Born and Raised in the 80s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Like a Prayer
assistierende(r) Techniker(in):
Stacy Baird, Robert Salcedo und Joe Schiff
Techniker(in) und Mix:
Bill Bottrell
zusätzliche(r) Techniker(in):
Michael Vail Blum
Produzent(in):
Patrick Leonard (producer, songwriter and pianist) und Madonna (“Queen of Pop”)
Bassgitarre:
Guy Pratt
Sologesang:
Madonna (“Queen of Pop”)
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
aufgenommen bei:
Johnny Yuma Recording in Burbank, California (Kalifornien), Vereinigte Staaten, Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Saturn Sound in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
Smoketree Studios in Chatsworth, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 55) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 300)
recording of:
Like a Prayer
Verfasser(in):
Patrick Leonard (producer, songwriter and pianist) und Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co., Inc. (publisher), EMI Blackwood Music Inc., Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Johnny Yuma Music (publisher) (in 1988), Webo Girl Publishing, Inc. (in 1988), WB Music Corp. (1929–2019) (von 1989 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Madonna4.155:43
2Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), BILLIONS CLUB und The Downloader’s Music Source Book (Nummer: 284)
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.53:45
3Hungry Like the Wolf (2009 remaster)
Techniker(in) und Produzent(in):
Colin Thurston
phonographisches Urheberrecht (℗) von:
Tritec Music Ltd. (publisher and copyrights holder) (vom 1982 bis heute) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2009)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 3) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 196)
recording of:
Hungry Like the Wolf
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. und Tritec Music Ltd. (publisher and copyrights holder)
Duran Duran4.153:41
4The Best
Produzent(in):
Dan Hartman und Tina Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 4) und Cachitos Nochevieja 2022 (Nummer: 154)
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner45:33
5I Feel for You
Bass, drum machine und Gitarre:
Reggie Griffin (in 1984)
chromatische Mundharmonika:
Stevie Wonder (in 1984)
Keyboard und Synthesizer:
Robbie Buchanan (Canadian producer) (in 1984), David Frank (American keyboardist, producer, writer; The System) (in 1984), Reggie Griffin (in 1984) und Philippe Saisse (in 1984)
Schlagzeug:
Steve Ferrone (in 1984)
Hintergrundgesang und Sologesang:
Chaka Khan (in 1984)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1984)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 395)
cover recording of:
I Feel for You (in 1984)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan3.755:43
6Everywhere (2017 remaster)
Programmierung:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Produzent(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer) und Richard Dashut
E-Bass:
John McVie (in 1987)
Gitarre und Sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987) und Christine McVie (in 1987)
Perkussion und Schlagzeug:
Mick Fleetwood (in 1987)
Hintergrundgesang:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987), Christine McVie (in 1987) und Stevie Nicks (in 1987)
Sologesang:
Christine McVie (in 1987)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) und Warner Music International (trademark of Warner Music International the company) (in 1988)
recording of:
Everywhere (in 1987)
Texter und Komponist(in):
Christine McVie
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac4.13:47
7Gold
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
Gitarre:
Gary Kemp (in 1982)
Keyboard:
Jess Bailey (in 1982)
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
Schlagzeug:
John Keeble (in 1982)
Sologesang:
Tony Hadley (in 1982)
Interpret(in):
Spandau Ballet (in 1982)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:51
8Blue Monday ’88
Produzent(in):
Quincy Jones und New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
recording of:
Blue Monday
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) und Zomba Music Publishing Ltd.
