Up di Curtis Mayfield
registrazione di:
Move on Up
paroliere e compositore:
Curtis Mayfield
editore:
Camad Music Company (conclusa), Curtom Publishing Co Inc (conclusa), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield42:45
16Somewhere in My Heart
produttore:
Michael Jonzun
registrazione di:
Somewhere in My Heart
paroliere e compositore:
Roddy Frame
editore:
Complete Music Ltd.
Aztec Camera3.64:00
17Walking in Memphis
tecnico di registrazione, tecnico e tecnico di missaggio:
Ben Wisch
produttore:
Marc Cohn e Ben Wisch
basso e organo :
John Leventhal
batteria :
Dennis McDermott
chitarra :
Marc Cohn e John Leventhal
organo Hammond :
Chris Palmaro
tastiera :
Eric Rehl
voce:
Marc Cohn
voce di accompagnamento:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) e Darryl Tookes
voce di accompagnamento ospite:
James Taylor (singer-songwriter and guitarist)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1991) e Warner Music H.K. Ltd. (nel 1997)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 415)
registrazione di:
Walking in Memphis
paroliere e compositore:
Marc Cohn
editore:
BMG Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn44:12
18It’s My Life (1997 remaster)
produttore:
Tim Friese‐Greene
diritti fonografici (℗) detenuti da:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (nel 1984)
registrazione di:
It’s My Life
autore:
Tim Friese‐Greene e Mark Hollis
editore:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.753:52
19Fix You
produttore:
Coldplay e Ken Nelson (UK record producer)
tecnico di missaggio:
Michael Brauer (engineer)
archi :
Susan Dench (violist), Richard George (violinist), Peter Lale (violist), Laura Melhuish (British violinist), Audrey Riley e Chris Tombling (violinist)
basso elettrico e sintetizzatore :
Guy Berryman
batteria e percussione :
Will Champion
chitarra acustica , organo , pianoforte , tastiera e voce principale:
Chris Martin (lead singer of Coldplay)
chitarra elettrica :
Jonny Buckland
voce di accompagnamento:
Guy Berryman, Jonny Buckland e Will Champion
arrangiatore archi :
Audrey Riley
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2007)
video musicali:
Fix You di Coldplay
parte di:
BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 392)
registrazione di:
Fix You
autore:
Guy Berryman, Will Champion, Jonny Buckland e Chris Martin (lead singer of Coldplay)
editore:
BMG Music Publishing Ltd., Universal Music Publishing Group e Universal Music Publishing MGB Ltd.
Coldplay3.74:55
20Can’t Get You out of My Head
programmazione degli strumenti:
Rob Davis (songwriter/producer was in Mud)
tecnico e tecnico di missaggio:
Tim Orford
produttore:
Rob Davis (songwriter/producer was in Mud) e Cathy Dennis
chitarra elettrica e tastiera :
Rob Davis (songwriter/producer was in Mud)
voce di accompagnamento e voce principale:
Kylie Minogue
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001) e KDB Pty Limited (nel 2001)
è stato produttore per:
19 Productions
video musicali:
Can’t Get You Out of My Head di Kylie Minogue
parte di:
Billboard Year-End Hot 100 2002 (numero: 45) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 207)
registrazione di:
Can’t Get You Out of My Head
paroliere:
Cathy Dennis
compositore:
Rob Davis (songwriter/producer was in Mud)
editore:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Toxic Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Kylie Minogue3.853:50
21Hungry Like the Wolf (2009 remaster)
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (dal 1982 a oggi) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2009)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 3) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 196)
registrazione di:
Hungry Like the Wolf
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd. e Tritec Music Ltd. (publisher and copyrights holder)
Duran Duran4.153:40
22Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
batteria :
Alan White (Yes drummer) (nel 1983)
chitarra :
Trevor Rabin (South African musician and score composer) (nel 1983)
chitarra basso :
Chris Squire (Yes bassist) (nel 1983)
tastiera :
Tony Kaye (nel 1983)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (nel 1983)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983, nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 2003)
