Atlantic Rhythm & Blues 1947–1974

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1CD: 1947–52
2CD: 1952–54
3CD: 1955–57
4CD: 1957–60
5CD: 1961–65
6CD: 1965–67
Nr.TitelKünstlerBewertungLänge
1Teasin’ You
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (in 1964)
Produzent(in):
Wardell Quezergue
vocals:
Willie Tee (US keyboardist, vocalist, songwriter and producer) (in 1964)
conductor:
Wardell Quezergue (in 1964)
arranger:
Wardell Quezergue
Willie Tee2:47
2Got to Get You Off My Mind
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-22)
Produzent(in):
Bert Berns und Jerry Wexler
baritone saxophone:
Seldon Powell (am 1965-01-22)
Bass:
David Adams (60's bassist) (am 1965-01-22)
Bassposaune:
Tony Studd (am 1965-01-22)
Gitarre:
Bill Suyker (am 1965-01-22), Bob Bushnell (am 1965-01-22) und Eric Gale (am 1965-01-22)
Klavier:
Ernie Hayes (American pianist, organist and arranger) (am 1965-01-22)
Schlagzeug [drums]:
Panama Francis (US swing jazz drummer) (am 1965-01-22)
Tenorsaxophon:
Charlie Brown (saxophonist) (am 1965-01-22) und Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1965-01-22)
Trompete:
Bill Berry (Jazz trumpeter, cornetist and big band leader) (am 1965-01-22) und Ernie Royal (am 1965-01-22)
Hintergrundgesang:
Estelle Brown (am 1965-01-22), Cissy Houston (am 1965-01-22), Sylvia Shemwell (am 1965-01-22), The Sweet Inspirations (am 1965-01-22) und Dee Dee Warwick (am 1965-01-22)
vocals:
Solomon Burke (am 1965-01-22)
conductor:
Gene Page (am 1965-01-22)
arranger:
Gene Page
recording of:
Got to Get You Off My Mind (Solomon Burke) (am 1965-01-22)
Verfasser(in):
Solomon Burke, Delores Burke (Composer) und J.B. Moore (producer, composer)
Solomon Burke1:59
3I Want to (Do Everything for You)
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (in 1965-07)
Produzent(in):
Buddy Killen
vocals:
Joe Tex (American southern soul musician) (in 1965-07)
recording of:
I Want To (Do Everything for You) (in 1965-07)
Texter und Komponist(in):
Joe Tex (American southern soul musician)
Joe Tex2:11
4I’ve Been Loving You Too Long
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-07-09)
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (am 1965-07-09)
Bassgitarre [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-07-09)
Gitarre:
Steve Cropper (am 1965-07-09)
Keyboard:
Isaac Hayes (am 1965-07-09) und Booker T. Jones (am 1965-07-09)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (am 1965-07-09)
Tenorsaxophon:
Andrew Love (am 1965-07-09)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-07-09) und Gene “Bowlegs” Miller (American trumpeter) (am 1965-07-09)
vocals:
Otis Redding (am 1965-07-09)
recording of:
I’ve Been Loving You Too Long
Verfasser(in):
Jerry Butler (soul singer) (in 1965) und Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) und Wildwood Music Ltd.
Otis Redding3:14
5A Sweet Woman Like You
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-10-29)
Produzent(in):
Buddy Killen
vocals:
Joe Tex (American southern soul musician) (am 1965-10-29)
recording of:
A Sweet Woman Like You (am 1965-10-29)
Texter und Komponist(in):
Joe Tex (American southern soul musician)
Joe Tex2:39
6In the Midnight Hour
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records) und Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-05-12)
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-05-12)
Gitarre:
Steve Cropper (am 1965-05-12)
Klavier:
Joe Hall (Stax studio pianist, 1960s) (am 1965-05-12)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-05-12)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-05-12) und Andrew Love (am 1965-05-12)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-05-12)
vocals:
Wilson Pickett (am 1965-05-12)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 134) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 218)
recording of:
In the Midnight Hour (am 1965-05-12)
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. und Irving Music, Inc.
