Atlantic Rhythm and Blues 1947-1974, Volume 6: 1966-1969

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

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#TitoloArtistaValutazioneDurata
1Land of 1000 Dances
produttore:
Jerry Wexler
batteria :
Roger Hawkins (dal 1966-05-08 al 1966-05-11)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-05-08 al 1966-05-11) e Chips Moman (dal 1966-05-08 al 1966-05-11)
chitarra basso [bass] :
Tommy Cogbill (dal 1966-05-08 al 1966-05-11)
pianoforte :
Spooner Oldham (dal 1966-05-08 al 1966-05-11)
sassofono baritono :
Floyd Newman (dal 1966-05-08 al 1966-05-11)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-05-08 al 1966-05-11) e Andrew Love (dal 1966-05-08 al 1966-05-11)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1966-05-08 al 1966-05-11)
voce:
Wilson Pickett (dal 1966-05-08 al 1966-05-11)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-05-08 al 1966-05-11)
registrazione cover di:
Land of 1000 Dances (dal 1966-05-08 al 1966-05-11)
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. e Tune-Kel
Wilson Pickett42:29
2Knock on Wood
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-07-13)
produttore:
Steve Cropper
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (il 1966-07-13)
chitarra :
Steve Cropper (il 1966-07-13)
chitarra basso [bass] :
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1966-07-13)
organo :
Booker T. Jones (il 1966-07-13)
pianoforte :
Isaac Hayes (il 1966-07-13) e Booker T. Jones (il 1966-07-13)
sassofono baritono :
probably Floyd Newman
sassofono tenore :
probably Andrew Love (il 1966-07-13)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1966-07-13)
voce:
Eddie Floyd (il 1966-07-13)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrazione di:
Knock on Wood (il 1966-07-13)
autore:
Steve Cropper e Eddie Floyd
editore:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
Eddie Floyd43:05
3Try a Little Tenderness
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-09-13)
produttore:
Steve Cropper, Otis Redding e Jim Stewart (US producer, founder for Stax & Volt Records)
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1966-09-13)
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1966-09-13)
chitarra :
Steve Cropper (il 1966-09-13)
sassofono tenore :
Gilbert Caples (il 1966-09-13) e Andrew Love (il 1966-09-13)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1966-09-13)
voce:
Otis Redding (il 1966-09-13)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 136) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 204)
registrazione cover di:
Try a Little Tenderness (il 1966-09-13)
paroliere:
James Campbell (British songwriter and music publisher) e Reginald Connelly
compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell e Campbell Connelly & Co. Ltd. (il 1932-11-04)
Otis Redding4.253:51
4Mustang Sally
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1966-10-13)
tecnico:
Tom Dowd e Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) e Jerry Wexler
basso elettrico [electric bass] :
Tommy Cogbill (dal 1966-10-13 al 1966-10-14)
batteria :
Roger Hawkins (dal 1966-10-13 al 1966-10-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-10-13 al 1966-10-14)
chitarra [lead guitar] :
Lincoln "Chips" Moman (dal 1966-10-13 al 1966-10-14)
sassofono tenore :
Gilbert Caples (dal 1966-10-13 al 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-10-13 al 1966-10-14) e Eddie Logan (dal 1966-10-13 al 1966-10-14)
tastiera [piano, organ] :
Dewey "Spooner" Oldham (dal 1966-10-13 al 1966-10-14)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1966-10-13 al 1966-10-14)
voce:
Wilson Pickett (dal 1966-10-13 al 1966-10-14)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-10-13 al 1966-10-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 434)
registrazione cover di:
Mustang Sally (dal 1966-10-13 al 1966-10-14)
paroliere e compositore:
Sir Mack Rice
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:08
5When Something Is Wrong With My Baby
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-11-15)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
tastiera :
Isaac Hayes (il 1966-11-15)
voce:
Dave Prater (soul artist) (il 1966-11-15) e Sam Moore (singer, ex "Sam and Dave") (il 1966-11-15)
registrazione di:
When Something Is Wrong With My Baby (il 1966-11-15)