registrata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1983)
registrazione di:
Owner of a Lonely Heart (nel 1983)
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes3.954:23
23Le Freak
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
direttore d'orchestra:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
arrangiatore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 10) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 391)
registrazione di:
Le Freak
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic3.25:27
24Drive (2016 remaster)
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek (nel 1983)
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:55
25Blue Monday ’88
produttore:
Quincy Jones e New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order44:04
26I Want to Know What Love Is (1999 remaster)
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott "Abada" Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner45:04
27Young Hearts Run Free
produttore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
batteria :
Ollie E. Brown (US drummer, session musician & record producer)
chitarra :
Jay Graydon e Ray Parker
chitarra basso :
Scotty Edwards (bassist)
congas :
Eddie Bongo
percussione :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
sintetizzatore :
Monty Stark
tastiera :
Michael Boddicker, Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) e Sonny Burke (soul/jazz/funk keyboardist)
vibrafono :
Vic Feldman
voce di accompagnamento:
Jim Gilstrap, Lani Groves, Angie Johnson, Fleming McWilliams, Rochelle Runnells e June D. Williams
voce principale:
Candi Staton
arrangiatore:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
registrata presso:
Sound City Studios in Van Nuys, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 424)
registrazione di:
Young Hearts Run Free
paroliere e compositore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. e IQ Music Ltd.
Candi Staton4.24:09
28Hard to Handle
produttore:
Steve Cropper
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer)
chitarra :
Steve Cropper
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
voce:
Otis Redding
registrazione di:
Hard to Handle
autore:
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell e Otis Redding
editore:
Irving Music (BMI), Carlin Music Corporation (nel 1968) e Irving Music, Inc. (nel 1968)
Otis Redding4.22:21
29Wings
assistente tecnico di registrazione:
Iain Berryman (engineer) (archi) e Paul Pritchard (recording engineer) (archi)
tecnico di registrazione:
Geoff Foster (sound engineer) (archi)
supporto a vario titolo:
Bo Hill (incarico: studio assistance)
programmazione aggiuntiva:
Ryan Tedder (American singer, songwriter, and producer)
tecnico:
Martin Cooke (engineer), Dave Schiffman (American producer/audio engineer), Nicholas Fournier, Smyth Carlsson e Ryan Tedder (American singer, songwriter, and producer)
co-produttore:
Rich Costey e Ryan Tedder (American singer, songwriter, and producer)
assistente tecnico di missaggio:
Mark Bengston
tecnico di missaggio:
Michael H Brauer (engineer)
basso , chitarra acustica e organo Hammond [B3] :
Ryan Tedder (American singer, songwriter, and producer)
batteria [drums] :
Matt Chamberlain (American drummer)
batteria [drums] aggiunto:
Eddie Fisher (OneRepublic drummer and percussionist)
chitarra elettrica :
Jerrod Bettis, Kirk Hellie e Ryan Tedder (American singer, songwriter, and producer)
chitarra solista :
Steve Schiltz
percussione :
Matt Chamberlain (American drummer) e Eddie Fisher (OneRepublic drummer and percussionist)
pianoforte :
Birdy (UK singer Jasmine van den Bogaerde) e Ryan Tedder (American singer, songwriter, and producer)
tastiera [keyboards] :
Jamie Muhoberac, Eric Rosse e Ryan Tedder (American singer, songwriter, and producer)
voce:
Birdy (UK singer Jasmine van den Bogaerde)
arrangiatore archi :
Wil Malone
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, El Dorado Recording Studios in Hollywood, Los Angeles, California, Stati Uniti, Patriot Studios in Denver, Colorado, Stati Uniti, Shangri La Studios in Sydney, New South Wales, Australia e Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
Wings
autore:
Jasmine van den Bogaerde (UK singer Jasmine van den Bogaerde) e Ryan Tedder (American singer, songwriter, and producer)
editore:
