The Complete Recordings on Deutsche Grammophon 1

~ Release by Martha Argerich (see all versions of this release, 4 available)

Tracklist

1▶CD: Chopin: Scherzo no. 3 / Barcarolle, op. 60 / Brahms: Two Rhapsodies, op. 79 / Prokofiev: Toccata, op. 11 / Ravel: Jeu d'eaux / Liszt: Hungarian Rhapsody no. 6
2▶CD: Chopin: Piano Sonata no. 3 / Polonaise-Fantaisie, op. 61 / Polonaise no. 6 / Three Mazurkas, op. 68
3▶CD: Prokofiev: Piano Concerto no. 3 / Ravel: Piano Concerto in G major
4▶CD: Chopin: Piano Concerto no. 1 / Liszt: Piano Concerto no. 1 / Ravel: Piano Concerto in G major
5▶CD: Tchaikovsky: Piano Concerto no. 1 / Mendelssohn: Concerto for Violin, Piano and String Orchestra
6▶CD: Liszt: Piano Sonata in B minor / Schumann: Piano Sonata no. 2
7▶CD: Chopin: Piano Sonata no. 3 / Andante spianato et Grande Polonaise brillante / Scherzo no. 2
8▶CD: Ravel: Gaspard de la nuit / Sonatine / Valses nobles et sentimentales
9▼CD: Chopin: 24 Préludes, op. 28 / Prélude in C-sharp minor, op. 45 / Prélude in A-flat major, op. posth.
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124 Préludes, op. 28: No. 1 in C major. Agitato
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 1 in C major, op. 28: Agitato (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1838 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:32
224 Préludes, op. 28: No. 2 in A minor. Lento
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 2 in A minor, op. 28: Lento (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
quotes music from:
Dies Irae (plainchant)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:10
324 Préludes, op. 28: No. 3 in G major. Vivace
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 3 in G major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:51
424 Préludes, op. 28: No. 4 in E minor. Largo
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 4 in E minor, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:51
524 Préludes, op. 28: No. 5 in D major. Allegro molto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 5 in D major, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:30
624 Préludes, op. 28: No. 6 in B minor. Lento assai
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 6 in B minor, op. 28: Lento assai (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:46
724 Préludes, op. 28: No. 7 in A major. Andantino
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 7 in A major, op. 28: Andantino (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:44
824 Préludes, op. 28: No. 8 in F-sharp minor. Molto agitato
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 8 in F‐sharp minor, op. 28: Molto agitato (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:29
924 Préludes, op. 28: No. 9 in E major. Largo
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 9 in E major, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:30
1024 Préludes, op. 28: No. 10 in C-sharp minor. Allegro molto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 10 in C‐sharp minor, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:25
1124 Préludes, op. 28: No. 11 in B major. Vivace
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 11 in B major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:33
1224 Préludes, op. 28: No. 12 in G-sharp minor. Presto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 12 in G‐sharp minor, op. 28: Presto (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:58
1324 Préludes, op. 28: No. 13 in F-sharp major. Lento
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 13 in F‐sharp major, op. 28: Lento (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:44
1424 Préludes, op. 28: No. 14 in E-flat minor. Allegro
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 14 in E‐flat minor, op. 28: Allegro (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:29
1524 Préludes, op. 28: No. 15 in D-flat major. Sostenuto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin4:51
1624 Préludes, op. 28: No. 16 in B-flat minor. Presto con fuoco
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 16 in B‐flat minor, op. 28: Presto con fuoco (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:58
1724 Préludes, op. 28: No. 17 in A-flat major. Allegretto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 17 in A‐flat major, op. 28: Allegretto (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:50
1824 Préludes, op. 28: No. 18 in F minor. Allegro molto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 18 in F minor, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:47
1924 Préludes, op. 28: No. 19 in E-flat major. Vivace
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 19 in E‐flat major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:04
2024 Préludes, op. 28: No. 20 in C minor. Largo
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 20 in C minor, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:32
2124 Préludes, op. 28: No. 21 in B-flat major. Cantabile
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 21 in B‐flat major, op. 28: Cantabile (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:34
2224 Préludes, op. 28: No. 22 in G minor. Molto agitato
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 22 in G minor, op. 28: Molto agitato (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:34
2324 Préludes, op. 28: No. 23 in F major. Moderato
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 23 in F major, op. 28: Moderato (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:43
2424 Préludes, op. 28: No. 24 in D minor. Allegro appassionato
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 24 in D minor, op. 28: Allegro appassionato (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:18
25Prélude in C-sharp minor, op. 45: Sostenuto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
piano:
Martha Argerich (Argentine pianist) (in 1977-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1977-02)
recording of:
Prélude in C‐sharp minor, op. 45 (in 1977-02)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 45)
Frédéric Chopin4:07
26Prélude in A-flat major, op. posth.: Presto con leggierezza
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
piano:
Martha Argerich (Argentine pianist) (in 1977-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1977-02)
recording of:
Prélude in A‐flat major, op. posth.: Presto con leggierezza (in 1977-02)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1834)
Frédéric Chopin0:40
10▶CD: Stravinsky: Les Noces / Bartók: Concerto for Two Pianos, Percussion and Orchestra
11▶CD: Bartók: Sonata for Two Pianos and Percussion / Sonatina / Out of Doors / Mozart: Andante and Five Variations / Debussy: En blanc et noir
12▶CD: Schumann: Piano Concerto / Chopin: Piano Concerto no. 2
13▶CD: J. S. Bach: Toccato in C minor / Partita no. 2 / English Suite no. 2
14▶CD: Chopin: Cello Sonata, op. 65 / Introduction et Polonaise brillante / Schumann: Adagio und Allegro
15▶CD: Rachmaninov: Suite no. 2 for Two Pianos / Ravel: La Valse / Lutosławski: Variations on a Theme of Paganini
16▶CD: Rachmaninov: Piano Concerto no. 3 / Tchaikovsky: Piano Concerto no. 1
17▶CD: Rachmaninov: Symphonic Dances / Tchaikovsky: The Nutcracker (Suite)
18▶CD: Schumann: Kinderszenen / Kreisleriana
19▶CD: Schubert: Arpeggione Sonata / Schumann: Drei Fantasiestücke, op. 73 / Fünf Stücke im Volkston
20▶CD: Beethoven: Sonatas for Piano and Violin nos. 1-3
21▶CD: J. S. Bach: Three Sonatas for Cello and Piano

