| # | Title | Artist | Rating | Length |
|---|
| 1 | Sweet Home Alabama- miscellaneous support:
- Ronnie Van Zant
- engineer and producer:
- Al Kooper
- drums (drum set):
- Bob Burns (in 1973-07)
- electric bass guitar:
- Leon Wilkeson (in 1973-07)
- electric guitar:
- Allen Collins (in 1973-07), Ed King (in 1973-07) and Gary Rossington (in 1973-07)
- keyboard:
- Billy Powell (in 1973-07)
- background vocals:
- Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
- lead vocals:
- Ronnie Van Zant (in 1973-07)
- phonographic copyright (℗) by:
- Geffen Records (in 1974), MCA Records (in 1974), MCA Records Ltd. (in 1974), MCA Records, Inc. (in 1974), UMG Recordings, Inc. (in 1974) and Universal Music (in 1974)
- produced for:
- Sounds of the South Productions
- recorded at:
- Studio One in Doraville, Georgia, United States (in 1973-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 398)
- recording of:
- Sweet Home Alabama (in 1973-07)
- miscellaneous support:
- Ronnie Van Zant
- writer:
- Ed King , Gary Rossington and Ronnie Van Zant
- publisher:
- Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
| Lynyrd Skynyrd | 4.15 | 4:44 |
| 2 | Fortunate Son | Creedence Clearwater Revival | 4.55 | 2:21 |
| 3 | Learning to Fly | Tom Petty and the Heartbreakers | 4.5 | 4:02 |
| 4 | One Way or Another- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1978, in 2001), Capitol Records, LLC (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 298)
- recording of:
- One Way or Another (from 1978-06 until 1978-07)
- writer:
- Nigel Harrison and Deborah Harry
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Chrysalis Songs, EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
| Blondie | 4.15 | 3:33 |
| 5 | Roxanne | The Police | 4.3 | 3:09 |
| 6 | Walkin’ on the Sun | Smash Mouth | 4.15 | 3:26 |
| 7 | Island in the Sun | Weezer | 4.3 | 3:20 |
| 8 | Summer of ’69- assistant engineer:
- Mike Fraser , Bruce Lampcov and Michael Sauvage
- engineer:
- Bob Clearmountain (from 1984-03-27 until 1984-09-22)
- associate producer:
- Jim Vallance
- producer:
- Bryan Adams and Bob Clearmountain
- mixer:
- Bob Clearmountain (on 1984-09-22)
- drums (drum set) [drums]:
- Pat (from 1984-03-27 until 1984-09-22)
- electric bass guitar [bass]:
- Dave (from 1984-03-27 until 1984-09-22)
- guitar [lead guitar]:
- Keith (from 1984-03-27 until 1984-09-22)
- guitar [rhythm guitar] and background vocals [harmony vocal]:
- BA (from 1984-03-27 until 1984-09-22)
- percussion:
- Jim (from 1984-03-27 until 1984-09-22)
- lead vocals:
- Bryan Adams (from 1984-03-27 until 1984-09-22)
- phonographic copyright (℗) by:
- A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999) and Badman Ltd. (in 1999)
- recorded at:
- Little Mountain Sound in Vancouver, British Columbia, Canada (from 1984-03-27 until 1984-09-22)
- mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (on 1984-09-22)
- part of:
- SWR1 Hitparade 2004 der Frauen (number: 1), SWR1 Hitparade 2005 der Badener (number: 3), SWR1 Hitparade 2005 der Württemberger (number: 3), SWR1 Hitparade 2007 (number: 5), SWR1 Hitparade 2008 (number: 8), Huffington Post: 100 Best Canadian Songs Ever (number: 9), SWR1 Hitparade 2009 (number: 9), SWR1 Hitparade 2004 der Männer (number: 10) and The Downloader’s Music Source Book (number: 179)
- recording of:
- Summer of ’69 (from 1984-03-27 until 1984-09-22)
- written in:
- Vancouver, British Columbia, Canada (on 1984-01-25)
- writer:
- Bryan Adams (on 1984-01-25) and Jim Vallance (on 1984-01-25)
- publisher:
- Adams Communications Inc. (in 1984), Almo Music Corp. (in 1984), Calypso Toonz (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984) and Testatyme Music (in 1984)
| Bryan Adams | 4.4 | 3:36 |
| 9 | Stuck in the Middle With You | Stealers Wheel | 4 | 3:24 |
| 10 | Whiskey in the Jar | Thin Lizzy | 4.5 | 5:45 |
| 11 | I Was Made for Lovin’ You- recording engineer and mixer:
- Jay Messina
- assistant engineer:
- Jim Galante and Jon Mathias
- producer:
- Vini Poncia
- drums (drum set):
- Anton Fig
- keyboard and background vocals:
- Vini Poncia
- lead vocals:
- Paul Stanley
- phonographic copyright (℗) by:
- Casablanca Record & FilmWorks, Inc. (in 1979), PolyGram Records, Inc. (in 1979) and The Island Def Jam Music Group (in 1979)
- produced for:
- Mad Vincent Productions
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant in Midtown Manhattan, New York, New York, United States
- recording of:
- I Was Made for Lovin’ You
- writer:
- Desmond Child, Vini Poncia and Paul Stanley
- publisher:
- Desmobile Inc., Hori Productions America Inc., Universal Music Publishing , Universal Music Publishing GmbH , Universal Music Publishing Ltd. , Universal Polygram International Publishing I , Universal–Songs of PolyGram International, Inc., Kiss (in 1979) and Mad Vincent Music (in 1979)
- sub-publisher:
- Taiyō Music and Universal Music Publishing France
| KISS | 4.45 | 4:30 |
| 12 | Hit Me With Your Best Shot | Pat Benatar | 4.15 | 2:51 |
| 13 | Gimme Some Lovin’- recording of:
- Gimme Some Lovin’
- writer:
- Spencer Davis, Muff Winwood and Steve Winwood
- publisher:
- Kobalt Music Publishing Ltd. , Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. , Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. , Warner Chappell Music Ltd. , Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
| The Spencer Davis Group | | 3:01 |
| 14 | No Rain | Blind Melon | 4.35 | 3:37 |
| 15 | You Never Can Tell (1964 single version) | Chuck Berry | 5 | 2:41 |
| 16 | Mr. Jones- recorded in:
- Los Angeles, California, United States
- recording engineer:
- Pat McCarthy
- additional engineer:
- Robert Hart , Steve Holroyd and Howard Willing
- assistant engineer:
- Mark Guilbeault and Brant Scott
- executive producer:
- Gary Gersh
- producer:
- T‐Bone Burnett
- mixer:
- Scott Litt and Pat McCarthy
- accordion, chamberlin and Hammond organ:
- Charlie Gillingham
- additional drums (drum set) and additional percussion:
- Denny Fongheiser
- additional guitar:
- T‐Bone Burnett , Bill Dillon and David Immerglück
- additional guitorgan:
- Bill Dillon
- additional mandocello, additional mandolin, additional pedal steel guitar and additional vocals:
- David Immerglück
- bass guitar:
- Matt Malley
- guitar:
- David Bryson and Matt Malley
- harmonica and lead vocals:
- Adam Duritz
- piano:
- Adam Duritz and Charlie Gillingham
- additional background vocals:
- Gary Louris, Maria McKee and Mark Olson
- vocals:
- Steve Bowman, David Bryson, Charlie Gillingham and Matt Malley
- additionally recorded at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States, Kiva West Recording Studios in Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and The Village Recorders in Los Angeles, California, United States
- mixed at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- music videos:
- Mr. Jones by Counting Crows
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 474)
- recording of:
- Mr. Jones
- lyricist:
- Adam Duritz
- composer:
- David Bryson and Adam Duritz
| Counting Crows | 4.15 | 4:33 |
| 17 | Santeria | Sublime | 5 | 3:03 |
| 18 | Born to Be Wild (single version)- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation , Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 4.3 | 3:31 |
| 19 | You Ain’t Seen Nothing Yet | Bachman–Turner Overdrive | 4.65 | 3:55 |
| 20 | Melissa- engineer:
- Howard Albert and Ron Albert
- producer:
- Tom Dowd
- acoustic guitar, organ and piano:
- Gregg Allman (from 1971-09 until 1971-12)
- bass:
- Berry Oakley (from 1971-09 until 1971-12)
- drums (drum set):
- Jai Johanny Johanson (from 1971-09 until 1971-12) and Butch Trucks (from 1971-09 until 1971-12)
- guitar:
- Dickey Betts (from 1971-09 until 1971-12)
- vocals:
- Gregg Allman (from 1971-09 until 1971-12)
- arranger:
- The Allman Brothers Band
- recorded at:
- Criteria Studios in Miami, Florida, United States (from 1971-09 until 1971-12)
- remasters:
- Melissa by The Allman Brothers Band
- recording of:
- Melissa (from 1971-09 until 1971-12)
- lyricist:
- Steve Alaimo and Gregg Allman
- composer:
- Gregg Allman
- publisher:
- Elijah Blue Music, EMI Longitude Music, Longitude Music Co., No Exit Music Co., Inc., Sherlyn Publishing, Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp.