Good Soldier Songs e Write 2 Live
Birdy3.84:12
30Bad Day
tecnico di registrazione:
David Boucher e Jeff Dawson
programmazione:
Jeff Dawson
produttore:
Jeff Dawson e Mitchell Froom
tecnico di missaggio:
David Boucher
basso :
Davey Faragher e Darren Parris
batteria [drums] :
Matt Chamberlain (American drummer), Brendan Ostrander e Pete Thomas (drummer)
chitarra [guitars] :
Jeff Dawson e Val McCallum (guitarist & singer-songwriter)
tastiera [keyboards] :
Daniel Powter (Canadian singer-songwriter and pianist)
tastiera [keyboards] aggiunto:
Mitchell Froom
voce:
Daniel Powter (Canadian singer-songwriter and pianist)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 2005) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2005)
registrata presso:
Area A. in Los Angeles, California, Stati Uniti e Mushroom Studios in Vancouver, British Columbia (Columbia Britannica), Canada
mixata presso:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Bad Day
paroliere e compositore:
Daniel Powter (Canadian singer-songwriter and pianist)
editore:
Song 6 Music
Daniel Powter3.33:53
31Ooh La La
assistente tecnico:
Phil Chapman (engineer)
tecnico e produttore:
Glyn Johns
armonium e pianoforte :
Ian McLagan
batteria e percussione :
Kenney Jones (drummer for Small Faces, Faces, and The Who)
chitarra acustica :
Ronnie Lane e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
voce principale:
Rod Stewart
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 246)
registrazione di:
Ooh La La
paroliere:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
compositore:
Ronnie Lane e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
editore:
WB Music Corp. (1929–2019)
Faces3.753:34
32Love Will Tear Us Apart
produttore:
Joy Division e Martin Hannett
basso :
Peter Hook
batteria :
Stephen Morris (New Order)
chitarra :
Bernard Albrecht
voce:
Bernard Albrecht e Ian Curtis
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1988)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (numero: 5), Q50 – December 2005 (numero: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 14), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 179)
registrazione di:
Love Will Tear Us Apart
paroliere:
Ian Curtis
compositore:
Ian Curtis, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:26
33Wuthering Heights
tecnico:
Jon Kelly (engineer at Air London Studios)
produttore:
Andrew Powell (known for contributions to Alan Parsons Project)
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel) (dal 1977-07 al 1977-08)
pianoforte , voce di accompagnamento e voce principale:
Kate Bush (dal 1977-07 al 1977-08)
arrangiatore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977, nel 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977, nel 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (nel 1977, nel 1978), EMI America Records, Inc. (holding – file NO releases here!) (nel 1982) e EMI France (nel 1995)
registrata presso:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (dal 1977-07 al 1977-08)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 18)
registrazione di:
Wuthering Heights (dal 1977-07 al 1977-08)
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush (il 1977-03-05)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated) (dal 1978 a oggi)
Kate Bush44:27
34Ain’t Nobody
basso :
Bobby Watson (bassist)
batteria :
John “JR” Robinson (session drummer)
chitarra :
Tony Maiden
flauto :
Gary Herbig, Ernie Watts (Ernest James Watts, jazz and blues saxophonist) e Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
percussione :
Paulinho da Costa (Brazilian percussionist)
sassofono contralto :
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
sassofono tenore :
Gary Herbig e Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
sintetizzatore aggiunto:
James Newton Howard (American score composer)
tastiera :
Kevin Murphy (American keyboardist, Rufus & The American Breed) e David “Hawk” Wolinski
tromba :
Jerry Hey
voce:
Chaka Khan e Tony Maiden
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 88) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 403)
registrazione di:
Ain’t Nobody
paroliere e compositore:
David Wolinski
editore:
Overdue Music
Chaka Khan4.054:40
35Here I Go Again
registrazione di:
Here I Go Again
autore:
David Coverdale e Bernie Marsden
