Harmony Jazz : Le Chant des rêves

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Petite Fleur
clarinet:
Claude Luter (on 1952-01-31)
double bass:
Roland Bianchini (on 1952-01-31)
drums (drum set):
François "Moustache" Galépidès (on 1952-01-31)
piano:
Christian Azzi (on 1952-01-31)
soprano saxophone:
Sidney Bechet (on 1952-01-31)
trombone:
Bernard Zacharias (on 1952-01-31)
trumpet:
Guy Longnon (on 1952-01-31) and Claude Rabanit (on 1952-01-31)
orchestra:
Claude Luter et son orchestre (on 1952-01-31)
recording of:
Petite Fleur (original instrumental) (on 1952-01-31)
composer:
Sidney Bechet
Sidney Bechet53:22
2What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong's Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3.92:17
3Summertime
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Miles Davis3:21
4Blue Rondo à la Turk
recording of:
Blue Rondo à la Turk
composer:
Dave Brubeck
publisher:
Derry Music Company and Valentine Music Verlag
sub-publisher:
Budde Music France and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Dave Brubeck6:45
5My Funny Valentine
producer:
Richard Bock (record producer)
double bass:
Carson Smith (on 1954-02-15)
drums (drum set):
Bob Neel (on 1954-02-15)
piano:
Russ Freeman (pianist) (on 1954-02-15)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954) and Blue Note (in 1989)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1954-02-15)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1954-02-15)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Chet Baker2.52:20
6Desafinado
recording engineer:
Edward Green (engineer) (on 1962-02-13)
producer:
Norman Granz and Creed Taylor
bass and guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
bass guitar:
Gene “Joe” Byrd (jazz lyrical bassist)
double bass:
Keter Betts (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
instrumental cover recording of:
Desafinado (on 1962-02-13)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Stan Getz & Charlie Byrd45:53
7My Baby Just Cares for Me
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
edit of:
My Baby Just Cares for Me (special extended version) by Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone3.853:38
8Autumn Leaves
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999), Mastercorp Pty Ltd (in 2011) and Count Records (in 2013)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-09)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1958-03-09)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
Cannonball Adderley feat. Miles Davis510:57
9Unforgettable
recording of:
Unforgettable
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Nat King Cole3:29
10Cantaloupe Island
recording engineer:
Rudy van Gelder (on 1964-06-17)
producer:
Alfred Lion and Michael Cuscuna (in 1999: task: Reissue produced by)
cornet:
Freddie Hubbard (on 1964-06-17)
double bass:
Ron Carter (US jazz double-bassist) (on 1964-06-17)
drums (drum set):
Tony Williams (American jazz drummer) (on 1964-06-17)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1964-06-17)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-06-17)
recording of:
Cantaloupe Island (on 1964-06-17)
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Company
Herbie Hancock4.85:31
11Moanin'
recording of:
Moanin’
composer:
Bobby Timmons
publisher:
Orphum Music Inc.
Art Blakey4:03
12The Sidewinder
phonographic copyright (℗) by:
Blue Note (in 1963)
recording of:
The Sidewinder
composer:
Lee Morgan (jazz trumpeter / composer)
publisher:
Windswept Pacific Music Ltd.
Lee Morgan5:09
13Midnight Blue
recording engineer:
Rudy van Gelder (on 1963-01-07)
producer:
Alfred Lion
congas:
Ray Barretto (on 1963-01-07)
double bass:
Major Holley (on 1963-01-07)
drums (drum set):
Bill English (US jazz drummer) (on 1963-01-07)
electric guitar:
Kenny Burrell (on 1963-01-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-01-07)
recording of:
Midnight Blue (on 1963-01-07)
composer:
Kenny Burrell
Kenny Burrell3:58
14Song for My Father
recording of:
Song for My Father (instrumental)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc.
Horace Silver5:12
15Blue Train
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
recording of:
Blue Train (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
John Coltrane10:42
2▼CD
#TitleArtistRatingLength
1Sure Thing
samples:
Harry’s Philosophy by John Lee Hooker (US blues singer, songwriter & guitarist)
recording of:
Sure Thing
composer:
Ludovic Navarre
publisher:
Primary Society Publishing and Universal Music Publishing France (not for release label use!)
