Maria Callas: 90 Opera Arias (Remastered 2023)

~ Veröffentlichung von Maria Callas (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Carmen : « L’amour est un oiseau rebelle » (Habanera)
recorded in:
Paris, Île-de-France, Frankreich (in 1964)
Soprangesang [Carmen]:
Maria Callas (soprano) (in 1964)
Orchester:
Orchestre de l’Opéra national de Paris (in 1964)
conductor:
Georges Prêtre (French conductor) (in 1964)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1964)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
basiert auf:
El arreglito
Teil von:
Carmen : Acte I
Georges Bizet4:17
2Carmen : « Près des remparts de Séville » (Séguedille)
recorded in:
Paris, Île-de-France, Frankreich (in 1964)
Produzent(in):
Michel Glotz
Mezzosoprangesang [Carmen]:
Maria Callas (soprano) (von 1964-07-06 bis 1964-07-20)
Soprangesang [Carmen]:
Maria Callas (soprano) (in 1964)
Tenor-Gesang [Don José]:
Nicolai Gedda (tenor) (in 1964, von 1964-07-06 bis 1964-07-20)
Orchester:
Orchestre de l’Opéra national de Paris (in 1964) und Orchestre du Théâtre national de l’Opéra (von 1964-07-06 bis 1964-07-20)
conductor:
Georges Prêtre (French conductor) (in 1964, von 1964-07-06 bis 1964-07-20)
Tonmeister(in):
Paul Vavasseur (engineer) (von 1964-07-06 bis 1964-07-20)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (von 1964-07-06 bis 1964-07-20)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (von 1964-07-06 bis 1964-07-20)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Carmen : Acte I
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (in 1964)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Carmen : Acte I
Georges Bizet4:30
3Lakmé: “Dov’è l’indiana bruna?”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1955)
Soprangesang [Lakmé]:
Maria Callas (soprano) (in 1955)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
recording of:
Lakmé: Atto II. "Dov’ è l’Indiana bruna?" (Lakmé) (in 1955)
Komponist(in):
Léo Delibes (French composer)
Librettist:
Gille, Edmond Gondinet und Angelo Zanardini
übersetzte Version von:
Lakmé : Acte II. No. 10 Scène & légende de la fille du Paria (Air des clochettes) « Ah !… Par les dieux inspirée » … « Où va la jeune indoue » (Lakmé, Nilakantha)
Léo Delibes7:58
4Carmen : « Les tringles des sistres tintaient » (Chanson bohème)
recorded in:
Paris, Île-de-France, Frankreich (in 1964)
Mezzosoprangesang [Mercédès]:
Jane Berbié (mezzo-soprano) (in 1964)
Soprangesang [Carmen]:
Maria Callas (soprano) (in 1964)
Soprangesang [Frasquita]:
Nadine Sautereau (French soprano) (in 1964)
Orchester:
Orchestre de l’Opéra national de Paris (in 1964)
conductor:
Georges Prêtre (French conductor) (in 1964)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (in 1964)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Carmen : Acte II
Georges Bizet4:15
5Gianni Schicchi: “O mio babbino caro”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Lauretta]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1954)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini2:30
6Tosca: “Senti, l’ora è vicina”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1953)
Soprangesang [Tosca]:
Maria Callas (soprano) (in 1953)
Tenor-Gesang [Cavaradossi]:
Giuseppe Di Stefano (tenor) (in 1953)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Victor de Sabata (conductor and composer) (in 1953)
recording of:
Tosca: Atto III. “Senti, l’ora è vicina” (Tosca, Cavaradossi) (in 1953)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini5:22
7Tosca: “Vissi d’arte”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1953)
Soprangesang [Tosca]:
Maria Callas (soprano) (in 1953)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Victor de Sabata (conductor and composer) (in 1953)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1953)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:15
8Tosca: “Mario! Mario! Mario!”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1953)
Soprangesang [Tosca]:
Maria Callas (soprano) (in 1953)
Tenor-Gesang [Cavaradossi]:
Giuseppe Di Stefano (tenor) (in 1953)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Victor de Sabata (conductor and composer) (in 1953)
recording of:
Tosca: Act I. “Mario! Mario! Mario!” (in 1953)
Komponist(in):
Giacomo Puccini (Italian composer)
Übersetzer:
Edmund Tracey (translator)
übersetzte Version von:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi)
Teil von:
Tosca (English translation)
Giacomo Puccini12:12
9Norma: “Casta Diva”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Norma]:
Maria Callas (soprano) (in 1954)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (in 1954)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer) (bis 1831)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (bis 1831)
Teil von:
Norma: Atto I
Vincenzo Bellini7:17
10Norma: “Mira, o Norma”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Mezzosoprangesang [Adalgisa]:
Ebe Stignani (mezzo soprano) (in 1954)
Soprangesang [Norma]:
Maria Callas (soprano) (in 1954)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Norma: Atto II, scena 1. Duetto “Mira, o Norma” (Norma, Adalgisa) (in 1954)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer) (bis 1831)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (bis 1831)
Teil von:
Norma: Atto II
Vincenzo Bellini7:11