Wilson Pickett32:40
7Seesaw
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-06-30)
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (am 1965-06-30)
Bassgitarre [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-06-30)
Gitarre:
Steve Cropper (am 1965-06-30)
Keyboard:
Booker T. Jones (am 1965-06-30)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (am 1965-06-30)
Tenorsaxophon:
Andrew Love (am 1965-06-30)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-06-30)
vocals:
Don Covay (am 1965-06-30)
recording of:
See Saw (am 1965-06-30)
Verfasser(in):
Don Covay und Steve Cropper
publisher:
Cotillion Music Inc. (BMI), Irving Music (BMI), Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Don Covay & the Goodtimers3:02
8Respect
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-07-09)
recording engineer:
Tom Dowd
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (am 1965-07-09)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-07-09)
Gitarre:
Steve Cropper (am 1965-07-09)
Keyboard:
Booker T. Jones (in 1965-07) und Isaac Hayes (am 1965-07-09)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1965-07-09)
Tenorsaxophon:
Andrew Love (am 1965-07-09)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (in 1965-07) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-07-09)
Hintergrundgesang:
Earl Sims (am 1965-07-09)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (von 1965-07-09 bis 1965-07-10)
recording of:
Respect (in 1965-07)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Otis Redding4.22:08
9You Don’t Know Like I Know
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-10-25)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Sam & Dave (am 1965-10-25)
recording of:
You Don’t Know Like I Know (am 1965-10-25)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Rondor Music und Warner Chappell
Sam & Dave2:32
10When a Man Loves a Woman
Produzent(in):
Marlin Greene (’60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene (’60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:53
11634‒5789 (Soulsville, U.S.A.)
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-12-20)
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-12-20)
Bassgitarre [bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-12-20)
Gitarre:
Steve Cropper (am 1965-12-20)
Klavier:
Isaac Hayes (am 1965-12-20)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-12-20)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-12-20) und Andrew Love (am 1965-12-20)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-12-20)
vocals:
Wilson Pickett (am 1965-12-20)
recording of:
634‒5789 (Soulsville, U.S.A.) (am 1965-12-20)
Verfasser(in):
Steve Cropper und Eddie Floyd
Wilson Pickett2:58
12Hold On! I’m Comin’
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-03-08)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Sam & Dave (am 1966-03-08)
recording of:
Hold On, I’m Comin’ (am 1966-03-08)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:33
13Cool Jerk
recorded in:
Detroit, Michigan, Vereinigte Staaten (am 1966-03-11)
vocals:
The Capitols (1960's Soul Vocal Trio) (am 1966-03-11)
arranger:
Riley Hampton
recording of:
Cool Jerk (am 1966-03-11)
Texter und Komponist(in):
Donald Storball
publisher:
Trio Music Company und Aberbach (German publisher) (in 1967)
The Capitols2:36
14Neighbor, Neighbor
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-04-18)
Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
vocals:
Jimmy Hughes (60s US funk/soul vocalist) (am 1966-04-18)
recording of:
Neighbor, Neighbor (am 1966-04-18)
Texter und Komponist(in):
Billy Gibbons
publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Burlington Music Co., Ltd., Fujipacific Music, Inc., Glad Music, Hamstein Music (publisher), Music of Stage Three und Stage Three Songs
Jimmy Hughes2:41
15Land of 1000 Dances
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1966-05-08 bis 1966-05-11)
Bassgitarre [bass]:
Tommy Cogbill (von 1966-05-08 bis 1966-05-11)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-05-08 bis 1966-05-11) und Chips Moman (von 1966-05-08 bis 1966-05-11)
Klavier:
Spooner Oldham (von 1966-05-08 bis 1966-05-11)
Schlagzeug:
Roger Hawkins (von 1966-05-08 bis 1966-05-11)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-05-08 bis 1966-05-11) und Andrew Love (von 1966-05-08 bis 1966-05-11)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1966-05-08 bis 1966-05-11)
vocals:
Wilson Pickett (von 1966-05-08 bis 1966-05-11)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-05-08 bis 1966-05-11)
cover recording of:
Land of 1000 Dances (von 1966-05-08 bis 1966-05-11)
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. und Tune-Kel
Wilson Pickett42:26
16Knock on Wood
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-07-13)
Produzent(in):
Steve Cropper
baritone saxophone:
probably Floyd Newman
Bassgitarre [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1966-07-13)
Gitarre:
Steve Cropper (am 1966-07-13)
Klavier:
Isaac Hayes (am 1966-07-13) und Booker T. Jones (am 1966-07-13)
Orgel:
Booker T. Jones (am 1966-07-13)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (am 1966-07-13)
Tenorsaxophon:
probably Andrew Love (am 1966-07-13)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1966-07-13)
vocals:
Eddie Floyd (am 1966-07-13)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recording of:
Knock on Wood (am 1966-07-13)
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Eddie Floyd43:06
17Try a Little Tenderness
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-09-13)
Produzent(in):
Steve Cropper, Otis Redding und Jim Stewart (US producer, founder for Stax & Volt Records)
