The Best of Jukebox Rock: 1967 Volume 1 (CD 28 of "The Best of Jukebox Rock")

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Bend Me, Shape Me
cover recording of:
Bend Me, Shape Me
Verfasser(in):
Scott English und Larry Weiss (American singer-songwriter)
publisher:
Ebony Musikverlag, Helios Music Company und シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
The American Breed2:14
2Never My Love
recording of:
Never My Love
Verfasser(in):
Dick Addrisi und Don Addrisi
publisher:
Universal Music (plain logo: “Universal Music”), Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell North America, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Association2:57
3The Letter
Produzent(in):
Dan Penn (songwriter, soul singer)
phonographisches Urheberrecht (℗) von:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) und Atoll Music (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 357) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 364)
recording of:
The Letter (in 1967)
Texter und Komponist(in):
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.32:02
4Then You Can Tell Me Goodbye
cover recording of:
Then You Can Tell Me Goodbye (in 1967)
Texter und Komponist(in):
John D. Loudermilk
publisher:
Acuff Rose (BMI), Loudermilk Music, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Casinos43:00
5Spooky
Classics IV & Dennis Yost2:43
6The Rain, The Park, And Other ThingsThe Cowsills2:55
7Western Union
Five Americans2:26
8Judy In Deguise
phonographisches Urheberrecht (℗) von:
Pye International (in 1968)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 96)
recording of:
Judy in Disguise (With Glasses) (in 1967)
Verfasser(in):
Andrew Bernard und John Fred (John Fred Gourrier)
publisher:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und MCS Music Ltd.
John Fred & His Playboy Band3.852:59
9Bottle Of Wine
Jimmy Gilmer2:16
10Let's Live For Today
recording of:
Let’s Live for Today
Verfasser(in):
Michael Julien (British songwriter), Mogol (Italian lyricist) und Shel Shapiro
übersetzte Version von:
Piangi con me
The Grass Roots2:51
11I Got Rhythm
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1937-07-09)
Trompete:
Valaida Snow
vocals:
Valaida Snow
recording of:
I Got Rhythm
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV und New World Music Co. (in 1930)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
The Happenings3:14
12Let It Out (Let It All Hang Out)
recording of:
Let It All Hang Out
Verfasser(in):
B.B. Cunningham Jr. (lead singer for The Hombres), John Hunter, Jerry Masters (US bassist & engineer, in The Hombres) und Gary Wayne McEwen
The Hombres42:07
13Apples, Peaches, Pumpkin Pie
Jay & the Techniques2:24
14Jimmy Mack
Martha Reeves2:58
15Soul Man
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1967-08-10)
Produzent(in):
Isaac Hayes, David Porter (US soul musician, producer & songwriter) und Jim Stewart (US producer, founder for Stax & Volt Records)
Instrumente:
Booker T. & the MG’s (in 1967) und The Mar‐Keys Horns (in 1967)
Sologesang:
Sam Moore (singer, ex "Sam and Dave") (in 1967) und David Prater (soul artist) (in 1967)
phonographisches Urheberrecht (℗) von:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 458)
recording of:
Soul Man (am 1967-08-10)
Verfasser(in):
Isaac Hayes (in 1967) und David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) und Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:38