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1La Bohème: “O soave fanciulla”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1956)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1956)
Soprangesang [Mimì]:
Maria Callas (soprano) (in 1956)
Tenor-Gesang [Rodolfo]:
Giuseppe Di Stefano (tenor) (in 1956)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Antonino Votto (conductor) (in 1956)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1956)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:04
2La Bohème: “Sì. Mi chiamano Mimì”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Mimì]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1954)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:43
3La Bohème: “Donde lieta uscì”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Mimì]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (in 1954)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:16
4Suor Angelica: “Senza mamma”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Angelica]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica) (in 1954)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Suor Angelica
Giacomo Puccini5:30
5La sonnambula: “Care compagne…”
recorded in:
Milano (Milan), Milano, Lombardia, Italien
Produzent(in):
Walter Legge (British classical producer)
Chorgesang:
Coro del Teatro alla Scala di Milano (von 1957-03-03 bis 1957-03-09)
Soprangesang [Amina]:
Maria Callas (soprano) (von 1957-03-03 bis 1957-03-09)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1957-03-03 bis 1957-03-09)
conductor:
Antonino Votto (conductor) (von 1957-03-03 bis 1957-03-09)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Basilica di Sant’Eufemia in Milano, Lombardia, Italien (von 1957-03-03 bis 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. Recitativo e cavatina “Care compagne, teneri amici… Come per me sereno” (Amina, Tutti) (von 1957-03-03 bis 1957-03-09)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Teil von:
La sonnambula: Atto I
Vincenzo Bellini2:08
6La sonnambula: “Come per me sereno” … “Sempre, o felice Amina”
recorded in:
Milano (Milan), Milano, Lombardia, Italien
Produzent(in):
Walter Legge (British classical producer)
Bass-Gesang [Alessio]:
Giuseppe Morresi (operatic bass) (von 1957-03-03 bis 1957-03-09)
Bass-Gesang [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (von 1957-03-03 bis 1957-03-09)
Soprangesang [Amina]:
Maria Callas (soprano) (von 1957-03-03 bis 1957-03-09)
Soprangesang [Lisa]:
Eugenia Ratti (soprano) (von 1957-03-03 bis 1957-03-09)
Tenor-Gesang [Elvino]:
Nicola Monti (tenor) (von 1957-03-03 bis 1957-03-09)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1957-03-03 bis 1957-03-09)
conductor:
Antonino Votto (conductor) (von 1957-03-03 bis 1957-03-09)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Basilica di Sant’Eufemia in Milano, Lombardia, Italien (von 1957-03-03 bis 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. Recitativo e cavatina “Care compagne, teneri amici… Come per me sereno” (Amina, Tutti) (von 1957-03-03 bis 1957-03-09)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Teil von:
La sonnambula: Atto I
Vincenzo Bellini3:00
7La sonnambula: “Sovra il sen la man mi posa”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (von 1957-03-03 bis 1957-03-09)
Produzent(in):
Walter Legge (British classical producer)
Bass-Gesang [Alessio]:
Giuseppe Morresi (operatic bass) (von 1957-03-03 bis 1957-03-09)
Chorgesang:
Coro del Teatro alla Scala di Milano (von 1957-03-03 bis 1957-03-09)
Mezzosoprangesang [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (von 1957-03-03 bis 1957-03-09)
Soprangesang [Amina]:
Maria Callas (soprano) (von 1957-03-03 bis 1957-03-09)
Soprangesang [Lisa]:
Eugenia Ratti (soprano) (von 1957-03-03 bis 1957-03-09)
Tenor-Gesang [Un notaro]:
Franco Ricciardi (Italian tenor) (von 1957-03-03 bis 1957-03-09)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1957-03-03 bis 1957-03-09)
conductor:
Antonino Votto (conductor) (von 1957-03-03 bis 1957-03-09)
chorus master:
Norberto Mola (chorus master) (von 1957-03-03 bis 1957-03-09)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Basilica di Sant’Eufemia in Milano, Lombardia, Italien (von 1957-03-03 bis 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “Sovra il sen la man mi posa” (Amina) (von 1957-03-03 bis 1957-03-09)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Teil von:
La sonnambula: Atto I
Vincenzo Bellini2:36
8Il barbiere di Siviglia: “Una voce poco fa”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Rosina]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (in 1954)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:46
9Dinorah: “Ombra leggera”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Dinorah]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Dinorah: Acte II. “Ombra leggiera” (Shadow Song, italian lyrics) (Dinorah) (in 1954)
Komponist(in):
Giacomo Meyerbeer (composer)
Librettist:
Barbier, Carré (librettist) und De Lauzières
übersetzte Version von:
Dinorah : Acte II. "Ombre légère (Shadow Song)" (Dinorah)
Giacomo Meyerbeer5:36
10l vespri siciliani: “Mercé, dilette amiche”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Elena]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
I vespri siciliani: Atto V. Bolero “Mercè, dilette amiche” (Elena) (in 1954)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Charles Duveyrier und Eugène Scribe