| The Allman Brothers Band | 4 | 3:54 |
| 21 | The Stroke | Billy Squier | 3.75 | 3:38 |
| 22 | Heat of the Moment- engineer and producer:
- Mike Stone
- drums (drum set) and percussion:
- Carl Palmer
- electric bass guitar:
- John Wetton
- guitar:
- Steve Howe
- keyboard:
- Geoff Downes
- vocals:
- Geoff Downes, Steve Howe and John Wetton
- phonographic copyright (℗) by:
- Geffen Records (in 1982), The David Geffen Company (in 1982) and UMG Recordings, Inc. (in 1982)
- recorded at:
- The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom
- music videos:
- Heat of the Moment by Asia
- recording of:
- Heat of the Moment
- writer:
- Geoff Downes and John Wetton
- publisher:
- Almond Legg Music Corp. (, from 1982 to present), BMG Gold Songs, Crosstown UK (Palan), Island Music Ltd., John Wetton Music Ltd, Kobalt Music Publishing Ltd. , Neue Welt Musikverlag GmbH & Co. KG , Palan Music Publishing Ltd., Warner Bros. , Warner Bros. Music Co., Ltd., Warner Bros., Inc. , Warner Chappell Music, Inc., Ackee Music Inc. (from 1982 to present), WB Music Corp. (from 1982 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Fujipacific Music, Inc., Warner/Chappell Music Japan, Synch division , Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
| Asia | 4.5 | 3:49 |
| 23 | Renegade | Styx | 3.4 | 4:17 |
| 24 | Hold On Loosely- engineer:
- “Lightnin’ Rod” Mills and Gregory M. Quesnel
- associate producer:
- Don Barnes and Jeff Carlisi
- producer:
- Rodney Mills
- bass guitar:
- Larry Junstrom
- drums (drum set):
- Jack Grondin and Steve Brookins
- guitar:
- Don Barnes and Jeff Carlisi
- background vocals:
- Don Barnes and Carol Veto
- lead vocals:
- Don Barnes and Donnie Van Zant
- phonographic copyright (℗) by:
- A&M Records (in 1980), A&M Records, Inc. (in 1980), UMG Recordings, Inc. (in 1981, in 1987), Universal Music Enterprises (in 2001) and Interscope Geffen (A&M) Records (in 2003)
- recorded at and mixed at:
- Studio One in Doraville, Georgia, United States
- recording of:
- Hold On Loosely
- writer:
- Jeff Carlisi, James Peterik and Richard Donald Barnes
- publisher:
- Easy Action Music, Rocknocker Music Co., Universal Music–MGB Songs and WB Music Corp.