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1966-09-13)
Gitarre:
Steve Cropper (am 1966-09-13)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1966-09-13)
Tenorsaxophon:
Gilbert Caples (am 1966-09-13) und Andrew Love (am 1966-09-13)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1966-09-13)
vocals:
Otis Redding (am 1966-09-13)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 136) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 204)
cover recording of:
Try a Little Tenderness (am 1966-09-13)
Texter:
James Campbell (British songwriter and music publisher) und Reginald Connelly
Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell und Campbell Connelly & Co. Ltd. (am 1932-11-04)
Otis Redding4.253:51
18Mustang Sally
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-10-13)
Techniker(in):
Tom Dowd und Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Jerry Wexler
E-Bass [electric bass]:
Tommy Cogbill (von 1966-10-13 bis 1966-10-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-10-13 bis 1966-10-14)
Gitarre [lead guitar]:
Lincoln "Chips" Moman (von 1966-10-13 bis 1966-10-14)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (von 1966-10-13 bis 1966-10-14)
Schlagzeug:
Roger Hawkins (von 1966-10-13 bis 1966-10-14)
Tenorsaxophon:
Gilbert Caples (von 1966-10-13 bis 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-10-13 bis 1966-10-14) und Eddie Logan (von 1966-10-13 bis 1966-10-14)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1966-10-13 bis 1966-10-14)
vocals:
Wilson Pickett (von 1966-10-13 bis 1966-10-14)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-10-13 bis 1966-10-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 434)
cover recording of:
Mustang Sally (von 1966-10-13 bis 1966-10-14)
Texter und Komponist(in):
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:07
19When Something Is Wrong With My Baby
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-11-15)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Keyboard:
Isaac Hayes (am 1966-11-15)
vocals:
Dave Prater (soul artist) (am 1966-11-15) und Sam Moore (singer, ex "Sam and Dave") (am 1966-11-15)
recording of:
When Something Is Wrong With My Baby (am 1966-11-15)
Komponist(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Rondor, Rondor Music, Rondor Music (Australia) Pty Ltd, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell und Warner Chappell Music (publisher as Warner/Chappell Music)
Sam & Dave43:18
20Sweet Soul Music
Techniker(in):
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
Produzent(in):
Otis Redding
Gitarre:
Moses Dillard (am 1967-01-20)
vocals:
Arthur Conley (am 1967-01-20)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-01-20)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 351)
recording of:
Sweet Soul Music (am 1967-01-20)
Verfasser(in):
Arthur Conley, Sam Cooke (American singer and songwriter. "King of Soul") und Otis Redding
publisher:
ABKCO Music und Rondor
basiert auf:
Yeah Man
Arthur Conley42:23
21I Never Loved a Man (the Way I Love You)
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-01-24)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-01-24) und Chips Moman (am 1967-01-24)
Klavier:
Aretha Franklin (am 1967-01-24) und Spooner Oldham (am 1967-01-24)
Posaune:
David Hood (am 1967-01-24)
Schlagzeug:
Roger Hawkins (am 1967-01-24)
Tenorsaxophon:
Joe Arnold (am 1967-01-24) und Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-01-24)
Trompete:
Ken Laxton (am 1967-01-24)
vocals:
Aretha Franklin (am 1967-01-24)
conductor:
Tom Dowd (am 1967-01-24)
Horn arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1967-01-24)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 186)
recording of:
I Never Loved a Man (The Way I Love You) (am 1967-01-24)
Texter und Komponist(in):
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music und Pronto Music (publisher)
Aretha Franklin42:45
22Do Right Woman, Do Right Man
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-01-24)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-01-24)
Klavier:
Aretha Franklin (von 1967-01-24 bis 1967-01)
Orgel:
Spooner Oldham (am 1967-01-24)
Schlagzeug:
Roger Hawkins (am 1967-01-24)
Hintergrundgesang:
Carolyn Franklin (am 1967-01-24), Erma Franklin (am 1967-01-24) und Cissy Houston (am 1967-01-24)
vocals:
Aretha Franklin (von 1967-01-24 bis 1967-01)
conductor:
Tom Dowd (am 1967-01-24)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1967-01) und Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1967-01-24)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 473)
recording of:
Do Right Woman, Do Right Man (von 1967-01-24 bis 1967-01)
Verfasser(in):
Chips Moman und Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), TRO Essex Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Aretha Franklin53:17
23Show Me
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1967-02-01)
Produzent(in):
Buddy Killen
Gitarre:
Lee Royal Hadley (guitar, Soul) (am 1967-02-01)
Posaune:
Anthony Dorsey (am 1967-02-01) und Sly Sellers (am 1967-02-01)
Schlagzeug [drums]:
Clyde Williams (US drummer) (am 1967-02-01)
Tenorsaxophon:
Charles Farley (am 1967-02-01)
Trompete:
Emile Hall (am 1967-02-01) und Leroy Monroe (am 1967-02-01)
Hintergrundgesang:
vocal group ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1967-02-01)
vocals:
Joe Tex (American southern soul musician) (am 1967-02-01)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 28)
recording of:
Show Me (am 1967-02-01)
Verfasser(in):
Joe Tex (American southern soul musician)
publisher:
London Tree Music und Tree Publishing Co., Inc.