Übersetzer:
Arnaldo Fusinato
Teil von:
I vespri siciliani: Atto V
Giuseppe Verdi3:56
11Adriana Lecouvreur: “Ecco: Respiro appena” … “lo son l’umile ancella”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Adriana]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana) (in 1954)
Komponist(in):
Francesco Cilea (composer)
Librettist:
Arturo Colautti
publisher:
Ascherberg, Hopwood & Crew und MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:
Adriana Lecouvreur: Atto I
Francesco Cilea3:41
12Adriana Lecouvreur: “Poveri fiori”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Adriana]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Adriana Lecouvreur: Atto IV. “Poveri fiori” (Adriana) (in 1954)
Komponist(in):
Francesco Cilea (composer)
Librettist:
Arturo Colautti
publisher:
Ascherberg, Hopwood & Crew und MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:
Adriana Lecouvreur: Atto IV
Francesco Cilea3:08
3▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Orphée et Eurydice : « J’ai perdu mon Eurydice »
recorded in:
Paris, Île-de-France, Frankreich (in 1963)
Soprangesang [Orphée]:
Maria Callas (soprano) (in 1963)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (in 1963)
conductor:
Georges Prêtre (French conductor) (in 1963)
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (in 1963)
Komponist(in):
Christoph Willibald Gluck (composer)
zusätzlich Librettist:
Pierre-Louis Moline
Übersetzer:
Pierre-Louis Moline
übersetzte Version von:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
Teil von:
Orphée et Eurydice, Wq. 41 : Acte III
Christoph Willibald Gluck4:18
2Samson et Dalila : « Printemps qui commence »
recorded in:
Paris, Île-de-France, Frankreich (in 1963)
Soprangesang [Dalila]:
Maria Callas (soprano) (in 1963)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (in 1963)
conductor:
Georges Prêtre (French conductor) (in 1963)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (in 1963)
Komponist(in):
Camille Saint‐Saëns (composer)
Teil von:
Samson et Dalila : Acte I
Camille Saint‐Saëns5:09
3Samson et Dalila : « Samson, recherchant ma présence » … « Amour ! Viens aider ma faiblesse ! »
recorded in:
Paris, Île-de-France, Frankreich (in 1963)
Soprangesang [Dalila]:
Maria Callas (soprano) (in 1963)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (in 1963)
conductor:
Georges Prêtre (French conductor) (in 1963)
recording of:
Samson et Dalila : Acte II, scène 1. « Samson, recherchant ma présence … Amour, viens aider ma faiblesse ! » (Dalila) (in 1963)
Komponist(in):
Camille Saint‐Saëns (composer)
Teil von:
Samson et Dalila : Acte II
Camille Saint‐Saëns4:05
4Samson et Dalila : « Mon cœur s’ouvre ta voix »
recorded in:
Paris, Île-de-France, Frankreich (in 1963)
Soprangesang [Dalila]:
Maria Callas (soprano) (in 1963)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (in 1963)
conductor:
Georges Prêtre (French conductor) (in 1963)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (in 1963)
Komponist(in):
Camille Saint‐Saëns (composer)
Teil von:
Samson et Dalila : Acte II
Camille Saint‐Saëns5:12
5Roméo et Juliette : « Ah ! Je veux vivre dans ce rêve »
recorded in:
Paris, Île-de-France, Frankreich (in 1963)
Soprangesang [Juliette]:
Maria Callas (soprano) (in 1963)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (in 1963)
conductor:
Georges Prêtre (French conductor) (in 1963)
recording of:
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette) (in 1963)
Komponist(in):
Charles Gounod (French composer) (von 1865 bis 1866)
Librettist:
Jules Barbier und Michel Carré (librettist)
publisher:
Choudens
Teil von:
Roméo et Juliette : Acte I
Charles Gounod3:34
6Mignon : « Ah, pour ce soir » … « Je suis Titania » (Polonaise)
recorded in:
Paris, Île-de-France, Frankreich (in 1963)
Soprangesang [Philine]:
Maria Callas (soprano) (in 1963)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (in 1963)
conductor:
Georges Prêtre (French conductor) (in 1963)
recording of:
Mignon : Acte II, no. 12ter. Polonaise « Oui ! Pour ce soir » ... « Je suis Titania, la blonde » (Philine) (in 1963)
Komponist(in):
Ambroise Thomas (opera composer)
Teil von:
Mignon : Acte II. Un boudoir élégant / Un coin du parc
Ambroise Thomas5:04
7Le Cid : « De cet affreux combat » … « Pleurez, mes yeux ! »
recorded in:
Paris, Île-de-France, Frankreich (in 1963)
Soprangesang [Chimène]:
Maria Callas (soprano) (in 1963)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (in 1963)
conductor:
Georges Prêtre (French conductor) (in 1963)
recording of:
Le Cid : Acte III, scène 1. « De cet affreux combat je sors l’âme brisée ! » (Chimène) (in 1963)
Komponist(in):
Jules Massenet (French Romantic composer)
Teil von:
Le Cid : Acte III
recording of:
Le Cid : Acte III, scène 1. No. 10 Air « Pleurez ! pleurez mes yeux » (Chimène) (in 1963)
Komponist(in):
Jules Massenet (French Romantic composer) (von 1884 bis 1885)
Teil von:
Le Cid : Acte III
Jules Massenet6:00
8Louise : « Depuis le jour où je me suis donnée »
recorded in:
Paris, Île-de-France, Frankreich (in 1963)
Soprangesang [Louise]:
Maria Callas (soprano) (in 1963)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (in 1963)
conductor:
Georges Prêtre (French conductor) (in 1963)
recording of:
Louise: Acte III, Scène I. “Depuis le jour” (Louise) (in 1963)
Komponist(in):
Gustave Charpentier (French composer)
Teil von:
Louise: Acte III, Scène I.