compositore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Rondor, Rondor Music, Rondor Music (Australia) Pty Ltd, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell e Warner Chappell Music (publisher as Warner/Chappell Music)
Sam & Dave43:18
6Sweet Soul Music
tecnico:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
produttore:
Otis Redding
chitarra :
Moses Dillard (il 1967-01-20)
voce:
Arthur Conley (il 1967-01-20)
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1967-01-20)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 351)
registrazione di:
Sweet Soul Music (il 1967-01-20)
autore:
Arthur Conley, Sam Cooke (American singer and songwriter. "King of Soul") e Otis Redding
editore:
ABKCO Music e Rondor
si basa su:
Yeah Man
Arthur Conley42:23
7Soul Man
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-08-10)
produttore:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) e Jim Stewart (US producer, founder for Stax & Volt Records)
strumenti:
Booker T. & the MG’s (nel 1967) e The Mar‐Keys Horns (nel 1967)
voce principale:
Sam Moore (singer, ex "Sam and Dave") (nel 1967) e David Prater (soul artist) (nel 1967)
diritti fonografici (℗) detenuti da:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 458)
registrazione di:
Soul Man (il 1967-08-10)
autore:
Isaac Hayes (nel 1967) e David Porter (US soul musician, producer & songwriter) (nel 1967)
editore:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1986) e Walden Music Corp. (publisher) (nel 1986)
Sam & Dave4.52:38
8I Never Loved a Man (The Way I Love You)
tecnico di registrazione:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-01-24)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-01-24) e Chips Moman (il 1967-01-24)
chitarra basso :
Tommy Cogbill (il 1967-01-24)
pianoforte :
Aretha Franklin (il 1967-01-24) e Spooner Oldham (il 1967-01-24)
sassofono tenore :
Joe Arnold (il 1967-01-24) e Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-01-24)
tromba :
Ken Laxton (il 1967-01-24)
trombone :
David Hood (il 1967-01-24)
voce:
Aretha Franklin (il 1967-01-24)
direttore d'orchestra:
Tom Dowd (il 1967-01-24)
arrangiatore corno :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Muscle Shoals Sound Studio in Sheffield, Alabama, Stati Uniti (il 1967-01-24)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 186)
registrazione di:
I Never Loved a Man (The Way I Love You) (il 1967-01-24)
paroliere e compositore:
Ronnie Shannon
editore:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music e Pronto Music (publisher)
Aretha Franklin42:45
9Do Right Woman-Do Right Man
tecnico di registrazione:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-01-24)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-01-24)
chitarra basso :
Tommy Cogbill (il 1967-01-24)
organo :
Spooner Oldham (il 1967-01-24)
pianoforte :
Aretha Franklin (dal 1967-01-24 al 1967-01)
voce:
Aretha Franklin (dal 1967-01-24 al 1967-01)
voce di accompagnamento:
Carolyn Franklin (il 1967-01-24), Erma Franklin (il 1967-01-24) e Cissy Houston (il 1967-01-24)
direttore d'orchestra:
Tom Dowd (il 1967-01-24)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1967-01) e Muscle Shoals Sound Studio in Sheffield, Alabama, Stati Uniti (il 1967-01-24)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 473)
registrazione di:
Do Right Woman, Do Right Man (dal 1967-01-24 al 1967-01)
autore:
Chips Moman e Dan Penn (songwriter, soul singer)
editore:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), TRO Essex Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Aretha Franklin53:13
10Show Me
registrata a:
Nashville, Tennessee, Stati Uniti (il 1967-02-01)
produttore:
Buddy Killen
batteria [drums] :
Clyde Williams (US drummer) (il 1967-02-01)
chitarra :
Lee Royal Hadley (guitar, Soul) (il 1967-02-01)
sassofono tenore :
Charles Farley (il 1967-02-01)
tromba :
Emile Hall (il 1967-02-01) e Leroy Monroe (il 1967-02-01)
trombone :
Anthony Dorsey (il 1967-02-01) e Sly Sellers (il 1967-02-01)
voce:
Joe Tex (American southern soul musician) (il 1967-02-01)
voce di accompagnamento:
vocal group ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1967-02-01)
parte di:
Cachitos Nochevieja 2022 (numero: 28)
registrazione di:
Show Me (il 1967-02-01)
autore:
Joe Tex (American southern soul musician)
editore:
London Tree Music e Tree Publishing Co., Inc.
