Pure Jazz

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1My Baby Just Cares for Me
cover recording of:
My Baby Just Cares for Me
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3:03
2April in Paris
Produzent(in):
Norman Granz
alto saxophone:
Bill Graham (US jazz saxophonist) (am 1955-07-26) und Marshall Royal (am 1955-07-26)
alto saxophone, Klarinette, flute und Tenorsaxophon:
Frank Wess (am 1955-07-26)
baritone saxophone und Bassklarinette:
Charlie Fowlkes (am 1955-07-26)
Gitarre:
Freddie Green (am 1955-07-26)
Klarinette und Tenorsaxophon:
Frank Foster (saxophonist) (am 1955-07-26)
Klavier:
Count Basie (pianist) (am 1955-07-26)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1955-07-26)
Posaune:
Henry Coker (am 1955-07-26), Bill Hughes (trombone) (am 1955-07-26) und Benny Powell (am 1955-07-26)
Schlagzeug:
Sonny Payne (am 1955-07-26)
Trompete:
Wendell Culley (am 1955-07-26), Reunald Jones (am 1955-07-26), Thad Jones (am 1955-07-26) und Joe Newman (US jazz trumpeter) (am 1955-07-26)
arranger:
Wild Bill Davis
instrumental cover recording of:
April in Paris (am 1955-07-26)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Count Basie3:49
3Summertime
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-18)
Geige / Violine:
Victor Arno (am 1957-08-18)
Gitarre:
Tony Rizzi (am 1957-08-18)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1957-08-18)
Kontrabass:
Joe Mondragon (am 1957-08-18)
Posaune:
Buddy Childers (American jazz trumpeter & composer) (am 1957-08-18)
Schlagzeug:
Alvin Stoller (am 1957-08-18)
Trompete:
Louis Armstrong (am 1957-08-18) und Frank Beach (trombone, trumpet) (am 1957-08-18)
Waldhorn:
Vincent DeRosa (am 1957-08-18)
vocals:
Louis Armstrong (am 1957-08-18) und Ella Fitzgerald (American jazz singer) (am 1957-08-18)
Orchester:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (am 1957-08-18)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1957-08-18)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald & Louis Armstrong3.754:58
4In the Mood
recording of:
In the Mood
Texter:
Andy Razaf
Komponist(in):
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
basiert auf:
Tar Paper Stomp
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Glenn Miller and His Orchestra3:32
5Misty
alto saxophone:
Marcel Hrasko (am 1958-07-07)
baritone saxophone:
William Boucaya (am 1958-07-07) und Jo Hrasko (am 1958-07-07)
Gitarre:
Pierre Cullaz (am 1958-07-07)
Klavier:
Ronnell Bright (am 1958-07-07)
Schlagzeug:
Kenny Clarke (am 1958-07-07)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1958-07-07)
Vibraphon:
Michel Hausser (am 1958-07-07)
Orchester:
Quincy Jones and His Orchestra
arranger:
Quincy Jones
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (am 1958-07-07)
cover recording of:
Misty (am 1958-07-07)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
Sarah Vaughan3:01
6Everything Happens to Me
recording of:
Everything Happens to Me (am 1955-11-28)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Chet Baker3:40
7'Round Midnight
recorded in:
New York, New York, Vereinigte Staaten (am 1958-06-25)
alto saxophone:
Phil Woods (US jazz woodwind player) (am 1958-06-25)
baritone saxophone und Bassklarinette:
Jerome Richardson (am 1958-06-25)
flute:
Herbie Mann (am 1958-06-25)
Gitarre:
Barry Galbraith (am 1958-06-25)
Harfe:
Betty Glamann (am 1958-06-25)
Klavier:
Bill Evans (pianist) (am 1958-06-25)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1958-06-25)
Schlagzeug:
Kenny Dennis (am 1958-06-25)
Tenorsaxophon:
John Coltrane (am 1958-06-25)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1958-06-25)
Vibraphon:
Eddie Costa (am 1958-06-25)
conductor:
Michel Legrand (am 1958-06-25)
arranger:
Michel Legrand
instrumental cover recording of:
’Round Midnight (am 1958-06-25)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
recording of:
’Round Midnight (am 1958-06-25)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Miles Davis2:58