Gustave Charpentier4:40
9Manon : « Je ne suis que faiblesse » … « Adieu, notre petite table »
recorded in:
Paris, Île-de-France, Frankreich (in 1963)
Soprangesang [Manon]:
Maria Callas (soprano) (in 1963)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (in 1963)
conductor:
Georges Prêtre (French conductor) (in 1963)
recording of:
Manon : Acte II. « Adieu, notre petite table » (Manon) (in 1963)
Komponist(in):
Jules Massenet (French Romantic composer)
Librettist:
Philippe Gille und Henri Meilhac
Teil von:
Manon : Acte II
recording of:
Manon : Acte II. « Je ne suis que faiblesse » (Manon) (in 1963)
Komponist(in):
Jules Massenet (French Romantic composer)
Teil von:
Manon : Acte II
Jules Massenet3:15
10Werther : « Werther ! Qui m’aurait dit » … « Des cris joyeux » (Letter Scene)
recorded in:
Paris, Île-de-France, Frankreich (in 1963)
Soprangesang [Charlotte]:
Maria Callas (soprano) (in 1963)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (in 1963)
conductor:
Georges Prêtre (French conductor) (in 1963)
recording of:
Werther : Acte III. « Ces lettres ! ... ces lettres ! ... je les relis sans cesse ! » - « Je vous écris de ma petite chambre » – « Des cris joyeux » (Charlotte) (Air des lettres) (in 1963)
Komponist(in):
Jules Massenet (French Romantic composer)
Teil von:
Werther : Acte III (Charlotte et Werther)
recording of:
Werther : Acte III. « Werther ! Qui m'aurait dit » (Charlotte) (in 1963)
Komponist(in):
Jules Massenet (French Romantic composer)
Teil von:
Werther : Acte III (Charlotte et Werther)
Jules Massenet6:58
11Faust : « Je voudrais bien savoir » … « ll était un Roi de Thulé » … « Ô Dieu ! que de bijoux » … « Ah ! je ris »
recorded in:
Paris, Île-de-France, Frankreich (in 1963)
Soprangesang [Marguerite]:
Maria Callas (soprano) (in 1963)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (in 1963)
conductor:
Georges Prêtre (French conductor) (in 1963)
recording of:
Faust : Acte III. Scène « Je voudrais bien savoir » … No. 14a « Il était un roi de Thulé » (Marguerite) (in 1963)
Komponist(in):
Charles Gounod (French composer)
Librettist:
Jules Barbier und Michel Carré (librettist)
Teil von:
Faust : Acte III
Charles Gounod11:27
12Alceste : « Divinités du Styx »
recorded in:
Paris, Île-de-France, Frankreich (in 1963)
Soprangesang [Alceste]:
Maria Callas (soprano) (in 1963)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (in 1963)
conductor:
Georges Prêtre (French conductor) (in 1963)
recording of:
Alceste, Wq. 44 : Acte I. Air « Divinités du Styx » (Alceste) (in 1963)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Ranieri de’ Calzabigi
Übersetzer:
François Louis Gaud Lebland du Roullet
Teil von:
Alceste, Wq. 44 : Acte I
Christoph Willibald Gluck4:18
4▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Anna Bolena: “Piangete voi?”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1958)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1958)
Soprangesang [Anna]:
Maria Callas (soprano) (in 1958)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1958)
conductor:
Nicola Rescigno (conductor) (in 1958)
recording of:
Anna Bolena: Atto II, Scena 3. “Piangete voi?” (Anna, Coro) (in 1958)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Anna Bolena: Atto II
Gaetano Donizetti4:47
2Anna Bolena: “Al dolce guidami castel natio”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1958)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1958)
Soprangesang [Anna]:
Maria Callas (soprano) (in 1958)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1958)
conductor:
Nicola Rescigno (conductor) (in 1958)
recording of:
Anna Bolena: Atto II, Scena 3. “Al dolce guidami” (Anna, Coro) (in 1958)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Anna Bolena: Atto II
Gaetano Donizetti4:25
3Anna Bolena: “Qual mesto suon?”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1958)
Bass-Gesang:
Joseph Rouleau (operatic bass) (in 1958)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1958)
Mezzosoprangesang:
Monica Sinclair (Operatic contralto) (in 1958)
Soprangesang [Anna]:
Maria Callas (soprano) (in 1958)
Tenor-Gesang:
John Lanigan (tenor) (in 1958) und Duncan Robertson (tenor) (in 1958)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1958)
conductor:
Nicola Rescigno (conductor) (in 1958)
recording of:
Anna Bolena: Atto II, Scena 3. “Qual mesto suon? …” (Anna, Hervey, Percy, Rochefort, Smeton, Coro) (in 1958)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Anna Bolena: Atto II
Gaetano Donizetti7:34
4Anna Bolena: “Coppia iniqua, l’estrema vendetta”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1958)
Bass-Gesang:
Joseph Rouleau (operatic bass) (in 1958)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1958)
Mezzosoprangesang:
Monica Sinclair (Operatic contralto) (in 1958)
Soprangesang [Anna]:
Maria Callas (soprano) (in 1958)
Tenor-Gesang:
John Lanigan (tenor) (in 1958) und Duncan Robertson (tenor) (in 1958)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1958)
conductor:
Nicola Rescigno (conductor) (in 1958)
recording of:
Anna Bolena: Atto II, Scena III. "Coppia iniqua, l'estrema vendetta" (Anna, Tutti) (in 1958)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Anna Bolena: Atto II
Gaetano Donizetti2:59
5Manon Lescaut: “In quelle trine morbide”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Manon]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon) (in 1954)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto II
Giacomo Puccini2:45
6Manon Lescaut: “Sola, perduta, abbandonata”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Manon]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata” … “Fra le tue braccia, amore” (Manon, Des Grieux) (in 1954)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto IV
Giacomo Puccini5:48
7Madama Butterfly: “Vogliatemi bene”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1955)
Soprangesang [Butterfly]:
Maria Callas (soprano) (in 1955)
Tenor-Gesang [Pinkerton]:
Nicolai Gedda (tenor) (in 1955)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Herbert von Karajan (conductor) (in 1955)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1955)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini7:17
8Madama Butterfly: “Un bel dì vedremo”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Butterfly]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1954)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:29
9Madama Butterfly: “Con onor muore”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Butterfly]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (in 1954)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini3:37
10Turandot: “Signore, ascolta”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Liù]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (in 1954)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:24
