| # | Title | Rating | Length |
|---|
| 1 | Change of the Guard- additional engineer:
- Chris Constable and Brian Rosemeyer
- assistant engineer:
- Julie Everson, Carson Lehman, Conrad Leon and Tyler Shields
- engineer:
- Tony Austin and Chris Constable
- producer:
- Kamasi Washington
- mixer:
- Benjamin Tierney
- cello:
- Artyom Manukyan and Ginger Murphy
- double bass:
- Miles Mosley
- drums (drum set):
- Tony Austin
- electric bass guitar:
- Stephen Bruner
- keyboard [keyboards]:
- Brandon Coleman
- piano:
- Cameron Graves
- tenor saxophone:
- Kamasi Washington
- trombone:
- Ryan Porter
- viola:
- Andrea Whitt
- violin:
- Paul Cartwright, Tylana Enomoto, Neel Hammond , Lucia Micarelli and Jennifer Simone
- choir vocals:
- Thalma de Freitas, Cameron Graves , Dexter Story, Maiya Sykes and Dwight Trible
- arranger:
- Kamasi Washington
- recorded at:
- Kingsize Soundlabs in Eagle Rock, Los Angeles, California, United States
- recording of:
- Change of the Guard
- composer:
- Kamasi Washington
- dedicated to:
- Austin Peralta
- publisher:
- Copyright Control
| | 12:16 |
| 2 | Askim- additional engineer:
- Chris Constable and Brian Rosemeyer
- assistant engineer:
- Julie Everson, Carson Lehman, Conrad Leon and Tyler Shields
- engineer:
- Tony Austin and Chris Constable
- producer:
- Kamasi Washington
- mixer:
- Benjamin Tierney
- cello:
- Artyom Manukyan and Ginger Murphy
- double bass:
- Miles Mosley
- drums (drum set):
- Tony Austin
- electric bass guitar:
- Stephen Bruner
- keyboard [keyboards]:
- Brandon Coleman
- piano:
- Cameron Graves
- tenor saxophone:
- Kamasi Washington
- trombone:
- Ryan Porter
- violin:
- Paul Cartwright, Tylana Enomoto, Neel Hammond , Lucia Micarelli and Jennifer Simone
- choir vocals:
- Thalma de Freitas, Cameron Graves , Dexter Story, Maiya Sykes and Dwight Trible
- arranger:
- Kamasi Washington
- recorded at:
- Kingsize Soundlabs in Eagle Rock, Los Angeles, California, United States
- recording of:
- Askim
- composer:
- Kamasi Washington
- publisher:
- Copyright Control
| | 12:35 |
| 3 | Isabelle | | 12:13 |
| 4 | Final Thought | 5 | 6:32 |
| 5 | The Next Step- additional engineer:
- Chris Constable and Brian Rosemeyer
- assistant engineer:
- Julie Everson, Carson Lehman, Conrad Leon and Tyler Shields
- engineer:
- Tony Austin and Chris Constable
- producer:
- Kamasi Washington
- mixer:
- Benjamin Tierney
- cello:
- Artyom Manukyan and Ginger Murphy
- double bass:
- Miles Mosley
- drums (drum set):
- Tony Austin
- electric bass guitar:
- Stephen Bruner
- organ:
- Brandon Coleman
- piano:
- Cameron Graves
- tenor saxophone:
- Kamasi Washington
- trombone:
- Ryan Porter
- violin:
- Paul Cartwright, Tylana Enomoto, Neel Hammond , Lucia Micarelli and Jennifer Simone
- choir vocals:
- Thalma de Freitas, Cameron Graves , Dexter Story, Maiya Sykes and Dwight Trible
- arranger:
- Kamasi Washington
- recorded at:
- Kingsize Soundlabs in Eagle Rock, Los Angeles, California, United States
- recording of:
- The Next Step
- composer:
- Kamasi Washington
- publisher:
- Copyright Control
| | 14:49 |
| 6 | The Rhythm Changes- additional engineer:
- Chris Constable and Brian Rosemeyer
- assistant engineer:
- Julie Everson, Carson Lehman, Conrad Leon and Tyler Shields
- engineer:
- Tony Austin and Chris Constable
- producer:
- Kamasi Washington
- mixer:
- Benjamin Tierney
- cello:
- Artyom Manukyan and Ginger Murphy
- double bass:
- Miles Mosley
- drums (drum set):
- Tony Austin and Ronald Bruner
- electric bass guitar:
- Stephen Bruner
- keyboard [keyboards]:
- Brandon Coleman
- piano:
- Cameron Graves
- tenor saxophone:
- Kamasi Washington
- trombone:
- Ryan Porter
- violin:
- Paul Cartwright, Tylana Enomoto, Neel Hammond , Lucia Micarelli and Jennifer Simone
- choir vocals:
- Thalma de Freitas, Cameron Graves , Dexter Story, Maiya Sykes and Dwight Trible
- arranger:
- Kamasi Washington
- recorded at:
- Kingsize Soundlabs in Eagle Rock, Los Angeles, California, United States
- recording of:
- The Rhythm Changes
- lyricist:
- Patrice Quinn and Kamasi Washington
- composer:
- Kamasi Washington
- publisher:
- Copyright Control