New Order44:05
9Love Shack
assistierende(r) Techniker(in):
Martin Kunitz
Techniker(in):
Dave Cook (US engineer and producer)
Produzent(in):
Don Was
Mix:
Tom Durack
Gast-Bassgitarre:
Sara Lee (UK bassist, singer & songwriter)
Gast-Horn:
Uptown Horns (US horn section, formed in 1980)
Gast-Schlagzeug:
Charley Drayton
Gitarre:
Keith Strickland
Keyboard:
Kate Pierson
vocals:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) und Cindy Wilson
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1989)
aufgenommen bei:
Dreamland Studios in Hurley, New York, Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
additionally produced at:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten
Musikvideos:
Love Shack von The B‐52’s
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 243)
recording of:
Love Shack
Verfasser(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland und Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52’s4.35:21
10Big in Japan
recording engineer und Mix:
Wolfgang Loos (von 1984-07 bis 1984-08)
assistierende Programmierung:
Boris Balin (von 1984-07 bis 1984-08) und Thomas Beck (technical assistant, likely German) (von 1984-07 bis 1984-08)
Programmierung:
Wolfgang Loos (von 1984-06 bis 1984-08)
Produzent(in):
Andreas Budde, Wolfgang Loos und Colin Pearson (producer and violinist)
drum machine:
Bernhard Lloyd (von 1984-07 bis 1984-08)
Keyboard:
Bernhard Lloyd (von 1984-07 bis 1984-08) und Frank Mertens (German synthpop keyboardist Frank Sorgatz) (von 1984-07 bis 1984-08)
zusätzlich Keyboard:
Wolfgang Loos (von 1984-07 bis 1984-08)
Hintergrundgesang:
Wednesday (German‐English rock band active from 1975–1980) (von 1984-07 bis 1984-08)
Sologesang:
Marian Gold (von 1984-07 bis 1984-08)
arranger:
Alphaville (German synth pop band) und Wolfgang Loos
aufgenommen bei und mixed at:
Studio 54 (Berlin recording studio) in Deutschland (von 1984-07 bis 1984-08)
Musikvideos:
Big In Japan von Alphaville (German synth pop band)
recording of:
Big in Japan (von 1984-07 bis 1984-08)
Texter:
Marian Gold
Komponist(in):
Marian Gold, Lloyd Bernhard und Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.154:46
11They Say It’s Gonna Rain
Hazell Dean3:57
12Self Control
leitende(r) Produzent(in):
Jack White (German producer Horst Nußbaum)
Produzent(in):
Robbie Buchanan (Canadian producer) und Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) und Harold Faltermeier
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
Musikvideos:
Self Control von Laura Branigan
cover recording of:
Self Control (in 1984)
Texter:
Steve Piccolo
zusätzliche(r) Verfasser(in):
Harro Steffen
Komponist(in):
Giancarlo Bigazzi und Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) und Sugarmusic Spa (publisher, do NOT use as label)
Version von:
Self Control
Laura Branigan4.554:06
13We’re Not Gonna Take It
recording engineer und Mix:
Geoff Workman
assistierende(r) Techniker(in):
Gary McGachan
Techniker(in):
John Agnello (engineer & producer), Greg Laney und Geoff Workman
Produzent(in):
Tom Werman
Bassgitarre:
Mark Mendoza (Twisted Sister bassist)
E-Gitarre:
Jay Jay French und Eddie Ojeda
Schlagzeug:
A.J. Pero
Hintergrundgesang:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero und Dee Snider
Sologesang:
Dee Snider
arranger:
Twisted Sister und Tom Werman
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1984-02 bis 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1984-02 bis 1984-03) und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1984-02 bis 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 47) und Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 81)
recording of:
We’re Not Gonna Take It
Texter und Komponist(in):
Dee Snider
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Tunes
Teil von:
“The Filthy Fifteen” (PRMC’s list of songs with “offensive lyrical content”) (Nummer: 7)
Twisted Sister4.553:40
14Never Ending Story
Produzent(in):
Giorgio Moroder
Hintergrundgesang:
Beth Andersen (US pop vocalist)
Sologesang:
Limahl
Interpret(in):
Limahl
phonographisches Urheberrecht (℗) von:
Neue Constantin Film Productions GmbH
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
Texter:
Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Limahl3.353:30
15Just What I Always Wanted
Produzent(in):
Tony Mansfield (producer & songwriter)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Just What I Always Wanted
Texter und Komponist(in):
Teddy Johns
Mari Wilson3:27
16I’m Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
17Geno
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
Verfasser(in):
Al Archer und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:27
18Too Shy