11Turandot: “ln questa reggia”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Turandot]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf) (in 1954)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini6:18
12Turandot: “Tu, che di gel sei cinta”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Liù]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla) (in 1954)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:42
5▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Andrea Chénier: “La mamma morta”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Maddalena]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (in 1954)
Komponist(in):
Umberto Giordano (Italian opera composer)
Librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. und MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:
Andrea Chénier: Atto III
Umberto Giordano4:47
2La Wally: “Ebben? Ne andrò lontana”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Wally]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1954)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Teil von:
La Wally: Atto I
Alfredo Catalani4:45
3Mefistofele: Atto III. “L’altra notte in fondo al mare”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Soprangesang [Margherita]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Mefistofele: Atto III. “L’altra notte in fondo al mare” (Margherita, Faust, Mefistofele) (in 1954)
Komponist(in) und Librettist:
Arrigo Boϊto (librettist, composer)
publisher:
G. Ricordi & Co. London (UK division) und G. Ricordi & Co. Milan (Italian publisher)
Teil von:
Mefistofele: Atto III
Arrigo Boito7:21
4Medea: “Dei tuoi figli la madre”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1955)
Soprangesang [Medea]:
Maria Callas (soprano) (in 1955)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
recording of:
Medea: Atto I. Aria “Dei tuoi figli la madre” (Medea) (in 1955)
Komponist(in):
Luigi Cherubini (composer)
Librettist:
François Benoît Hoffmann
Übersetzer:
Carlo Zangarini (in 1909)
Teil von:
Medea: Atto I
Luigi Cherubini4:42
5La vestale: “Tu che invoco con orrore”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1955)
Soprangesang [Giulia]:
Maria Callas (soprano) (in 1955)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
recording of:
La vestale: Atto II. "Tu che invoco" (Giulia) (in 1955)
Komponist(in):
Gaspare Spontini (composer)
Librettist:
Étienne de Jouy und Giovanni Schmidt (librettist)
übersetzte Version von:
La Vestale : Acte II. No. 8. Air « Toi que j’implore avec effroi » (Julia)
Teil von:
La vestale: Atto II (italian version)
Gaspare Spontini10:45
6La vestale: “O Nume, tutelar”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1955)
Soprangesang [Giulia]:
Maria Callas (soprano) (in 1955)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
recording of:
La vestale: Atto II. "O Nume tutelar" (Giulia, Gran Sacerdote) (in 1955)
Komponist(in):
Gaspare Spontini (composer)
Librettist:
Étienne de Jouy und Giovanni Schmidt (librettist)
übersetzte Version von:
La Vestale : Acte II. « Ô des infortunés déesse tutélaire ! » (Julia, Le grand pontife)
Teil von:
La vestale: Atto II (italian version)
Gaspare Spontini2:25
7La vestale: “Caro ogetto”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1955)
Soprangesang [Giulia]:
Maria Callas (soprano) (in 1955)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
recording of:
La vestale: Atto III. "Caro ogetto" (Giulia) (in 1955)
Komponist(in):
Gaspare Spontini (composer)
Librettist:
Étienne de Jouy und Giovanni Schmidt (librettist)
übersetzte Version von:
La Vestale : Acte III. No. 20. Air « Toi, que je laisse sur la terre … » (Julia)
Teil von:
La vestale: Atto III (italian version)
Gaspare Spontini3:40
8Rigoletto: “Gualtier Maldè” … “Caro nome”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (von 1955-09-03 bis 1955-09-16)
Produzent(in):
Walter Legge (British classical producer)
Baritongesang [Marullo]:
William Dickie (british bass-baritone) (von 1955-09-03 bis 1955-09-16)
Bass-Gesang [Il conte di Ceprano]:
Carlo Forti (operatic bass) (von 1955-09-03 bis 1955-09-16)
Chorgesang:
Coro del Teatro alla Scala di Milano (in 1955, von 1955-09-03 bis 1955-09-16)
Soprangesang [Gilda]:
Maria Callas (soprano) (von 1955-09-03 bis 1955-09-16)
Tenor-Gesang [Borsa]:
Renato Ercolani (tenor) (von 1955-09-03 bis 1955-09-16)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-09-03 bis 1955-09-16)
conductor:
Tullio Serafin (conductor) (von 1955-09-03 bis 1955-09-16)
chorus master:
Norberto Mola (chorus master) (von 1955-09-03 bis 1955-09-16)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1956)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-09-03 bis 1955-09-16)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (von 1955-09-03 bis 1955-09-16)
Texter und Librettist:
Francesco Maria Piave
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi7:29
6▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Il trovatore: “Che più t’arresti?”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1956)
Mezzosoprangesang [Ines]:
Luisa Villa (mezzo-soprano) (in 1956)
Soprangesang [Leonora]:
Maria Callas (soprano) (in 1956)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Herbert von Karajan (conductor) (in 1956)
recording of:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora) (in 1956)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:14
2Il trovatore: “Tacea la notte placida”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1956)
Mezzosoprangesang [Ines]:
Luisa Villa (mezzo-soprano) (in 1956)
Soprangesang [Leonora]:
Maria Callas (soprano) (in 1956)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Herbert von Karajan (conductor) (in 1956)
recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines) (in 1956)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto I. Il duello
Giuseppe Verdi3:34
3Il trovatore: “Quanto narrasti di turbamento”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1956)
Soprangesang [Leonora]:
Maria Callas (soprano) (in 1956)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Herbert von Karajan (conductor) (in 1956)
recording of:
Il trovatore: Atto I, scena 2. “Quanto narrasti di turbamento” (Ines, Leonora) (in 1956)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Il trovatore: Atto I. Il duello
Giuseppe Verdi0:50
4Il trovatore: “Di tale amor”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1956)
Mezzosoprangesang [Ines]:
Luisa Villa (mezzo-soprano) (in 1956)
Soprangesang [Leonora]:
Maria Callas (soprano) (in 1956)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Herbert von Karajan (conductor) (in 1956)
recording of:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines) (in 1956)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:38
