’Round Midnight: Legendary Late Night Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1’Round Midnight
double bass:
Paul Chambers (US jazz bassist) (on 1956-10-26)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-10-26)
instrumental cover recording of:
’Round Midnight (on 1956-10-26)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
cover recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Miles Davis5:24
2Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:55
3What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong's Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3.92:20
4That Ole Devil Called Love
alto saxophone:
Jack Cressey (on 1944-11-08) and Hymie Shertzer (on 1944-11-08)
double bass:
Haig Stephens (on 1944-11-08)
drums (drum set):
George Wettling (on 1944-11-08)
guitar:
Carl Kress (on 1944-11-08)
piano:
Dave Bowman (jazz pianist) (on 1944-11-08)
tenor saxophone:
Larry Binyon (on 1944-11-08) and Dave Harris (tenor saxo) (on 1944-11-08)
trumpet:
Russ Case (US trumpeter & bandleader) (on 1944-11-08)
vocals:
Billie Holiday (on 1944-11-08)
recording of:
That Ole Devil Called Love (on 1944-11-08)
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday42:55
5Love for Sale
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-09)
instrumental recording of:
Love for Sale (on 1958-03-09)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Cannonball Adderley57:04
6I Wish I Knew How It Would Feel to Be Free
Billy Taylor Trio3:42
7Black Coffee
double bass:
Max Wayne (on 1953-05-04)
drums (drum set):
Ed Shaughnessy (on 1953-05-04)
piano:
Jimmy Rowles (on 1953-05-04)
trumpet:
Pete Candoli (on 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-04)
cover recording of:
Black Coffee (1948 song) (on 1953-05-04)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Peggy Lee3:08
8April in Paris
producer:
Norman Granz
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1955-07-26) and Marshall Royal (on 1955-07-26)
alto saxophone, clarinet, flute and tenor saxophone:
Frank Wess (on 1955-07-26)
baritone saxophone and bass clarinet:
Charlie Fowlkes (on 1955-07-26)
clarinet and tenor saxophone:
Frank Foster (saxophonist) (on 1955-07-26)
double bass:
Eddie Jones (US jazz double bassist) (on 1955-07-26)
drums (drum set):
Sonny Payne (on 1955-07-26)
guitar:
Freddie Green (on 1955-07-26)
piano:
Count Basie (pianist) (on 1955-07-26)
trombone:
Henry Coker (on 1955-07-26), Bill Hughes (trombone) (on 1955-07-26) and Benny Powell (on 1955-07-26)
trumpet:
Wendell Culley (on 1955-07-26), Reunald Jones (on 1955-07-26), Thad Jones (on 1955-07-26) and Joe Newman (US jazz trumpeter) (on 1955-07-26)
arranger:
Wild Bill Davis
instrumental cover recording of:
April in Paris (on 1955-07-26)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Count Basie & His Orchestra3:49
9Waltz for Debby
Bill Evans1:35
10Stella by Starlight
recording engineer:
Dennis Sands (American sound engineer) (on 1973-08-28)
producer:
Norman Granz (on 1973-08-28)
guitar:
Joe Pass (jazz guitarist) (on 1973-08-28)
recorded at:
MGM Recording Studios (Los Angeles) in Los Angeles, California, United States (on 1973-08-28)
instrumental cover recording of:
Stella by Starlight (on 1973-08-28)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
Joe Pass5:10
11Ruby, My Dear
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
Coleman Hawkins (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Ruby, My Dear (on 1957-06-26)
composer:
Thelonious Monk (in 1948)
publisher:
Embassy Music Corporation
Thelonious Monk5:26
12Mood Indigo
recording engineer:
Rudy van Gelder (on 1962-08-18)
engineer:
Rudy van Gelder
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Johnny Hodges (on 1962-08-18)
baritone saxophone and bass clarinet:
Harry Carney (on 1962-08-18)
bass and double bass:
Aaron Bell (jazz double bassist) (on 1962-08-18)
cornet and violin:
Ray Nance (on 1962-08-18)
drums (drum set) and membranophone:
Sam Woodyard (on 1962-08-18)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-08-18)
tenor saxophone:
Coleman Hawkins (on 1962-08-18)
trombone:
Lawrence Brown (jazz trombonist) (on 1962-08-18)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-08-18)
instrumental cover recording of:
Mood Indigo (1930 jazz composition and song) (on 1962-08-18)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
Mood Indigo (1930 jazz composition and song) (on 1962-08-18)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington & Coleman Hawkins5:57
13Maiden Voyage
recording engineer:
Rudy van Gelder (on 1965-03-17)
producer:
Alfred Lion and Michael Cuscuna (in 1999: task: Reissue produced by)
bass:
Ron Carter (US jazz double-bassist) (on 1965-03-17)
drums (drum set):
Tony Williams (American jazz drummer) (on 1965-03-17)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-03-17)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1965-03-17)
trumpet:
Freddie Hubbard (on 1965-03-17)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-03-17)
recording of:
Maiden Voyage (on 1965-03-17)
composer:
Herbert J. Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Co.
Herbie Hancock7:57
14Night Train
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1963)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (from 1962-12-15 until 1962-12-16)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
The Oscar Peterson Trio4:51
15One Note Samba (Samba de uma nota so)
recording engineer:
Rudy van Gelder (on 1962-09-12)
producer:
Bob Thiele (producer & songwriter)
bass:
Major Holley (on 1962-09-12)
percussion:
Eddie Locke (on 1962-09-12) and Willie Rodriguez (Latin jazz drummer and percussionist) (on 1962-09-12)
tenor saxophone:
Coleman Hawkins (on 1962-09-12)
arranger:
Manny Albam
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-09-12)
instrumental recording of:
Samba de uma nota só (on 1962-09-12)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated) and 大洋音楽 (Taiyō Music)
Coleman Hawkins5:58
16Summertime
recorded in:
New York, New York, United States (on 1949-11-30)
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1949-11-30)
cello:
Frank Miller (US cellist) (on 1949-11-30)
cor anglais and oboe:
Mitch Miller (on 1949-11-30)
double bass:
Ray Brown (jazz bassist) (on 1949-11-30)
drums (drum set):
Buddy Rich (on 1949-11-30)
harp:
Meyer Rosen (Musician - Harp Player) (on 1949-11-30) and Myor Rosen (on 1949-11-30)
piano:
Stan Freeman (on 1949-11-30)
viola:
Frank Brieff (on 1949-11-30)
violin:
Bronislaw Gimpel (violinist) (on 1949-11-30), Max Hollander (on 1949-11-30) and Milton Lomask (on 1949-11-30)
orchestra:
Jimmy Carroll & His Orchestra (on 1949-11-30) and Charlie Parker Quartet (on 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1949-11-30)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Charlie Parker2:48
17Someone to Watch Over Me
vocals:
Sarah Vaughan
cover recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
Sarah Vaughan4:00
18What’s New
recording engineer:
Rudy van Gelder (on 1962-09-18)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Jimmy Garrison (on 1962-09-18)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-09-18)
piano:
McCoy Tyner (jazz pianist) (on 1962-09-18)
tenor saxophone:
John Coltrane (on 1962-09-18)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1995)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-09-18)
instrumental cover recording of:
What’s New? (on 1962-09-18)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
John Coltrane Quartet33:47
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