80’s Pop Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Never Ending Story
produttore:
Giorgio Moroder
voce di accompagnamento:
Beth Andersen (US pop vocalist)
voce principale:
Limahl
esecutore:
Limahl
diritti fonografici (℗) detenuti da:
Neue Constantin Film Productions GmbH
registrazione di:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
paroliere:
Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Limahl3.353:30
2Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), BILLIONS CLUB e The Downloader’s Music Source Book (numero: 284)
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.53:45
3Hungry Like the Wolf
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (dal 1982 a oggi) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2009)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 3) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 196)
registrazione di:
Hungry Like the Wolf
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd. e Tritec Music Ltd. (publisher and copyrights holder)
Duran Duran4.153:41
4Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek (nel 1983)
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
5Dear Miss Lonely Hearts
registrazione di:
Dear Miss Lonely Hearts
autore:
Jimmy Bain e Phil Lynott
editore:
Chappell Music (UK)
Phil Lynott4:11
6St. Elmo’s Fire (Man in Motion)
produttore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore ottoni [horns] :
David Foster (Canadian music producer, arranger and composer) e Jerry Hey
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1985) e John Parr Music Ltd. (nel 2016)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 28) e TV Cream: Real 100 Best Singles Ever (numero: 85)
registrazione di:
St. Elmo’s Fire
autore:
David Foster (Canadian music producer, arranger and composer) e John Parr
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:12
7Please Don’t Go
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1979)
registrazione di:
Please Don’t Go
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs e EMI Songs Ltd.
KC and the Sunshine Band43:50
8Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
batteria :
Alan White (Yes drummer) (nel 1983)
chitarra :
Trevor Rabin (South African musician and score composer) (nel 1983)
chitarra basso :
Chris Squire (Yes bassist) (nel 1983)
tastiera :
Tony Kaye (nel 1983)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (nel 1983)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983, nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 2003)
registrata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1983)
registrazione di:
Owner of a Lonely Heart (nel 1983)
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes3.954:27
9Beast of Burden
voce principale:
Bette Midler
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrazione cover di:
Beast of Burden
autore:
Mick Jagger e Keith Richards (Rolling Stones guitarist)
editore:
Colgems-EMI Music Co. (publisher)
Bette Midler43:48
10Twist in My Sobriety
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1988)
registrazione di:
Twist in My Sobriety (nel 1988)
paroliere e compositore:
Tanita Tikaram
editore:
Brogue Music, Warner Basart (publisher) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tanita Tikaram4.74:51
11In Private
produttore:
Julian Mendelsohn (Australian record producer and engineer) e Pet Shop Boys
registrazione di:
In Private
autore:
Chris Lowe (1/2 of Pet Shop Boys) e Neil Tennant
Dusty Springfield44:22
12Ain’t Nobody
registrazione di:
Ain’t Nobody
paroliere e compositore:
David Wolinski
editore:
Overdue Music
Chaka Khan4:05
13Set Me Free
video musicali:
Set Me Free di Jaki Graham
registrazione di:
Set Me Free
paroliere e compositore:
Derek Bramble
Jaki Graham33:36
14All American GirlsSister Sledge4:44
15Jump to the Beat
registrazione di:
Jump to the Beat
editore:
Walden Music, Inc.
Stacy Lattisaw3:22
16I Want to Know What Love Is
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott "Abada" Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner45:05
17White Feathers (Manhattan Clique remix edit)Kajagoogoo3:51
18Each Time You Break My Heart
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1986)
registrazione di:
Each Time You Break My Heart
autore:
Stephen Bray e Madonna Louise Veronica Ciccone (“Queen of Pop”)
editore:
Warner Bros. (holding: file NO releases)
Nick Kamen34:34
19Give Me the Night
tecnico di registrazione e tecnico di missaggio:
Bruce Swedien
assistente tecnico:
Sheridan Eldridge, Ralph Osborne (engineer) e Mark Sackett
produttore:
Quincy Jones
batteria :
John “JR” Robinson (session drummer)
chitarra :
George Benson (jazz guitarist/singer) e Lee Ritenour
chitarra basso :
Abraham Laboriel
flauto e sassofono :
Kim Hutchcroft e Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
percussione :
Paulinho da Costa (Brazilian percussionist)
pianoforte :
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
sintetizzatore :
Michael Boddicker
sintetizzatore basso :
Richard Tee
voce di accompagnamento:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray e Jocelyn Allen
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1980)
è stato produttore per:
Quincy Jones Productions, Inc.