5Il trovatore: “Siam giunti; ecco la torre”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1956)
Soprangesang [Leonora]:
Maria Callas (soprano) (in 1956)
Tenor-Gesang [Ruiz]:
Renato Ercolani (tenor) (in 1956)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Herbert von Karajan (conductor) (in 1956)
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (in 1956)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:03
6Il trovatore: “D’amor sull’ali rosee”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1956)
Soprangesang [Leonora]:
Maria Callas (soprano) (in 1956)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Herbert von Karajan (conductor) (in 1956)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (in 1956)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:01
7Il trovatore: “Miserere” … “Quel suon, quelle preci”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1956)
Chorgesang:
Coro del Teatro alla Scala di Milano (in 1956)
Soprangesang [Leonora]:
Maria Callas (soprano) (in 1956)
Tenor-Gesang [Manrico]:
Giuseppe Di Stefano (tenor) (in 1956)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Herbert von Karajan (conductor) (in 1956)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (in 1956)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:53
8Il trovatore: “Di te, di te scordami! Tu vedrai che amore in terra”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1956)
Soprangesang [Leonora]:
Maria Callas (soprano) (in 1956)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Herbert von Karajan (conductor) (in 1956)
recording of:
Il trovatore: Atto IV, scena 1. “Di te! Di te! scordami di te” (Leonora) (in 1956)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:33
9Un ballo in maschera: “Ecco l’orrido campo” … “Ma dall’arido stelo divulsa”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1956)
Soprangesang [Amelia]:
Maria Callas (soprano) (in 1956)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Antonino Votto (conductor) (in 1956)
recording of:
Un ballo in maschera: Atto II. Nº 12b. Scena “Ecco l'orrido campo ove s'accoppia” (Amelia) (in 1956)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Somma
Teil von:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 12c. Aria “Ma dall'arido stelo divulsa” (Amelia) (in 1956)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Somma
Teil von:
Un ballo in maschera: Atto II
Giuseppe Verdi9:06
10La forza del destino: “Sono giunta!” … “Madre, pietosa vergine”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1954)
Chorgesang:
Coro del Teatro alla Scala di Milano (in 1954)
Soprangesang [Leonora]:
Maria Callas (soprano) (in 1954)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
La forza del destino: Atto II, scena 2. “Son giunta!” - “Madre, Madre, pietosa Vergine” (Leonora, coro) (in 1954)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La forza del destino: Atto II
Giuseppe Verdi6:52
11La forza del destino: “La Vergine degli Angeli”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1954)
Baritongesang [Melitone]:
Renato Capecchi (baritone) (in 1954)
Bass-Gesang [Guardiano]:
Nicola Rossi‐Lemeni (operatic bass) (in 1954)
Chorgesang:
Coro del Teatro alla Scala di Milano (in 1954)
Soprangesang [Leonora]:
Maria Callas (soprano) (in 1954)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
La forza del destino: Atto II, scena 2. “La vergine degli angeli” (Leonora, Melitone, Guardiano, coro) (in 1954)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La forza del destino: Atto II
Giuseppe Verdi3:35
12La forza del destino: “Pace, pace, mio Dio!”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1954)
Soprangesang [Leonora]:
Maria Callas (soprano) (in 1954)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
La forza del destino: Atto IV, scena 2. “Pace, pace, mio Dio” (Leonora) (in 1954)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La forza del destino: Atto IV
Giuseppe Verdi6:22
13Aida: “Qui Radamès verrà!”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1955)
Soprangesang [Aida]:
Maria Callas (soprano) (in 1955)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
teilweise recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1955)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto III
Giuseppe Verdi1:38
14Aida: “O patria mia”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1955)
Soprangesang [Aida]:
Maria Callas (soprano) (in 1955)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
teilweise recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1955)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto III
Giuseppe Verdi5:25
15Aida: “O terra, addio”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1955)
Chorgesang:
Coro del Teatro alla Scala di Milano (in 1955)
Mezzosoprangesang [Amneris]:
Fedora Barbieri (mezzo-soprano) (in 1955)
Soprangesang [Aida]:
Maria Callas (soprano) (in 1955)
Tenor-Gesang [Radamès]:
Richard Tucker (tenor) (in 1955)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1955)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto IV
Giuseppe Verdi4:52
7▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Macbeth: “Nel dì della vittoria” … “Ambizoso spirto” … “Vieni! T’affretta”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1958)
Soprangesang [Lady]:
Maria Callas (soprano) (in 1958)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1958)
conductor:
Nicola Rescigno (conductor) (in 1958)
recording of:
Macbeth: Atto I. N°3a Scena “Nel dì della vittoria io le incontrai” … “Ambizioso spirto” (Lady) (in 1958)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
zusätzlich Librettist:
Andrea Maffei (19th century poet, translator and librettist)
Teil von:
Macbeth: Atto I
Teil von:
Macbeth: Atto I
Giuseppe Verdi7:42
2Macbeth: “La luce langue”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1958)
Soprangesang [Lady]:
Maria Callas (soprano) (in 1958)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1958)
conductor:
Nicola Rescigno (conductor) (in 1958)
recording of:
Macbeth: Atto II. N°7b Aria “La luce langue, il faro spegnesi” (Lady) (in 1958)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
zusätzlich Librettist:
Andrea Maffei (19th century poet, translator and librettist)
Teil von:
Macbeth: Atto II
Giuseppe Verdi4:07
3Macbeth: “Una macchia è qui tuttora”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1958)
Soprangesang [Lady]:
Maria Callas (soprano) (in 1958)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1958)
conductor:
Nicola Rescigno (conductor) (in 1958)
recording of:
Macbeth: Atto IV. N°14c Scena del sonnambulismo "Una macchia è qui tuttora..." (Lady, Dama, Medico) (Sleepwalking Scene) (in 1958)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
zusätzlich Librettist:
Andrea Maffei (19th century poet, translator and librettist)
Teil von:
