Classic Pop

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: disc one
2▶CD: disc two
3▼CD: disc three
Nr.TitelKünstlerBewertungLänge
1Love Will Tear Us Apart
Produzent(in):
Joy Division und Martin Hannett
Bass:
Peter Hook
Gitarre:
Bernard Albrecht
Schlagzeug:
Stephen Morris (New Order)
vocals:
Bernard Albrecht und Ian Curtis
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (Nummer: 5), Q50 – December 2005 (Nummer: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 14), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 179)
recording of:
Love Will Tear Us Apart
Texter:
Ian Curtis
Komponist(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:25
2Your Wildest Dreams
recording engineer und Produzent(in):
Tony Visconti
aufgenommen bei:
Good Earth Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Your Wildest Dreams
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
The Moody Blues4.54:51
3La Bamba
recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos2:54
4Bizarre Love Triangle
Techniker(in):
Michael Johnson (UK recording engineer and producer)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1986)
aufgenommen bei:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Vereinigtes Königreich, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Vereinigtes Königreich und Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irland
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 114), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 201), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 220) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 379)
recording of:
Bizarre Love Triangle
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music) und Warner/Chappell Music Ltd. (1996–2019)
New Order4.54:22
5Fight For Your Right
Techniker(in):
Steve Ett
Koproduzent(in):
Beastie Boys
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
E-Gitarre:
Kerry King (co‐founder of Slayer)
phonographisches Urheberrecht (℗) von:
Def Jam Recordings (US) (in 1986)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 49) und Indie 88: Top 500 Indie Rock Songs (Nummer: 269)
recording of:
Fight for Your Right (to Party)
Texter:
Adam Horovitz, Rick Rubin (US record producer, former co‐president of Columbia Records) und Adam Yauch
Komponist(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
publisher:
Brooklyn Dust Music und Def Jam Music
Beastie Boys4.153:28
6More Than Words
assistierende(r) Techniker(in):
Craig Doubet (recording engineer)
Techniker(in):
Bob St. John
Produzent(in) und Mix:
Michael Wagener
Bassgitarre:
Pat Badger
Gitarre, Keyboard, Perkussion und Klavier und Hintergrundgesang:
Nuno Bettencourt
Schlagzeug und Perkussion:
Paul Geary
Hintergrundgesang und Sologesang:
Gary Cherone
phonographisches Urheberrecht (℗) von:
A&M Records (in 1990)
recording of:
More Than Words
Verfasser(in):
Nuno Bettencourt und Gary Cherone
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Funky Metal Publishing
Extreme3.755:35
7Do You Love Me
cover recording of:
Do You Love Me
Texter und Komponist(in):
Berry Gordy
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
Brian Poole & The Tremeloes2:23
8Cocaine
Produzent(in):
Audie Ashworth
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (company, do not use as label) (in 1976)
recording of:
Cocaine (in 1976)
Texter und Komponist(in):
J.J. Cale
publisher:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (publisher as Warner/Chappell Music) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale32:50
9I Want You Back
vocals:
Bananarama
phonographisches Urheberrecht (℗) von:
London Records Ltd. (not release label) (in 1988)
recording of:
I Want You Back
Verfasser(in):
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman und Keren Woodward
publisher:
All Boys Music Ltd., Mike Stock Publishing, Reverb Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama33:47
10Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Joe Cocker and Jennifer Warnes3.553:53
11Three Times A Lady
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
Sologesang:
Lionel Richie
arranger:
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978), Motown Record Corporation (company credits only; do NOT use as release label) (in 1978) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 10)
recording of:
Three Times a Lady
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
The Commodores3.653:36
12I Shot The Sheriff
assistierende(r) Techniker(in):
Steve Klein (Engineer)
Techniker(in):
Karl Richardson
Produzent(in):
Tom Dowd
E-Bass [Bass]:
Carl Radle (von 1974-04-18 bis 1974-05-10)
elektronische Orgel:
Dick Sims (von 1974-04-18 bis 1974-05-10)
Gitarre:
Eric Clapton (von 1974-04-18 bis 1974-05-10) und George Terry (guitar player with Clapton in 70's) (von 1974-04-18 bis 1974-05-10)
Klavier:
Albhy Galuten (von 1974-04-18 bis 1974-05-10)
Schlagzeug:
Jamie Oldaker (von 1974-04-18 bis 1974-05-10)
Hintergrundgesang:
Yvonne Elliman (von 1974-04-18 bis 1974-05-10) und George Terry (guitar player with Clapton in 70's) (von 1974-04-18 bis 1974-05-10)
Sologesang:
Eric Clapton (von 1974-04-18 bis 1974-05-10)
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1974) und Universal International Music B.V. (company, do not use as label) (in 1974)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (von 1974-04-18 bis 1974-05-10)
cover recording of:
I Shot the Sheriff (von 1974-04-18 bis 1974-05-10)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Eric Clapton44:24
13Drop The Pilot
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1983)
recording of:
Drop the Pilot
Komponist(in):
Joan Armatrading
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. und Polygram Music
Joan Armatrading3:37
14Pinball Wizard
recorded in:
England, Vereinigtes Königreich
Techniker(in):
Damon Lyon-Shaw
leitende(r) Produzent(in):
Chris Stamp
Produzent(in):
Kit Lambert
Gitarre:
Pete Townshend (of The Who) (am 1969-02-07)
Sologesang:
Roger Daltrey (am 1969-02-07) und Pete Townshend (of The Who) (am 1969-02-07)
Interpret(in):
The Who
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1969) und Track Records Production (in 1969)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich und Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (am 1969-02-07)
recording of:
Pinball Wizard (am 1969-02-07)
Texter:
Pete Townshend (of The Who)
Komponist(in):
Pete Townshend (of The Who) (in 1969)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Eel Pie Publishing Ltd., Fabulous Music, Ltd. (this is a publisher, not an imprint!) und Towser Tunes, Inc.
The Who4.53:03
15Boys Are Back In Town
Assistent recording engineer:
Neil Hornby
Techniker(in):
Will Reid-Dick
Produzent(in):
John Alcock (producer)
Akustikgitarre und Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und Brian Robertson (Thin Lizzy & Motörhead)
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1976)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 272) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 499)
recording of:
The Boys Are Back in Town
Texter und Komponist(in):
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und PolyGram Music Publishing (in 1989)
Thin Lizzy4.354:29
16Walk The Dinosaur
Produzent(in):
David Was und Don Was
zusätzliche(r) Produzent(in):
Paul Staveley O’Duffy
Mix:
Paul Staveley O’Duffy (Aufgabe: final mix)
Horn [horns] arranger:
Luis Resto
Saiteninstrumente arranger:
Louis Fagenson
recording of:
Walk the Dinosaur
Verfasser(in):
Randy Jacobs (guitarist and songwriter), David Was und Don Was
publisher:
MCA Gilbey, MCA Music Ltd., MCA Music Pub. (renamed since c. 1996 as Universal Music Publishing Group), Monkeys Dogs Cattle Ltd., Semper Fi und Universal Music Corp. (USA, affiliated with ASCAP)
Was Not Was54:24
17The Only Way Is Up
Yazz3:36

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