8The Girl From Ipanema
recording engineer:
Phil Ramone
Produzent(in):
Creed Taylor
Bassgitarre:
Tommy Williams (jazz bassist) (von 1963-03-18 bis 1963-03-19)
Gast-Klavier und Klavier:
Antônio Carlos Jobim (von 1963-03-18 bis 1963-03-19)
Gitarre:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (von 1963-03-18 bis 1963-03-19)
Kontrabass [bass]:
Tommy Williams (jazz bassist) (in 1963-03)
Schlagzeug:
Milton Banana (von 1963-03-18 bis 1963-03-19)
Schlagzeug [drums]:
Milton Banana (in 1963-03)
Tenorsaxophon:
Stan Getz (von 1963-03-18 bis 1963-03-19)
vocals:
Astrud Gilberto (von 1963-03-18 bis 1963-03-19) und João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (von 1963-03-18 bis 1963-03-19)
Interpret(in):
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) und Antônio Carlos Jobim
aufgenommen bei:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (von 1963-03-18 bis 1963-03-19)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 461)
recording of:
The Girl From Ipanema (von 1963-03-18 bis 1963-03-19)
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Stan Getz & João Gilberto featuring Astrud Gilberto3.655:24
9God Bless the Child
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-07)
Bass und Kontrabass:
Aaron Bell (jazz double bassist) (am 1956-06-07)
Gitarre:
Kenny Burrell (am 1956-06-07)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1956-06-07)
Klavier:
Wynton Kelly (am 1956-06-07)
Schlagzeug:
Lenny McBrowne (US jazz drummer) (am 1956-06-07)
Tenorsaxophon:
Paul Quinichette (am 1956-06-07)
Trompete:
Charlie Shavers (am 1956-06-07)
vocals:
Billie Holiday (am 1956-06-07)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten
recording of:
God Bless the Child (am 1956-06-07)
Texter:
Billie Holiday
Komponist(in):
Arthur Herzog, Jr.
publisher:
Basart Editions (beendet) und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday3:59
10What a Diff'rence a Day Made
Produzent(in):
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (am 1959-02-19)
flute:
Jerome Richardson (am 1959-02-19)
Gitarre:
Kenny Burrell (am 1959-02-19)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (am 1959-02-19)
Kontrabass:
Milt Hinton (am 1959-02-19)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1959-02-19)
Sologesang:
Dinah Washington (am 1959-02-19)
vocals:
Dinah Washington (am 1959-02-19)
Orchester:
Belford Hendricks' Orchestra (am 1959-02-19)
conductor:
Belford Hendricks (am 1959-02-19)
arranger:
Belford Hendricks
cover recording of:
What a Diff’rence a Day Made (am 1959-02-19)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Dinah Washington3.252:29
11Sing Sing Sing
recording of:
Sing, Sing, Sing (With a Swing)
Texter und Komponist(in):
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (beendet) und EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Benny Goodman3:29
12Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Ella Fitzgerald5:17
13Unforgettable
Bratsche / Viola:
Paul Robyn (am 1951-08-17) und Dave Sterkin (am 1951-08-17)
Celesta und Klavier:
Buddy Cole (am 1951-08-17)
Cello:
Cy Bernard (am 1951-08-17) und Eleanor Slatkin (US cellist, b. Aller) (am 1951-08-17)
Conga:
Joe Costanzo (am 1951-08-17)
Geige / Violine:
Alex Beller (am 1951-08-17), Harry Bluestone (am 1951-08-17), Walter Edelstein (am 1951-08-17), Henry Hill (Violin player) (am 1951-08-17), Dan Lube (am 1951-08-17), Erno Neufeld (am 1951-08-17), Mischa Russell (violinist) (am 1951-08-17) und Marshall Sosson (am 1951-08-17)
Gitarre:
Bob Bain (guitarist) (am 1951-08-17)
Harfe:
Ann Mason Stockton (American harpist) (am 1951-08-17)
Kontrabass:
Joe Comfort (am 1951-08-17)
Schlagzeug:
Nick Fatool (am 1951-08-17)
vocals:
Nat King Cole (am 1951-08-17)
Orchester:
Nelson Riddle and His Orchestra (am 1951-08-17)
conductor:
Nelson Riddle (am 1951-08-17)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-08-17)
recording of:
Unforgettable (am 1951-08-17)
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
Nat King Cole43:12