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (conclusa), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
渡辺音楽出版株式会社 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Whitesnake3.53:52
36A Song for You
registrazione cover di:
A Song for You
paroliere e compositore:
Leon Russell
editore:
Irving Music (BMI), Irving Music, Inc., Rondor Music, Skyhill Pub. Co., Inc. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Donny Hathaway45:25
37Constant Craving
produttore:
k.d. lang, Ben Mink e Greg Penny
basso elettrico :
David Piltch
famiglia delle chitarre e violino :
Ben Mink
fisarmonica e pianoforte :
Teddy Borowiecki
membranofono :
Randall Stoll (drummer)
percussione :
Graham Boyle (drummer)
vibrafono :
Gary Burton (jazz vibraphonist and composer)
voce:
k.d. lang
voce aggiuntiva:
Sue Leonard
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992) e Warner Music H.K. Ltd. (nel 1997)
registrata presso:
Vancouver Studios in Vancouver, British Columbia (Columbia Britannica), Canada
mixata presso:
Saylor Recording in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Constant Craving (music video) di k.d. lang
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 14)
registrazione di:
Constant Craving
paroliere e compositore:
k.d. lang e Ben Mink
editore:
Bumstead Publishing e Zavion Music
k.d. lang3.84:37
38Love Shack (edit)
produttore:
Don Was
edit di:
Love Shack di The B‐52s
registrazione di:
Love Shack
autore:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland e Cindy Wilson
editore:
Man-Woman Together, Now!
The B‐52’s3.54:17
39There Is a Light That Never Goes Out (2011 remaster)
tecnico:
Stephen Street (famous producer, songwriter)
produttore:
Johnny Marr e Morrissey (English singer-songwriter)
batteria :
Mike Joyce (UK drummer)
chitarra :
Johnny Marr
chitarra basso :
Andy Rourke
voce principale:
Morrissey (English singer-songwriter)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 2017)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 4), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 86), Indie 88: Top 500 Indie Rock Songs (numero: 159) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 226)
registrazione di:
There Is a Light That Never Goes Out (nel 1985)
paroliere:
Morrissey (English singer-songwriter)
compositore:
Johnny Marr
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Smiths4.44:04
40The Universal (2012 remaster)
assistente tecnico:
Julia Gardner e Tom Girling
tecnico:
John Smith (UK producer/engineer)
produttore:
Stephen Street (famous producer, songwriter)
voce di accompagnamento ospite aggiuntiva:
Angela Murrell e Teresa Jane Davis (UK vocalist)
registrazione di:
The Universal
paroliere:
Damon Albarn
compositore:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) e Dave Rowntree
editore:
Universal/MCA Music Ltd. (not for release label use!)
Blur3.253:58
41Hello, I Love You
tecnico e tecnico di missaggio:
Bruce Botnick
produttore:
Bruce Botnick e Paul A. Rothchild
batteria :
John Densmore
chitarra :
Robby Krieger (American guitarist, member of The Doors)
chitarra basso :
Doug Lubahn (rock bassist)
tastiera :
Ray Manzarek
voce:
Jim Morrison (lead vocalist of the Doors)
registrazione di:
Hello, I Love You
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Rondor Music (London) Ltd. e Nipper Music Co., Inc. (nel 1968)
The Doors3.652:13
42In the Midnight Hour
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-05-12)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records) e Jerry Wexler
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-05-12)
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1965-05-12)
chitarra :
Steve Cropper (il 1965-05-12)
pianoforte :
Joe Hall (Stax studio pianist, 1960s) (il 1965-05-12)
sassofono baritono :
Floyd Newman (il 1965-05-12)
sassofono tenore :
Charles “Packy” Axton (il 1965-05-12) e Andrew Love (il 1965-05-12)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-05-12)
voce:
Wilson Pickett (il 1965-05-12)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (il 1965-05-12)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 134) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 218)
registrazione di:
In the Midnight Hour (il 1965-05-12)
autore:
Steve Cropper e Wilson Pickett
editore:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. e Irving Music, Inc.
