NOW 100 Hits: Classic Rock

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1CD
#TitoloArtistaValutazioneDurata
1We Will Rock You
tecnico:
Mike Stone (producer and engineer, 1960s–80s)
assistente produttore e co-produttore:
Mike Stone (producer and engineer, 1960s–80s)
produttore:
Queen (UK rock group)
battimani e calpestio di piedi [footstomps] :
John Deacon (dal 1977-08 al 1977-09), Brian May (Queen guitarist) (dal 1977-08 al 1977-09), Freddie Mercury (dal 1977-08 al 1977-09) e Roger Taylor (Queen drummer) (dal 1977-08 al 1977-09)
chitarra e chitarra elettrica :
Brian May (Queen guitarist) (dal 1977-08 al 1977-09)
voce di accompagnamento:
Brian May (Queen guitarist) (dal 1977-08 al 1977-09), Freddie Mercury (dal 1977-08 al 1977-09) e Roger Taylor (Queen drummer) (dal 1977-08 al 1977-09)
voce principale:
Freddie Mercury (dal 1977-08 al 1977-09)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (nel 1977) e Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (nel 1977, nel 2001, nel 2011)
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito (dal 1977-08 al 1977-09)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 338)
registrazione di:
We Will Rock You (dal 1977-08 al 1977-09)
paroliere e compositore:
Brian May (Queen guitarist)
editore:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. e Sony/ATV
parte di:
We Will Rock You (Queen musical)
parte di:
We Will Rock You (German version of the Queen musical)
Queen3.92:04
2Pour Some Sugar on Me
tecnico:
Nigel Green (engineer)
produttore:
Robert John “Mutt” Lange (Robert John Lange)
chitarra :
Steve Clark (Def Leppard guitarist)
esecutore:
Def Leppard
registrazione di:
Pour Some Sugar on Me
autore:
Steve Clark (Def Leppard guitarist), Phil Collen (of Def Leppard), Joe Elliott (lead singer of Def Leppard), Robert John “Mutt” Lange (Robert John Lange) e Rick Savage
editore:
Bludgeon Riffola Ltd., BMG Rights Management UK (Primary Wave), Kobalt Music Publishing Ltd. (UK), Out of Pocket Publishing Co., Out-of-Pocket Productions Ltd., Primary Wave Elliott, Primary Wave Music Publishing, Primary Wave Savage, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Why Bother Ltd., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing Ltd.
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Def Leppard3.64:52
3You Give Love a Bad Name
assistente tecnico:
Tim Crich
tecnico e tecnico di missaggio:
Bob Rock
produttore:
Bruce Fairbairn
basso elettrico [Bass] e voce di accompagnamento:
Alec John Such
batteria e percussione :
Tico Torres
chitarra acustica , chitarra elettrica , chitarra synth [IVL Guitar Synths] e talk box :
Richie Sambora
tastiera [Keyboards, Noises] :
Dave Bryan (keyboardist for Bon Jovi)
voce di accompagnamento [Backing Vocals]:
Jon Bon Jovi, Dave Bryan (keyboardist for Bon Jovi), Richie Sambora e Alec John Such
voce principale:
Jon Bon Jovi
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1986) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 2011)
registrata presso:
Little Mountain Sound in Vancouver, British Columbia (Columbia Britannica), Canada
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 20) e BILLIONS CLUB
registrazione di:
You Give Love a Bad Name
autore:
Jon Bon Jovi, Desmond Child e Richie Sambora
editore:
Aggressive Music (A) 301, CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing, Sony/ATV Tunes LLC (ASCAP), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), April Music Inc. (nel 1986), Bon Jovi Publishing (nel 1986), Desmobile Inc. (nel 1986) e PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (nel 1986)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bon Jovi4.353:44
4Start Me Up
diritti fonografici (℗) detenuti da:
Promotone B.V. (not for release label use!) (nel 1993)
registrazione di:
Start Me Up
autore:
Mick Jagger e Keith Richards (Rolling Stones guitarist)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Rolling Stones43:33
5Rockstar
produttore:
Joey Moi e Nickelback
registrazione di:
Rockstar
paroliere:
Chad Kroeger
compositore:
Daniel Adair, Chad Kroeger, Mike Kroeger e Ryan Peake
Nickelback3.654:13
6Edge of Seventeen
tecnico:
Shelly Yakus
produttore:
Jimmy Iovine
batteria :
Russ Kunkel
chitarra :
Waddy Wachtel
chitarra basso [bass] :
Bob Glaub
organo :
Benmont Tench
percussione :
Bobbye Hall
pianoforte :
Roy Bittan
voce principale:
Stevie Nicks
diritti fonografici (℗) detenuti da:
Modern Records, Inc. (nel 1981) e Rhino Entertainment Company (not for release label use!) (nel 2016)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 217)
registrazione di:
Edge of Seventeen
paroliere e compositore:
Stevie Nicks
dedicata a:
John Lennon (The Beatles)
Stevie Nicks4.155:26
7Walk This Way
produttore:
Rick Rubin (US record producer, former co‐president of Columbia Records) e Russell Simmons
chitarra ospite :
Joe Perry (guitarist for Aerosmith)
voce ospite:
Steven Tyler
diritti fonografici (℗) detenuti da:
Profile Records, Inc. (distributor / holding / manufacturer) (nel 1986) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1986)
registrazione di:
Walk This Way
autore:
Joe Perry (guitarist for Aerosmith) e Steven Tyler
editore:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited e Vindaloo Productions, Inc.
Run‐D.M.C. feat. Aerosmith3.653:37
8Bat out of Hell
tecnico, produttore e tecnico di missaggio:
Todd Rundgren
basso :
Kasim Sultan
batteria :
Max Weinberg
famiglia delle chitarre, tastiera e percussione :
Todd Rundgren
sintetizzatore :
Roger Powell (US musician, programmer, and columnist, band "Utopia")
tastiera e percussione :
Jim Steinman
tastiera e pianoforte :
Roy Bittan
voce di accompagnamento:
Rory Dodd, Ellen Foley, Kasim Sultan e Todd Rundgren
voce principale:
Meat Loaf
arrangiatore:
Todd Rundgren e Jim Steinman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
video musicali:
Bat Out of Hell di Meat Loaf
registrazione di:
Bat out of Hell
paroliere e compositore:
Jim Steinman
editore:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music e Peg Music Co.