Macbeth: Atto IV
Giuseppe Verdi11:13
4Macbeth: “Surta è la notte” … “Ernani, Ernani. Involami”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1958)
Soprangesang [Elvira]:
Maria Callas (soprano) (in 1958)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1958)
conductor:
Nicola Rescigno (conductor) (in 1958)
recording of:
Ernani: Atto I. (no. 4a) Scena “Surta è la notte” (Elvira) (in 1958)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 4b) Cavatina “Ernani!… Ernani, involami” (Elvira) (in 1958)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Ernani: Atto I (Il bandito)
Giuseppe Verdi6:12
5Macbeth: “Tu che le vanità”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1958)
Soprangesang [Elisabetta]:
Maria Callas (soprano) (in 1958)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1958)
conductor:
Nicola Rescigno (conductor) (in 1958)
recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (in 1958)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto IV (V)
Giuseppe Verdi10:40
6Otello: “Mi parea. M’ingiunse di coricarmi”
recorded in:
Paris, Île-de-France, Frankreich (in 1964)
Soprangesang [Desdemona]:
Maria Callas (soprano) (in 1964)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (in 1964)
conductor:
Nicola Rescigno (conductor) (in 1964)
recording of:
Otello: Atto IV. “Mia madre aveva una povera ancella” (Desdemona) (in 1964)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto IV
Giuseppe Verdi5:19
7Otello: “Piangea cantando”
recorded in:
Paris, Île-de-France, Frankreich (in 1964)
Soprangesang [Desdemona]:
Maria Callas (soprano) (in 1964)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (in 1964)
conductor:
Nicola Rescigno (conductor) (in 1964)
recording of:
Otello: Atto IV. “Piangea cantando nell’erma landa” (Desdemona) (Willow Song) (in 1964)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto IV
Giuseppe Verdi7:14
8Otello: “Ave Maria, piena di grazia”
recorded in:
Paris, Île-de-France, Frankreich (in 1964)
Soprangesang [Desdemona]:
Maria Callas (soprano) (in 1964)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (in 1964)
conductor:
Nicola Rescigno (conductor) (in 1964)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona) (in 1964)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01, in 1887)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto IV
Giuseppe Verdi4:30
9Aroldo: “O, cielo! Dove son io?”
recorded in:
Paris, Île-de-France, Frankreich (in 1964)
Soprangesang [Mina]:
Maria Callas (soprano) (in 1964)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (in 1964)
conductor:
Nicola Rescigno (conductor) (in 1964)
recording of:
Aroldo: Atto II. N°4 “Oh cielo! Dove son io?” (Mina) (in 1964)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
Aroldo: Atto II
Giuseppe Verdi9:37
10Don Carlo: “O don fatale”
recorded in:
Paris, Île-de-France, Frankreich (in 1964)
Soprangesang [Eboli]:
Maria Callas (soprano) (in 1964)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (in 1964)
conductor:
Nicola Rescigno (conductor) (in 1964)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (in 1964)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:39
11Aida: “Ritorna vincitor!”
recorded in:
Paris, Île-de-France, Frankreich (in 1964)
Soprangesang [Aida]:
Maria Callas (soprano) (in 1964)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (in 1964)
conductor:
Nicola Rescigno (conductor) (in 1964)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1964)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto I
Giuseppe Verdi7:08
8▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1La traviata: “È strano! È strano!”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (am 1955-05-28)
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Soprangesang [Violetta Valéry]:
Maria Callas (soprano) (am 1955-05-28)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1955-05-28)
conductor:
Carlo Maria Giulini (conductor) (am 1955-05-28)
Tonmeister(in):
Robert Gooch (British classical sound engineer, active from late 1950's)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1955-05-28)
live recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta) (am 1955-05-28)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi1:27
2La traviata: “Ah, fors’è lui che l’anima”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (am 1955-05-28)
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Soprangesang [Violetta Valéry]:
Maria Callas (soprano) (am 1955-05-28)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1955-05-28)
conductor:
Carlo Maria Giulini (conductor) (am 1955-05-28)
Tonmeister(in):
Robert Gooch (British classical sound engineer, active from late 1950's)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1955-05-28)
live recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta) (am 1955-05-28)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:22
3La traviata: “Follie! Follie!”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1955)
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Soprangesang [Violetta Valéry]:
Maria Callas (soprano) (in 1955)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Carlo Maria Giulini (conductor) (in 1955)
Tonmeister(in):
Robert Gooch (British classical sound engineer, active from late 1950's)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1955-05-28)
live recording of:
La traviata: Atto I. Recitativo “Follie! Follie! Delirio vano è questo!” (Violetta, Alfredo) (in 1955)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi1:02
4La traviata: “Sempre libera”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (am 1955-05-28)
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Soprangesang [Violetta Valéry]:
Maria Callas (soprano) (am 1955-05-28)
Tenor-Gesang [Alfredo Germont]:
Giuseppe Di Stefano (tenor) (am 1955-05-28)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1955-05-28)
conductor:
Carlo Maria Giulini (conductor) (am 1955-05-28)
Tonmeister(in):
Robert Gooch (British classical sound engineer, active from late 1950's)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1955-05-28)
live recording of:
La traviata: Atto I. “Sempre libera” (Violetta) (am 1955-05-28)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi4:06
5I puritani: “O rendetemi la speme” … “Qui la voce sua soave”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1953)
Baritongesang [Riccardo]:
Rolando Panerai (baritone) (in 1953)
Bass-Gesang [Giorgio]:
Nicola Rossi‐Lemeni (operatic bass) (in 1953)
Soprangesang [Elvira]:
Maria Callas (soprano) (in 1953)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Tullio Serafin (conductor) (in 1953)
recording of:
I puritani: Atto II. N°16a “O rendetemi la speme” (Elvira, Riccardo, Giorgio) (in 1953)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Carlo Pepoli (Italian librettist, 19th c.)