Joe Tex2:57
11Funky Broadway
produttore:
Jerry Wexler
basso elettrico [electric bass] :
Tommy Cogbill (dal 1967-02-01 al 1967-02-04)
batteria :
Roger Hawkins (dal 1967-02-01 al 1967-02-04)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1967-02-01 al 1967-02-04) e Lincoln "Chips" Moman (dal 1967-02-01 al 1967-02-04)
sassofono baritono :
Floyd Newman (dal 1967-02-01 al 1967-02-04)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1967-02-01 al 1967-02-04) e Jimmy Mitchell (saxophone) (dal 1967-02-01 al 1967-02-04)
tastiera [piano, organ] :
Dewey "Spooner" Oldham (dal 1967-02-01 al 1967-02-04)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1967-02-01 al 1967-02-04)
voce:
Wilson Pickett (dal 1967-02-01 al 1967-02-04)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1967-02-01 al 1967-02-04)
registrazione cover di:
Funky Broadway (dal 1967-02-01 al 1967-02-04)
paroliere e compositore:
Arlester “Dyke” Christian
Wilson Pickett22:35
12Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:25
13(You Make Me Feel Like) A Natural Woman
tecnico di registrazione:
Tom Dowd (il 1967-02-16)
produttore:
Jerry Wexler
batteria :
Gene Chrisman (il 1967-02-16)
chitarra basso :
Tommy Cogbill (il 1967-02-16)
pianoforte :
Spooner Oldham (il 1967-02-16)
tromba :
Bernie Glow (il 1967-02-16), Melvin Lastie (il 1967-02-16) e Joe Newman (US jazz trumpeter) (il 1967-02-16)
cori:
Carolyn Franklin (il 1967-02-16), Erma Franklin (il 1967-02-16) e The Sweet Inspirations (il 1967-02-16)
voce:
Aretha Franklin (il 1967-02-16)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-16)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 4) (numero: 10) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 90)
registrazione cover di:
(You Make Me Feel Like) A Natural Woman (il 1967-02-16)
paroliere:
Gerry Goffin
autore aggiunto:
Jerry Wexler
compositore:
Carole King
editore:
Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:43
14Baby I Love You
tecnico di registrazione:
Tom Dowd (il 1967-06-23) e Arif Mardin (il 1967-06-23)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-06-23)
chitarra basso :
Tommy Cogbill (il 1967-06-23)
chitarra elettrica :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-06-23) e Joe South (il 1967-06-23)
organo , pianoforte e pianoforte elettrico :
Spooner Oldham (il 1967-06-23) e Truman Thomas (il 1967-06-23)
sassofono baritono :
Willie Bridges (il 1967-06-23)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-06-23) e King Kurtis (saxophonist) (il 1967-06-23)
tromba :
Melvin Lastie (il 1967-06-23)
trombone basso :
Tony Studd (il 1967-06-23)
vibrafono :
Ted Somers (vibes) (il 1967-06-23)
cori:
Aretha Franklin (il 1967-06-23), Carolyn Franklin (il 1967-06-23) e Irma Franklyn (il 1967-06-23)
voce principale:
Aretha Franklin (il 1967-06-23)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-06-23)
registrazione di:
Baby I Love You (il 1967-06-23)
paroliere e compositore:
Ronnie Shannon
editore:
14th Hour Music, Fourteenth Hour Music, Inc. e Pronto Music (publisher)
Aretha Franklin32:41
15Skinny Legs and All
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-09-13)
produttore:
Buddy Killen
batteria [drums] :
Clyde Williams (US drummer) (il 1967-09-13)
chitarra :
Lee Royal Hadley (guitar, Soul) (il 1967-09-13) e Reggie Young (Guitarist and songwriter) (il 1967-09-13)
chitarra basso [bass] :
Mike Leech (il 1967-09-13)
pianoforte :
Bobby Emmons (il 1967-09-13)
sassofono contralto :
Ted Ford (American soul singer) (il 1967-09-13)
voce:
Joe Tex (American southern soul musician) (il 1967-09-13)
registrazione di:
Skinny Legs & All (il 1967-09-13)
paroliere e compositore:
Joe Tex (American southern soul musician)
Joe Tex3:12
16Chain of Fools
registrata a:
New York, New York, Stati Uniti
tecnico di registrazione e tecnico di missaggio:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-06-23)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-06-23) e Joe South (il 1967-06-23)