Joe Tex2:57
24Tramp
recorded in:
Memphis, Tennessee, Vereinigte Staaten (von 1967-01 bis 1967-02)
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-01 bis 1967-02)
Gitarre:
Steve Cropper (von 1967-01 bis 1967-02)
Keyboard:
Isaac Hayes (von 1967-01 bis 1967-02) und Booker T. Jones (von 1967-01 bis 1967-02)
Klavier:
Booker T. Jones (von 1967-01 bis 1967-02)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (von 1967-01 bis 1967-02)
Tenorsaxophon:
Joe Arnold (von 1967-01 bis 1967-02) und Andrew Love (von 1967-01 bis 1967-02)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-01 bis 1967-02)
Hintergrundgesang:
Carla Thomas (von 1967-01 bis 1967-02)
vocals:
Otis Redding (von 1967-01 bis 1967-02) und Carla Thomas (von 1967-01 bis 1967-02)
Interpret(in):
Carla Thomas (von 1967-01 bis 1967-02)
cover recording of:
Tramp (von 1967-01 bis 1967-02)
Verfasser(in):
Lowell Fulson und Jimmy McCracklin (blues singer, songwriter)
publisher:
Budget Music, Careers–BMG Music Publishing, Inc. und Powerforce Music
Otis Redding & Carla Thomas4.43:02
25Funky Broadway
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1967-02-01 bis 1967-02-04)
E-Bass [electric bass]:
Tommy Cogbill (von 1967-02-01 bis 1967-02-04)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1967-02-01 bis 1967-02-04) und Lincoln "Chips" Moman (von 1967-02-01 bis 1967-02-04)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (von 1967-02-01 bis 1967-02-04)
Schlagzeug:
Roger Hawkins (von 1967-02-01 bis 1967-02-04)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1967-02-01 bis 1967-02-04) und Jimmy Mitchell (saxophone) (von 1967-02-01 bis 1967-02-04)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1967-02-01 bis 1967-02-04)
vocals:
Wilson Pickett (von 1967-02-01 bis 1967-02-04)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1967-02-01 bis 1967-02-04)
cover recording of:
Funky Broadway (von 1967-02-01 bis 1967-02-04)
Texter und Komponist(in):
Arlester “Dyke” Christian
Wilson Pickett22:37
26Hip Hug‐Her
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1967-02-09)
Produzent(in):
Booker T. & the MG’s
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1967-02-09)
Gitarre:
Steve Cropper (am 1967-02-09)
Orgel:
Booker T. Jones (am 1967-02-09)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1967-02-09)
recording of:
Hip Hug‐Her (am 1967-02-09)
Verfasser(in):
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) und Booker T. Jones
publisher:
Al Jackson Jr. Music, Cotillion Music Inc. (BMI) und Irving Music, Inc.
Booker T. & the MG’s2:25
27Soul Man
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1967-08-10)
Produzent(in):
Isaac Hayes, David Porter (US soul musician, producer & songwriter) und Jim Stewart (US producer, founder for Stax & Volt Records)
Instrumente:
Booker T. & the MG’s (in 1967) und The Mar‐Keys Horns (in 1967)
Sologesang:
Sam Moore (singer, ex "Sam and Dave") (in 1967) und David Prater (soul artist) (in 1967)
phonographisches Urheberrecht (℗) von:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 458)
recording of:
Soul Man (am 1967-08-10)
Verfasser(in):
Isaac Hayes (in 1967) und David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) und Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:37
7CD: 1967–69
8CD: 1970–74

Nennungen

Veröffentlichung

art direction:Bob Defrin (US art director & graphic designer)
liner notes:Peter Grendysa
Robert Pruter
leitende(r) Produzent(in):Ahmet Ertegun (US American Songwriter, producer)
Produzent(in):Aziz Goksel (Aufgabe: compilation)
Bob Porter (American record producer) (Aufgabe: compilation)
mastering:Zal Schreiber (sound engineer, guitarist & bassist)
Steve Innocenzi
artwork:Fred Otnes (American illustrator) (Aufgabe: cover art)
transferrer:Jimmy Douglass (engineer)
Bobby Warner
Discogs:https://www.discogs.com/release/3773974 [Info]
ASIN:US: B000002IRS [Info]

Veröffentlichungsgruppe

Teil von:Atlantic R&B 1947-1974 (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/474792 [Info]
andere Datenbanken:https://www.45worlds.com/cdalbum/cd/nc485740uk [Info]