Complete Edition

~ Release by Chopin (see all versions of this release, 10 available)

Tracklist

1▶CD: Piano Concertos: Works for Piano and Orchestra
2▶CD: Piano Concertos: Works for Piano and Orchestra
3▶CD: Ballades & Etudes
4▶CD: Ballades & Etudes
5▶CD: Mazurkas
6▶CD: Mazurkas
7▶CD: Nocturnes
8▶CD: Nocturnes
9▶CD: Polonaises
10▶CD: Polonaises
11▼CD: Preludes & Scherzos
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1Prelude in C major “Reunion”, op. 28 no. 1
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 1 in C major, op. 28: Agitato (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1838 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:31
2Prelude in A minor “Presentiment of Death”, op. 28 no. 2
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 2 in A minor, op. 28: Lento (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
quotes music from:
Dies Irae (plainchant)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:10
3Prelude in G major “Thou Art so Like a Flower”, op. 28, no. 3
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 3 in G major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:51
4Prelude in E minor “Suffocation”, op. 28 no. 4
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 4 in E minor, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:51
5Prelude in D major “Uncertainty”, op. 28 no. 5
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 5 in D major, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:30
6Prelude in B minor “Tolling Bells”, op. 28 no. 6
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 6 in B minor, op. 28: Lento assai (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:46
7Prelude in A major “The Polish Dance”, op. 28 no. 7
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 7 in A major, op. 28: Andantino (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:44
8Prelude in F‐sharp minor “Desperation”, op. 28 no. 8
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 8 in F‐sharp minor, op. 28: Molto agitato (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:29
9Prelude in E major “Vision”, op. 28 no. 9
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 9 in E major, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:30
10Prelude in C sharp minor “The Night Moth”, op. 28 no. 10
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 10 in C‐sharp minor, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:24
11Prelude in B major “Dragonfly”, op. 28 no. 11
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 11 in B major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:33
12Prelude in G‐sharp minor “Duel”, op. 28 no. 12
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 12 in G‐sharp minor, op. 28: Presto (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:58
13Prelude in F‐sharp major “Loss”, op. 28 no. 13
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 13 in F‐sharp major, op. 28: Lento (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:44
14Prelude in E‐flat minor “Fear”, op. 28 no. 14
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 14 in E‐flat minor, op. 28: Allegro (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:29
15Prelude in D flat major “Raindrop”, op. 28 no. 15
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin4:51
16Prelude in B‐flat minor “Hades”, op. 28 no. 16
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 16 in B‐flat minor, op. 28: Presto con fuoco (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:59
17Prelude in A‐flat major “A Scene on the Place de Notre Dame de Paris”, op. 28 no. 17
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 17 in A‐flat major, op. 28: Allegretto (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:50
18Prelude in F minor “Suicide”, op. 28 no. 18
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 18 in F minor, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:47
19Prelude in E‐flat major “Heartfelt Happiness”, op. 28 no. 19
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 19 in E‐flat major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:04
20Prelude in C minor “Funeral March”, op. 28 no. 20
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 20 in C minor, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:32
21Prelude in B‐flat major “Sunday”, op. 28 no. 21
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 21 in B‐flat major, op. 28: Cantabile (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:34
22Prelude in G minor “Impatience”, op. 28 no. 22
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 22 in G minor, op. 28: Molto agitato (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:34
23Prelude in F major “A Pleasure Boat”, op. 28 no. 23
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 23 in F major, op. 28: Moderato (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:43
24Prelude in D minor “The Storm”, op. 28 no. 24
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Prélude no. 24 in D minor, op. 28: Allegro appassionato (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:16
25Prelude in C‐sharp minor, op. 45
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
piano:
Martha Argerich (Argentine pianist) (in 1977-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1977-02)
recording of:
Prélude in C‐sharp minor, op. 45 (in 1977-02)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 45)
Frédéric Chopin4:03
26Prelude in A‐flat major, B. 86
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
piano:
Martha Argerich (Argentine pianist) (in 1977-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1977-02)
recording of:
Prélude in A‐flat major, op. posth.: Presto con leggierezza (in 1977-02)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1834)
Frédéric Chopin0:45
27Impromptu no. 1 in A‐flat major, op. 29
engineer and producer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
executive producer:
Hanno Rinke
piano:
Станислав Бунин (Stanislav Bunin, pianist) (in 1987-12)
recording of:
Impromptu no. 1 in A‐flat major, op. 29: Allegro assai (in 1987-12)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 29)
Frédéric Chopin4:46
28Impromptu no. 2 in F‐sharp major, op. 36
engineer and producer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
executive producer:
Hanno Rinke
piano:
Станислав Бунин (Stanislav Bunin, pianist) (in 1987-12)
recording of:
Impromptu no. 2 in F‐sharp major, op. 36: Andantino (in 1987-12)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 36)
Frédéric Chopin6:43
29Impromptu no. 3 in G‐flat major, op. 51
engineer and producer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
executive producer:
Hanno Rinke
piano:
Станислав Бунин (Stanislav Bunin, pianist) (in 1987-12)
recording of:
Impromptu no. 3 in G‐flat major, op. 51: Vivace (in 1987-12)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 51)
Frédéric Chopin6:18
30Impromptu no. 4 in C‐sharp minor “Fantasy‐Impromptu”, op. 66
engineer and producer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
executive producer:
Hanno Rinke
piano:
Станислав Бунин (Stanislav Bunin, pianist) (in 1987-12)
recording of:
Fantaisie‐impromptu in C‐sharp minor, op. 66 (in 1987-12)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1834)
part of:
Works of Fryderyk Chopin by opus number (number: op. 66)
Frédéric Chopin4:56
12▶CD: Preludes & Scherzos
13▶CD: Sonatas & Variations
14▶CD: Sonatas & Variations
15▶CD: Waltzes & Chamber Music
16▶CD: Waltzes & Chamber Music
17▶CD: Songs

Credits

Release

ASIN:US: B00001X58Z [info]
discography entry:https://www.deutschegrammophon.com/en/cat/4630472 [info] (ended)
https://www.deccaclassics.com/en/cat/4630472 [info]