14Take Five
recorded in:
New York, New York, Vereinigte Staaten (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
recording engineer:
Fred Plaut
Produzent(in):
Teo Macero
alto saxophone:
Paul Desmond (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
Klavier:
Dave Brubeck (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
Kontrabass:
Eugene Wright (bass) (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
Schlagzeug:
Joe Morello (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
phonographisches Urheberrecht (℗) von:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) und TP4 Music (in 2017)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
recording of:
Take Five (original instrumental version) (am 1959-07-01)
Komponist(in):
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Dave Brubeck4.355:26
15Peel Me a Grape
Assistent recording engineer:
Lawrence Manchester
recording engineer und Mix:
Al Schmitt
Produzent(in):
Tommy LiPuma
assistierende(r) Mix:
Koji Egawa
Gitarre:
Russell Malone
Klavier und Sologesang:
Diana Krall
Kontrabass:
Christian McBride (American jazz bassist)
phonographisches Urheberrecht (℗) von:
GRP Records, Inc. (do not use as a release label!) und Verve Music Group (now known as Verve Label Group; not for release label use!)
aufgenommen bei:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Peel Me a Grape
Texter und Komponist(in):
Dave Frishberg
Diana Krall5:53
16Night Train
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1962-12-15 bis 1962-12-16)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1962-12-15 bis 1962-12-16)
Kontrabass:
Ray Brown (jazz bassist) (von 1962-12-15 bis 1962-12-16)
Schlagzeug:
Ed Thigpen (von 1962-12-15 bis 1962-12-16)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1963)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (von 1962-12-15 bis 1962-12-16)
Komponist(in):
Jimmy Forrest
basiert auf:
Happy Go Lucky Local
Oscar Peterson4:51
17At Last
Produzent(in):
Leonard Chess, Phil Chess und Leonard and Phil Chess (legendary US production duo)
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
phonographisches Urheberrecht (℗) von:
Windswept Pacific Music Ltd.
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 115) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 356)
cover recording of:
At Last (in 1960-10)
Verfasser(in):
Mack Gordon und Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Etta James4.53:00
18What a Wonderful World
recorded in:
New York, Vereinigte Staaten (am 1967-08-16)
Techniker(in):
Eddie Brackett und Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
baritone saxophone:
Raymond Stanfield (am 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16), Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Gitarre:
Allen Hanlon (jazz guitarist) (am 1967-08-16), Art Ryerson (am 1967-08-16) und Willard Suyker (am 1967-08-16)
Klarinette:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Jerome Richardson (am 1967-08-16)
Klavier:
Hank Jones (piano) (am 1967-08-16)
Kontrabass:
Russ Savakus (am 1967-08-16)
Perkussion:
Warren Hard (am 1967-08-16)
Posaune:
Urbie Green (am 1967-08-16) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1967-08-16)
Schlagzeug:
Grady Tate (am 1967-08-16)
Tenorsaxophon:
Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Trompete:
Louis Armstrong (am 1967-08-16), Clark Terry (American swing trumpeter) (am 1967-08-16) und Joe Wilder (am 1967-08-16)
Sologesang:
Louis Armstrong (am 1967-08-16)
Orchester:
Louis Armstrong's Orchestra and Chorus (am 1967-08-16)
conductor und chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (am 1967-08-16)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 171) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 283)
recording of:
What a Wonderful World (am 1967-08-16)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong3.92:17

Nennungen

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0000109273 [Info]