Wilson Pickett32:37
43Cry to Me
registrata a:
New York, New York, Stati Uniti (il 1961-12-06)
tecnico:
Tom Dowd e Phil Iehle
produttore:
Bert Berns e Jerry Wexler
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1961-12-06)
chitarra :
Don Arnone (il 1961-12-06), Everett Barksdale (il 1961-12-06), Al Caiola (il 1961-12-06) e Bucky Pizzarelli (il 1961-12-06)
contrabbasso [bass] :
Art Davis (US jazz double bassist) (il 1961-12-06)
organo :
Robert Mosely (US rhythm & blues singer/songwriter) (il 1961-12-06)
pianoforte :
Hank Jones (piano) (il 1961-12-06)
sassofono contralto :
Leon Cohen (woodwind player) (il 1961-12-06)
sassofono tenore :
Jesse Powell (US jazz saxophonist) (il 1961-12-06)
vibrafono [vibes] :
Phil Kraus (il 1961-12-06)
voce:
Solomon Burke (il 1961-12-06)
voce di accompagnamento:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1961-12-06)
direttore d'orchestra:
Klaus Ogerman (il 1961-12-06)
arrangiatore:
Klaus Ogerman
registrazione cover di:
Cry to Me (il 1961-12-06)
paroliere e compositore:
Bert Russell
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sloopy II Music, Sony/ATV Songs LLC e Unichappell Music, Inc.
registrazione di:
Cry to Me
paroliere e compositore:
Bert Russell
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sloopy II Music, Sony/ATV Songs LLC e Unichappell Music, Inc.
Solomon Burke3.252:34
44I Love You Always Forever
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 408)
registrazione di:
I Love You Always Forever
paroliere e compositore:
Donna Lewis
editore:
donna lewis ltd e Warner/Chappell Music, Inc.
Donna Lewis3.83:59
45You’re So Vain (2015 remaster)
Carly Simon4:19
46You Might Need Somebody
tecnico di registrazione e tecnico di missaggio:
Al Schmitt
produttore:
Tommy LiPuma
basso :
Abraham Laboriel
batteria :
Jeff Porcaro
chitarra :
Steve Lukather e Dean Parks (American session guitarist)
corno :
Chuck Findley (trumpet, trombone, horn player), Gary Herbig, Jim Horn (saxophonist, hornist, flutist and oboist), Bill Reichenbach, Jr. (jazz trombonist) e Larry Williams (trumpet, flugelhorn, French horn)
percussione :
Lenny Castro
tastiera :
Leon Pendarvis
voce di accompagnamento:
Marti McCall (session vocalist), Petsye Powell, Alphanette Silas e Phyllis St. James
arrangiatore archi :
Nick de Caro
arrangiatore corno :
Bill Reichenbach, Jr. (jazz trombonist)
registrazione cover di:
You Might Need Somebody
compositore:
Nan O’Byrne (American songwriter and composer) e Tom Snow (US keyboardist/songwriter)
Randy Crawford4:18
47For What It’s Worth
produttore:
Charles Greene (producer) e Brian Stone (producer)
voce:
Stephen Stills
voce di accompagnamento:
Richie Furay e Dewey Martin
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1969)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 63)
registrazione di:
For What It’s Worth (il 1966-12-05)
paroliere e compositore:
Stephen Stills
editore:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East e Ten‐East Music (BMI)
Buffalo Springfield4.252:33
48Fire and Rain
tecnico:
Bill Lazerus (nel 1969-12)
produttore:
Peter Asher (nel 1969-12)
batteria :
Russ Kunkel (nel 1969-12)
chitarra acustica e voce principale:
James Taylor (singer-songwriter and guitarist) (nel 1969-12)
contrabbasso :
Bobby ‘Wild, Wild’ West (nel 1969-12)
pianoforte :
Carole King (nel 1969-12)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1969)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1969-12)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 146) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 227)
registrazione di:
Fire and Rain (nel 1969-12)
paroliere e compositore:
James Taylor (singer-songwriter and guitarist)
editore:
Country Road Music, Inc. (ASCAP-affiliated) (conclusa), EMI Blackwood Music Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
James Taylor4.33:20
49It Keeps You Runnin’
produttore:
Ted Templeman
registrazione di:
It Keeps You Runnin’
paroliere e compositore:
Michael McDonald (R&B & soul singer)
editore:
Tauripin Tunes
The Doobie Brothers3.654:17
50True (single edit)
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:28
51Dry Your Eyes
produttore:
Mike Skinner (Mike Skinner)
violino :
Gita Langley
voce aggiuntiva:
Matt Sladen
voce di accompagnamento [backing vocals]:
Sam Blewitt e Tony Walters
video musicale per:
Dry Your Eyes di The Streets (Mike Skinner)
registrazione di:
Dry Your Eyes
compositore:
Mike Skinner (Mike Skinner)
The Streets3.654:29
52December, 1963 (Oh What a Night!)