| | 7:45 |
| 7 | Miss Understanding- additional engineer:
- Chris Constable and Brian Rosemeyer
- assistant engineer:
- Julie Everson, Carson Lehman, Conrad Leon and Tyler Shields
- engineer:
- Tony Austin and Chris Constable
- producer:
- Kamasi Washington
- mixer:
- Benjamin Tierney
- cello:
- Artyom Manukyan and Ginger Murphy
- double bass:
- Miles Mosley
- drums (drum set):
- Ronald Bruner
- electric bass guitar:
- Stephen Bruner
- keyboard [keyboards]:
- Brandon Coleman
- piano:
- Cameron Graves
- tenor saxophone:
- Kamasi Washington
- violin:
- Paul Cartwright, Tylana Enomoto, Neel Hammond , Lucia Micarelli and Jennifer Simone
- choir vocals:
- Thalma de Freitas, Cameron Graves , Dexter Story, Maiya Sykes and Dwight Trible
- arranger:
- Kamasi Washington
- recorded at:
- Kingsize Soundlabs in Eagle Rock, Los Angeles, California, United States
- recording of:
- Miss Understanding
- composer:
- Kamasi Washington
- publisher:
- Copyright Control
| 4 | 8:46 |
| 8 | Leroy and Lanisha | 4 | 9:24 |
| 9 | Re Run | 5 | 8:20 |
| 10 | Seven Prayers | | 7:36 |
| 11 | Henrietta Our Hero- additional engineer:
- Chris Constable and Brian Rosemeyer
- assistant engineer:
- Julie Everson, Carson Lehman, Conrad Leon and Tyler Shields
- engineer:
- Tony Austin and Chris Constable
- producer:
- Kamasi Washington
- mixer:
- Benjamin Tierney
- cello:
- Artyom Manukyan and Ginger Murphy
- double bass:
- Miles Mosley
- drums (drum set):
- Ronald Bruner
- organ:
- Brandon Coleman
- piano:
- Cameron Graves
- tenor saxophone:
- Kamasi Washington
- violin:
- Paul Cartwright, Tylana Enomoto, Neel Hammond , Lucia Micarelli and Jennifer Simone
- choir vocals:
- Thalma de Freitas, Cameron Graves , Dexter Story, Maiya Sykes and Dwight Trible
- arranger:
- Kamasi Washington
- recorded at:
- Kingsize Soundlabs in Eagle Rock, Los Angeles, California, United States
- recording of:
- Henrietta Our Hero
- composer:
- Kamasi Washington
- dedicated to:
- Henrietta Curtis
- publisher:
- Copyright Control
| | 7:14 |
| 12 | The Magnificent 7- additional engineer:
- Chris Constable and Brian Rosemeyer
- assistant engineer:
- Julie Everson, Carson Lehman, Conrad Leon and Tyler Shields
- engineer:
- Tony Austin and Chris Constable
- producer:
- Kamasi Washington
- mixer:
- Benjamin Tierney
- cello:
- Artyom Manukyan and Ginger Murphy
- double bass:
- Miles Mosley
- drums (drum set):
- Tony Austin and Ronald Bruner
- electric bass guitar:
- Stephen Bruner
- keyboard [keyboards] and organ:
- Brandon Coleman
- piano:
- Cameron Graves
- tenor saxophone:
- Kamasi Washington
- violin:
- Paul Cartwright, Tylana Enomoto, Neel Hammond , Lucia Micarelli and Jennifer Simone
- choir vocals:
- Thalma de Freitas, Cameron Graves , Dexter Story, Maiya Sykes and Dwight Trible
- arranger:
- Kamasi Washington
- recorded at:
- Kingsize Soundlabs in Eagle Rock, Los Angeles, California, United States
- recording of:
- The Magnificent 7
- composer:
- Kamasi Washington
- publisher:
- Copyright Control
| 5 | 12:47 |
| 13 | Re Run Home | 5 | 14:06 |
| 14 | Cherokee | | 8:14 |
| 15 | Clair de Lune- additional engineer:
- Chris Constable and Brian Rosemeyer
- assistant engineer:
- Julie Everson, Carson Lehman, Conrad Leon and Tyler Shields
- engineer:
- Tony Austin and Chris Constable
- producer:
- Kamasi Washington
- mixer:
- Benjamin Tierney
- cello:
- Artyom Manukyan and Ginger Murphy
- double bass:
- Miles Mosley
- drums (drum set):
- Tony Austin
- organ:
- Brandon Coleman
- piano:
- Cameron Graves
- tenor saxophone:
- Kamasi Washington
- violin:
- Paul Cartwright, Tylana Enomoto, Neel Hammond , Lucia Micarelli and Jennifer Simone
- choir vocals:
- Thalma de Freitas, Cameron Graves , Dexter Story, Maiya Sykes and Dwight Trible
- arranger:
- Kamasi Washington
- recorded at:
- Kingsize Soundlabs in Eagle Rock, Los Angeles, California, United States
- recording of:
- Suite bergamasque, L. 75, CD 82 : III. Clair de lune
- composer:
- Claude Debussy (from 1890 until 1905)
- part of:
- Suite bergamasque, L. 75, CD 82
| | 11:08 |
| 16 | Malcolm’s Theme | | 8:41 |
| 17 | The Message | 5 | 11:10 |