Meat Loaf4.359:47
9The Boys Are Back in Town
assistente tecnico di registrazione:
Neil Hornby
tecnico:
Will Reid-Dick
produttore:
John Alcock (producer)
batteria :
Brian Downey (Thin Lizzy drummer)
chitarra :
Scott Gorham (Thin Lizzy guitarist) e Brian Robertson (Thin Lizzy & Motörhead)
chitarra acustica e chitarra basso e voce principale:
Phil Lynott
voce:
Brian Robertson (Thin Lizzy & Motörhead)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1976)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 272) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 499)
registrazione di:
The Boys Are Back in Town
paroliere e compositore:
Phil Lynott
editore:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e PolyGram Music Publishing (nel 1989)
Thin Lizzy4.354:24
10You Really Got Me
produttore:
Shel Talmy (nel 1964-07)
armonica (a bocca) , chitarra [rhythm guitar] , tastiera e voce principale:
Ray Davies (UK singer/songwriter, member of The Kinks) (nel 1964-07)
batteria :
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (nel 1964-07)
chitarra :
Harry Fryer (nel 1964-07)
chitarra [lead guitar] :
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (nel 1964-07)
chitarra basso :
Pete Quaife (Kinks' bass guitarist) (nel 1964-07)
pianoforte aggiunto:
Perry Ford (English pop singer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1964)
supporto a vario titolo:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (incarico: Courtesy of / c/o Celebrity Licensing, Inc.)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (nel 1964-07)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 20), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 162) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 176)
registrazione di:
You Really Got Me (nel 1964-07)
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. e Jay Boy
The Kinks4.252:13
11Like a Rolling Stone
registrata a:
New York, New York, Stati Uniti (il 1965-06-15)
produttore:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.) (dal 1965-07-15 al 1965-07-16)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 4) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 16)
registrazione di:
Like a Rolling Stone (il 1965-06-15)
paroliere e compositore:
Bob Dylan (nel 1965)
editore:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1965 al 1993) e Special Rider Music (dal 1993 a oggi)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bob Dylan4.556:08
12Johnny B. Goode
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Jasper Thomas (il 1958-01-06)
chitarra e voce principale:
Chuck Berry (il 1958-01-06)
contrabbasso :
Willie Dixon (il 1958-01-06)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1958-01-06)
registrata presso:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Stati Uniti (il 1958-01-06)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 53) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Johnny B. Goode (il 1958-01-06)
paroliere e compositore:
Chuck Berry (nel 1955)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
parte di:
Back to the Future: the Musical
Chuck Berry4.22:39
13Ace of Spades
produttore:
Vic Maile (dal 1980-08-04 al 1980-09-15)
basso :
Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (dal 1980-08-04 al 1980-09-15)
batteria :
Phil 'Philthy Animal' Taylor (former Motörhead drummer) (dal 1980-08-04 al 1980-09-15)
chitarra :
'Fast' Eddie Clarke (Motörhead guitarist) (dal 1980-08-04 al 1980-09-15)
voce:
'Fast' Eddie Clarke (Motörhead guitarist) (dal 1980-08-04 al 1980-09-15) e Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (dal 1980-08-04 al 1980-09-15)
esecutore:
Motörhead (dal 1980-08-04 al 1980-09-15)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1980), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1980) e Universal Music (plain logo: “Universal Music”) (nel 1980)
parte di:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 3), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 10), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 33), TV Cream: Real 100 Best Singles Ever (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 442)
registrazione di:
Ace of Spades (dal 1980-08-04 al 1980-09-15)
autore:
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) e Phil Taylor (former Motörhead drummer)
editore:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.252:46
14Black Hole Sun
assistente tecnico e assistente tecnico di missaggio:
Adam Kasper
tecnico:
Jason Corsaro (U.S. music engineer, and record producer)
produttore:
Michael Beinhorn e Soundgarden
tecnico di missaggio:
Brendan O’Brien (engineer)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1994)
mixata presso e lavorazione tecnica effettuata presso:
Bad Animals Studio in Seattle, Washington, Stati Uniti
video musicali:
Black Hole Sun di Soundgarden
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 77), Indie 88: Top 500 Indie Rock Songs (numero: 231) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 368)
registrazione di:
Black Hole Sun (dal 1993-07 al 1993-09)
paroliere e compositore:
Christopher J Cornell (Soundgarden lead singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mushroom Music Pty. Ltd., Universal/MCA Music Publishing GmbH e You Make Me Sick I Make Music (nel 1994)
Soundgarden4.15:20
15La Grange
tecnico:
Robin Gibb, Terry Manning (US recording engineer) e Robin Brian
produttore:
Bill Ham (manager of ZZ Top)
tecnico di missaggio e editor:
Terry Manning (US recording engineer)
batteria :
Rube Beard (ZZ Top drummer)
chitarra , chitarra elettrica e voce principale:
Billy Gibbons
chitarra basso :
Dusty Hill
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti, Brian studios in Memphis, Tennessee, Stati Uniti e Robin Hood Studios in Tyler, Texas, Stati Uniti
registrazione di:
La Grange
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic e Stage Three Songs
si basa su:
Boogie Chillen’
ZZ Top4.653:51
16Black Betty
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e CBS Schallplatten GmbH (nel 1990)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Ram Jam3.853:57
2CD
#TitoloArtistaValutazioneDurata
1Eye of the Tiger
assistente tecnico:
Hill Swimmer
tecnico:
Phil Bonanno e Mike Clink
produttore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
diritti fonografici (℗) detenuti da:
Volcano Entertainment III, L.L.C. (nel 1985)
registrazione di:
Eye of the Tiger
autore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 55th Academy Award for Best Original Song (numero: 2)
Survivor4.83:47
2More Than a Feeling
assistente tecnico:
Bruce Hensal, Deni King (engineer) e Doug Rider
tecnico:
Warren Dewey e Tom Scholz
produttore:
John Boylan e Tom Scholz
assistente tecnico di missaggio:
Steve Hodge (engineer and producer)
batteria e percussione :
Sib Hashian (dal 1975 al 1976)
chitarra [lead guitar] , chitarra [rhythm guitar] , chitarra acustica e chitarra basso :
Tom Scholz (dal 1975 al 1976)
voce principale e voce principale [Harmony]:
Brad Delp (dal 1975 al 1976)
arrangiatore:
Brad Delp e Tom Scholz
co-arrangiatore:
Jim Masdea
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1976), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
Foxglove Studios in Watertown, Massachusetts, Stati Uniti (nel 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1976) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1976)
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
prima pubblicazione:
More Than a Feeling di Boston (US rock band)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 39), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 212) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 500)
registrazione di:
More Than a Feeling (dal 1975 al 1976)
paroliere e compositore:
Tom Scholz
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Pure Songs (nel 1976)
Boston3.94:43
3The Final Countdown
produttore:
Kevin Elson
diritti fonografici (℗) detenuti da:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (nel 1986), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
The Final Countdown
paroliere e compositore:
Joey Tempest (Swedish singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Seven Doors Music
Europe4.23:56
4I Was Made for Lovin’ You
tecnico di registrazione e tecnico di missaggio:
Jay Messina
assistente tecnico:
Jim Galante e Jon Mathias (engineer)
produttore:
Vini Poncia
batteria :
Anton Fig
tastiera e voce di accompagnamento:
Vini Poncia
voce principale:
Paul Stanley (KISS frontman)
diritti fonografici (℗) detenuti da:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (nel 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979)
è stato produttore per:
Mad Vincent Productions
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti e The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
I Was Made for Lovin’ You
autore:
Desmond Child, Vini Poncia e Paul Stanley (KISS frontman)
editore:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (nel 1979) e Mad Vincent Music (publisher) (nel 1979)
sub-editore:
Taiyō Music e Universal Music Publishing France (not for release label use!)
KISS4.454:31
5Smoke on the Water
registrata a:
Montreux, Vaud (Canton Vaud), Svizzera (nel 1971-12)
assistente tecnico:
Jeremy Gee
tecnico:
Martin Birch
produttore:
Deep Purple
basso elettrico :
Roger Glover (nel 1971-12)
batteria :
Ian Paice (nel 1971-12)
chitarra elettrica :
Ritchie Blackmore (nel 1971-12)
organo Hammond :
Jon Lord (nel 1971-12)
voce principale:
Ian Gillan (nel 1971-12)
diritti fonografici (℗) detenuti da:
Deep Purple (Overseas) Ltd. (nel 1973)
registrata presso:
Rolling Stones Mobile Studio in Regno Unito (nel 1971-12)
parte di:
SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (numero: 8), SWR1 Hitparade 2008 (Baden-Württemberg) (numero: 10), SWR1 Hitparade 2009 (Baden-Württemberg) (numero: 10), SWR1 Hitparade 2012 (Baden-Württemberg) (numero: 10), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 11), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 13), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 34) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Smoke on the Water (nel 1971-12)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), HEC Music e Henrees Music co.
