Ultimate Drive

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Bat out of Hell
Bassgitarre:
Kasim Sulton
Gitarre und Gitarre [Motorcycle guitar]:
Todd Rundgren
Keyboard:
Roy Bittan, Todd Rundgren und Jim Steinman
Klavier:
Roy Bittan
Perkussion:
Jim Steinman
Schlagzeug:
Max Weinberg
Synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
Hintergrundgesang:
Todd Rundgren und Kasim Sulton
Sologesang:
Meat Loaf
zusätzlich Hintergrundgesang:
Rory Dodd und Ellen Foley
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Bearbeitung von:
Bat Out of Hell von Meat Loaf
recording of:
Bat out of Hell
Texter und Komponist(in):
Jim Steinman
publisher:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music und Peg Music Co.
Meat Loaf4.654:50
2Holding Out for a Hero
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
recording of:
Holding Out for a Hero
Texter:
Dean Pitchford
Komponist(in):
Jim Steinman
publisher:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody und Sony/ATV Music Publishing LLC (1995–2020)
basiert auf:
Stark Raving Love
Bonnie Tyler4.154:20
3I Drove All Night
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recording of:
I Drove All Night
Verfasser(in):
Tom Kelly (songwriter) und Billy Steinberg
publisher:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing Ltd. und Warner Chappell Music Ltd.
Cyndi Lauper4.54:09
4Get Outta My Dreams, Get Into My Car
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1988)
Bearbeitung von:
Get Outta My Dreams, Get Into My Car von Billy Ocean
recording of:
Get Outta My Dreams, Get Into My Car (in 1987)
Verfasser(in):
Robert John “Mutt” Lange (Robert John Lange) und Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Universal Music Publishers MGB Australia Pty Ltd und Zomba Music Publishing Ltd.
recording of:
When the Going Gets Tough, the Tough Get Going
Verfasser(in):
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) und Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean2.354:43
5Hit the Road Jack
Buster Poindexter3:07
6Budapest
Programmierung und Produzent(in):
Cam Blackwood
Techniker(in):
Cam Blackwood und Liam Thorne
assistierende(r) Produzent(in):
Liam Thorne
assistierende(r) Mix:
Sean Julliard
Mix:
Cenzo Townshend (engineer)
Bass-Synthesizer:
Cam Blackwood
Gitarre, Keyboard und Perkussion:
Cam Blackwood und George Ezra
Sologesang:
George Ezra
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
aufgenommen bei:
Voltaire Road Recording Studios in Clapham, Lambeth, London (Greater London), England, Vereinigtes Königreich
mixed at:
Decoy Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 89)
recording of:
Budapest
Verfasser(in):
George Ezra Barnett und Joel Pott
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
George Ezra3.653:20
7Drive By
Produzent(in):
Espionage (NY-based Norwegian songwriting/production team) und Butch Walker
assistierende(r) Mix:
Doug Johnson (Label executive. Also engineer, songwriter, producer)
Mix:
Mark Endert
Bass:
Hector Maldanado
Gitarre:
Jimmy Stafford (member of Train)
Keyboard:
Jerry Becker
Schlagzeug:
Scott Underwood (Drummer for Train)
vocals:
Pat Monahan
mixed at:
Indian River Studios in Florida, Vereinigte Staaten
Teil von:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 45)
recording of:
Drive By
Verfasser(in):
Amund Bjørklund, Espen Lind und Pat Monahan
Train3.53:15
8The Boy in the Bubble
assistierende(r) Techniker(in):
Mark Cobrin und Peter Thwaites
Techniker(in):
Roy Halee
Produzent(in):
Paul Simon (of Simon & Garfunkel)
accordion:
Forere Motloheloa
Akustikgitarre, Hintergrundgesang und Sologesang:
Paul Simon (of Simon & Garfunkel)
Bassgitarre:
Baghiti Khumalo
Gitarrensynthesizer [synthesizer guitar]:
Adrian Belew
Perkussion:
Makhaya Mahlangu
Schlagzeug:
Vusi Khumalo
Synthesizer:
Rob Mounsey
Interpret(in):
Tau Ea Matsekha
aufgenommen bei:
Ovation Studios in Johannesburg, Gauteng, Südafrika (in 1985-02) und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (in 1986-04)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (in 1986)
recording of:
The Boy in the Bubble
Texter:
Paul Simon (of Simon & Garfunkel)
Komponist(in):
Forere Motloheloa und Paul Simon (of Simon & Garfunkel)
publisher:
Universal/MCA Music Ltd. (not for release label use!) und Paul Simon Music (in 1986)
Paul Simon4.353:57
9The Stars (Are Out Tonight)
assistierende(r) Techniker(in):
Kabir Hermon und Brian Thorn
Techniker(in):
Mario J. McNulty und Tony Visconti
Produzent(in):
David Bowie (English singer‐songwriter) und Tony Visconti
Mix:
Tony Visconti
baritone saxophone und Kontrabassklarinette:
Steve Elson (American saxophonist, clarinetist, flutist & duduk player) (am 2011-05-09)
Bassgitarre:
Gail Ann Dorsey (am 2011-05-09)
Bratsche / Viola:
Hiroko Taguchi (violinist) (am 2011-05-09)
Cello:
Anja Wood (am 2011-05-09)
Geige / Violine:
Antoine Silverman (am 2011-05-09) und Maxim Moston (am 2011-05-09)
Gitarre:
Gerry Leonard (am 2011-05-09) und David Torn (guitarist/composer aka SPLaTTeRCeLL) (am 2011-05-09)
recorder:
Tony Visconti (am 2011-05-09)
Schlagzeug:
Zachary Alford (session drummer) (am 2011-05-09)
zwölfsaitige Gitarre [twelve-string acoustic guitar]:
David Bowie (English singer‐songwriter) (am 2011-05-09)
Chorgesang:
Gail Ann Dorsey (am 2011-05-09) und Janice Pendarvis (am 2011-05-09)
Hintergrundgesang und Sologesang:
David Bowie (English singer‐songwriter) (am 2011-10-26)
Saiteninstrumente arranger:
David Bowie (English singer‐songwriter) und Tony Visconti
aufgenommen bei:
The Magic Shop in Manhattan, New York, New York, Vereinigte Staaten (am 2011-05-09) und Human Worldwide in New York, New York, Vereinigte Staaten (am 2011-10-26: Sologesang, Hintergrundgesang)
Teil von:
Grammy Award: Best Rock Performance nominees (Nummer: 2014)
recording of:
The Stars (Are Out Tonight) (von 2011-05-09 bis 2011-10-26)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
Nipple Music
sub-publisher:
渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division) (beendet), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
David Bowie4.63:55
10You Drive, I’ll Steer
Techniker(in):
Phil Kaffel
Produzent(in):
Richie Zito
Mix:
David Thoener
zusätzlich Gast Hintergrundgesang:
Russell Mael
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1990)
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
You Drive, I’ll Steer
Verfasser(in):
Rick Nielsen und Robin Zander
Cheap Trick54:31
11On the Road Again
recording of:
On the Road Again
Texter und Komponist(in):
Willie Nelson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Full Nelson Music und EMI Music Publishing Australia Pty. Limited (not for release label use!)
