Maria Callas: 90 Opera Arias (Remastered 2023)

~ Release by Maria Callas (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Il trovatore: “Che più t’arresti?”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1956)
mezzo-soprano vocals [Ines]:
Luisa Villa (mezzo-soprano) (in 1956)
soprano vocals [Leonora]:
Maria Callas (soprano) (in 1956)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Herbert von Karajan (conductor) (in 1956)
recording of:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora) (in 1956)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:14
2Il trovatore: “Tacea la notte placida”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1956)
mezzo-soprano vocals [Ines]:
Luisa Villa (mezzo-soprano) (in 1956)
soprano vocals [Leonora]:
Maria Callas (soprano) (in 1956)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Herbert von Karajan (conductor) (in 1956)
recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines) (in 1956)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi3:34
3Il trovatore: “Quanto narrasti di turbamento”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1956)
soprano vocals [Leonora]:
Maria Callas (soprano) (in 1956)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Herbert von Karajan (conductor) (in 1956)
recording of:
Il trovatore: Atto I, scena 2. “Quanto narrasti di turbamento” (Ines, Leonora) (in 1956)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi0:50
4Il trovatore: “Di tale amor”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1956)
mezzo-soprano vocals [Ines]:
Luisa Villa (mezzo-soprano) (in 1956)
soprano vocals [Leonora]:
Maria Callas (soprano) (in 1956)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Herbert von Karajan (conductor) (in 1956)
recording of:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines) (in 1956)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:38
5Il trovatore: “Siam giunti; ecco la torre”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1956)
soprano vocals [Leonora]:
Maria Callas (soprano) (in 1956)
tenor vocals [Ruiz]:
Renato Ercolani (tenor) (in 1956)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Herbert von Karajan (conductor) (in 1956)
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (in 1956)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:03
6Il trovatore: “D’amor sull’ali rosee”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1956)
soprano vocals [Leonora]:
Maria Callas (soprano) (in 1956)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Herbert von Karajan (conductor) (in 1956)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (in 1956)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:01
7Il trovatore: “Miserere” … “Quel suon, quelle preci”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1956)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1956)
soprano vocals [Leonora]:
Maria Callas (soprano) (in 1956)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (in 1956)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Herbert von Karajan (conductor) (in 1956)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (in 1956)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:53
8Il trovatore: “Di te, di te scordami! Tu vedrai che amore in terra”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1956)
soprano vocals [Leonora]:
Maria Callas (soprano) (in 1956)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Herbert von Karajan (conductor) (in 1956)
recording of:
Il trovatore: Atto IV, scena 1. “Di te! Di te! scordami di te” (Leonora) (in 1956)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:33
9Un ballo in maschera: “Ecco l’orrido campo” … “Ma dall’arido stelo divulsa”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1956)
soprano vocals [Amelia]:
Maria Callas (soprano) (in 1956)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Antonino Votto (conductor) (in 1956)
recording of:
Un ballo in maschera: Atto II. Nº 12b. Scena “Ecco l'orrido campo ove s'accoppia” (Amelia) (in 1956)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 12c. Aria “Ma dall'arido stelo divulsa” (Amelia) (in 1956)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi9:06
10La forza del destino: “Sono giunta!” … “Madre, pietosa vergine”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1954)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1954)
soprano vocals [Leonora]:
Maria Callas (soprano) (in 1954)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
La forza del destino: Atto II, scena 2. “Son giunta!” - “Madre, Madre, pietosa Vergine” (Leonora, coro) (in 1954)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi6:52
11La forza del destino: “La Vergine degli Angeli”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1954)
baritone vocals [Melitone]:
Renato Capecchi (baritone) (in 1954)
bass vocals [Guardiano]:
Nicola Rossi‐Lemeni (operatic bass) (in 1954)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1954)
soprano vocals [Leonora]:
Maria Callas (soprano) (in 1954)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
La forza del destino: Atto II, scena 2. “La vergine degli angeli” (Leonora, Melitone, Guardiano, coro) (in 1954)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi3:35
12La forza del destino: “Pace, pace, mio Dio!”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1954)
soprano vocals [Leonora]:
Maria Callas (soprano) (in 1954)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
La forza del destino: Atto IV, scena 2. “Pace, pace, mio Dio” (Leonora) (in 1954)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
Giuseppe Verdi6:22
13Aida: “Qui Radamès verrà!”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1955)
soprano vocals [Aida]:
Maria Callas (soprano) (in 1955)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
partial recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1955)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:38
14Aida: “O patria mia”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1955)
soprano vocals [Aida]:
Maria Callas (soprano) (in 1955)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
partial recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1955)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi5:25
15Aida: “O terra, addio”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1955)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1955)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (in 1955)
soprano vocals [Aida]:
Maria Callas (soprano) (in 1955)
tenor vocals [Radamès]:
Richard Tucker (tenor) (in 1955)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1955)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi4:52
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8▶Digital Media

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