sub-editore:
EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Deep Purple4.155:40
6All Right Now
tecnico:
Roy Thomas Baker (producer)
produttore:
Free (60s/70s UK blues rock group) e John Kelly (producer)
basso :
Andy Fraser (English bassist, member of Free)
batteria :
Simon Kirke
chitarra :
Paul Kossoff
voce principale:
Paul Rodgers
remixer:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
Free (60s/70s UK blues rock group) (nel 1970)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1970, nel 1971)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito e Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
video musicali:
All Right Now di Free (60s/70s UK blues rock group)
registrazione di:
All Right Now
autore:
Andy Fraser (English bassist, member of Free) e Paul Rodgers
editore:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:14
7Barracuda
produttore:
Mike Flicker
batteria :
Michael Derosier (dal 1977-02 al 1977-04)
chitarra acustica :
Nancy Wilson (guitarist/singer of “Heart”) (dal 1977-02 al 1977-04)
chitarra basso :
Steve Fossen (dal 1977-02 al 1977-04)
chitarra e mellotron :
Howard Leese (dal 1977-02 al 1977-04)
chitarra elettrica :
Roger Fisher (US rock guitarist) (dal 1977-02 al 1977-04)
voce principale:
Ann Wilson (lead singer of Heart) (dal 1977-02 al 1977-04)
arrangiatore:
Heart (rock band, Ann and Nancy Wilson)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti (dal 1977-02 al 1977-04)
mixata presso:
Royaltone Studios in North Hollywood, Los Angeles, California, Stati Uniti e Kaye–Smith Studios in Seattle, Washington, Stati Uniti (dal 1977-02 al 1977-04)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 34)
registrazione di:
Barracuda (dal 1977-02 al 1977-04)
autore:
Michael Derosier, Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) e Nancy Wilson (guitarist/singer of “Heart”)
editore:
BMG Songs, Inc., IQ Music Ltd., Know Music, Of the Roses Music, Play My Music, Rosebud Music, Strange Euphoria Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Universal/MCA Music Ltd. (not for release label use!) e Wilsongs
sub-editore:
Shinko Music Entertainment Co., Ltd. e Universal Music Publishing, Synch Division
Heart4.14:22
8Living After Midnight
tecnico:
Louis Austin (engineering)
produttore:
Tom Allom
basso elettrico :
Ian Hill (UK bassist for Judas Priest) (dal 1980-01 al 1980-02)
batteria :
Dave Holland (British rock drummer) (dal 1980-01 al 1980-02)
chitarra elettrica :
Kenneth Downing (dal 1980-01 al 1980-02) e Glenn Tipton (dal 1980-01 al 1980-02)
voce principale:
Rob Halford (dal 1980-01 al 1980-02)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1980)
registrata presso:
Startling Studios (Tittenhurst Park) in Ascot, Windsor and Maidenhead, England, Regno Unito (dal 1980-01 al 1980-02)
video musicali:
Living After Midnight (music video) di Judas Priest
parte di:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 27)
registrazione di:
Living After Midnight (dal 1980-01 al 1980-02)
autore:
Kenneth Downing, Rob Halford e Glenn Tipton
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Judas Priest4.053:31
9Smooth Criminal
assistente tecnico:
Justin Harvey
tecnico e editor:
James Murray (US engineer)
produttore e tecnico di missaggio:
Jay Baumgardner
assistente tecnico di missaggio:
Dan Certa
editor aggiunto:
John Ewing (engineer) e Brian Virtue
basso elettrico [bassadilla] , chitarra e voce di accompagnamento:
Tye Zamora
batteria :
Mike Cosgrove
chitarra elettrica :
Terence Corso
voce principale:
Dryden Mitchell
diritti fonografici (℗) detenuti da:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (nel 2001)
registrata presso e mixata presso:
NRG Recording Services in North Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Smooth Criminal di Alien Ant Farm
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 6) e The Downloader’s Music Source Book (numero: 355)
registrazione cover di:
Smooth Criminal
paroliere e compositore:
Michael Jackson (“King of Pop”)
editore:
Mijac Music
parte di:
MJ: The Musical
Alien Ant Farm4.253:27
10Girl All the Bad Guys WantBowling for Soup4.153:18
11Just What I Needed
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978)
registrata presso e mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1978-02)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 112) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 369)
registrazione di:
Just What I Needed (nel 1978-02)
paroliere e compositore:
Ric Ocasek
editore:
BMG Music Publishing Ltd., Lido Music, Inc. e Lido Music (not for release label use!) (nel 1978)
The Cars4.33:45
12Authority Song
produttore:
Don Gehman e Little Bastard
tecnico di missaggio:
Don Gehman e David Thoener
registrazione di:
Authority Song
paroliere e compositore:
John Mellencamp
John Mellencamp4.753:49
13Long Train Runnin’
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1973) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973)
registrazione di:
Long Train Runnin’
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (nel 1982) e Warner Chappell Music (publisher as Warner/Chappell Music) (nel 1991)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.13:27
14Ramblin’ Man
tecnico:
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records), Ovie Sparks e Buddy Thornton
produttore:
The Allman Brothers Band e Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
basso :
Berry Oakley (US bassist, The Allman Brothers Band) (nel 1972-10)
batteria :
Jai Johanny Johanson (nel 1972-10) e Butch Trucks (nel 1972-10)
chitarra :
Les Dudek (nel 1972-10)
chitarra [lead guitar] e voce principale:
Dickey Betts (nel 1972-10)
congas :
Jai Johanny Johanson (nel 1972-10)
organo :
Gregg Allman (nel 1972-10)
pianoforte e voce di accompagnamento:
Gregg Allman (nel 1972-10) e Chuck Leavell (nel 1972-10)
voce:
Gregg Allman (nel 1972-10)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1973) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 2013)
registrata presso:
Capricorn Sound Studio in Macon, Georgia, Stati Uniti (nel 1972-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Ramblin’ Man (nel 1972-10)
paroliere e compositore:
Dickey Betts
editore:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Australia Pty. Ltd.
The Allman Brothers Band4.54:48
15Stay With Me
produttore:
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) e Glyn Johns
batteria :
Kenney Jones (drummer for Small Faces, Faces, and The Who)
chitarra :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
chitarra basso :
Ronnie Lane
piano elettrico Wurlitzer :
Ian McLagan
voce principale:
Rod Stewart
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1971) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1971)
registrazione di:
Stay With Me
autore:
Rod Stewart e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
editore:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
Faces4.54:39
16Life’s Been Good
registrazione di:
Life’s Been Good
paroliere e compositore:
Joe Walsh (Eagles/James Gang)
editore:
Wow & Flutter Music
Joe Walsh8:56
3CD
#TitoloArtistaValutazioneDurata
1I Wanna Be Adored
produttore:
John Leckie
registrazione di:
I Wanna Be Adored
paroliere:
Ian Brown (UK singer, member of Stone Roses)
compositore:
John Squire
editore:
Imagem London Ltd.
The Stone Roses4.353:29
2Two Princes
tecnico:
Frank Aversa e Spin Doctors
produttore:
Frank Aversa, Peter Denenberg, Frankie LaRocka e Spin Doctors
tecnico di missaggio:
Peter Denenberg, Frankie LaRocka e Spin Doctors
chitarra :
Eric Schenkman
chitarra basso :
Mark White (Spin Doctors)
organo Hammond, batteria e percussione :
Aaron Comess
voce:
Chris Barron
voce di accompagnamento ospite:
John Popper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1991) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1991)
registrazione di:
Two Princes
autore:
Chris Barron, Aaron Comess, Eric Schenkman e Mark White (Spin Doctors)
editore:
Mow B'jow Music, Sony Songs Inc. e Sony/ATV Music Publishing Ltd.