Teil von:
The 53rd Academy Award for Best Original Song (Nummer: 2)
Willie Nelson2:33
12Take Me Home, Country Roads
recording engineer:
Ray Hall (engineer)
assistierende(r) Produzent(in):
Jean Kaplow
Produzent(in):
Milt Okun
Akustikgitarre [6-string guitar] und Sologesang:
John Denver
Banjo und Pedal-Steel-Gitarre:
Eric Weissberg
Gitarre:
Bill Danoff und Michael Taylor (Guitarist & former member of the John Denver Band)
Klavier:
Frank Owens (American pianist)
Kontrabass:
Dick Kniss
membranophone:
Gary Chester (studio drummer and educator)
Hintergrundgesang:
Bill Danoff, Taffy Nivert und Starland Vocal Band
vocals:
John Denver
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 94) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 358)
recording of:
Take Me Home, Country Roads (am 1971-02-04)
Verfasser(in):
Bill Danoff, John Denver und Taffy Nivert
publisher:
BMG Ruby Songs, Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs, Reservoir Media Music und Cherry Lane Music Publishing Company Inc. (in 1971)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
John Denver4.33:09
13Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 71) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (Van Morrison song) (von 1967-03-28 bis 1967-04-07)
Texter und Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
Van Morrison3.253:03
14Lido Shuffle
Techniker(in):
Tom Perry (engineer)
Produzent(in):
Joe Wissert
Bassgitarre:
David Hungate (in 1975-09)
Blasinstrumente:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) und Bud Shank (in 1975-09)
Blechblasinstrumente:
Dick Hyde (in 1975-09)
Gitarre:
Louie Shelton (in 1975-09) und Fred Tackett (in 1975-09)
Horn:
Vincent DeRosa (in 1975-09)
Moog:
David Paich (in 1975-09)
Schlagzeug:
Jeff Porcaro (in 1975-09)
Trompete:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) und Paul Hubinon (in 1975-09)
Sologesang:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
Lido Shuffle (in 1975-09)
Texter:
Boz Scaggs
Komponist(in):
David Paich und Boz Scaggs
publisher:
BMG Music Ltd., Boz Scaggs Music (publisher), Francis & Freedman Accountancy Corp., Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK) und Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs3.653:39
15Turbo Lover
Techniker(in):
Bill Dooley (engineer)
Produzent(in):
Tom Allom
Mix:
Tom Allom, Bill Dooley (engineer), Kenneth Downing und Glenn Tipton
E-Bass:
Ian Hill (UK bassist for Judas Priest) (von 1985-06 bis 1985-11)
E-Gitarre:
Kenneth Downing (von 1985-06 bis 1985-11) und Glenn Tipton (von 1985-06 bis 1985-11)
Schlagzeug:
Dave Holland (British rock drummer) (von 1985-06 bis 1985-11)
Solo-E-Gitarre:
Glenn Tipton (von 1985-06 bis 1985-11)
Sologesang:
Rob Halford (von 1985-06 bis 1985-11)
arranger:
Kenneth Downing, Rob Halford und Glenn Tipton
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas (von 1985-06 bis 1985-11)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Turbo Lover (music video) von Judas Priest
recording of:
Turbo Lover (von 1985-06 bis 1985-11)
Verfasser(in):
Kenneth Downing, Rob Halford und Glenn Tipton
publisher:
EMI April Music Inc.
Judas Priest4.55:29
16Race With the Devil
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968, in 1969) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1968)
recording of:
Race With the Devil
Verfasser(in):
Adrian Gurvitz
publisher:
Campbell Connelly & Co. Ltd., Radio Music Britain und Universal/MCA Music Ltd. (not for release label use!)