chitarra basso :
Tommy Cogbill (il 1967-06-23)
pianoforte :
Aretha Franklin (il 1967-06-23)
pianoforte elettrico :
Spooner Oldham (il 1967-06-23)
cori:
Carolyn Franklin (il 1967-06-23), Erma Franklin (il 1967-06-23), Ellie Greenwich (il 1967-06-23) e The Sweet Inspirations (il 1967-06-23)
voce:
Aretha Franklin (il 1967-06-23)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-06-23)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 249) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 306)
registrazione di:
Chain of Fools (il 1967-06-23)
paroliere e compositore:
Don Covay
editore:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
Aretha Franklin4.252:48
17I'm in Love
registrata a:
Memphis, Tennessee, Stati Uniti (dal 1967-07-01 al 1967-07-03)
tecnico di registrazione:
Tom Dowd (dal 1967-07-01 al 1967-07-03)
produttore:
Jerry Wexler
basso [electric bass] :
Tommy Cogbill (dal 1967-07-01 al 1967-07-03)
batteria :
Gene Chrisman (dal 1967-07-01 al 1967-07-03)
chitarra :
Reggie Young (Guitarist and songwriter) (dal 1967-07-01 al 1967-07-03)
chitarra [lead guitar] :
Bobby Womack (dal 1967-07-01 al 1967-07-03)
organo :
Bobby Emmons (dal 1967-07-01 al 1967-07-03)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (dal 1967-07-01 al 1967-07-03)
sassofono baritono :
Floyd Newman (dal 1967-07-01 al 1967-07-03)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1967-07-01 al 1967-07-03) e King Curtis (saxophonist) (dal 1967-07-01 al 1967-07-03)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1967-07-01 al 1967-07-03)
voce:
Wilson Pickett (dal 1967-07-01 al 1967-07-03)
registrazione di:
I’m in Love (dal 1967-07-01 al 1967-07-03)
paroliere e compositore:
Bobby Womack
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Pronto Music (publisher)
Wilson Pickett2:31
18Memphis Soul Stew
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-07-05)
produttore:
King Curtis (saxophonist)
batteria [drums] :
Gene Chrisman (il 1967-07-05)
chitarra :
R.F. Taylor (guitarist) (il 1967-07-05) e Reggie Young (Guitarist and songwriter) (il 1967-07-05)
chitarra basso [bass] :
Tommy Cogbill (il 1967-07-05)
organo :
Bobby Emmons (il 1967-07-05)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1967-07-05)
sassofono baritono :
Floyd Newman (il 1967-07-05)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-07-05), King Curtis (saxophonist) (il 1967-07-05) e Jimmy Mitchell (saxophone) (il 1967-07-05)
tromba :
Bowlegs Miller (American trumpeter) (il 1967-07-05)
voce:
King Curtis (saxophonist) (il 1967-07-05)
registrazione di:
Memphis Soul Stew (il 1967-07-05)
autore:
Curtis Ousley
editore:
Kilynn Music Publishing, Inc. e Pronto Music (publisher)
King Curtis2:58
19(Sittin' On) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:42
20Tighten Up
tecnico di registrazione:
Bert Frilot
produttore:
Skipper Lee Frazier
voce:
Billy Buttier (nel 1967-10), Joe Cross (nel 1967-10) e James Wise (singer in Archie Bell & The Drells) (nel 1967-10)
voce principale:
Archie Bell (vocals, of Archie Bell & the Drells) (nel 1967-10)
esecutore:
The TSU Toronadoes (nel 1967-10)
registrata presso:
Jones Town Studio in Houston, Texas, Stati Uniti (nel 1967-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Tighten Up (nel 1967-10)
paroliere:
Billy Butler (60-70s R&B singer)
compositore:
Archie Bell (vocals, of Archie Bell & the Drells)
Archie Bell & the Drells3:10
21Slip Away
tecnico di registrazione e produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
basso :
David Hood (il 1968-04-08)
batteria :
Roger Hawkins (il 1968-04-08)
chitarra :
Clarence Carter (il 1968-04-08)
organo :
Barry Beckett (il 1968-04-08)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1968-04-08), Andrew Love (il 1968-04-08) e Aaron Varnell (il 1968-04-08)
tromba :
