Romeo and Juliet

~ Release by Felix Mendelssohn Bartholdy; London Symphony Orchestra, Alfred Scholz (see all versions of this release, 1 available)

Annotation

cd1:
1-8. London Symphony Orchestra, Alfred Scholz
cd2:
1-3. Helena Spitcova, Philharmonia Slavonica, Alberto Lizzio
4. The New Philharmonic Orchestra, Lawrence Siegel

Annotation last modified on 2018-04-25 16:07 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace
orchestra:
Bamberger Symphoniker (Bamberg Symphony), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Walter Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
part of:
Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)
Mendelssohn11:33
2Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto
orchestra:
Bamberger Symphoniker (Bamberg Symphony), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Mendelssohn5:46
3Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato
orchestra:
Bamberger Symphoniker (Bamberg Symphony), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Mendelssohn6:57
4Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto
orchestra:
Bamberger Symphoniker (Bamberg Symphony), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Mendelssohn6:02
5Symphony no. 5 in D major, op. 107 "Reformation": I. Andante - Allegro con fuoco
orchestra:
Bamberger Symphoniker (Bamberg Symphony), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) and The London Philharmonic Orchestra (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Alexander von Pitamic (Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in D major, op. 107 "Reformation": I. Andante - Allegro con fuoco
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Mendelssohn11:06
6Symphony no. 5 in D major, op. 107 "Reformation": II. Allegro vivace
orchestra:
Bamberger Symphoniker (Bamberg Symphony), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) and The London Philharmonic Orchestra (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Alexander von Pitamic (Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in D major, op. 107 "Reformation": II. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Mendelssohn5:37
7Symphony no. 5 in D major, op. 107 "Reformation": III. Andante
orchestra:
Bamberger Symphoniker (Bamberg Symphony), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) and The London Philharmonic Orchestra (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Alexander von Pitamic (Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in D major, op. 107 “Reformation”: III. Andante
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Mendelssohn3:15
8Symphony no. 5 in D minor, op. 107 "Reformation": IV. Choral "Ein' feste Burg ist unser Gott"
orchestra:
Bamberger Symphoniker (Bamberg Symphony), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) and The London Philharmonic Orchestra (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Alexander von Pitamic (Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in D major, op. 107 “Reformation”: IV. Choral “Ein’ feste Burg ist unser Gott”
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Mendelssohn8:36
2▼CD
#TitleArtistRatingLength
1Violinkonzert in e-Moll, op. 64: I. Allegro molto appassionato
violin:
Helena Spitkova (Alfred Scholz pseudonym, violinist)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Milan Pohronec (conductor, Scholz related)
recording of:
Violinkonzert in e-Moll, op. 64: I. Allegro molto appassionato (Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Mendelssohn13:29
2Violinkonzert in e-Moll, op. 64: II. Andante
violin:
Richard Schamalfuss and Helena Spitkova (Alfred Scholz pseudonym, violinist)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), Philharmonia Slavonica (Alfred Scholz pseudonym) and Vienna Festival Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Milan Pohronec (conductor, Scholz related) and Alfred Scholz
recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Mendelssohn8:07
3Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace
violin:
Helena Spitkova (Alfred Scholz pseudonym, violinist)
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Mendelssohn7:17
4Romeo and Juliet (TH 42, ČW 39)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Tschaikowsky20:52

Credits

Release

design/illustration:Harald Heinrichs (graphic artwork & design)
distributed by:Selected Sound Carrier AG