The Gun4.253:33
17Long Train Runnin’ (live)
live recording of:
Long Train Runnin’
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) und Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers5:55
18Free Fallin’ (live at the Nokia Theatre)
recording engineer:
Ed Cherney (am 2007-12-08)
Techniker(in):
Ian C Charbonneau
assistierende(r) Mix:
Jeremy Underwood (engineer)
Mix:
Chad Franscoviak und Martin Pradler
Akustikgitarre:
David Ryan Harris (am 2007-12-08) und John Mayer (US singer‐songwriter) (am 2007-12-08)
Resonatorgitarre:
Robbie McIntosh (English guitarist for The Pretenders) (am 2007-12-08)
Hintergrundgesang:
David Ryan Harris (am 2007-12-08) und Robbie McIntosh (English guitarist for The Pretenders) (am 2007-12-08)
Sologesang:
John Mayer (US singer‐songwriter) (am 2007-12-08)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2008)
aufgenommen bei:
Nokia Theatre L.A. Live (Peacock Theater, formerly Microsoft Theater, Nokia Theatre L.A. Live) in Downtown Los Angeles, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 2007-12-08)
mixed at:
Drive-By Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
live cover recording of:
Free Fallin’ (am 2007-12-08)
Verfasser(in):
Jeff Lynne und Tom Petty
publisher:
EMI April Music Inc. und Gone Gator Music (ASCAP affiliated)
John Mayer44:22
19Ventura Highway
recording of:
Ventura Highway
Texter und Komponist(in):
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
America3:46
2▼CD
Nr.TitelKünstlerBewertungLänge
1Homeward Bound
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Mix:
Vic Anesini
Interpret(in):
Art Garfunkel, Simon & Garfunkel und Paul Simon (of Simon & Garfunkel)
recording of:
Homeward Bound (am 1965-12-14)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) und Paul Simon Music
Simon & Garfunkel42:29
2Dust in the Wind
Techniker(in):
Jeff Glixman (von 1977-06 bis 1977-07)
zusätzliche(r) Techniker(in):
Terry Diane Becker (engineer)
Produzent(in):
Jeff Glixman (in 1977-06)
Akustikgitarre und E-Gitarre:
Kerry Livgren (von 1977-06 bis 1977-07) und Rich Williams (guitarist of Kansas) (von 1977-06 bis 1977-07)
Bassgitarre:
Dave Hope (von 1977-06 bis 1977-07)
Bratsche / Viola, Cello und Geige / Violine [violins]:
Robby Steinhardt (von 1977-06 bis 1977-07)
Celesta, Orgel, Synthesizer, Vibraphon und Sologesang:
Steve Walsh (original lead singer of Kansas) (von 1977-06 bis 1977-07)
Chimes, gong, Pauke und Schlagzeug:
Phil Ehart (von 1977-06 bis 1977-07)
Clavinet und Synthesizer [synthesizers]:
Kerry Livgren (von 1977-06 bis 1977-07)
Klavier:
Kerry Livgren (von 1977-06 bis 1977-07) und Steve Walsh (original lead singer of Kansas) (von 1977-06 bis 1977-07)
Perkussion [additional percussion]:
Phil Ehart (von 1977-06 bis 1977-07), Kerry Livgren (von 1977-06 bis 1977-07) und Steve Walsh (original lead singer of Kansas) (von 1977-06 bis 1977-07)
Hintergrundgesang:
Robby Steinhardt (von 1977-06 bis 1977-07) und Steve Walsh (original lead singer of Kansas) (von 1977-06 bis 1977-07)
arranger:
Kansas (US prog rock band)
phonographisches Urheberrecht (℗) von:
Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) und CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978)
aufgenommen bei:
Studio in the Country in Bogalusa, Louisiana, Vereinigte Staaten (von 1977-06 bis 1977-07) und Woodland Studios in Nashville, Tennessee, Vereinigte Staaten (von 1977-06 bis 1977-07)
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1977-08)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 39)
recording of:
Dust in the Wind (von 1977-06 bis 1977-07)
Texter und Komponist(in):
Kerry Livgren
publisher:
Blackwood Music Publishing, Don Kirshner Music Inc., Kirshner CBS Music Publishing und Kirshner-Warner Bros Music Ltd.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
adaptations:
As the Sun Rises
Kansas4.053:27
3Livin’ Thing
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) und Duane Scott
Produzent(in):
Jeff Lynne
Bass:
Kelly Groucutt (in 1976-07)
Cello:
Melvyn Gale (in 1976-07) und Hugh McDowell (in 1976-07)
Clavinet, Klavier und Moog:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
Geige / Violine:
Mik Kaminski (in 1976-07)
Gitarre:
Jeff Lynne (in 1976-07) und Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (in 1976-07)
Hintergrundgesang:
Brie Brandt (in 1976-07), Kelly Groucutt (in 1976-07), Addie Lee (in 1976-07) und Patti Quatro (in 1976-07)
Sologesang:
Jeff Lynne (in 1976-07)
conductor:
Louis Clark (in 1976-07)
Chorgesang arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
Orchestrator(in):
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Jet Records (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976, in 2005), United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1976) und Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1976-07) und Musicland Studios (Munich) in München, Bayern, Deutschland (in 1976-07)
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
edited at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Livin’ Thing (in 1976-07)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Jet Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.153:32
4Club Foot
Produzent(in):
Kasabian
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Jim Abbiss
Mix:
Simon “Barny” Barnicott
Bassgitarre, E-Gitarre und Synthesizer:
Christopher Karloff
E-Gitarre und Synthesizer und Hintergrundgesang:
Sergio Pizzorno
Sologesang:
Tom Meighan
Musikvideos:
Club Foot (music video) von Kasabian
recording of:
Club Foot
Texter und Verfasser(in):
Sergio Pizzorno
Komponist(in):
Christopher Karloff und Sergio Pizzorno
Kasabian4.253:36
5Dashboard
Programmierung:
Kyle "Slick" Johnson (US recording engineer)
Techniker(in):
Clay Jones (producer/engineer/mixer from Oxford, MS, USA) und Joe Zook (engineer)
Produzent(in):
Dennis Herring
Mix:
Dennis Herring und Joe Zook (engineer)
shakers:
Clay Jones (producer/engineer/mixer from Oxford, MS, USA)
mixed at:
Sweet Tea in Oxford, Mississippi, Vereinigte Staaten
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 168)
recording of:
Dashboard
Texter:
Isaac Brock
Komponist(in):
Isaac Brock, Jeremiah Green, Eric Judy, Johnny Marr, Tom Peloso und Joe Plummer (drummer)
publisher:
Crazy Gnome, Marr Songs Ltd., Party Pants Music, Robot Horse Music, Tschudi Music und Ugly Casanova
Modest Mouse4.24:07
6Change
Produzent(in):
Ian Broudie und Simon Rogers
Mix:
David Bascombe
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1995)
recording of:
Change
Verfasser(in):
Ian Broudie
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
The Lightning Seeds3:39
7Cars and Girls
Produzent(in):
Jon Kelly (engineer at Air London Studios) und Paddy McAloon
Mix:
Richard Moakes
Keyboard:
Gary Moberley, Prefab Sprout und Paul Wickens
Perkussion:
Luís Jardim
Sologesang:
Paddy McAloon
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 53)
recording of:
Cars and Girls
Texter und Komponist(in):
Paddy McAloon
publisher:
EMI Songs Ltd.