St. Germain3:47
2So What
producer:
Ronny Jordan and Longsy D
double bass:
Arnie Somogyi
piano:
Joe Bashorun
vocals:
Isabel Roberts
recorded at:
PLJ Studios
recording of:
So What
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
cover recording of:
So What
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Ronny Jordan5:06
3Cantaloop (Flip Fantasia)
programming, producer and mixer:
Mel Simpson (Member of Us3) and Geoff Wilkinson
engineer:
Mel Simpson (Member of Us3)
keyboard [keyboards]:
Mel Simpson (Member of Us3)
sampler [samples] and turntable [scratches]:
Geoff Wilkinson
trumpet:
Gerard Presencer
other vocals [rap]:
Rahsaan
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at and mixed at:
Flame Studios in London (Greater London), England, United Kingdom
samples:
Cantaloupe Island by Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Everything I Do Gonna Be Funky (From Now On) by Lou Donaldson
recording of:
Cantaloop (Flip Fantasia)
writer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Rahsaan Kelly, Mel Simpson (Member of Us3) and Geoff Wilkinson
publisher:
Us3 Music
is based on:
Cantaloupe Island
Us344:38
4Watermelon Man
recording of:
Watermelon Man
composer:
H. Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music and Warner Chappell Music Ltd (1996–2019)
Herbie Hancock7:07
5L'Aurore
Lisa Ekdahl3:15
6Birdland
assistant engineer:
Jerry Hudgins and Brian Risner
engineer:
Ron Malo
assistant producer:
Wayne Shorter (US jazz saxophonist and composer)
co-producer:
Jaco Pastorius
producer:
Jaco Pastorius, Wayne Shorter (US jazz saxophonist and composer) and Joe Zawinul (jazz and fusion keyboard player)
analog synthesizer [Arp 2600]:
Joe Zawinul (jazz and fusion keyboard player)
analog synthesizer [Oberheim Polyphonic], grand piano [acoustic piano] and melodica:
Joe Zawinul (jazz and fusion keyboard player) (from 1976 until 1977)
drums (drum set):
Alex Acuña (from 1976 until 1977)
electric bass guitar [bass] and mandocello:
Jaco Pastorius (from 1976 until 1977)
soprano saxophone and tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (from 1976 until 1977)
tambourine:
Manolo Badrena (from 1976 until 1977)
vocals:
Jaco Pastorius (from 1976 until 1977) and Joe Zawinul (jazz and fusion keyboard player) (from 1976 until 1977)
orchestrator:
Joe Zawinul (jazz and fusion keyboard player)
recorded at:
Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (from 1976 until 1977)
recording of:
Birdland (instrumental) (from 1976 until 1977)
composer:
Joe Zawinul (jazz and fusion keyboard player)
publisher:
Mulatto Music, Songs of Universal, Inc. (BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Weather Report56:00
7Tequila
congas:
Ray Barretto (on 1966-03-21)
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1966-03-21)
drums (drum set) [drums]:
Grady Tate (on 1966-03-21)
electric guitar [guitar]:
Wes Montgomery (on 1966-03-21)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1966)
cover recording of:
Tequila (on 1966-03-21)
lyricist and composer:
Daniel Flores (Daniel Flores)
Wes Montgomery3:20
8On Broadway
producer:
Tommy LiPuma
bass:
Stanley Banks (bassist)
drums (drum set):
Harvey Mason (jazz drummer)
guitar:
George Benson (jazz guitarist/singer)
guitar [rhythm guitar]:
Phil Upchurch
keyboard:
Jorge Dalto and Ronnie Foster
percussion:
Ralph MacDonald
piano:
Jorge Dalto
vocals:
George Benson (jazz guitarist/singer)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 55)
live cover recording of:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters)
additional writer:
Jerry Leiber and Mike Stoller
writer:
Barry Mann and Cynthia Weil
publisher:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
version of:
On Broadway (original Mann/Weil version)
cover recording of:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters)
additional writer:
Jerry Leiber and Mike Stoller
writer:
Barry Mann and Cynthia Weil
publisher:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
version of:
On Broadway (original Mann/Weil version)
George Benson5:14
9Sookie Sookie
recording engineer:
Ed Greene (engineer) (on 1970-08-15)
congas:
Joseph Armstrong (on 1970-08-15)
drums (drum set):
Idris Muhammad (on 1970-08-15)
guitar:
Grant Green (jazz guitarist) (on 1970-08-15)
organ:
Ronnie Foster (on 1970-08-15)
tenor saxophone:
Claude Bartee (saxophone) (on 1970-08-15)
vibraphone:
Willie Bivens (on 1970-08-15)
recorded at:
Cliché Lounge in Newark, New Jersey, United States (on 1970-08-15)
live instrumental cover recording of:
Sookie Sookie (on 1970-08-15)
composer:
Don Covay and Steve Cropper
Grant Green310:57
10La Panthère rose
recording of:
The Pink Panther Theme
orchestrator and composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Classic 100: Piano (2025) (number: 61)
Henry Mancini2:39
11Let's Get Lost
bass:
Carson Smith (on 1955-03-07)
drums (drum set):
Bob Neel (on 1955-03-07)
piano:
Russ Freeman (pianist) (on 1955-03-07)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (on 1955-03-07)
phonographic copyright (℗) by:
Blue Note (in 1989)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1955-03-07)
recording of:
Let’s Get Lost (on 1955-03-07)
lyricist:
Frank Loesser
composer:
Jimmy McHugh (songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony (ASCAP)
Chet Baker3:44
12Let There Be Loved
piano:
George Shearing (British jazz pianist)
vocals:
Nat King Cole
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1962)
cover recording of:
Let There Be Love (on 1961-12-20)
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole2.52:45
13Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:55
14I Wish I Knew (How I Would Fell to Be Free)
recording of:
I Wish I Knew How It Would Feel to Be Free
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Billy Taylor Trio3:41
15Summertime
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald4:59
16Mitsy
alto saxophone:
Marcel Hrasko (on 1958-07-07)
baritone saxophone:
William Boucaya (on 1958-07-07) and Jo Hrasko (on 1958-07-07)
drums (drum set):
Kenny Clarke (on 1958-07-07)
guitar:
Pierre Cullaz (on 1958-07-07)
piano:
Ronnell Bright (on 1958-07-07)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1958-07-07)
vibraphone:
Michel Hausser (on 1958-07-07)
orchestra:
Quincy Jones and His Orchestra
arranger:
Quincy Jones
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1958-07-07)
cover recording of:
Misty (on 1958-07-07)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
Sarah Vaughan3:01
17Nuages
recording of:
Nuages (instrumental)
composer:
Django Reinhardt (French jazz guitarist and composer)
publisher:
EMI Blackwood Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Django Reinhardt4:07