tecnico di registrazione:
Steve Maslow
produttore:
Bob Gaudio
tecnico di missaggio:
Val Garay
basso :
Don Ciccone
batteria :
Gerry Polci
chitarra :
John Paiva
pianoforte :
Bob Gaudio
tastiera :
Bob Gaudio e Lee Shapiro
voce:
Bob Gaudio, Don Ciccone, Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons), Gerry Polci e John Paiva
arrangiatore archi e arrangiatore ottoni [horns] :
Lee Shapiro
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 64)
registrazione di:
December, 1963 (Oh, What a Night)
paroliere:
Bob Gaudio e Judy Parker
compositore:
Bob Gaudio
editore:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. e Seasons Music Co.
Frankie Valli & The Four Seasons3.63:32
53West End Girls (2001 remaster)
tecnico:
David Jacob
produttore:
Stephen Hague
voce aggiuntiva:
Helena Springs
voce di accompagnamento, voce parlata e voce principale:
Neil Tennant
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985, nel 1991)
video musicali:
West End Girls di Pet Shop Boys
registrazione di:
West End Girls (nel 1985)
autore:
Chris Lowe (1/2 of Pet Shop Boys) e Neil Tennant
editore:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), Cage Music Ltd. (dal 1984 a oggi) e CBS, Inc. (US broadcasting company; file no releases here!) (dal 1984 a oggi)
Pet Shop Boys3.84:05
54Something Got Me Started (2008 remaster)
tecnico e tecnico di missaggio:
Daren Klein
co-produttore:
Mick Hucknall (lead singer of Simply Red)
produttore:
Stewart Levine (record producer and saxophonist)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd (not for release label use!) (nel 1991)
è stato produttore per:
Oliverea Productions Ltd. e Simply Red Records Ltd.
registrazione di:
Something Got Me Started
paroliere:
Mick Hucknall (lead singer of Simply Red)
compositore:
Hucknall (lead singer of Simply Red) e McIntyre
editore:
EMI Songs e So What Ltd
Simply Red2.84:00
55What’s Love Got to Do With It (symphonic version)
tecnico di registrazione e tecnico di missaggio:
Gavin Goldberg
produttore:
Andy Wright (UK songwriter, producer and Simply Red keyboardist)
arrangiatore e orchestratore:
Sam Swallow
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
What’s Love Got to Do With It
autore:
Graham Lyle e Terence Ernest Britten
editore:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (nel 1984), Irving Music, Inc. (nel 1984), Rondor Music (London) Ltd. (nel 1984), WB Music Corp. (1929–2019) (dal 1984 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Tina Turner4:16
56The Killing Moon
tecnico di registrazione e produttore:
David Lord (British composer, engineer and producer)
tecnico di missaggio:
Echo & the Bunnymen e Gil Norton (British record producer)
arrangiatore:
Adam Peters
registrazione di:
The Killing Moon
autore:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson e Will Sergeant
Echo & the Bunnymen4.655:48
57Return of the Mack (C & J Street mix)
registrazione di:
Return of the Mack
paroliere e compositore:
Mark Morrison (r&b vocalist)
Mark Morrison43:30
58Believe (2012 remaster)
produttore:
Brian Rawling e Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
tecnico di missaggio:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1998)
è stato produttore per:
Metro (production company) e Rive Droite Music Productions
registrata presso e mixata presso:
Dreamhouse Studios in London (Greater London), England, Regno Unito
parte di:
Grammy Award: Best Dance/Electronic Recording nominees (numero: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (numero: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 159) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 337)
registrazione di:
Believe
paroliere:
Brian Higgins (British producer and song writer) e Matt Gray (UK techno DJ/producer, former video game composer)
compositore:
Brian Higgins (British producer and song writer) (nel 1998), Matt Gray (UK techno DJ/producer, former video game composer) (nel 1998), Stuart McLennan (nel 1998), Paul Michael Barry (songwriter/musician) (nel 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (nel 1998) e Steve Torch (nel 1998)
editore:
Rive Droite Music e Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.73:59
59I Wanna Be the Only One
tecnico di missaggio:
Andy Bradfield
voce ospite:
BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1997)
registrazione di:
I Wanna Be the Only One
paroliere:
BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
compositore:
Rhett Lawrence e BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
editore:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. e Rhettrhyme Music
Eternal feat. Bebe Winans2.653:36
60Professional Widow (Armand’s Star Trunk Funk mix)
supporto a vario titolo:
Johnny “D” De Mairo (US electro/breaks DJ aka "Johnny D")
programmazione:
Alan Friedman
programmazione degli strumenti:
Alan Friedman
tecnico di mastering:
Jon Astley
produttore:
Tori Amos e Ian Stanley
produttore aggiunto:
Armand van Helden
batteria :
Manu Katché
chitarra :
Steve Caton
chitarra basso :
George Porter, Jr.
voce:
Tori Amos
remixer:
Armand van Helden
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1996)
mixata per e è stato produttore per:
X-Mix Productions
registrazione di:
Professional Widow
paroliere e compositore:
Tori Amos
editore:
Sword and Stone
Tori Amos3.153:47
61Pure Shores
programmazione:
Sean Spuehler
produttore:
William Orbit (English musician, composer and record producer)
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
voce:
Melanie Blatt e Shaznay Lewis
parte di:
The Downloader’s Music Source Book (numero: 380)
registrazione di:
Pure Shores
compositore:
Shaznay Lewis e William Orbit (English musician, composer and record producer)
All Saints3.654:28
62La bamba
produttore:
Mitchell Froom
esecutore:
Los Lobos (Chicano rock band)
arrangiatore:
Ritchie Valens
diritti fonografici (℗) detenuti da:
FFRR Records Ltd. (company name, NOT a label!) (nel 1987)
registrazione cover di:
La bamba (additional lyrics by Ritchie Valens)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Los Lobos4.252:55
63That’s the Way (I Like It) (2004 remaster)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1976) e T.K. Records (Miami‐based disco label) (nel 1975)
edit di:
That’s the Way (I Like It) di KC and the Sunshine Band (US funk, R&B & disco band)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.23:05
64So You Win Again
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977) e RAK (nel 1977)
registrazione di:
So You Win Again
paroliere e compositore:
Russ Ballard
editore:
EMI Virgin Music Publishing Australia Pty Ltd, Sony Music Publishing (worldwide except Japan, ended 1995) e Universal Music–MGB Songs
Hot Chocolate4.254:31
65If You Leave Me Now
tecnico di registrazione:
Armin Steiner (dal 1976-03 al 1976-04: archi)
assistente tecnico:
Tom Likes
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
basso e chitarra acustica :
James William Guercio (dal 1976-03 al 1976-04)
voce principale:
Peter Cetera (dal 1976-03 al 1976-04)
arrangiatore archi e arrangiatore corno francese :
Jimmie Haskell
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Rhino Entertainment Company (not for release label use!) (nel 1976, nel 2002), Warner Strategic Marketing Inc. (nel 1976) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1976)
registrata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti, Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti (archi) e Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
mixata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
registrazione di:
If You Leave Me Now (dal 1976-03 al 1976-04)
paroliere:
Peter Cetera
compositore:
Peter Cetera (nel 1976)
editore:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music e Spirit Music Publishing Ltd.