Prefab Sprout44:27
8Walk on the Wild Side
Produzent(in):
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
E-Bass und Kontrabass:
Herbie Flowers (in 1972-08)
Schlagzeug:
John Halsey (in 1972-08)
Hintergrundgesang:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
Sologesang:
Lou Reed (in 1972-08)
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Samples von:
2018-12-11: Lexicon Valley, “Why Language Can’t Be Tamed” von John McWhorter
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 180) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 221)
recording of:
Walk on the Wild Side (in 1972-08)
Texter und Komponist(in):
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Six Continents Music Publishing Inc.
Lou Reed4.24:14
9Two Princes
Techniker(in):
Frank Aversa und Spin Doctors
Produzent(in):
Frank Aversa, Peter Denenberg, Frankie LaRocka und Spin Doctors
Mix:
Peter Denenberg, Frankie LaRocka und Spin Doctors
Bassgitarre:
Mark White (Spin Doctors)
Gitarre:
Eric Schenkman
Hammond-Orgel, Schlagzeug und Perkussion:
Aaron Comess
Gast Hintergrundgesang:
John Popper
vocals:
Chris Barron
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Two Princes
Verfasser(in):
Chris Barron, Aaron Comess, Eric Schenkman und Mark White (Spin Doctors)
publisher:
Mow B'jow Music, Sony Songs Inc. und Sony/ATV Music Publishing Ltd.
Spin Doctors4.254:17
10Wake Up Boo!
Techniker(in):
Andy Wilkinson (UK engineer)
Produzent(in):
The Boo Radleys
Mix:
Al Clay
recording of:
Wake Up Boo!
Texter und Komponist(in):
Martin Carr
The Boo Radleys33:06
11Motorcycle Emptiness
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2002)
recording of:
Motorcycle Emptiness
Texter:
Richey James Edwards und Nicky Wire
Komponist(in):
James Dean Bradfield und Sean Moore (Manic Street Preachers)
publisher:
SM Publishing (UK) Limited (Sony Music, 2009–2020) und Sony/ATV Music Publishing
basiert auf:
Behave Yourself Baby
Manic Street Preachers33:35
12Wherever You Will Go
Assistent recording engineer:
Tiago Becker und Valente Torres
recording engineer:
Marc Greene (engineer) und David Thoener
Produzent(in):
Marc Tanner
Mix:
Chris Lord‐Alge
Bass:
Bob Glaub
Gitarre, Mandoline, Sampler [loops] und Sitar:
Aaron Kamin
Perkussion:
Aaron Kamin, Matt Laug und Satnam Ramgotra
Schlagzeug:
Matt Laug
Synthesizer [synth strings]:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Tabla:
Satnam Ramgotra
zusätzlich Keyboard:
Paul Mirkovich
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 2001) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2001)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Image Recording in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 2002 (Nummer: 5)
recording of:
Wherever You Will Go
Verfasser(in):
Alex Band (singer‐songwriter and frontman of The Calling) und Aaron Kamin
publisher:
Alex Band Music, Amedeo Music, BMG Music Publishing, Inc., BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Careers und Universal Music Publishing MGB Ltd.