| 38 Special | 3.8 | 4:40 |
| 25 | Wishing Well | Free | 4 | 3:40 |
| 26 | Summertime Girls (studio version) | Y & T | | 3:27 |
| 27 | The Weight | The Band | 4.1 | 4:39 |
| 28 | We’re an American Band | Grand Funk Railroad | 4.15 | 3:27 |
| 29 | Crazy on You | Heart | 4.15 | 4:53 |
| 30 | End of the Line- engineer:
- Bill Bottrell, Richard Dodd , Phil McDonald and Don Smith
- producer:
- Nelson Wilbury and Otis Wilbury
- acoustic guitar:
- Bob Dylan (from 1988-05-07 until 1988), Roy Orbison (from 1988-05-07 until 1988) and Tom Petty (from 1988-05-07 until 1988)
- bass:
- Jeff Lynne (from 1988-05-07 until 1988)
- drums (drum set):
- Jim Keltner (from 1988-05-07 until 1988)
- guitar:
- George Harrison (from 1988-05-07 until 1988) and Jeff Lynne (from 1988-05-07 until 1988)
- percussion:
- Ray Cooper (from 1988-05-07 until 1988)
- background vocals:
- Bob Dylan (from 1988-05-07 until 1988), George Harrison (from 1988-05-07 until 1988), Jeff Lynne (from 1988-05-07 until 1988), Roy Orbison (from 1988-05-07 until 1988) and Tom Petty (from 1988-05-07 until 1988)
- lead vocals:
- George Harrison (from 1988-05-07 until 1988), Jeff Lynne (from 1988-05-07 until 1988), Roy Orbison (from 1988-05-07 until 1988) and Tom Petty (from 1988-05-07 until 1988)
- phonographic copyright (℗) by:
- T. Wilbury Limited (in 2016)
- recorded at:
- F.P.S.H.O.T. in Henley-on-Thames, Oxfordshire, England, United Kingdom (in 1988) and Dave Stewart Studios in Los Angeles, California, United States (from 1988-05-07 until 1988)
- mixed at:
- F.P.S.H.O.T. in Henley-on-Thames, Oxfordshire, England, United Kingdom
- recording of:
- End of the Line (from 1988-05-07 until 1988)
- lyricist and composer:
- Bob Dylan (in 1988-05), George Harrison (in 1988-05), Jeff Lynne (in 1988-05), Roy Orbison (in 1988-05) and Tom Petty (in 1988-05)
- publisher:
- “Travelling Wilburys” Music (from 1988 to present) and Special Rider Music (from 1988 to present)
| Traveling Wilburys | 4.15 | 3:30 |
| 31 | American Pie (full length version)- engineer:
- Tom Flye
- producer:
- Ed Freeman
- electric guitar:
- David Spinozza (from 1971-05 until 1971-06)
- piano:
- Paul Griffin (from 1971-05 until 1971-06)
- vocals:
- Don McLean (from 1971-05 until 1971-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1971, in 2000)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (number: 131)
- recording of:
- American Pie (from 1971-05 until 1971-06)
- lyricist and composer:
- Don McLean
- publisher:
- Benny Bird Co. Inc. , Illegal Songs Inc., Mayday Music, MCA Music , MCA Music Publishing , MCA Publishing Ltd., Songs of Universal, Inc. , Universal , Universal Music Publishing Ltd. , Universal Records , Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Don McLean | 4.3 | 8:33 |
| 32 | California Dreamin’ (single version)- engineer:
- Bones Howe
- producer:
- Lou Adler
- guitar:
- P.F. Sloan (in 1965)
- solo alto flute:
- Bud Shank (in 1965)
- phonographic copyright (℗) by:
- Geffen Records and Dunhill Records (in 1966)
- recorded at:
- Western Recorders in Los Angeles, California, United States (in 1965)
- part of:
- Billboard: The 500 Best Pop Songs (number: 52), Rolling Stone: 500 Greatest Songs of All Time (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
- recording of:
- California Dreamin’ (in 1965)
- writer:
- John Phillips and Michelle Phillips
- publisher:
- American Broadcasting Music, Inc., MCA Music Publishing , Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. and Universal/MCA Music Publishing GmbH
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Mamas & the Papas | 4.45 | 2:40 |
| 33 | Nothin’ but a Good Time | Poison | 4.5 | 3:45 |
| 34 | Move It On Over | George Thorogood & the Destroyers | 5 | 4:21 |
| 35 | Soak Up the Sun- assistant recording engineer:
- Eric Tew
- recording engineer:
- Trina Shoemaker
- drum machine [drum] programming:
- Jeff Anthony and Jeff Trott
- producer:
- Sheryl Crow and Jeff Trott
- assistant mixer:
- Steve Sisco
- mixer:
- Andy Wallace
- acoustic guitar:
- Sheryl Crow and Jeff Trott
- bass guitar [bass], electric guitar and lap steel guitar [lap steel]:
- Jeff Trott
- drums (drum set):
- Jeff Anthony
- keyboard [F/X keyboard]:
- Sheryl Crow
- background vocals [backing vocals]:
- Tim Smith
- guest vocals:
- Liz Phair
- vocals:
- Sheryl Crow
- mixed at:
- Soundtrack Studios in New York, New York, United States
- part of:
- Billboard Year-End Hot 100 2002 (number: 35)
- recording of:
- Soak Up the Sun
- writer:
- Sheryl Crow and Jeff Trott
- publisher:
- Ole Media Management LP II (ended), Anthem Entertainment A , Anthem Music Publishing II, Reservoir One America, Old Crow Music (from 2002 to ????), Warner–Tamerlane Publishing Corp. (from 2002 to ????), Wixen Music Publishing, Inc. (from 2002 to ????) and Cyrillic Soup (from 2002 to present)
| Sheryl Crow | 4 | 4:52 |
| 36 | Reelin’ In the Years- assistant engineer:
- Tim Weston (in 1972-08)
- engineer:
- Roger Nichols (in 1972-08)
- producer:
- Gary Katz (in 1972-08)
- drums (drum set):
- Jim Hodder (in 1972-08)
- electric bass guitar:
- Walter Becker (in 1972-08)
- electric guitar:
- Jeff “Skunk” Baxter (in 1972-08) and Denny Dias (in 1972-08)
- piano and lead vocals:
- Donald Fagen (in 1972-08)
- solo electric guitar:
- Elliott Randall (in 1972-08)
- background vocals:
- Donald Fagen (in 1972-08) and David Palmer (in 1972-08)
- phonographic copyright (℗) by:
- ABC Records, Inc (in 1972), ABC/Dunhill Records (in 1972), MCA Records, Inc. (in 1972) and UMG Recordings, Inc. (in 1972)
- engineered at:
- The Village Recorder in Los Angeles, California, United States (in 1972-08)
- recording of:
- Reelin’ In the Years (in 1972-08)
- writer:
- Walter Becker and Donald Fagen
- publisher:
- Ampar Music Corp., Anchor Music Ltd., MCA Music , MCA Music Ltd., Minder Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. and Wingate Music Corp.
| Steely Dan | 4.65 | 4:39 |
| 37 | Dreams | The Cranberries | 4 | 4:15 |
| 38 | 6th Avenue Heartache | The Wallflowers | 4.35 | 5:37 |
| 39 | Kathleen | Catfish and the Bottlemen | | 2:41 |
| 40 | Junk of the Heart (Happy) | The Kooks | 3.6 | 3:07 |
| 41 | T‐Shirt Weather (no crossfade) | Circa Waves | | 3:14 |
| 42 | Losing My Religion | R.E.M. | 4.2 | 4:28 |
| 43 | The Passenger | Iggy Pop | 4.6 | 4:41 |
| 44 | Fly Away | Lenny Kravitz | 4 | 3:42 |
| 45 | Bohemian Like You | The Dandy Warhols | 4.2 | 3:32 |
| 46 | Hey Jealousy | Gin Blossoms | 4 | 3:55 |
| 47 | Lucky Man | The Verve | 3.85 | 4:50 |
| 48 | Blowin’ Free | Wishbone Ash | 3 | 5:18 |
| 49 | I Shot the Sheriff | Eric Clapton | 4 | 4:24 |
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