Spin Doctors4.254:13
3Dakota
tecnico:
Jim Lowe (sound engineer)
produttore e tecnico di missaggio:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics) e Jim Lowe (sound engineer)
registrazione di:
Dakota
paroliere e compositore:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
editore:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Stereophonics3.954:58
4Here I Go Again
registrazione di:
Here I Go Again
autore:
David Coverdale e Bernie Marsden
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (conclusa), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
渡辺音楽出版株式会社 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Whitesnake3:53
5Down Down
produttore:
Roger Glover e Status Quo (UK boogie rock band)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1974), Mercury Records Ltd. (London) (for copyrights use only) (nel 1974), Phonogram Ltd. (not for release label use!) (nel 1974), Phonogram Ltd. (London) (company name, NOT a label!) (nel 1974), Mercury Records Ltd. (UK) (nel 1975) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978)
registrazione di:
Down Down
scritta a:
Los Angeles, California, Stati Uniti
paroliere:
Francis Rossi
compositore:
Robert Keith Young (UK musician & author, Young & Moody; Status Quo) e Francis Rossi
editore:
Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton, Shawbury Music Ltd. (publisher), Status Quo Publishing e Valley Music Ltd (publisher)
Status Quo43:48
6Since You Been Gone
tecnico di registrazione:
Leigh Mantle (nel 1979-04) e Dr. Michael Palmer (engineer) (nel 1979-04)
tecnico:
Gary Edwards (producer, engineer)
produttore:
Roger Glover
batteria :
Cozy Powell (nel 1979-04)
chitarra :
Ritchie Blackmore (nel 1979-04)
chitarra basso :
Roger Glover (nel 1979-04)
tastiera :
Don Airey (nel 1979-04)
voce principale:
Graham Bonnet (British rock vocalist) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1979), Polydor Records Inc. (nel 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979) e Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1979)
registrata presso:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes (Alvernia-Rodano-Alpi), Francia (nel 1979-04) e Maison Rouge Mobile Studio (nel 1979-04)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 82)
registrazione cover di:
Since You Been Gone (nel 1979-04)
paroliere e compositore:
Russ Ballard
editore:
BMG Gold Songs, BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Complete Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. e Virgin Music (Publishers) Ltd.
Rainbow43:15
7Live and Let Die
tecnico di registrazione:
Bill Price (UK producer/engineer) (dal 1972-10-19 al 1972-10-20)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (dal 1972-10-19 al 1972-10-20) e Paul McCartney (The Beatles) (dal 1972-10-19 al 1972-10-20)
tecnico di missaggio:
Bill Price (UK producer/engineer) (il 1972-10-21)
batteria :
Denny Seiwell (US drummer) (dal 1972-10-19 al 1972-10-20)
chitarra basso :
Denny Laine (dal 1972-10-19 al 1972-10-20)
chitarra basso, chitarra elettrica e percussione , pianoforte e voce principale:
Paul McCartney (The Beatles) (dal 1972-10-19 al 1972-10-20)
chitarra elettrica :
Denny Laine (dal 1972-10-19 al 1972-10-20) e Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (dal 1972-10-19 al 1972-10-20)
percussione :
Ray Cooper (percussionist) (dal 1972-10-19 al 1972-10-20) e Denny Seiwell (US drummer) (dal 1972-10-19 al 1972-10-20)
richiamo per anatre e timpani :
Ray Cooper (percussionist) (dal 1972-10-19 al 1972-10-20)
voce di accompagnamento:
Denny Laine (dal 1972-10-19 al 1972-10-20) e Linda McCartney (dal 1972-10-19 al 1972-10-20)
orchestratore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
diritti fonografici (℗) detenuti da:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (nel 1973)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (il 1972-10-20)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (il 1972-10-19)
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (il 1972-10-21)
registrazione di:
Live and Let Die (dal 1972-10-19 al 1972-10-20)
autore:
Linda McCartney e Paul McCartney (The Beatles)
editore:
EMI Unart Catalog Inc., EMI United Partnership Ltd., Kobalt Songs Music Publishing (USA, ASCAP affiliated) e MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
parte di:
The 46th Academy Award for Best Original Song (numero: 2) e James Bond themes
Paul McCartney & Wings4.13:13
8Roxanne
tecnico:
Chris Gray (UK engineer) e Nigel Gray (UK producer)
produttore:
The Police (British rock band)
basso elettrico :
Sting (singer, songwriter & member of The Police)
batteria :
Stewart Copeland
chitarra elettrica :
Andy Summers
voce:
Sting (singer, songwriter & member of The Police)
arrangiatore:
The Police (British rock band)
diritti fonografici (℗) detenuti da:
A&M Records (nel 1978), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (nel 1978), A&M Records, Inc. (nel 1997) e A&M Records, Ltd. (nel 2003)
registrata presso:
Surrey Sound Studios in Leatherhead, Surrey, England, Regno Unito
video musicali:
Roxanne (Music video) di The Police (British rock band)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 388)
registrazione di:
Roxanne
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
Mushroom Music (Mushroom label’s publishing company) e Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Police4.33:12
9Black Magic Woman
produttore:
Fred Catero e Carlos Santana
chitarra :
Carlos Santana (il 1970-07-04)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1970-07-04)
congas :
Michael Carabello (il 1970-07-04) e Jose Chepito Áreas (il 1970-07-04)
membranofono :
Michael Shrieve (il 1970-07-04)
tastiera :
Gregg Rolie (il 1970-07-04)
timbales :
Jose Chepito Áreas (il 1970-07-04)
voce:
Gregg Rolie (il 1970-07-04) e Carlos Santana (il 1970-07-04)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1970, nel 1974)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti (il 1970-07-04)
registrazione cover di:
Black Magic Woman (il 1970-07-04)
paroliere e compositore:
Peter Green (former member of Fleetwood Mac)
editore:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. e Murbo Music Publishers, Inc.
Santana3.753:16
10Africa
tecnico di registrazione:
Al Schmitt
produttore:
Toto (US rock group)
tecnico di missaggio:
Greg Ladanyi
batteria e gong :
Jeff Porcaro
chitarra e chitarra elettrica :
Steve Lukather
chitarra acustica :
Timothy B. Schmit
chitarra basso :
David Hungate
congas :
Lenny Castro
flauto dolce :
Jim Horn (saxophonist, hornist, flutist and oboist)
marimba :
Joe Porcaro
percussione :
Lenny Castro e Joe Porcaro
sintetizzatore :
Steve Porcaro
tastiera e pianoforte :
David Paich
voce di accompagnamento:
Bobby Kimball, Steve Lukather, David Paich e Timothy B. Schmit
voce principale:
Bobby Kimball e David Paich
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982, nel 1983)
video musicali:
Africa di Toto (US rock group)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 105) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 452)
registrazione di:
Africa (Toto)
autore:
Jeffrey Porcaro e David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Spirit Two Music
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.154:55
11Werewolves of London
tecnico:
Dennis Kirk e Greg Ladanyi
produttore:
Jackson Browne (American singer-songwriter) e Waddy Wachtel
basso :
John McVie
batteria :
Mick Fleetwood
chitarra [guitars] :
Waddy Wachtel
pianoforte :
Warren Zevon
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e Rhino Entertainment Company (not for release label use!) (dal 2007 a oggi)
registrata presso:
The Sound Factory in Tucson, Arizona, Stati Uniti (nel 2007)
registrazione di:
Werewolves of London
autore:
LeRoy P. Marinell, Waddy Wachtel e Warren Zevon
editore:
Leadsheet Land Music, Polite Music, Tiny Tunes e Zevon Music Inc. (BMI)
Warren Zevon4.93:25
12July Morning
registrazione di:
July Morning
autore:
David Byron e Ken Hensley
editore:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. e S. Bron Music Co. Ltd.
