| # | Title | Artist | Rating | Length |
|---|
| 1 | Kryptonite- recording engineer:
- Matt Martone and Paul Ebersold
- producer:
- Paul Ebersold
- assistant mixer:
- Mike Butler
- mixer:
- Toby Wright
- editor:
- Andrew Garver
- bass guitar:
- Todd Harrell
- drums (drum set) and lead vocals:
- Brad Arnold
- guitar:
- Chris Henderson and Matt Roberts
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1999), Universal Motown Records (in 1999), Universal Records Inc. (in 1999) and Universal Republic Records (in 2012)
- recorded at:
- Ardent Studios in Memphis, Tennessee, United States
- mixed at:
- The Record Plant in Hollywood, Los Angeles, California, United States
- part of:
- The Village Voice – The 50 Worst Songs of the ’00s (number: 42) and BILLIONS CLUB
- recording of:
- Kryptonite
- lyricist:
- Brad Arnold
- composer:
- Brad Arnold , Todd Harrell and Matt Roberts
- publisher:
- Escatawpa Songs, Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
| 3 Doors Down | 4.05 | 3:54 |
| 2 | Last Resort | Papa Roach | 3 | 3:20 |
| 3 | What’s My Age Again? | blink‐182 | 4.3 | 2:28 |
| 4 | Fat Lip | Sum 41 | 4.3 | 2:57 |
| 5 | Rollin’ (Air Raid Vehicle) | Limp Bizkit | 3.75 | 3:33 |
| 6 | She Hates Me | Puddle of Mudd | 5 | 3:36 |
| 7 | Smooth Criminal | Alien Ant Farm | 4.25 | 3:29 |
| 8 | No One Knows | Queens of the Stone Age | 4.45 | 4:38 |
| 9 | Woman | Wolfmother | 3.45 | 2:55 |
| 10 | Bring Me to Life | Evanescence | 4.4 | 3:55 |
| 11 | Gives You Hell | The All‐American Rejects | 4.25 | 3:34 |
| 12 | The Middle | Jimmy Eat World | 4.4 | 2:46 |
| 13 | Here It Goes Again | OK Go | 3.4 | 2:59 |
| 14 | Thnks fr th Mmrs | Fall Out Boy | 4.35 | 3:24 |
| 15 | Savior | Rise Against | 4.2 | 4:02 |
| 16 | All Star | Smash Mouth | 4.75 | 3:20 |
| 17 | Miss Murder | AFI | 3 | 3:26 |
| 18 | The Diary of Jane (single version)- assistant recording engineer:
- Austin Briggs and Mark Rinaldi
- recording engineer:
- John Bender and Dan Korneff
- producer:
- David Bendeth
- assistant mixer:
- Keith Armstrong and Dim‐E
- mixer:
- Chris Lord‐Alge
- editor:
- John Bender , Kato Khandwala and Dan Korneff
- bass guitar:
- Mark James
- drums (drum set) and percussion:
- Chad Szeliga
- guitar:
- Ben Burnley and Aaron Fink
- vocals:
- Ben Burnley
- arranger:
- David Bendeth and Breaking Benjamin
- phonographic copyright (℗) by:
- Hollywood Records, Inc. (from 2006 to present, in 2006)
- recorded at:
- The Barber Shop Studios in Hopatcong, New Jersey, United States (from 2006-03 until 2006-05)
- mixed at:
- Resonate Music in Burbank, California, United States
- edited at:
- Type A Studios in New York, New York, United States
- recording of:
- The Diary of Jane
- writer:
- Benjamin Burnley, Aaron Fink and Mark James Klepaski
| Breaking Benjamin | 3.7 | 3:21 |
| 19 | The Kill (Bury Me) | Thirty Seconds to Mars | 4.4 | 3:51 |
| 20 | Higher | Creed | 3.8 | 5:26 |
| 21 | Here Without You- additional recording engineer:
- Steve Churchyard
- assistant recording engineer:
- Honchol Sin and Tom Sweeney
- recording engineer:
- Steve Churchyard, Geoff Ott and Rick Parashar
- miscellaneous support:
- Susie Katayama
- assistant engineer:
- Gordon Sran and Latif Tayour
- engineer:
- Geoff Ott, Rick Parashar and Steve Churchyard
- producer:
- Rick Parashar
- assistant mixer:
- Dean Maher and Paul Silveira
- mixer:
- Jack Joseph Puig and Randy Staub
- editor:
- Geoff Ott and Rick Parashar
- bass guitar:
- Todd Harrell
- drums (drum set):
- Josh Freese
- guitar:
- Chris Henderson and Matt Roberts
- Hammond organ [Hammond B3]:
- Rick Hopkins
- percussion:
- Matthew Burgess
- strings:
- David Campbell
- lead vocals:
- Brad Arnold
- conductor:
- David Campbell
- strings arranger:
- David Campbell
- concertmaster:
- Joel G. Derouin
- phonographic copyright (℗) by:
- Universal Records (in 2002)
- recorded at:
- Greenhouse Studios in Burnaby, British Columbia, Canada, London Bridge Studios in Seattle, Washington, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
- mixed at:
- Armory Studios in Vancouver, British Columbia, Canada
- remixed at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- recording of:
- Here Without You
- writer:
- Brad Arnold , Todd Harrell, Chris Henderson and Matt Roberts
- publisher:
- Escatawpa Songs and Songs of Universal, Inc.