Schlagzeug-Programmierung:
Jez Strode
Techniker(in):
Colin Thurston
Produzent(in):
Nick Rhodes und Colin Thurston
Bassgitarre:
Nick Beggs
E-Bow [e bow] und Gitarre:
Steve Askew
Synthesizer:
Stuart Croxford Neale
Sologesang:
Limahl
zusätzlich vocals:
Nick Beggs und Stuart Croxford Neale
arranger:
Kajagoogoo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
Musikvideos:
Too Shy von Kajagoogoo
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 9) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 27)
recording of:
Too Shy
Texter:
Nick Beggs und Christopher Hamill
Komponist(in):
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale und Jez Strode
publisher:
EMI Songs und Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.653:45
19Each Time You Break My Heart (edit)
recording of:
Each Time You Break My Heart
Verfasser(in):
Stephen Bray und Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Warner Bros. (holding: file NO releases)
Nick Kamen4:20
20Holding Back the Years
assistierende(r) Techniker(in):
Chris Dickie
Techniker(in) und Mix:
Femi Jiya
Produzent(in):
Stewart Levine (record producer and saxophonist)
Bass:
Tony Bowers (in 1985)
Gitarre:
Sylvan (in 1985)
Keyboard und Hintergrundgesang:
Fritz McIntyre (in 1985)
Perkussion und Schlagzeug:
Chris Joyce (in 1985)
Trompete:
Tim Kellett (in 1985)
Sologesang:
Mick Hucknall (lead singer of Simply Red) (in 1985)
Interpret(in):
Simply Red (English soul and pop band) (in 1985)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1985)
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich (in 1985) und Soundpush Studio in Blaricum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1985)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1985)
Musikvideos:
Holding Back the Years von Simply Red (English soul and pop band)
recording of:
Holding Back the Years (in 1985)
Texter:
Mick Hucknall (lead singer of Simply Red)
Komponist(in):
Mick Hucknall (lead singer of Simply Red) und Neil Moss
publisher:
EMI April Music Inc., EMI Songs Ltd. und So What Ltd
Simply Red44:26
21It Started With a Kiss
Produzent(in):
Mickie Most (English record producer)
Sologesang:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (in 1982)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2011)
Musikvideos:
It Started With a Kiss von Hot Chocolate (70s and 80s British soul band)
recording of:
It Started With a Kiss (in 1982)
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. und Universal Music Publishing MGB Australia
Hot Chocolate34:02
22Always
Techniker(in):
Rory Young
Produzent(in):
David Lewis (member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
conductor:
Gene Page
arranger:
Gene Page
recording of:
Always
Verfasser(in):
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
Atlantic Starr4:48
23Give Me the Night
Produzent(in):
Quincy Jones
Bass:
Abraham Laboriel
Bass-Synthesizer [synthesizer bass]:
Richard Tee
flute und Saxophon:
Kim Hutchcroft und Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
Gitarre:
George Benson (jazz guitarist/singer) und Lee Ritenour
Hybrid-Piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Synthesizer:
Michael Boddicker
Trompete:
Jerry Hey
Hintergrundgesang:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray und Jocelyn Allen
Sologesang:
George Benson (jazz guitarist/singer)
Horn arranger und Saiteninstrumente arranger:
Jerry Hey
arranger:
Quincy Jones und Rod Temperton
vocals arranger:
Rod Temperton
recording of:
Give Me the Night
Texter und Komponist(in):
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson4.63:45
24Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
25It’s My Life (edit)
recording of:
It’s My Life
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3:37
26There Is a Light That Never Goes Out
Techniker(in):
Stephen Street (famous producer, songwriter)
Produzent(in):
Johnny Marr und Morrissey (English singer-songwriter)
Bassgitarre:
Andy Rourke
Gitarre:
Johnny Marr
Schlagzeug:
Mike Joyce (UK drummer)
Sologesang:
Morrissey (English singer-songwriter)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 2017)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 4), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 86), Indie 88: Top 500 Indie Rock Songs (Nummer: 159) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 226)
recording of:
There Is a Light That Never Goes Out (in 1985)
Texter:
Morrissey (English singer-songwriter)
Komponist(in):
Johnny Marr
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Smiths4.44:03
27Love Will Tear Us Apart (2005 remaster)
Produzent(in):
Joy Division und Martin Hannett
Bass:
Peter Hook
Gitarre:
Bernard Albrecht