Credits

Release group

includes:Argerich Plays Chopin by Frédéric Chopin (composer); Martha Argerich (Argentine pianist)
Chopin: Piano Concerto no. 1 / Liszt: Piano Concerto no. 1 by Chopin (Frédéric Chopin, composer), Liszt (Hungarian composer, pianist and conductor); London Symphony Orchestra, Claudio Abbado (conductor), Martha Argerich (Argentine pianist)
Frédéric Chopin · Martha Argerich by Frédéric Chopin (composer); Martha Argerich (Argentine pianist)
Klavierkonzert Nr. 1 b-moll op. 23 by Tschaikowsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); Royal Philharmonic Orchestra, Charles Dutoit (conductor), Martha Argerich (Argentine pianist)
Liszt: Sonate h-Moll / Schumann: Sonate g-Moll by Liszt (Hungarian composer, pianist and conductor), Schumann (Robert Schumann, German classical composer); Martha Argerich (Argentine pianist)
Martha Argerich: Début Recital by Chopin (Frédéric Chopin, composer), Brahms (Johannes Brahms, German composer), Liszt (Hungarian composer, pianist and conductor), Maurice Ravel (French composer), Prokofiev (Sergei Prokofiev, Russian composer); Martha Argerich (Argentine pianist)
Prokofiev: Klavierkonzert Nr. 3 C-Dur / Ravel: Klavierkonzert G-Dur by Prokofiev (Sergei Prokofiev, Russian composer), Ravel (Maurice Ravel, French composer); Martha Argerich (Argentine pianist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Claudio Abbado (conductor)