The Calling3.953:28
13Mmm Mmm Mmm Mmm
recording engineer:
Tommy Lipnick
zusätzlich recording engineer:
David Vartanian
Techniker(in):
Dan Harjung
Produzent(in):
Crash Test Dummies und Jerry Harrison (Talking Heads)
Mix:
Tom Lord‐Alge
Editing:
Patrick Murphy (engineer)
accordion, Keyboard [keyboards], Klavier und Hintergrundgesang [back-up vocals]:
Ellen Reid
Akustikgitarre [acoustic guitars], E-Gitarre [electric guitars] und Sologesang:
Brad Roberts (of Crash Test Dummies)
phonographisches Urheberrecht (℗) von:
BMG Music Canada Inc. (in 1991, in 1993) und BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 1993)
aufgenommen bei:
DV Productions in Milwaukee, Wisconsin, Vereinigte Staaten, Mindscape in Chicago, Illinois, Vereinigte Staaten und Music Head Recording in Lake Geneva, Wisconsin, Vereinigte Staaten
mixed at:
Music Head Recording in Lake Geneva, Wisconsin, Vereinigte Staaten
produced at:
God Of Thunder Studios
Musikvideos:
Mmm Mmm Mmm Mmm von Crash Test Dummies
recording of:
Mmm Mmm Mmm Mmm
Texter und Komponist(in):
Brad Roberts (of Crash Test Dummies)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Door Number Two Music (in 1993), Dummies Productions Inc. (in 1993) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1993)
Crash Test Dummies3.953:54
14Runaway Train
assistierende(r) Techniker(in):
David Michael Dill (engineer) und Dan Gellert (sound engineer)
Produzent(in):
Michael Beinhorn
assistierende(r) Mix:
Craig Doubet (recording engineer) und Steve Sisco
Mix:
Andy Wallace (engineer)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1992) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1992)
recording of:
Runaway Train
Texter und Komponist(in):
Dave Pirner
publisher:
EMI Music Publishing Taiwan, LFR Music, Standing Water Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
Soul Asylum4.44:26
15Eye of the Tiger
assistierende(r) Techniker(in):
Hill Swimmer
Techniker(in):
Phil Bonanno und Mike Clink
Produzent(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographisches Urheberrecht (℗) von:
Volcano Entertainment III, L.L.C. (in 1985)
recording of:
Eye of the Tiger
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2)
Survivor4.83:48
16Somebody to Love
recording engineer:
David Hassinger (am 1966-11-03)
Produzent(in):
Rick Jarrard (von 1966-10-31 bis 1966-11-22)
Bass:
Jack Casady (von 1966-10-31 bis 1966-11-22)
Gitarre [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (von 1966-10-31 bis 1966-11-22)
Gitarre [rhythm guitar]:
Paul Kantner (von 1966-10-31 bis 1966-11-22)
Schlagzeug:
Spencer Dryden (von 1966-10-31 bis 1966-11-22)
Sologesang:
Grace Slick (von 1966-10-31 bis 1966-11-22)
vocals:
Marty Balin (von 1966-10-31 bis 1966-11-22) und Paul Kantner (von 1966-10-31 bis 1966-11-22)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967) und RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1967)
aufgenommen bei:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-10-31 bis 1966-11-22)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 274)
recording of:
Somebody to Love (Jefferson Airplane song) (von 1966-10-31 bis 1966-11-22)
Texter und Komponist(in):
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.62:58
17Evil Ways
Produzent(in):
Carlos Santana
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1969)
cover recording of:
Evil Ways
Texter und Komponist(in):
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
publisher:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music und Universal–Songs of PolyGram International, Inc.
Santana53:00
18Wheels on My Heels
recording of:
Wheels on My Heels
Verfasser(in):
Roy C. Bennett (US songwriter) und Sid Tepper
Elvis Presley1:21
19Highway 61 Revisited
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer) (von 1965-07-29 bis 1965-08-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 365)
recording of:
Highway 61 Revisited (am 1965-08-02)
Texter und Komponist(in):
Bob Dylan (von 1965-06 bis 1965-07)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) (von 1965 bis 1993) und Special Rider Music (vom 1993 bis heute)
Bob Dylan3.83:27
20Mercedes Benz
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-10-01)
Techniker(in):
Phil Macy (50s-70s engineer)
Produzent(in):
Paul A. Rothchild
Bassgitarre:
Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-10-01)
Gast-Bongos und Gast-Conga:
Bobbye Hall
Gast-Bongos und Conga:
Bobbye Hall (am 1970-10-01)
Gast-Tamburin:
Sandra Crouch (am 1970-10-01)
Gitarre:
John Till (rock guitarist) (am 1970-10-01)
Klavier:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-10-01)
Orgel:
Ken Pearson (am 1970-10-01)
Schlagzeug:
Clark Pierson (am 1970-10-01)
Hintergrundgesang:
Phil Badella (am 1970-10-01), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-10-01), Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-10-01), John Cooke (am 1970-10-01), Janis Joplin (am 1970-10-01), Vince Mitchell (am 1970-10-01), Ken Pearson (am 1970-10-01), Clark Pierson (am 1970-10-01) und John Till (rock guitarist) (am 1970-10-01)
Sologesang:
Janis Joplin (am 1970-10-01)
Interpret(in):
Full Tilt Boogie (am 1970-10-01)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-10-01)
recording of:
Mercedes Benz (am 1970-10-01)
Verfasser(in):
Janis Joplin, Michael McClure und Bob Neuwirth
Janis Joplin3.551:48
3▼CD
Nr.TitelKünstlerBewertungLänge
1Freeway of Love
assistierende(r) Techniker(in):
Dana Jon Chappelle, Maureen Droney und Ray Pyle
Techniker(in):
Dr. Dave Frazer
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Narada Michael Walden