Schlagzeug:
Stephen Morris (New Order)
vocals:
Bernard Albrecht und Ian Curtis
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (Nummer: 5), Q50 – December 2005 (Nummer: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 14), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 179)
recording of:
Love Will Tear Us Apart
Texter:
Ian Curtis
Komponist(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:26
28April Skies
Produzent(in):
Bill Price (UK producer/engineer)
vocals:
Jim Reid (Jesus and Mary Chain)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1987)
recording of:
April Skies
Verfasser(in):
Jim Reid (Jesus and Mary Chain) und William Reid (guitarist, The Jesus and Mary Chain)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) (in 1987)
The Jesus and Mary Chain4.354:00
29Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.43:27
30The Killing Moon
recording engineer und Produzent(in):
David Lord (British composer, engineer and producer)
Mix:
Echo & the Bunnymen und Gil Norton (British record producer)
arranger:
Adam Peters
recording of:
The Killing Moon
Verfasser(in):
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson und Will Sergeant
Echo & the Bunnymen4.655:48
31Talk of the Town
Produzent(in):
Chris Thomas (UK record producer / remixer)
recording of:
Talk of the Town
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Pretenders3:14
32Swords and Tequila
Techniker(in):
Rod Hui (von 1980-11 bis 1980-12)
Produzent(in):
Steve Loeb (von 1980-11 bis 1980-12)
recording of:
Swords and Tequila
Komponist(in):
Mark Reale und Guy Speranza
Riot3:20
33Just Like Paradise
Programmierung:
Brett Tuggle
Techniker(in):
Magic Moreno, Doug Parry und Steve Vai
Koproduzent(in):
Steve Vai
Produzent(in):
David Lee Roth
Bassgitarre:
Billy Sheehan
Gitarre:
Steve Vai
Keyboard:
Brett Tuggle
Perkussion und Schlagzeug:
Gregg Bissonette (US jazz & rock drummer)
Hintergrundgesang:
Gregg Bissonette (US jazz & rock drummer), Billy Sheehan und Brett Tuggle
Sologesang:
David Lee Roth
zusätzlich Hintergrundgesang:
Tommy Funderburk und Tom Kelly (songwriter)
recording of:
Just Like Paradise
Verfasser(in):
David Lee Roth und Brett Tuggle
David Lee Roth4.54:05
34Dry County
recording of:
Dry County
Verfasser(in):
Rickey Medlocke und Jakson Spires
publisher:
Lovolar Music
sub-publisher:
Concord Music Publishing Sàrl
Blackfoot23:42
35Round and Round
assistierende(r) Techniker(in):
Dave Clark (engineer), Clif Smith (Engineer), Robin Laine und Ray Leonard (engineer)
Techniker(in):
Jim Faraci und Beau Hill
Produzent(in):
Beau Hill
Bassgitarre:
Juan Croucier
E-Gitarre:
Robbin Crosby und Warren DeMartini
Perkussion und Schlagzeug:
Bobby Blotzer
Hintergrundgesang:
Robbin Crosby, Juan Croucier und Warren DeMartini
Sologesang:
Stephen Pearcy
aufgenommen bei:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten und The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 20), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 51) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 61)
recording of:
Round and Round
Verfasser(in):
Robbin Crosby, Warren DeMartini und Stephen Pearcy
publisher:
Ratt Music und Time Coast Music
Ratt4.54:26
36La bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.252:56
37Life in a Northern Town
Produzent(in):
David Gilmour (Pink Floyd), Nick Laird-Clowes und George Nicholson (engineer, producer)
zusätzliche(r) Produzent(in):
David Gilmour (Pink Floyd)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 54)
recording of:
Life in a Northern Town
Verfasser(in):
Gilbert Gabriel und Nick Laird-Clowes
gewidmet:
Nick Drake (English singer‐songwriter)
The Dream Academy4.34:16
38Black Velvet
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 79)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin', Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4:33
39Sunshine Reggae (12″ version)
recording of:
Sunshine Reggae
Texter und Komponist(in):
John Guldberg und Tim Stahl
Laid Back6:38
40Once in a Lifetime (live)
live recording of:
Once in a Lifetime
Texter:
David Byrne (Talking Heads)
Komponist(in):
David Byrne (Talking Heads), Brian Eno, Chris Frantz, Jerry Harrison (Talking Heads) und Tina Weymouth
publisher:
Bleu Disque Music Co. (publisher), Careers–BMG Music Publishing, Inc., E.G. Music Ltd. (publisher) und Index Music
Talking Heads5:25

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Rhino UK (company credits only; do NOT use as release label) (in 2019)
zum Herunterladen kaufen:https://itunes.apple.com/gb/album/id1517030907 [Info]
kostenlos streamen:https://open.spotify.com/album/6qM5fE343Xg3H1bU6UvFf1 [Info]
https://www.deezer.com/album/92287362 [Info]