Uriah Heep3:33
13Rock You Like a Hurricane
tecnico:
Mike Beiriger, Dieter Dierks, David Hewitt (engineer) e Gerd Rautenbach
produttore:
Dieter Dierks
tecnico di missaggio:
Mike Beiriger, Dieter Dierks e Scorpions (German rock band)
batteria e percussione :
Herman Rarebell (drummer, Germany) (nel 1984)
chitarra acustica e chitarra elettrica :
Rudolf Schenker (nel 1984)
chitarra basso :
Francis Buchholz (nel 1984)
chitarra elettrica [lead guitar] e chitarra elettrica [rhythm guitar] :
Matthias Jabs (nel 1984) e Rudolf Schenker (nel 1984)
chitarra slide :
Matthias Jabs (nel 1984)
voce di accompagnamento:
Francis Buchholz (nel 1984), Matthias Jabs (nel 1984), Klaus Meine (nel 1984), Herman Rarebell (drummer, Germany) (nel 1984) e Rudolf Schenker (nel 1984)
voce principale:
Klaus Meine (nel 1984)
arrangiatore:
Dieter Dierks
diritti fonografici (℗) detenuti da:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (nel 1984, nel 2018), Breeze Music (nel 1984), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1984), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1984) e BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (nel 2015)
registrata presso:
Dierks Studios in Pulheim, Nordrhein-Westfalen (North Rhine-Westphalia), Germania (dal 1983 al 1984)
parte di:
Alan Cross: Hurricane Songs (numero: 5), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 18) e Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 36)
registrazione di:
Rock You Like a Hurricane (nel 1984)
paroliere:
Klaus Meine e Herman Rarebell (drummer, Germany)
compositore:
Rudolf Schenker
editore:
Arabella Music Edition München, Arabella Musikverlag GmbH e Universal Music Publishing (use ONLY if no country‐specific information is available)
Scorpions4.054:13
14Free Bird
tecnico:
Al Kooper, Bob “Tub” Langford, Rodney Mills e Danny Turbeville
produttore:
Al Kooper
batteria :
Bob Burns (Lynyrd Skynyrd drummer) (nel 1973-04)
chitarra [lead guitar] :
Allen Collins (nel 1973-03)
chitarra [rhythm guitar] :
Gary Rossington (nel 1973-03)
chitarra basso :
Ed King (US guitarist, bassist & songwriter) (nel 1973-04)
organo :
Al Kooper (nel 1973-04)
organo aggiunto:
Roosevelt Gook (nel 1973-04)
tastiera :
Billy Powell (nel 1973-03)
voce principale:
Ronnie Van Zant (nel 1973-04)
remixer:
Al Kooper
registrata presso:
Studio One (Doraville, GA) in Doraville, Georgia, Stati Uniti (nel 1973-04)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 26), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 191) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 407)
registrazione di:
Free Bird (nel 1973-04)
paroliere e compositore:
Allen Collins e Ronnie Van Zant
editore:
EMI Longitude Music, Songs of Universal, Inc. (BMI) e Universal Duchess Music Corp.
Lynyrd Skynyrd4.89:08
15Maggie May
edit di:
Maggie May (without “Henry” prelude) di Rod Stewart
registrazione di:
Maggie May (nel 1971)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart33:43
16All the Young Dudes
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1972)
registrazione di:
All the Young Dudes
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Tintoretto Music
sub-editore:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Mott the Hoople3:30
17Walk on the Wild Side
produttore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
basso elettrico e contrabbasso :
Herbie Flowers (nel 1972-08)
batteria :
John Halsey (nel 1972-08)
sassofono baritono :
Ronnie Ross (nel 1972-08)
voce di accompagnamento:
The Thunder Thighs (70s UK vocal group) (nel 1972-08)
voce principale:
Lou Reed (nel 1972-08)
arrangiatore archi e arrangiatore ottoni :
Mick Ronson (British guitarist)
arrangiatore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1972), BMG Music (nel 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1972) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1972-08)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
campionamenti da:
2018-12-11: Lexicon Valley, “Why Language Can’t Be Tamed” di John McWhorter
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 180) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 221)
registrazione di:
Walk on the Wild Side (nel 1972-08)
paroliere e compositore:
Lou Reed
editore:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Six Continents Music Publishing Inc.
Lou Reed4.24:14
4CD
#TitoloArtistaValutazioneDurata
1Don’t Stop
assistente tecnico:
Chris Morris (LA engineer & producer (late ’70s))
tecnico:
Ken Caillat e Richard Dashut
produttore:
Ken Caillat, Richard Dashut e Fleetwood Mac
produttore aggiunto:
Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
chitarra basso :
John McVie
tastiera e sintetizzatore :
Christine McVie
voce:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Warner Bros. (holding: file NO releases) (nel 2004)
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Don’t Stop
paroliere e compositore:
Christine McVie
editore:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) e Gentoo Music, Inc. (nel 1977)
Fleetwood Mac4.253:11
2(Don’t Fear) The Reaper
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976, nel 1978)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 397) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 449)
registrazione di:
(Don’t Fear) The Reaper
paroliere e compositore:
Donald Roeser
editore:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP) (nel 1976)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.43:49
3Breakfast at Tiffany’s
tecnico, produttore e tecnico di missaggio:
David Castell
batteria e percussione :
John Kirtland (Drummer, head of Kirtland Records)
chitarra acustica e chitarra elettrica :
Toby Pipes, Todd Pipes e Kirk Tatom
chitarra basso :
Todd Pipes e Kirk Tatom
chitarra lap steel :
Toby Pipes
organo e pianoforte :
Kirk Tatom
tastiera :
Toby Pipes e Todd Pipes
voce:
Toby Pipes, Todd Pipes e Kirk Tatom
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1995) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1995)
registrazione di:
Breakfast at Tiffany’s
paroliere e compositore:
Todd Pipes
editore:
Warner Chappell North America e WC Music Corp.
Deep Blue Something3.74:17
4Should I Stay or Should I Go
tecnico:
Bob Clearmountain
produttore:
Guy Stevens
tecnico di missaggio:
Glyn Johns
batteria :
Topper Headon
chitarra :
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
chitarra basso :
Paul Simonon
voce:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
voce ospite:
Joe Ely
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1982)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 42), Indie 88: Top 500 Indie Rock Songs (numero: 183) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 228)
registrazione di:
Should I Stay or Should I Go
autore:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
editore:
Nineden Ltd. e Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.553:08
5You Ain’t Seen Nothing Yet
tecnico:
Mark Smith (Canadian engineer)
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1974), Phonogram, Inc. (nel 1974, nel 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1974) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974)
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:38
6I Want You to Want Me
tecnico:
Antonio Reale
produttore:
Tom Werman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrata presso:
Kendun Recorders in Burbank, California, Stati Uniti (nel 1977)
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1977)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 266)
registrazione di:
I Want You to Want Me (nel 1977)
paroliere e compositore:
Rick Nielsen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (nel 1977) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (nel 1977)
parte di:
10 Things I Hate About You
Cheap Trick4.153:10
7American Woman
assistente tecnico di registrazione:
Ed Schnabl e Russ Vestuto
tecnico di registrazione:
Brian Christian
produttore:
Jack Richardson
arrangiatore:
The Guess Who (Canadian rock band)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1969, nel 1970) e BMG Music (nel 1970)
registrata presso:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, Stati Uniti
edit di:
American Woman (original stereo mix) di The Guess Who (Canadian rock band)
registrazione di:
American Woman
autore:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) e Garry Peterson (Canadian drummer for The Guess Who)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music e Unichappell Music, Inc.