Gene Miller (American trumpeter) (il 1968-04-08) e Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1968-04-08)
voce:
Clarence Carter (il 1968-04-08)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (il 1968-04-08)
registrazione di:
Slip Away (il 1968-04-08)
autore:
William Armstrong, Marcus Daniel e Wilbur Terrell
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter4.52:32
22Think
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1968-04-15)
chitarra :
Tommy Cogbill (il 1968-04-15) e Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1968-04-15)
chitarra basso :
Jerry Jemmott (il 1968-04-15)
organo :
Spooner Oldham (il 1968-04-15)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-15)
sassofono baritono :
Willie Bridges (il 1968-04-15) e Floyd Newman (il 1968-04-15)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1968-04-15) e Andrew Love (il 1968-04-15)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1968-04-15)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-15)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-15)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 6) (numero: 10)
registrazione di:
Think (il 1968-04-15)
autore:
Aretha Franklin e Ted White (husband & co-songwriter of Aretha Franklin)
editore:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Aretha Franklin3.652:18
23The First Time Ever I Saw Your Face
tecnico di registrazione:
William Arlt (il 1969-02-25)
produttore:
Joel Dorn
batteria :
Ray Lucas (il 1969-02-25)
chitarra :
John Pizzarelli (il 1969-02-25)
contrabbasso :
Ron Carter (US jazz double-bassist) (il 1969-02-25)
pianoforte e voce principale:
Roberta Flack (il 1969-02-25)
viola :
Alfred Brown (viola) (il 1969-02-25), Selwart Clarke (il 1969-02-25) e Theodore Israel (il 1969-02-25)
violino :
Emanuel Green (il 1969-02-25) e Gene Orloff (il 1969-02-25)
violoncello :
Charles McCracken (cellist) (il 1969-02-25) e George Ricci (il 1969-02-25)
direttore d'orchestra:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer) (il 1969-02-25)
arrangiatore archi :
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1969-02-25)
registrazione cover di:
The First Time Ever I Saw Your Face (il 1969-02-25)
paroliere e compositore:
Ewan MacColl (folksinger, songwriter, actor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex Music Publishing, Harmony Music Publishing (subsidiary of Viva Entertainment), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Stormking Music Inc. e Westbury Music Ltd.
Roberta Flack4:22
24Take a Letter, Maria
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1969-08-19)
produttore:
Ahmet Ertegun (US American Songwriter, producer)
archi :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1969-08-19)
voce:
R.B. Greaves (il 1969-08-19)
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1969-08-19)
direttore d'orchestra:
Arif Mardin (il 1969-08-19)
arrangiatore:
Arif Mardin
registrazione di:
Take a Letter Maria (il 1969-08-19)
paroliere e compositore:
R.B. Greaves
editore:
PolyGram Music Publishing
R.B. Greaves42:44
25Rainy Night in Georgia
produttore:
Arif Mardin
armonica (a bocca) :
Toots Thielemans (nel 1969)
basso :
Harold Cowart (il 1969-09-11)
batteria :
Ron Ziegler (drummer) (il 1969-09-11)
chitarra :
Cornell Dupree (nel 1969) e Jim O’Rourke (US musician & producer, b. 1969) (il 1969-09-11)
organo :
Billy Carter (organ, jazz) (il 1969-09-11)
pianoforte :
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (il 1969-09-11)
strumenti:
Cold Grits (nel 1969)
voce di accompagnamento:
The Sweet Inspirations (il 1969-09-11)
arrangiatore:
Arif Mardin
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1969-09-11)
pubblicazioni successive:
Rainy Night in Georgia di Brook Benton
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 498)
registrazione cover di:
Rainy Night in Georgia (il 1969-09-11)
paroliere e compositore:
Tony Joe White
editore:
Combine Music Corp. e EMI Songs Limited
Brook Benton43:49