Mix:
Michael Brauer (engineer)
Solo-Saxophon:
Clarence Clemons
arranger:
Narada Michael Walden
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985)
recording of:
Freeway of Love
Verfasser(in):
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) und Narada Michael Walden
publisher:
Carlin Music Corporation, Gratitude Sky Music, Inc., Polo Grounds Music und When Words Collide Music
Aretha Franklin4:11
2(I’ve Had) The Time of My Life
assistierende(r) Techniker(in):
Jeff DeMorris (Aufgabe: 2nd assistant engineer) und Dan Nebenzal (Aufgabe: 1st assistant engineer)
Techniker(in):
Carmine Rubino
Produzent(in):
Michael Lloyd (US guitarist/singer producer)
vocals:
Bill Medley und Jennifer Warnes
remixer:
Jimmy Ienner (producer), Michael Lloyd (US guitarist/singer producer), Dan Nebenzal und Carmine Rubino
arranger:
Gene Page
zusätzlich arranger:
John D’Andrea und Michael Lloyd (US guitarist/singer producer)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Music (in 1987) und Vestron Music Inc. (in 1987)
produced for:
Mike Curb Productions
aufgenommen bei:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
(I’ve Had) The Time of My Life
Texter:
Franke Previte
Komponist(in):
John DeNicola und Donald Markowitz
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (beendet), Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Tunes LLC (ASCAP), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.), Donald Jay Music, Ltd. (publisher) (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) und R.U. Cyrius Publishing (in 1987)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1987 winner)
Bill Medley & Jennifer Warnes3.754:49
3Danger Zone
Synthesizer [synth]-Programmierung:
Hans Zimmer (German score composer)
Techniker(in):
Dave Concors, Dave Connors und Tom Whitlock
leitende(r) Produzent(in):
Michael Dilbeck
Produzent(in):
Giorgio Moroder und Tom Whitlock
Mix:
Giorgio Moroder und Brian Reeves
Gitarre:
Dann Huff und Kenny Loggins
Keyboard:
Giorgio Moroder
Saxophon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Schlagzeug:
John Robinson (session drummer)
Synthesizer:
Tom Whitlock
Sologesang:
Kenny Loggins
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
aufgenommen bei:
Oasis Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
a cappella versions:
Danger Zone von Tufts Beelzebubs (Tufts University all-male a cappella group)
recording of:
Danger Zone (Top Gun)
Texter:
Thomas Whitlock
Komponist(in):
Giorgio Moroder
publisher:
Budde Music Inc. (US publisher), Neue Welt Musikverlag GmbH (2017 – present), Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Warner Chappell Overseas Holdings Ltd., Warner/Chappell North America, WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986) und GMPC (in 1986)
Kenny Loggins4.353:35
4Because the Night
Produzent(in):
Jimmy Iovine
Mix:
Jimmy Iovine und Shelly Yakus
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978, in 1988) und Arista Records, LLC (holding company - file NO releases here!) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 72)
recording of:
Because the Night
publisher:
Bruce Springsteen und Bruce Springsteen (in 1975)
Texter:
Patti Smith (in 1977) und Bruce Springsteen (in 1977)
Komponist(in):
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith Group4.553:21
5Fire
Produzent(in):
Richard Perry (producer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
cover recording of:
Fire
Texter und Komponist(in):
Bruce Springsteen (in 1977-05)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Pointer Sisters4.353:25
6500 Miles
cover recording of:
500 Miles
Texter und Komponist(in):
Hedy West
publisher:
Robert Mellin, Inc., Unichappell Music, Inc. und ミュージカル・ライツ・東京 (Musical Lights Tokyo)
recording of:
500 Miles
Texter und Komponist(in):
Hedy West
publisher:
Robert Mellin, Inc., Unichappell Music, Inc. und ミュージカル・ライツ・東京 (Musical Lights Tokyo)
The Hooters4.54:21
7The Way It Is
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1986)
recording of:
The Way It Is
Texter und Komponist(in):
B.R. Hornsby
publisher:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Zappo Music (vom 1986 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & the Range4.353:58
8Superheroes
recording engineer:
Michael Heffernan und Fergal Toohey (Schlagzeug [drums])
assistierende(r) Techniker(in) und assistierende(r) Produzent(in):
Fergal Toohey
Produzent(in):
Jimbo (producer and songwriter), Danny O’Donoghue und Mark Sheehan
zusätzliche(r) Produzent(in):
Andrew Frampton
assistierende(r) Mix:
Geoff Swan
Mix:
Spike Stent (producer, engineer)
Perkussion und Schlagzeug [drums]:
Glen Power
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
aufgenommen bei:
Sofa Sound Studio in London (Greater London), England, Vereinigtes Königreich und Sun Studios in Dublin, County Dublin, Leinster, Irland
recording of:
Superheroes
Verfasser(in):
James Barry (producer and songwriter), Danny O’Donoghue und Mark Sheehan
publisher:
Global Talent Publishing Ltd. (PRS-affiliated) und MadMusic Publishing
The Script34:04
9Rude
Produzent(in):
The Messengers (production duo)
Samples:
Three Little Birds von Bob Marley & The Wailers
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 7)
recording of:
Rude
Verfasser(in):
Alexander Tanasijczuk, Adam Messinger, Nasri Atweh, Mark Pellizzer und Ben Spivak
MAGIC!4.23:45
10Up, Up and Away
Techniker(in):
“Bones” Howe
Produzent(in):
Johnny Rivers und Marc Gordon (soul songwriter, producer, and manager)
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