| 3 Doors Down | 4.4 | 3:58 |
| 22 | My Way- recording engineer:
- Terry Date
- additional producer:
- Josh Abraham and Scott Weiland
- producer:
- Terry Date and Limp Bizkit
- assistant mixer:
- Steve Sisco and Josh Wilbur
- mixer:
- Andy Wallace
- additional editor:
- Domenic Barbera
- keyboard:
- Scott Borland
- performer:
- Limp Bizkit
- mixed at:
- Soundtrack Studios in New York, New York, United States
- samples:
- My Melody by Eric B. & Rakim
- recording of:
- My Way
- lyricist:
- Fred Durst
- writer:
- Eric Barrier, Leor Dimant and William Griffin
- composer:
- Wes Borland, John Otto and Sam Rivers
- publisher:
- Zomba Enterprises, Inc. (ended), Big Bizkit Music, Lethal Dose Music, Robert Hill Music, Universal Music – Z Tunes and Universal Songs of PolyGram International, Inc.
| Limp Bizkit | 4.15 | 4:33 |
| 23 | The Ballad of Chasey Lain | Bloodhound Gang | 4 | 2:21 |
| 24 | Party Hard | Andrew W.K. | | 3:04 |
| 25 | United States of Whatever | Liam Lynch | 4.35 | 1:31 |
| 26 | The Rock Show- assistant engineer:
- Joe Marlett , Robert Read and Ted Reiger
- engineer:
- Joe McGrath
- producer:
- Jerry Finn
- assistant mixer:
- Femio Hernandez
- mixer:
- Tom Lord‐Alge
- keyboard:
- Roger Joseph Manning Jr.
- drums (drum set) technician:
- Mike "Sack" Fasano
- phonographic copyright (℗) by:
- MCA Records (in 2001) and Geffen Records (in 2016)
- recorded at:
- Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- recording of:
- The Rock Show
- writer:
- Travis Barker , Tom DeLonge and Mark Hoppus
- publisher:
- Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
| blink‐182 | 3.8 | 2:51 |
| 27 | Joker and the Thief | Wolfmother | 3.65 | 4:39 |
| 28 | The Lost Art of Keeping a Secret | Queens of the Stone Age | 4 | 3:36 |
| 29 | Heaven nor Hell | Volbeat | | 5:22 |
| 30 | Say It Ain’t So | Weezer | 3.85 | 4:18 |
| 31 | Kings and Queens- additional recording engineer:
- Mike Einziger
- additional engineer:
- Jamie Schefman, Rob Kirwan, Sonny Diperri and Tom Biller
- engineer and mixer:
- Ryan Williams
- co-producer:
- Flood , Steve Lillywhite and Thirty Seconds to Mars
- performer:
- Jared Leto, Shannon Leto and Tomo Milčević
- additional strings arranger:
- Mike Einziger
- phonographic copyright (℗) by:
- Virgin (in 2009)
- recorded at:
- Harvard University in Cambridge, Massachusetts, United States and The International Centre for the Advancement of the Arts and Sciences of Sound in Los Angeles, California, United States
- mixed at:
- Pulse Recording in Los Angeles, California, United States
- recording of:
- Kings and Queens
- lyricist and composer:
- Jared Leto
- publisher:
- Apocraphex Music and Universal Music–Z Tunes LLC
| Thirty Seconds to Mars | 3.65 | 5:47 |
| 32 | Move Along | The All‐American Rejects | 3.75 | 3:58 |
| 33 | Young Blood | The Naked and Famous | 4.15 | 4:06 |
| 34 | The Feel Good Drag | Anberlin | 4.35 | 3:24 |
| 35 | My Sacrifice | Creed | 3.9 | 4:55 |
| 36 | Judith | A Perfect Circle | 3.75 | 4:04 |
| 37 | Lips of an Angel | Hinder | 4.4 | 4:21 |
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