The Guess Who4.23:53
8Bad to the Bone
registrazione di:
Bad to the Bone
paroliere e compositore:
George Thorogood
editore:
Del Sound Music
George Thorogood & the Destroyers3:38
9Teenage Dirtbag
tecnico di registrazione e produttore:
Philip A. Jimenez e Wheatus
tecnico di missaggio:
David Thoener
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2000)
registrazione di:
Teenage Dirtbag
paroliere e compositore:
Brendan B. Brown (Wheatus singer/guitarist)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Blackwood Music Inc. (nel 2000) e Montauk Mantis Productions (nel 2000)
Wheatus2.54:02
10Are You Gonna Go My Way
assistente tecnico:
Greg DiGesu
tecnico e tecnico di missaggio:
Henry Hirsch
tecnico aggiunto:
David Domanich
produttore:
Lenny Kravitz
basso :
Lenny Kravitz (nel 1998-01) e Tony Breit (nel 1998-12)
batteria , batteria [junkanoo] e voce di accompagnamento e voce principale:
Lenny Kravitz (nel 1998-12)
chitarra acustica e chitarra elettrica :
Craig Ross (guitarist) (nel 1998-12)
sintetizzatore [arp string ensemble] :
Henry Hirsch (nel 1998-12)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1993) e Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 1993)
registrazione di:
Are You Gonna Go My Way (nel 1998-12)
paroliere:
Lenny Kravitz
compositore:
Henry Hirsch, Lenny Kravitz e Craig Ross (guitarist)
editore:
BMG Gold Songs, EMI Music Publishing Scandinavia AB, Miss Bessie Music, Shukat Arrow Hafer Weber & Herbsman, LLP, Warner/Chappell Music Scandinavia AB, Wigged Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Lenny Kravitz3.93:32
11Juke Box Hero
registrazione di:
Juke Box Hero
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner4:04
12Slow Ride
diritti fonografici (℗) detenuti da:
Bearsville Records Inc. (nel 1975) e Rhino Records, Inc. (company credits only; not for release label use!) (nel 1976)
edit di:
Slow Ride di Foghat
registrazione di:
Slow Ride
paroliere e compositore:
Dave Peverett
editore:
Kohaw Music Inc. e WC Music Corp.
Foghat4.53:58
13Carry On Wayward Son
produttore:
Jeff Glixman
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrazione di:
Carry On Wayward Son
paroliere e compositore:
Kerry Livgren
editore:
Kirshner CBS Music Publishing, Kirshner-Warner Bros Music Ltd., Don Kirshner Music Inc. (dal 1976 a oggi) e EMI Blackwood Music Inc. (dal 1976 a oggi)
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Kansas43:27
14Bring Me to Life
programmazione:
Ben Moody (American guitarist and producer)
programmazione aggiuntiva:
Zac Baird, David Hodges (American record producer & songwriter) e Chris Johnson (programming/production for Ivy Lane Music)
assistente tecnico:
Sergio Chavez, Jason Cupp, Ai Fujisaki, Dean Nelson e Sam Storey
tecnico:
Jeremy Parker (engineer)
tecnico aggiunto:
Ben Moody (American guitarist and producer)
produttore:
Dave Fortman
tecnico di missaggio:
Jay Baumgardner
batteria :
Josh Freese (American drummer)
chitarra basso :
Francesco DiCosmo
chitarra e percussione :
Ben Moody (American guitarist and producer)
tastiera e pianoforte :
David Hodges (American record producer & songwriter)
voce ospite:
Paul McCoy
voce principale:
Amy Lee (singer and keyboardist of Evanescence)
diritti fonografici (℗) detenuti da:
The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (nel 2003)
video musicali:
Bring Me to Life di Evanescence
parte di:
VH1’s Big Song of 2003 (numero: 22), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 43) e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 83)
registrazione di:
Bring Me to Life
autore:
David Hodges (American record producer & songwriter), Amy Lee (singer and keyboardist of Evanescence) e Ben Moody (American guitarist and producer)
editore:
Forthefallen Publishing, Reservoir One America, Roba Music Verlag GmbH e Zombies Ate My Publishing
Evanescence4.43:57
15Stranglehold
registrazione di:
Stranglehold
paroliere e compositore:
Ted Nugent
autore aggiunto:
Rob Grange
editore:
Magicland Music
versione parodia di:
Strangest Folks
Ted Nugent4.258:24
16Roundabout
registrazione di:
Roundabout
autore:
Jon Anderson (Yes/Jon & Vangelis) e Steve Howe
editore:
Cotillion Music Inc. (BMI), Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. (holding: file NO releases), Warner Chappell Music, Inc., Yessongs Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Yes8:31
17For What It’s Worth
produttore:
Charles Greene (producer) e Brian Stone (producer)
voce:
Stephen Stills
voce di accompagnamento:
Richie Furay e Dewey Martin
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1969)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 63)
registrazione di:
For What It’s Worth (il 1966-12-05)
paroliere e compositore:
Stephen Stills
editore:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East e Ten‐East Music (BMI)
Buffalo Springfield4.252:36
5CD
#TitoloArtistaValutazioneDurata
1Can’t Fight This Feeling
registrazione di:
Can’t Fight This Feeling
paroliere e compositore:
Kevin Cronin
editore:
Bucks Music Group Ltd. (Bucks Music Group), Fate Music, The International Music Network Ltd e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-editore:
大洋音楽 (Taiyō Music)
REO Speedwagon4:47
2The House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.254:29
3The Passenger
tecnico:
Eduard Meyer e Colin Thurston
produttore:
Bewlay Bros.
campanaccio, batteria, shaker e tamburello :
Hunt Sales (dal 1977-06-04 al 1977-06-18)
chitarra :
Carlos Alomar (dal 1977-06-04 al 1977-06-18) e Ricky Gardiner (dal 1977-06-04 al 1977-06-18)
chitarra basso :
Tony Sales (dal 1977-06-04 al 1977-06-18)
pianoforte :
David Bowie (English singer‐songwriter) (dal 1977-06-04 al 1977-06-18)
voce di accompagnamento:
David Bowie (English singer‐songwriter) (dal 1977-06-04 al 1977-06-18), Hunt Sales (dal 1977-06-04 al 1977-06-18) e Tony Sales (dal 1977-06-04 al 1977-06-18)
voce principale:
Iggy Pop (dal 1977-06-04 al 1977-06-18)
diritti fonografici (℗) detenuti da:
Thousand Mile, Inc. (nel 1977) e Virgin America (Virgin sublabel for EUROPEAN releases of artists signed by Virgin Records America, Inc.) (nel 1990)
registrata presso:
Hansa Studio III in Berlin, Germania (dal 1977-06-04 al 1977-06-18)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 179)
registrazione di:
The Passenger (dal 1977-06-04 al 1977-06-18)
paroliere:
Iggy Pop
compositore:
Ricky Gardiner
editore:
Ricky Gardiner Songs e Virgin Music (Publishers) Ltd.
Iggy Pop4.64:40
4Mississippi Queen
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1974)
registrazione di:
Mississippi Queen
autore:
Corky Laing, Felix Pappalardi, David Rea e Leslie West
editore:
Universal Music Publishing MGB Ltd. e Upfall Music Corp.