conductor:
Jim Webb (US songwriter, composer, producer, pianist & singer)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Marty Paich
arranger:
Jim Webb (US songwriter, composer, producer, pianist & singer)
aufgenommen bei:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Up, Up and Away
Texter und Komponist(in):
Jim Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Johnny Rivers Music
The 5th Dimension2.52:37
11Green Light
John Legend & André 30004.654:46
12Can You Feel It
Produzent(in):
The Jacksons (formerly “The Jackson 5”)
Bass:
Nathan Watts
Gitarre:
Tito Jackson und David Williams (session guitarist and songwriter)
Keyboard:
Ronnie Foster, Greg Phillinganes und Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
Schlagzeug:
Ollie E. Brown (US drummer, session musician & record producer)
Vibraphon [vibes]:
Gary L. Coleman (US percussionist)
Chorgesang:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Bob Mack, Arnold McCuller, Paulette McWilliams, Louis Price, Lisa Roberts, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist), Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade und Gregory Wright
Sologesang:
Michael Jackson (“King of Pop”) und Randy Jackson (brother of Michael and Janet)
Saiteninstrumente arranger:
Tom Tom 84
arranger:
Jackie Jackson (member of the Jackson 5) und Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
recording of:
Can You Feel It
Verfasser(in):
Jackie Jackson (member of the Jackson 5) und Michael Jackson (“King of Pop”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
MJ: The Musical
The Jackson 54.353:48
13Love Train
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Love Train (in 1972)
Texter und Komponist(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:59
14Midnight Train to Georgia
Bearbeitung von:
Midnight Train to Georgia von Gladys Knight & the Pips
recording of:
Midnight Train to Georgia
Texter und Komponist(in):
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.53:53
15Back Up Train
recording of:
Back Up Train
Texter und Komponist(in):
Palmer James und Curtis Rodgers
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing France
Al Green42:20
16Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (in 1977)
Sologesang:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.64:12
17I See You Baby (Fatboy Slim radio edit)
Techniker(in):
Simon Thornton (Big beat mixing engineer)
Gast vocals:
Gram’ma Funk
remixer:
Fatboy Slim
arranger:
Fatboy Slim
recording of:
I See You Baby
Texter und Komponist(in):
Andy Cato, Tom Findlay (UK electronic DJ/producer, Groove Armada) und Toi Wooten
Groove Armada & Gram’ma Funk3.454:05
18Ain’t Got No / I Got Life
cover recording of:
Ain’t Got No, I Got Life
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Medley von:
I Got Life (from “Hair”)
Medley von:
Ain’t Got No (from “Hair”)
Nina Simone2:11
19Don’t Stop Believin’
assistierende(r) Techniker(in):
Wally Buck
Techniker(in):
Kevin Elson
Produzent(in):
Kevin Elson und Mike Stone (producer and engineer, 1960s–80s)
Bassgitarre:
Ross Valory (von 1981-04 bis 1981-06)
Gitarre:
Neal Schon (von 1981-04 bis 1981-06)
Keyboard und Klavier:
Jonathan Cain (von 1981-04 bis 1981-06)
Schlagzeug und Perkussion:
Steve Smith (US drummer most associated with Journey) (von 1981-04 bis 1981-06)
Hintergrundgesang:
Jonathan Cain (von 1981-04 bis 1981-06), Neal Schon (von 1981-04 bis 1981-06) und Ross Valory (von 1981-04 bis 1981-06)
Sologesang:
Steve Perry (former lead singer of Journey) (von 1981-04 bis 1981-06)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (von 1981-04 bis 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
Teil von:
SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 11), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 51) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 133)
recording of:
Don’t Stop Believin’ (Journey song) (von 1981-04 bis 1981-06)
Verfasser(in):
Jonathan Cain, Steve Perry (former lead singer of Journey) und Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) und Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Journey4.34:09
4▼CD
Nr.TitelKünstlerBewertungLänge
1Hit the Road and Go
recording of:
Hit the Road and Go
Texter und Komponist(in):
Johnny Cash (country music legend)
Johnny Cash2:42
2Theme From “The Dukes of Hazzard” (Good Ol’ Boys)
Produzent(in):
Richie Albright
Bass:
Jerry Bridges (von 1980 bis 1980-06-23)
Gitarre:
Waylon Jennings (US country musician) (von 1980 bis 1980-06-23), Gordon Payne (von 1980 bis 1980-06-23) und Randy Scruggs (von 1980 bis 1980-06-23)
Klavier:
Clifford Barny Robertson (von 1980 bis 1980-06-23)
Resonatorgitarre:
Ralph Mooney (von 1980 bis 1980-06-23)
Schlagzeug:
Richie Albright (von 1980 bis 1980-06-23)
Hintergrundgesang:
Carter Robertson (von 1980 bis 1980-06-23)
Sologesang:
Waylon Jennings (US country musician) (von 1980 bis 1980-06-23)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1980), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1980) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
aufgenommen bei:
American Studios in Nashville, Tennessee, Vereinigte Staaten (in 1980, am 1980-06-23)
recording of:
Theme From the Dukes of Hazzard (Good Ol’ Boys) (von 1980 bis 1980-06-23)
Komponist(in):
Waylon Jennings (US country musician)
publisher:
Rich Way Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Waylon Jennings3.52:08
3Drive (for Daddy Gene)
Bass:
Glenn Worf
E-Gitarre:
Brent Mason
Klavier:
Gordon Mote
Mandoline:
Stuart Duncan
Mundharmonika:
Jim Hoke
Schlagzeug:
Eddie Bayers, Jr.