Teil von:
I puritani: Atto II
recording of:
I puritani: Atto II. N°16b “Qui la voce sua soave” (Elvira, Riccardo, Giorgio) (in 1953)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Carlo Pepoli (Italian librettist, 19th c.)
Teil von:
I puritani: Atto II
Vincenzo Bellini10:04
6I puritani: “Vien, diletto, è in ciel la luna”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1953)
Soprangesang [Elvira]:
Maria Callas (soprano) (in 1953)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Tullio Serafin (conductor) (in 1953)
recording of:
I puritani: Atto II. N°16d Cabaletta “Vien, diletto, è in ciel la luna!” (Elvira, Giorgio, Riccardo) (in 1953)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Carlo Pepoli (Italian librettist, 19th c.)
Teil von:
I puritani: Atto II
Vincenzo Bellini2:49
7Lucia di Lammermoor: “Regnava nel silenzio” … “Quando rapito in estasi”
recorded in:
Firenze (Florence), Firenze, Toscana, Italien (in 1953)
Chorgesang:
Coro del Maggio Musicale Fiorentino (in 1953)
Mezzosoprangesang [Alisa]:
Anna Maria Canali (mezzo-soprano) (in 1953, von 1953-01 bis 1953-02, von 1953-01-29 bis 1953-02-06)
Soprangesang [Lucia]:
Maria Callas (soprano) (in 1953, von 1953-01 bis 1953-02, von 1953-01-29 bis 1953-02-06)
Orchester:
Orchestra del Maggio Musicale Fiorentino (in 1953, von 1953-01 bis 1953-02, von 1953-01-29 bis 1953-02-06)
conductor:
Tullio Serafin (conductor) (in 1953, von 1953-01 bis 1953-02, von 1953-01-29 bis 1953-02-06)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
aufgenommen bei:
Teatro comunale in Firenze (Florence), Firenze, Toscana, Italien (von 1953-01-29 bis 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (von 1953-01-29 bis 1953-02-06)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (von 1953-01-29 bis 1953-02-06)
Texter:
Salvadore Cammarano (Italian librettist)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (von 1953-01 bis 1953-02)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (in 1953)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (in 1953)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (in 1953)
Texter:
Salvadore Cammarano (Italian librettist)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Lucia di Lammermoor: Atto I
Gaetano Donizetti7:58
8Lucia di Lammermoor: “Ah, talor del tuo pensiero” … “Verranno a te sull’aure”
recorded in:
Firenze (Florence), Firenze, Toscana, Italien (in 1953)
Chorgesang:
Coro del Maggio Musicale Fiorentino (in 1953)
Soprangesang [Lucia]:
Maria Callas (soprano) (in 1953)
Tenor-Gesang [Edgardo]:
Giuseppe Di Stefano (tenor) (in 1953)
Orchester:
Orchestra del Maggio Musicale Fiorentino (in 1953)
conductor:
Tullio Serafin (conductor) (in 1953)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (in 1953)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4d) “Verranno a te sull’aure” (Edgardo, Lucia) (in 1953)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4d) “Verranno a te sull’aure” (Edgardo, Lucia)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:59
9Lucia di Lammermoor: “Ardon gli incensi”
recorded in:
Firenze (Florence), Firenze, Toscana, Italien (in 1953)
Bass-Gesang:
Raffaele Arié (operatic bass) (in 1953)
Bass-Gesang [Raimondo]:
Raffaele Arié (operatic bass) (in 1953, von 1953-01-29 bis 1953-02-06)
Chorgesang:
Coro del Maggio Musicale Fiorentino (in 1953)
Soprangesang:
Maria Callas (soprano) (in 1953)
Soprangesang [Lucia]:
Maria Callas (soprano) (in 1953, von 1953-01-29 bis 1953-02-06)
Tenor-Gesang:
Gino Sarri (tenor) (in 1953)
Orchester:
Orchestra del Maggio Musicale Fiorentino (in 1953, von 1953-01-29 bis 1953-02-06)
conductor:
Tullio Serafin (conductor) (in 1953, von 1953-01-29 bis 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (in 1953)
aufgenommen bei:
Teatro comunale in Firenze (Florence), Firenze, Toscana, Italien (in 1953, von 1953-01-29 bis 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (von 1953-01-29 bis 1953-02-06)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (in 1953)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Lucia di Lammermoor: Atto III
Gaetano Donizetti5:31
10Lucia di Lammermoor: “Spargi d’amaro pianto”
recorded in:
Firenze (Florence), Firenze, Toscana, Italien (in 1953)
Baritongesang [Enrico]:
Tito Gobbi (baritone) (in 1953)
Bass-Gesang [Raimondo]:
Raffaele Arié (operatic bass) (in 1953)
Chorgesang:
Coro del Maggio Musicale Fiorentino (in 1953)
Soprangesang [Lucia]:
Maria Callas (soprano) (in 1953)
Orchester:
Orchestra del Maggio Musicale Fiorentino (in 1953)
conductor:
Tullio Serafin (conductor) (in 1953, von 1953-01-29 bis 1953-02-06)
aufgenommen bei:
Teatro comunale in Firenze (Florence), Firenze, Toscana, Italien (von 1953-01-29 bis 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) (in 1953)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:50

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