Mountain3.82:31
5Rocks
tecnico:
David Bianco (American engineer and record producer) e Jeff Powell (engineer)
tecnico aggiunto:
David Bianco (American engineer and record producer) e Jeffrey Reed
co-produttore:
David Bianco (American engineer and record producer)
produttore:
Tom Dowd
produttore aggiunto:
George Drakoulias
remixer:
George Drakoulias
diritti fonografici (℗) detenuti da:
Creation Records Ltd. (nel 1994) e Sire Records Company (not for release label use!) (nel 1994)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti e Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Rocks
autore:
Bobby Gillespie, Andrew Innes e Robert Young (British guitarist, of Primal Scream)
editore:
Complete Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream3.63:34
6Cherry Bomb
arrangiatore:
Scott Anderson (The Runaways co -writer, -ordinator, -arranger), Kim Fowley e The Runaways (US 1970s all girl rock group)
diritti fonografici (℗) detenuti da:
Phonogram, Inc. (nel 1976)
registrata presso:
Criterion Studios in Los Angeles, California, Stati Uniti
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 52)
registrazione di:
Cherry Bomb
paroliere:
Kim Fowley
compositore:
Joan Jett
editore:
Jett Pack Music, Inc. e Peermusic Ltd. (BMI)
The Runaways4.152:19
7My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.14:00
8Addicted to Love
produttore:
Bernard Edwards (American bassist and record producer)
tecnico di missaggio:
Eric Thorngren
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US) (nel 1985)
registrazione di:
Addicted to Love
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) e WC Music Corp.
Robert Palmer4.53:57
9Baby, I Love You
registrazione di:
Baby, I Love You
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company e Universal–Songs of PolyGram International, Inc.
Ramones3:46
10Love Is the Drug
produttore:
Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1975), Virgin EG Records Ltd. (nel 1975) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1975, nel 1999)
registrazione di:
Love Is the Drug
paroliere:
Bryan Ferry
compositore:
Andy Mackay (of Roxy Music)
editore:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs e E.G. Music Ltd. (publisher) (nel 1975)
Roxy Music4.24:07
11Tom Sawyer
assistente tecnico:
Robbie Whelan
tecnico:
Paul Northfield
produttore:
Terry Brown (producer) e Rush (Canadian rock trio)
batteria e percussione :
Neil Peart (dal 1980-10 al 1980-11)
chitarra :
Alex Lifeson (dal 1980-10 al 1980-11)
chitarra basso , minimoog , sintetizzatore e voce principale:
Geddy Lee (dal 1980-10 al 1980-11)
arrangiatore:
Terry Brown (producer) e Rush (Canadian rock trio)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2022)
registrata presso e mixata presso:
Le Studio in Morin‐Heights, Québec, Canada (dal 1980-10 al 1980-11)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 19) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 91)
registrazione di:
Tom Sawyer (dal 1980-10 al 1980-11)
paroliere:
Pye Dubois e Neil Peart
compositore:
Geddy Lee e Alex Lifeson
editore:
Ole Core Music Publishing
Rush4.554:33
12No More Heroes
tecnico:
Alan Winstanley (English record producer)
produttore:
Martin Rushent
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1977-07)
registrazione di:
No More Heroes (nel 1977-07)
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music Ltd.
The Stranglers4.653:28
13Funk #49
basso :
Dale Peters (nel 1969-11)
batteria :
Jim Fox (American percussionist) (nel 1969-11)
chitarra :
Joe Walsh (Eagles/James Gang) (nel 1969-11)
registrazione di:
Funk #49 (nel 1969-11)
autore:
Jim Fox (American percussionist), Dale Peters e Joe Walsh (Eagles/James Gang)
editore:
Songs of Universal, Inc. (BMI)
James Gang43:55
14Piece of My HeartJanis Joplin4:27
15Somebody to Love
tecnico di registrazione:
David Hassinger (il 1966-11-03)
produttore:
Rick Jarrard (dal 1966-10-31 al 1966-11-22)
basso :
Jack Casady (dal 1966-10-31 al 1966-11-22)
batteria :
Spencer Dryden (dal 1966-10-31 al 1966-11-22)
chitarra [lead guitar] :
Jorma Kaukonen (American blues, folk, and rock guitarist) (dal 1966-10-31 al 1966-11-22)
chitarra [rhythm guitar] :
Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce:
Marty Balin (dal 1966-10-31 al 1966-11-22) e Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce principale:
Grace Slick (dal 1966-10-31 al 1966-11-22)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967) e RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1967)
registrata presso:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-10-31 al 1966-11-22)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 274)
registrazione di:
Somebody to Love (Jefferson Airplane song) (dal 1966-10-31 al 1966-11-22)
paroliere e compositore:
Darby Slick
editore:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.62:59
16Caroline
tecnico:
Damon Lyon-Shaw e Richard Manwaring (Producer)
produttore:
Roger Glover e Status Quo (UK boogie rock band)
arrangiatore:
Status Quo (UK boogie rock band)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (UK) (nel 1973), Phonogram Ltd. (not for release label use!) (nel 1973) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1973)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito
registrazione di:
Caroline
autore:
Robert Keith Young (UK musician & author, Young & Moody; Status Quo) e Francis Rossi
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Valley Music Ltd (publisher)
Status Quo4.353:45
17Pride and Joy
assistente tecnico di registrazione:
James Geddes
tecnico di registrazione:
Richard Mullen
assistente produttore:
Mikie Harris
produttore:
Double Trouble (assoc. with Stevie Ray Vaughan), Richard Mullen e Stevie Ray Vaughan
produttore esecutivo:
John Hammond (producer)
assistente tecnico di missaggio:
Harry Spiridakis e Don Wershba (engineer)
tecnico di missaggio:
Lincoln Clapp (engineer)
batteria :
Chris Layton
chitarra :
Stevie Ray Vaughan
chitarra basso :
Tommy Shannon
voce:
Stevie Ray Vaughan
registrata presso:
Down Town Studio in Los Angeles, California, Stati Uniti e Riverside Sound in Austin, Texas, Stati Uniti
mixata presso:
Mediasound Studios in New York, New York, Stati Uniti
registrazione di:
Pride and Joy
paroliere e compositore:
Stevie Ray Vaughan
editore:
Wixen Music UK Ltd.
Stevie Ray Vaughan and Double Trouble4.453:39
6CD
#TitoloArtistaValutazioneDurata
1How You Remind Me
produttore:
Chad Kroeger, Mike Kroeger, Rick Parashar, Ryan Peake e Ryan "Nik" Vikedal
tecnico di missaggio:
Randy Staub
basso :
Mike Kroeger
batteria [drums] :
Ryan "Nik" Vikedal
chitarra [guitars] :
Chad Kroeger e Ryan Peake
voce:
Ryan Peake
voce principale:
Chad Kroeger
diritti fonografici (℗) detenuti da:
The All Blacks B.V. (company, for copyrights purposes) (nel 2001)
video musicali:
How You Remind Me di Nickelback
parte di:
Billboard Year-End Hot 100 2002 (numero: 1) e BILLIONS CLUB
registrazione di:
How You Remind Me
paroliere:
Chad Kroeger
compositore:
Chad Kroeger, Mike Kroeger, Ryan Peake e Ryan Vikedal
editore:
Arm Your Dillo Publishing Inc., M. Kroeger Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Zero-G Music Inc.