Steel-Gitarre:
Paul Franklin (steel guitarist)
Hintergrundgesang:
Wes Hightower
Teil von:
Billboard Decade End Chart: Country (2000's) (Nummer: 25), Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 52), Holler's Best 2000s Country Songs (Nummer: 67) und Billboard Year-End Hot 100 2002 (Nummer: 86)
recording of:
Drive (For Daddy Gene)
Texter und Komponist(in):
Alan Jackson (US country singer/songwriter)
Alan Jackson4.54:03
4Roll On (Eighteen Wheeler)
recording of:
Roll On (Eighteen Wheeler)
Texter und Komponist(in):
Dave Loggins
Alabama43:45
5Jolene
Techniker(in):
Tom Pick
Produzent(in):
Bob Ferguson
Banjo:
Bobby Thompson (guitar & banjo player) (am 1972-05-03) und Buck Trent (am 1972-05-03)
Bass:
Bobby Dyson (am 1972-05-03)
E-Gitarre:
Jimmy Colvard (American session guitarist) (am 1972-05-03)
Fiddle:
Johnny Gimble (am 1972-05-03) und Mack Magaha (Bluegrass Fiddler) (am 1972-05-03)
Gitarre:
Dolly Parton (am 1972-05-03)
Gitarre [rhythm guitar]:
Dave Kirby (US country singer/songwriter) (am 1972-05-03)
Klavier:
Hargus "Pig" Robbins (am 1972-05-03)
Schlagzeug:
Kenny Malone (session drummer/percussion) (am 1972-05-03)
Steel-Gitarre:
Stu Basore (am 1972-05-03)
Hintergrundgesang:
Joe Babcock (am 1972-05-03), Dolores Edgin (am 1972-05-03), June Page (am 1972-05-03) und Hurshel Wiginton (am 1972-05-03)
vocals:
Dolly Parton (am 1972-05-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1973) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1972-05-03)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 1), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 63) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 217)
recording of:
Jolene (am 1972-05-03)
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. und Velvet Apple Music
Dolly Parton4.252:41
6The Devil Went Down to Georgia
Charlie Daniels3:35
7Everybody’s Talkin’ (from “Midnight Cowboy”)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
früheste Veröffentlichung:
Everybody’s Talkin’ von Nilsson (US singer-songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 51)
cover recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Harry Nilsson3.92:40
8Ballad of Easy Rider
Techniker(in):
Jerry Hochman (engineer)
Partner-Produzent(in):
Jerry Hochman (engineer)
Produzent(in):
Terry Melcher
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
cover recording of:
Ballad of Easy Rider (am 1969-06-18)
Texter und Komponist(in):
Roger McGuinn
zusätzlicher Texter:
Bob Dylan
publisher:
Dwarf Music
The Byrds32:03
9Hold Your Head Up
recording of:
Hold Your Head Up
Verfasser(in):
Rod Argent und Chris White (UK bassist for The Zombies)
publisher:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex (publisher), Mainstay Music, Inc., Marquis Songs USA und Verulum Music Co Ltd
sub-publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Argent6:18
10Play That Funky Music
recording of:
Play That Funky Music
Texter und Komponist(in):
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. und Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry53:04
11Six Days on the Road
Techniker(in):
Jerry Hochman (engineer) und Brian Ross-Myring
Produzent(in):
David Rubinson
Akustikgitarre [Mississippi National Steel-Bodied]:
Taj Mahal (US blues musician)
Bass [electric bass]:
Gary Gilmore (Bassist, not the criminal)
Schlagzeug:
Chuck "Brother" Blackwell
Taj Mahal3:00
12Pride and Joy
Assistent recording engineer:
James Geddes
recording engineer:
Richard Mullen
assistierende(r) Produzent(in):
Mikie Harris
leitende(r) Produzent(in):
John Hammond (producer)
Produzent(in):
Double Trouble (assoc. with Stevie Ray Vaughan), Richard Mullen und Stevie Ray Vaughan
assistierende(r) Mix:
Harry Spiridakis und Don Wershba (engineer)
Mix:
Lincoln Clapp (engineer)
Bassgitarre:
Tommy Shannon
Gitarre:
Stevie Ray Vaughan
Schlagzeug:
Chris Layton
vocals:
Stevie Ray Vaughan
aufgenommen bei:
Down Town Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten und Riverside Sound in Austin, Texas, Vereinigte Staaten
mixed at:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
Pride and Joy
Texter und Komponist(in):
Stevie Ray Vaughan
publisher:
Wixen Music UK Ltd.
Stevie Ray Vaughan and Double Trouble4.453:39
13Rollin’ Man
recording of:
Rollin’ Man
Verfasser(in):
C.G. Adams (blues rock singer/songwriter/producer/arranger/manager) und Peter Green (former member of Fleetwood Mac)
publisher:
Fleetwood Music Ltd.
Fleetwood Mac32:53
14Free Ride
recording of:
Free Ride
Texter und Komponist(in):
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. und Silver Steed Music
The Edgar Winter Group4.653:08
15No One to Run With
recording engineer und Mix:
Jay Mark
Techniker(in):
Phil Gitomer, David Hewitt (engineer), Jay Mark, Sean McClintock und Steven R. Robillard
Produzent(in):
Tom Dowd
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
aufgenommen bei:
BR Ranch Studios in Jupiter, Florida, Vereinigte Staaten
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
No One to Run With
Verfasser(in):
Dickey Betts und John Prestia
The Allman Brothers Band45:59
16Hard Rock Road
Steppenwolf43:31
17Freeway Jam
Techniker(in):
Denim Bridges
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Gitarre:
Jeff Beck (English rock guitarist)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Freeway Jam
Komponist(in):
Max Middleton
Jeff Beck2.54:59
18Race With the Devil on Spanish Highway
recording of:
Race With Devil on Spanish Highway
Komponist(in):
A. Di Meola
publisher:
Di Meola Music Company
Al Di Meola6:17
19Take Five
recorded in:
New York, New York, Vereinigte Staaten (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
recording engineer:
Fred Plaut
Produzent(in):
Teo Macero
alto saxophone:
Paul Desmond (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
Klavier:
Dave Brubeck (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
Kontrabass:
Eugene Wright (bass) (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
Schlagzeug:
Joe Morello (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
phonographisches Urheberrecht (℗) von:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) und TP4 Music (in 2017)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
recording of:
Take Five (original instrumental version) (am 1959-07-01)
Komponist(in):
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Dave Brubeck4.355:25

Nennungen