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti e Kendun Recorders in Burbank, California, Stati Uniti
mixata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Give Me the Night
paroliere e compositore:
Rod Temperton
editore:
Rodsongs (publisher), Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson3.55:01
20You Might Need Somebody
tecnico di registrazione e tecnico di missaggio:
Al Schmitt
produttore:
Tommy LiPuma
basso :
Abraham Laboriel
batteria :
Jeff Porcaro
chitarra :
Steve Lukather e Dean Parks (American session guitarist)
corno :
Chuck Findley (trumpet, trombone, horn player), Gary Herbig, Jim Horn (saxophonist, hornist, flutist and oboist), Bill Reichenbach, Jr. (jazz trombonist) e Larry Williams (trumpet, flugelhorn, French horn)
percussione :
Lenny Castro
tastiera :
Leon Pendarvis
voce di accompagnamento:
Marti McCall (session vocalist), Petsye Powell, Alphanette Silas e Phyllis St. James
arrangiatore archi :
Nick de Caro
arrangiatore corno :
Bill Reichenbach, Jr. (jazz trombonist)
registrazione cover di:
You Might Need Somebody
compositore:
Nan O’Byrne (American songwriter and composer) e Tom Snow (US keyboardist/songwriter)
Randy Crawford4:15
21It Started With a Kiss
produttore:
Mickie Most (English record producer)
voce principale:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (nel 1982)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2011)
video musicali:
It Started With a Kiss di Hot Chocolate (70s and 80s British soul band)
registrazione di:
It Started With a Kiss (nel 1982)
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. e Universal Music Publishing MGB Australia
Hot Chocolate34:02
22Imagination
registrazione di:
Imagination
paroliere e compositore:
Neville Keighley
Belouis Some33:35
23Love Shack
assistente tecnico:
Martin Kunitz
tecnico:
Dave Cook (US engineer and producer)
produttore:
Don Was
tecnico di missaggio:
Tom Durack
batteria ospite :
Charley Drayton
chitarra :
Keith Strickland
chitarra basso ospite :
Sara Lee (UK bassist, singer & songwriter)
corno ospite :
Uptown Horns (US horn section, formed in 1980)
tastiera :
Kate Pierson
voce:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) e Cindy Wilson
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1989)
registrata presso:
Dreamland Studios in Hurley, New York, Stati Uniti
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
prodotta in aggiunta presso:
Bearsville Studios in Bearsville, New York, Stati Uniti
video musicali:
Love Shack di The B‐52’s
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 243)
registrazione di:
Love Shack
autore:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland e Cindy Wilson
editore:
Man-Woman Together, Now!
The B‐52’s4.35:21
2418 and Life
tecnico di registrazione, produttore e tecnico di missaggio:
Michael Wagener
tecnico aggiunto:
Dave Kent (engineer)
batteria :
Rob Affuso
chitarra :
Scotti Hill e Dave “The Snake” Sabo
chitarra basso :
Rachel Bolan
voce di accompagnamento:
Rachel Bolan, Scotti Hill e Dave “The Snake” Sabo
voce principale:
Sebastian Bach (Canadian metal singer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1989)
registrata presso:
Royal Recorders in Lake Geneva, Wisconsin, Stati Uniti (nel 1988)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 60)
registrazione di:
18 and Life
autore:
Rachel Bolan e Dave “The Snake” Sabo
Skid Row4.053:50
25Only One Woman
Alien4:11

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:X5 Music Group (nel 2018)
streaming gratuito:https://open.spotify.com/album/5hryLzvAwb5BqxBppAfvj0 [info]
https://www.deezer.com/album/74203482 [info]