Nickelback3.653:43
2Fool for Your Loving
tecnico, produttore e tecnico di missaggio:
Mike Clink e Keith Olsen (US producer and engineer)
batteria :
Tommy Aldridge
chitarra :
Steve Vai
chitarra basso :
Rudy Sarzo
tastiera :
Alan Pasqua
voce di accompagnamento:
Tommy Funderburk e Glenn Hughes (UK rock bassist and vocalist)
voce principale:
David Coverdale
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
video musicali:
Fool for Your Loving (1988 version) di Whitesnake
registrazione di:
Fool for Your Loving
autore:
David Coverdale, Bernie Marsden e Micky Moody
editore:
Colgems-EMI Music Inc., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Seabreeze Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Windswept Pacific Music Ltd., 渡辺音楽出版株式会社 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), WB Music Corp. (1929–2019) (fino al 2019-05-28), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), WC Music Corp. (dal 2019-05-28 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Whitesnake3.84:18
3American Storm
registrazione di:
American Storm
paroliere e compositore:
Bob Seger
editore:
Hideout Records/Distribtrs Inc (Gear Publishing Div) e Gear Publishing Co (nel 1985)
Bob Seger & the Silver Bullet Band4:02
4Hold the Line
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
registrazione di:
Hold the Line
paroliere e compositore:
David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. e Spirit Two Music
sub-editore:
Sony/ATV Music Publishing (UK) Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto3.653:32
5I Surrender
assistente tecnico:
Thomas Brekling e Clay Hutchinson (Engineer, who has worked at Kingdom Sound, New York)
produttore:
Roger Glover
batteria :
Bob Rondinelli (nel 1980-11)
chitarra :
Ritchie Blackmore (nel 1980-11)
chitarra basso :
Roger Glover (nel 1980-11)
tastiera :
Don Airey (nel 1980-11)
voce principale:
Joe Lynn Turner (US rock vocalist) (nel 1980-11)
registrata presso:
Sweet Silence Studio (at Strandlodsvej, 1976–1999) in Copenhagen, Capital Region of Denmark, Danimarca (nel 1980-11)
registrazione cover di:
I Surrender (nel 1980-11)
paroliere e compositore:
Russ Ballard
editore:
April Music Publishing Inc., Complete Music Ltd., Island Music Ltd., Russell Ballard Ltd, フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Rainbow3:25
6Rebel Yell
tecnico:
Michael Frondelli
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Dave Wittman
basso, chitarra e tastiera :
Steve Stevens (US guitarist and songwriter) (nel 1983)
batteria :
Thommy Price (nel 1983)
chitarra basso :
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (nel 1983)
tastiera :
Judi Dozier (nel 1983)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1983)
arrangiatore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983), Chrysalis Records, Inc. (not for release label use!) (nel 1983, nel 1999) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1986)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (nel 1983)
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Rebel Yell di Billy Idol (English rock singer‐songwriter)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 79)
registrazione di:
Rebel Yell (nel 1983)
paroliere e compositore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
editore:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) e WC Music Corp.
Billy Idol4.554:47
7Free Ride
registrazione di:
Free Ride
paroliere e compositore:
Dan Hartman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e Silver Steed Music
The Edgar Winter Group4.653:08
8The Joker
assistente tecnico e assistente tecnico di missaggio:
Gene Hicks
tecnico e tecnico di missaggio:
Jay Ranellucci
produttore:
Steve Miller (leader of Steve Miller Band)
diritti fonografici (℗) detenuti da:
Sailor Music (nel 1973)
registrazione di:
The Joker
autore:
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) e Steve Miller (leader of Steve Miller Band)
editore:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.153:37
9Something in the Air
produttore:
Pete Townshend (of The Who)
registrazione di:
Something in the Air (nel 1969)
paroliere e compositore:
John Keen (“Speedy”)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) e Songs of Windswept Pacific
Thunderclap Newman43:56
10God Gave Rock and Roll to You
registrazione di:
God Gave Rock and Roll to You
paroliere e compositore:
Russ Ballard
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mainspring Music e Verulam Music Co., Ltd.
Argent3:22
11I’m Waiting for the Man
tecnico di registrazione:
Omi Haden
produttore:
Andy Warhol (American artist)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 159)
registrazione di:
I’m Waiting for the Man
paroliere e compositore:
Lou Reed
editore:
Screen Gems e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Velvet Underground & Nico3.654:39
12Cum On Feel the Noize
produttore:
Bryan “Chas” Chandler
parte di:
Q50 – December 2005 (numero: 34)
registrazione di:
Cum On Feel the Noize
autore:
Noddy Holder e Jim Lea
editore:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell e Warner Chappell Music (publisher as Warner/Chappell Music)
sub-editore:
渡辺音楽出版株式会社 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Slade4.154:26
1320th Century Boy
esecutore:
Marc Bolan
diritti fonografici (℗) detenuti da:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 1973)
registrazione di:
20th Century Boy (nel 1972-12)
paroliere e compositore:
Marc Bolan
editore:
Fintage Publishing, Spirit Catalogue Holdings e Wizard (Bahamas) Ltd.
sub-editore:
Shinko Music Entertainment Co., Ltd. (conclusa) e フジパシフィックミュージック (Fujipacific Music, Inc.)
T. Rex4.83:39
14Crazy Crazy Nights
produttore:
Ron Nevison
tecnico di missaggio:
Ron Nevison (dal 1987-06 al 1987-07)
voce principale:
Paul Stanley (KISS frontman)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1987)
mixata presso:
Can‐Am Recorders in Tarzana, Los Angeles, California, Stati Uniti (dal 1987-06 al 1987-07)
registrazione di:
Crazy Crazy Nights
autore:
Adam Mitchell (Scottish-Canadian songwriter) e Paul Stanley (KISS frontman)
editore:
Downtown DMP Songs, Hori Productions America Inc., Piccadilly Music Corporation e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e 大洋音楽 (Taiyō Music)
KISS4.153:45
15Don’t Bring Me Down
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Jeff Lynne
batteria e percussione :
Bev Bevan (English rock drummer) (dal 1979-03 al 1979-04)
chitarra basso :
Kelly Groucutt (dal 1979-03 al 1979-04)
chitarra elettrica e voce principale:
Jeff Lynne (dal 1979-03 al 1979-04)
clarinetto e pianoforte elettrico :
Richard Tandy (keyboardist for Electric Light Orchestra) (dal 1979-03 al 1979-04)
pianoforte e sintetizzatore :
Jeff Lynne (dal 1979-03 al 1979-04) e Richard Tandy (keyboardist for Electric Light Orchestra) (dal 1979-03 al 1979-04)
cori:
Kelly Groucutt (dal 1979-03 al 1979-04) e Jeff Lynne (dal 1979-03 al 1979-04)
direttore d'orchestra:
Louis Clark (dal 1979-03 al 1979-04)
arrangiatore archi e arrangiatore cori:
Louis Clark, Jeff Lynne e Richard Tandy (keyboardist for Electric Light Orchestra)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1979), Jet Inc. (nel 1979), Jet Records (nel 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2005)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (dal 1979-03 al 1979-04)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 215)
registrazione di:
Don’t Bring Me Down (dal 1979-03 al 1979-04)
paroliere e compositore:
Jeff Lynne
editore:
April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Inc., Jet Music Ltd. (British branch) e Polygon Publishing Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Electric Light Orchestra4.454:03
16New Year’s Day
registrazione di:
New Year’s Day
paroliere:
Bono (singer of U2)
compositore:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. e The Edge (U2 guitarist David Evans)
editore:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc. e Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group)
U25:34
17Won’t Get Fooled Again
tecnico di registrazione:
Glyn Johns e Pete Townshend (of The Who) (sintetizzatore)
produttore:
The Who
produttore associato:
Glyn Johns
tecnico di missaggio:
Glyn Johns (il 1971-05-28)
batteria e percussione :
Keith Moon (drummer) (nel 1971-04)
chitarra acustica e chitarra elettrica , organo e sintetizzatore :
Pete Townshend (of The Who) (nel 1971-04)
chitarra basso :
John Entwistle (nel 1971-04)
voce:
Pete Townshend (of The Who) e John Entwistle (nel 1971-04)
voce principale:
Roger Daltrey (nel 1971-04)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1971)
registrata in aggiunta presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (nel 1971-04)
registrata presso:
Rolling Stones Mobile Studio in Regno Unito (nel 1971-04)
mixata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (il 1971-05-28)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 133) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 295)
registrazione di:
Won’t Get Fooled Again (nel 1971-04)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) e Towser Tunes, Inc.
The Who4.658:35

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parte di:Now 100 Hits ("Now That's What I Call Music!" series spin-off, UK) (ordine: 5)