| # | Title | Artist | Rating | Length |
|---|
| 1 | Suspicious Minds- engineer:
- Al Pachucki
- producer:
- Felton Jarvis and Chips Moman
- bass:
- Tommy Cogbill (on 1969-01-23) and Mike Leech (on 1969-01-23)
- drums (drum set):
- Gene Chrisman (on 1969-01-23)
- guitar:
- Elvis Presley (on 1969-01-23) and Reggie Young (on 1969-01-23)
- organ:
- Bobby Emmons (on 1969-01-23)
- piano:
- Bobby Wood (on 1969-01-23)
- steel guitar:
- John Hughey (on 1969-01-23)
- lead vocals:
- Elvis Presley (on 1969-01-22)
- vocals:
- J.D. Sumner & The Stamps, The Sweet Inspirations and Kathy Westmoreland
- arranger:
- Mike Leech and Glen Spreen
- phonographic copyright (℗) by:
- BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (in 1969), RCA Records (in 1973) and Sony BMG Music Entertainment (in 2002)
- recorded at:
- American Sound Studio in Memphis, Tennessee, United States (on 1969-01-23) and United Recording Studios in Las Vegas, Nevada, United States (on 1969-08-07)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 91) and Billboard: The 500 Best Pop Songs (number: 363)
- cover recording of:
- Suspicious Minds (from 1969-01-23 until 1969-08-07)
- lyricist and composer:
- Mark James
- publisher:
- Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. , Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
| Elvis Presley | 4.1 | 4:33 |
| 2 | Moondance | Michael Bublé | 5 | 4:16 |
| 3 | Who Can I Turn Too | Tony Bennett | | 2:59 |
| 4 | Constant Craving | k.d. lang | 3.8 | 4:39 |
| 5 | (Sittin’ on the Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner Chappell Music , Warner/Chappell Music Japan, Synch division , Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
| Otis Redding | 4.45 | 2:41 |
| 6 | Move Over- engineer:
- Phil Macy
- producer:
- Paul A. Rothchild
- bass guitar:
- Brad Campbell
- drums (drum set):
- Clark Pierson
- guest bongos, guest bongos and congas and guest congas:
- Bobbye Hall
- guest tambourine:
- Sandra Crouch
- guitar:
- John Till
- organ:
- Ken Pearson
- piano:
- Richard Bell
- background vocals:
- Phil Badella, Richard Bell , Brad Campbell , John Cooke, Janis Joplin, Vince Mitchell, Ken Pearson, Clark Pierson and John Till
- lead vocals:
- Janis Joplin (on 1970-09-25)
- performer:
- Full Tilt Boogie (on 1970-09-25)
- recorded at:
- Sunset Sound in Hollywood, Los Angeles, California, United States (on 1970-09-25)
- recording of:
- Move Over (on 1970-09-25)
- lyricist and composer:
- Janis Joplin
- publisher:
- Budde
| Janis Joplin | 3.3 | 3:42 |
| 7 | Jokerman | Bob Dylan | | 6:17 |
| 8 | My Way- cover recording of:
- My Way
- lyricist:
- Paul Anka
- composer:
- Claude François and Jacques Revaux
- previously attributed to:
- Gilles Thibaut
- translator:
- Bobby Cruz
- publisher:
- Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. , Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. , ワーナー・チャペル音楽出版 Synch事業部 , ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
- translated version of:
- Comme d’habitude
| Nina Simone | | 5:46 |
| 9 | Light My Fire | José Feliciano | 3 | 3:35 |
| 10 | Goldfinger | Shirley Bassey | 4.25 | 2:52 |
| 11 | Walking in Memphis | Marc Cohn | 4 | 4:17 |
| 12 | Spanish Harlem- recording engineer:
- Ron Albert (on 1971-02-16) and Chuck Kirkpatrick (on 1971-02-16)
- engineer:
- Ron Albert and Chuck Kirkpatrick
- producer:
- Tom Dowd, Arif Mardin and Jerry Wexler
- mixer:
- Arif Mardin
- bass:
- Chuck Rainey (on 1971-02-16)
- drums (drum set):
- Bernard Purdie (on 1971-02-16)
- electric piano and organ:
- Donny Hathaway (on 1971-02-16)
- guitar:
- Cornell Dupree (on 1971-02-16)
- piano:
- Aretha Franklin (on 1971-02-16)
- background vocals:
- Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and The Sweethearts of Soul (on 1971-02-16)
- vocals:
- Aretha Franklin (on 1971-02-16)
- flute arranger, horn arranger, strings arranger and background vocals arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1971) and WEA International Inc. (in 1971)
- recorded at:
- Criteria Studios in Miami, Florida, United States (on 1971-02-16)
- cover recording of:
- Spanish Harlem (on 1971-02-16)
- lyricist:
- Jerry Leiber
- composer:
- Phil Spector
- publisher:
- ABKCO Music Ltd., ABKCO Music, Inc. , Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
| Aretha Franklin | 2 | 3:31 |
| 13 | Soul Man- recorded in:
- Memphis, Tennessee, United States (on 1967-08-10)
- producer:
- Isaac Hayes, David Porter and Jim Stewart
- instruments:
- Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
- lead vocals:
- Sam Moore (in 1967) and David Prater (in 1967)
- phonographic copyright (℗) by:
- HHO Recordings Ltd., WEA International Inc. (in 1966) and Atlantic Recording Corporation (in 1967)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 458)
- recording of:
- Soul Man (on 1967-08-10)
- writer:
- Isaac Hayes (in 1967) and David Porter (in 1967)
- publisher:
- EMI Music Publishing , Rondor Music (London) Ltd., Rondor Music Ltd. , Walden Music, Inc., Warner Chappell Music Ltd. , Warner Chappell North America, Almo Music Corp. (in 1986) and Walden Music Corp. (in 1986)
| Sam & Dave | 4.5 | 2:38 |
| 14 | Jesse | Carly Simon | 4.5 | 4:18 |
| 15 | Ain’t No Sunshine | Bill Withers | 4.5 | 2:06 |
| 16 | When a Man Loves a Woman- producer:
- Marlin Greene and Quin Ivy
- double bass:
- Albert Lowe Jr. (on 1966-02-17)
- drums (drum set):
- Roger Hawkins (on 1966-02-17)
- farfisa [farfisa organ]:
- Spooner Oldham (on 1966-02-17)
- guitar:
- Marlin Greene (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- phonographic copyright (℗) by:
- HHO Ltd. , WEA International Inc. (, in 1966) and Atlantic Recording Corporation (in 1966)
- recorded at:
- Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- When a Man Loves a Woman (on 1966-02-17)
- writer:
- Calvin Lewis and Andrew Wright
- publisher:
- Mijac Music, Warner Chappell, Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell , Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 4.35 | 2:53 |
| 17 | So Sad the Song | Gladys Knight & the Pips | | 3:51 |
| 18 | Black Coffee | Julie London | | 2:59 |
| 19 | What’s Going On | Marvin Gaye | | 3:47 |
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