Chicago4.23:55
66Sailing
Rod Stewart4:37
67Geno
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
registrazione di:
Geno
autore:
Al Archer e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:26
68I’m Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
69January
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
registrazione di:
January
orchestratore:
Andrew Powell (known for contributions to Alan Parsons Project)
paroliere e compositore:
David Paton (of Pilot)
editore:
EMI Music Publishing (do not use as a release label!) e Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Pilot33:31
70Tiger Feet
co-produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
esecutore:
Mud (UK glam rock band)
diritti fonografici (℗) detenuti da:
RAK (nel 1974)
registrazione di:
Tiger Feet
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) e BMG Music Publishing Ltd.
Mud53:50
71Where Do You Go To (My Lovely)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969)
registrazione di:
Where Do You Go To (My Lovely)?
paroliere e compositore:
Peter Sarstedt
editore:
EMI Catalogue Partnership
Peter Sarstedt54:44
72Werewolves of London (2007 remaster)
tecnico:
Dennis Kirk e Greg Ladanyi
produttore:
Jackson Browne (American singer-songwriter) e Waddy Wachtel
basso :
John McVie
batteria :
Mick Fleetwood
chitarra [guitars] :
Waddy Wachtel
pianoforte :
Warren Zevon
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e Rhino Entertainment Company (not for release label use!) (dal 2007 a oggi)
registrata presso:
The Sound Factory in Tucson, Arizona, Stati Uniti (nel 2007)
registrazione di:
Werewolves of London
autore:
LeRoy P. Marinell, Waddy Wachtel e Warren Zevon
editore:
Leadsheet Land Music, Polite Music, Tiny Tunes e Zevon Music Inc. (BMI)
Warren Zevon4.93:29
73All I Have to Do Is Dream
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 141) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 323)
registrazione di:
All I Have to Do Is Dream (nel 1958)
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Acuff-Rose Publications, Inc. (BMI) (il 1958-04-21)
The Everly Brothers42:23
74House of the Rising Sun
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4:29
75I’m a Believer
registrata a:
New York, New York, Stati Uniti (dal 1966-10-15 al 1966-10-23)
produttore:
Jeff Barry
basso :
Dick Romoff (dal 1966-10-15 al 1966-10-23)
batteria :
Buddy Salzman (dal 1966-10-15 al 1966-10-23)
chitarra :
Al Gorgoni (dal 1966-10-15 al 1966-10-23) e Sal Ditroia (dal 1966-10-15 al 1966-10-23)
chitarra acustica :
Neil Diamond (dal 1966-10-15 al 1966-10-23)
organo :
Artie Butler (dal 1966-10-15 al 1966-10-23)
pianoforte e tamburello :
Jeff Barry (dal 1966-10-15 al 1966-10-23)
voce di accompagnamento:
Davy Jones (The Monkees member) (dal 1966-10-15 al 1966-10-23) e Peter Tork (dal 1966-10-15 al 1966-10-23)
voce di accompagnamento e voce principale:
Micky Dolenz (dal 1966-10-15 al 1966-10-23)
arrangiatore:
Jeff Barry
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1966) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966, nel 1967)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 65) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 341)
registrazione cover di:
I’m a Believer (dal 1966-10-15 al 1966-10-23)
paroliere e compositore:
Neil Diamond (nel 1966)
editore:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Stonebridge Music (publisher)
The Monkees4.652:46

Accreditamenti

Pubblicazione

diritti fonografici (℗) detenuti da:Rhino UK (company credits only; do NOT use as release label) (nel 2020)
streaming gratuito:https://www.deezer.com/album/149275632 [info]
pagina di streaming:https://music.apple.com/gb/album/1512828607 [info]